Trivium’s “The Sin and the Sentence” Single

Nearly two years since 2015’s risky, deliberately minimal Silence in the Snow, the most hateable Metal band on the planet is back with LP number eight, and – I can only assume – another polarizing sound.

Silence in the Snow was perhaps Trivium’s sharpest, ballsiest left turn since 2006’s wildly controversial The Crusade, the infamous record that saw vocalist Matt Heafy abandon the heaven-and-hell scream/sing approach that was prevalent at the time for an opportunity to do his best James Hetfield impersonation. Silence of the Snow found the band once again scrapping their signature screamed vocals from the playbook and intentionally writing simpler, more melodic songs as a way to emulate ‘70s and ‘80s greats like Rainbow and Iron Maiden. The experiment had mixed results, but I admired the effort. I always prefer bands try something new.

Fast-forward to August 2017, and we have “The Sin and the Sentence”, the first single from the Floridians’ as-of-yet untitled eighth album. Being the rebellious, mischievous bunch that they are, they decided to put it out on a Tuesday instead of, you know, Friday, the widely designated day of the week to launch new music. So punk rock.

As with pretty much every Trivium release, you can’t compare this new sound to any one record of theirs. While the “The Sin and the Sentence” maintains the emphasis on Heafy’s (increasingly powerful) clean vocals, the music is significantly heavier this time around. New drummer Alex Bent brings an urgent intensity to the track, complete with rapid-fire bursts of double bass and even a few traditional blast beats tossed in for good measure. His relentless athletics in the song’s epic twin-guitar intro give it a bit of an Arch Enemy flavor.

The catchy, groovy chorus finds Heafy in a duet with himself, as he overlaps clean and harsh vocals in a snappy call-and-response. To be honest, this memorable section helps distract from some of the track’s shortcomings; for starters, from a guitar standpoint, many of the musical ideas presented here are blatantly derivative. The pedal tone riff at 3:05 is not only boring but CERTAINLY recycled, as is the similarly generic riff at 5:25 (also, during the latter, why does he feel the need to randomly yell “FUCK!” for no reason?)

The harmonized neo-classical lead riff at 3:37 is also suspect, and adds to my growing suspicion based on recent albums that the band are simply OUT of new solo ideas. Lastly, I gotta take issue with that dumb three-chord palm-muted progression that kicks off the first verse; it makes me feel like I’m listening to a Pop-Punk band.

All things considered, however, “The Sin and the Sentence” is a step in the right direction for the band. I don’t want to speak too soon, but on my first handful of listens, I’d consider this the best Trivium song since 2011. It brings melody and aggression in equal doses, it’s a bit more indulgent and technical, and it re-introduces some exciting elements to the Trivium sound, most notably Alex Bent’s blast beats and some good ol’ Metalcore riffing (if a bit unoriginal). Looking forward to hearing more from Trivium in the coming months!

June 2017 Album Round Up!

Wow, we’re halfway through 2017?! It feels like just yesterday that I was at a Virginia Tech New Year’s party making tasteless school shooter jokes.

What a crazy year 2017 is so far. I’ve probably been the busiest I’ve ever been in my entire life. Psychology says that busier people are happier, but I think the jury’s still out on that! I wouldn’t have it any other way though. The older I get, the more the whole “free time” thing starts to feel toxic to me. We’ve got such finite time to do everything we wanna do, so unless I’m hanging