October 2017 Album Round Up!

Why is it that every single year, the last week of October is always the greatest (and, well, busiest) week of the year for music listeners? As much as I know it isn’t, it feels so random to me. If I were a musician, I’d honestly feel comfortable with any release date between the months of April and June, or September to November. But there must be something about this particular week that only the accountants at Atlantic, Columbia and Warner Bros. can explain.

On October 28th of last year, I remember walking out of F.Y.E. with the biggest shit-eating grin on my face, now in possession of brand new records from Avenged Sevenfold, Testament, Serpentine Dominion, and Empire of the Sun. And I’d still barely scratched the surface. 2017 was no different. On October 27th, an overwhelming influx of new music saw the light of day, including but not limited to: Blut Aus Nord, Yelawolf, The Used, Yo Gotti, Weezer, Ty Dolla $ign, Hollywood Undead, Theory of a Deadman, and Winds of Plague. Whew. I’m still catching up. Which might explain why this fucking Round Up is getting posted two days before Thanksgiving.

I hope you enjoy my thoughts on this month’s albums, and believe me – there is a LOT to look forward to by the end of the year! I’ve already giddily begun prepping my numerous Year-End lists, so definitely stay tuned! And for God’s sake, please watch that credit limit this Friday. We wouldn’t want to buy a fucking boat for some middle manager at Visa.

The Sin and the Sentence – Trivium

 The eighth record from these mainstream Metal mainstays (and my personal favorite band from ages 13 – 15) is nothing short of a return to form. The band’s creative decline that plagued their last six years of music – beginning with 2013’s stale Vengeance Falls and continuing with the divisive, radio-friendly Silence in the Snow in 2015 – abruptly ends here with a set of tracks that up the ante considerably on aggression and on musicianship, the latter in part due to the addition of virtuoso drummer Alex Bent. Aside from a few missteps in the track list (e.g. the whiny throwaway ballad “Endless Night”), The Sin and the Sentence should electrify diehard supports and galvanize old fans whose support has waned in recent years.In particular, “Thrown Into the Fire” and “The Revanchist” are two of the best songs of Trivium’s entire career. Here is a full review. RECOMMENDED

Pacific Daydream – Weezer

 Frankly, I’m still enjoying the hell out of The White Album – Weezer’s 2016 effort that found its way onto my Top 10 Albums of the Year last December – so it wasn’t gonna be the end of the world for me if the band’s surprisingly quick follow-up was a slight disappointment. And I’m glad the stakes were low, because as it just so happens, Pacific Daydream was exactly that. Forgettable, cookie cutter material like “Mexican Fender” and “Get Right” are severe momentum killers on both the front and back end of this 34-minute LP. All was not lost, however – mid-album highlights like the wistful “Happy Hour” and the knockout hook on “Weekend Woman” kept it from being a total letdown. We’ll just have to wait and see if the band’s forthcoming Black Album finds them back on track. Here is a full review. NOT RECOMMENDED

Trial By Fire – Yelawolf

One of 2017’s brightest gems that I never saw coming, Yelawolf’s barely-promoted third studio album finds the ambitious but wildly inconsistent Alabama MC finally putting all the pieces together on Trial By Fire, his exceptional third LP for Eminem’s Shady Records. All of my favorite music has one thing in common: it takes you out of your surroundings and transports you to another world, and Yelawolf does exactly that on here. Soundtracked with an imaginative fusion of Country, Blues, Folk, Rock, and Hip-Hop, Yelawolf brings you straight down to his native Alabama with intensely autiobiographical dirt road rhymes and his singular, snarling Southern drawl. We’ll surely be chatting about Trial By Fire next month when I recap my favorite Hip-Hop albums of 2017, but for now, at least check out essential tracks like “Ride or Die”, the Juicy J-assisted “Punk”, and the haunting “Sabrina”. Here is a full review. HIGHLY RECOMMENDED

 Lil’ Pump – Lil’ Pump

 I cannot believe this nonsense hit number 3 on the Billboard Charts. I could make this whole mixtape in five minutes. Lil’ Pump’s brand of “Soundcloud” rap is as obnoxious as it is repetitive – there’s absolutely nothing redeeming about the headache-inducing flows on songs like “Gucci Gang”, “Crazy”, and the opener “What U Sayin’”. And even the star power of Rick Ross on “Pinky Ring” doesn’t help, because that discordant fire alarm-mimicking instrumental makes me genuinely angry for the duration of the song, regardless of who’s rhyming. Maybe I’m out of touch, but I really don’t understand what any of these hipster critics see in this shit. NOT RECOMMENDED

Judas – Fozzy

 One of my least favorite Rock releases of the entire year, the seventh LP from Fozzy – the band fronted by WWE Superstar Chris Jericho – is overproduced, formulaic Radio-Rock trash. “Three Days in Jail” is a particularly embarrassing moment as the band briefly attempt to resurrect Nu Metal (yes, rapping and all!) before returning to their cookie cutter Butt Rock. It’s a shame, because I’ve considered myself a fan since I was a teeanger (Chasing the Grail and Sin and Bones still get regular rotation in my car), but Judas better not indicate the direction the band is headed, or they’ve lost me. Here is a full review. NOT RECOMMENDED

Super Slimey – Future & Young Thug

 If people’s would’ve just fucking RELAXED with their unreasonable expectations for this high-profile Watch the Throne-type collab between two of Hip-Hop’s hottest acts, I guarantee they would’ve all enjoyed Super Slimey a hell of a lot more. I sure did. It’s noticeably unrefined and it’s far from perfect, but bangers like “Three” and the Offset-featuring “Patek Water”, as well as the hazy “All Da Smoke” made this auto-tuned meeting of the minds more than worth it. Especially when compared with Future and Drake’s lackluster collaborative What a Time To Be Alive tape from two years ago. RECOMMENDED

Nightbringers – Black Dahlia Murder

 Chalk up another “W” for Black Dahlia Murder. Their first LP to feature lead guitarist Brandon Ellis finds the Michigan metallers right back in tip-top form – in particular, the tracks “As Good As Dead” and the title cut now rank in my top 10 songs of the band’s entire sixteen year career. Here is a full review. HIGHLY RECOMMENDED

 Beautiful Trauma – P!nk

 A true dud from the Pop world this past month, the rest of P!nk’s seventh album proves to be even sappier and more vanilla than its sappy and vanilla lead single, “What About Us”. Despite a decent chorus or two (e.g. “Better Life”) or the catchy dance pulse of “Secrets”, there’s just too much major label money riding on this record for it to be interesting. Not even Eminem’s guest appearance on “Revenge” is interesting, and significantly less interesting is P!nk’s pseudo-rapping attempts on that same track. Yikes. NOT RECOMMENDED

 E – Enslaved

 One of the Black Metal’s most important and adventurous trailblazers, Enslaved have been pushing the genre’s envelope for over a quarter century now, constantly searching for more clever ways to fuse the style’s more traditional sounds with the likes of Prog Metal and even various types of Rock music. On E, the band take another step forward, crafting masterful Blackened Prog Metal epics (if that’s, I guess, a genre now?) like “Hiindsiight” and “Sacred Horse”, which co-exist harmoniously alongside more direct cuts like “The River’s Mouth” and “What Else Is There”. An absolutely essential Metal listen, and an outstanding achievement even by Enslaved’s lofty standards. HIGHLY RECOMMENDED

 Losing Sleep – Chris Young

Given that his new LP consists of only ten tracks and a runtime of exactly a half hour, I figured it wasn’t a huge investment to give Country superstar Chris Young a shot. This year I’ve finally started to acquire a taste for one of music’s most critically dismissed genres – good ol’ Country – and Young is one of dozens of beloved mainstream artists that I’ve yet to try on for size. Well, you can imagine my disdain when I was greeted with the exact type of Pop Country genericism that makes people discriminate against this style of music. More often than not, the central lyrical topic of this album is just fucking DRINKING, and nothing else. And the closer “Blacked Out” is supposed to be this tear-stained, heartbroken ballad, but it comes across so shallow with its references to Ray Bans and Mustangs and ten thousand more allusions to – you guessed it – drinking. For Country music in October 2017, the real winner was Darius Rucker with his new LP When Was the Last Time – you’re better off checking out that one and giving Losing Sleep a hard pass. NOT RECOMMENDED

A FEW MORE:

LIKE:

Thinking Out Loud – Young Dolph

When Was the Last Time – Darius Rucker

Blood of My Enemy – Winds of Plague

4Eva Is a Mighty Long Time – Big K.R.I.T.

Heaven Upside Down – Marilyn Manson

Reaper – Nothing.Nowhere.

DON’T LIKE:

True View – Stick to Your Guns

Cold Like War – We Came As Romans

False Idol – Veil of Maya

I Still Am – Yo Gotti

Beach House 3 – Ty Dolla $ign

Deus Salutius Meae – Blut Aus Nord

 

October 2016 Album Round Up!

Back in August I forecasted music release bedlam for the month of October, and boy was I right! Among the albums I heard but didn’t write up here: The Dillinger Escape Plan, Meshuggah, Jimmy Eat World, Darkthrone, and OneRepublic.

Among the albums I didn’t even get to hear yet: Candiria, Red Fang, Wormrot, The Game, Serpentine Dominion, NxWorries, and many, many more!

But I’m sure I’ll have some time to catch up next in the next few weeks – thankfully, the music industry’s about to lightly tap the brakes. But for now, I present to you my musings on what October 2016 had to offer!

The Last Hero – Alter Bridge

2013’s Fortress was Alter Bridge’s magnum opus – it found the band fully integrating a metallic edge into their accessible Hard Rock approach, walking a line only a select few have done successfully (white album Avenged Sevenfold, maybe?).Topping it was going to be next to impossible, but The Last Hero is an excellent follow-up. Once again, anthemic melody is co-existing harmoniously assaultive battering – just listen to “My Champion” and “Island of Fools back-to-back. I also gotta shout out the title track, which is a vast stylistic collage that even brings in some Extreme Metal elements. Aside from two misfires (“Twilight”, “You Will Be Remembered”), Alter Bridge hit another home run. Here is a full review. HIGHLY RECOMMENDED

The Stage – Avenged Sevenfold

Out of nowhere, A7X released a bonafide masterpiece that I had no idea they were capable of making. Back in a monstrous way is the wild experimentation that made City of Evil and the White Album so special. The band weaves every mood, every tempo, every groove, and every instrument imaginable into these 70-plus minutes. The dark lyrical concepts running through the LP – dystopia, the dangers of science, the human ego – are as riveting and emotionally potent as anything we’ve heard all year. Not to mention the tear-jerking narration from renowned scientist Neil Degrasse Tyson that closes out the record. An absolutely essential listen. Here is a full review. HIGHLY RECOMMENDED

Hotel EP – Yelawolf

Yelawolf’s surprise EP takes the bluesy Folk Rap of last year’s Love Story LP – a record that was too bloated and self-indulgent for its own good – and marries it with the gritty, speedy, and wildly charismatic bars that made him famous in the first place. It’s the first full project I’ve enjoyed from Yela in several years, and it reignited my interest in what’s next for ol’ Catfish Billy. Here is a full review. HIGHLY RECOMMENDED

Revolution Radio – Green Day

I’m absolutely baffled by how much I’m into this record! I went in with zero expectations, and was pleasantly surprised with a set of high-energy Pop-Punk offerings that made me feel like I’m in middle school again! (That feeling is nearly impossible to come by these days). Other than some poor lyrics (“Youngblood”) and some filler (“Too Dumb to Die”, “Forever Now”), I’m digging Green Day’s latest – the first album of theirs I’ve enjoyed since American Idiot. RECOMMENDED

Two Vines – Empire of the Sun

The Australian Electro duo’s best album yet! Compared with 2013’s Ice on the Dune – an album that has been the soundtrack to so many incredibly fun times for me – Two Vines is less banger-centric and more laid back and unassuming. It’s interesting that this LP came out in late October, because compared to its predecessor, it’s way less Summer-y and more tailored towards chilly late night drives. “ZZZ”, “Way To Go”, and “Before” are my favorite cuts on here. HIGHLY RECOMMENDED

The Serenity of Suffering – Korn

Rolling Stone called this thing “turn-of-the-millenium Korn-by-numbers”, and they’re not wrong. There are zero new ideas on this album. That being said, it’s earning a lot of praise from Metalheads because it’s Korn “returning to form”, per se. And on tracks like “Black is the Soul”, with its dissonant riffage, and lead single “Insane”, with its brooding refrain, that rings true. But its detractors also have a point, especially in the latter half of the LP – you can’t seriously argue that the chorus to “When You’re Not There”, for instance, is anything but a snoozefest. But if you’re looking for an intense, cathartic expulsion of all of your fucked up feelings, or you’re just curious what late-90s Korn would sound like with modern, cleaner production, give this thing a whirl. RECOMMENDED

Joanne – Lady GaGa

 What a colossal fucking disappointment. GaGa dulled her edges, stripped away all the kooky eccentricity, and what’s left is a record with zero personality. Vocally she delivers some great performances, but everything feels so lifeless and uninspired. It’s tough to explain, honestly, ‘cause the songs seem like they should “work”, but when I try and  connect with them, they feel stiff and aloof. I was totally ready to embrace a mature GaGa, but I’m astonished at how much I didn’t like Joanne. Maybe it’ll grow on me, but for now? BLEHHH. NOT RECOMMENDED

The Brotherhood of the Snake – Testament

If you’re on the prowl for 45 minutes of straight Thrash action from one of the Bay Area OGs, Brotherhood of the Snake cannot possibly let you down. But this LP is not nearly as catchy, intricate or dynamic as the band’s 2012 masterpiece Dark Roots of Earth. Not to say it doesn’t perform as advertised – it’s got some ripping thrashers in the vein of their classic records – but it offers nothing beyond that, which left me (ever so slightly) disappointed, especially in comparison with Dark Roots. Here is a full review. RECOMMENDED

Rage & the Machine – Joe Budden 

Even though I dug his last album (2015’s All Love Lost), I was pleasantly surprised to find that Rage & the Machine isn’t another complete mopefest exclusively about breakups, depression, and self-pity (believe me, I love that shit though). On album number six, Joey diversifies things – there’s sample-heavy boom bap, hype trap-influenced shit, and R&B-tinged moments as well, all providing a soundscape for his usual dense rhymes. “Wrong One” is a slapper and a half – ArraabMusik’s beat (he produced basically the whole project) goes SO fucking hard. “Serious” is a menacing duet with Budden’s Slaughterhouse compatriot Joell Ortiz. But there are several misses too – Fabolous’ sing-song flow on “Flex” is terrible enough to drag the entire album down on its own, and “By Law” bores me to tears. As a big Budden fan, I got some great new jams out of this, but I’m still waiting for the hooks, the narrative, the bars, and the beats to all add up into a single classic project. RECOMMENDED

 Three – Phantogram

 Phantogram’s dramatic, occasionally theatrical third LP is their best yet. I especially enjoy how the often bleak lyrics pair equally well with hard-hitting synths, dreamy, shoegaze-y landscapes, and some of the more Hip-Hop based production. But I’m not in love with everything here – namely, the irritating hook on “You Don’t Get Me High Anymore” and the plodding “Barking Dog”. Overall, Three is a concise crash course in the many facets of the Phantogram sound, which you can broadly label as “Alternative”, but which gets pretty sophisticated when you try and whittle the versatile duo down to a single subgenre. RECOMMENDED

DC4 – Meek Mill

Zzzz……I usually listen to these albums at least three to five times, but I made it through three songs on this one. Same ol’ same ol’. NOT RECOMMENDED

The Whole of the Law – Anaal Nathrakh

Listening to Anaal Nathrakh’s eclectic, everything-but-the-kitchen-sink approach to Extreme Metal is like playing subgenre I Spy. In a matter of seconds, these motherfuckers will cycle through Grindcore, Black Metal, Death Metal, Power Metal, and God knows what else, making for a uniquely exhilarating listening experience. There has yet to be a major misstep in the band’s catalogue, but “The Whole of the Law” might just be their best in a decade. Sure, you can criticize this record for being a bit wonky and over-the-top, but that’s EXACTLY why I love it. HIGHLY RECOMMENDED

Breathe in the Water – Kyng

Kyng’s throwback blend of Hard Rock and Metal continues to work on album number three. You can find Breathe in the Water at a delightful intersection between Black Sabbath, Thin Lizzy, and Baronness.“Pristine Warning”, “Bipolar Schemes”, and the title track all pack quite the punch in the riff category. I just wish this band would get the fucking attention they deserve! RECOMMENDED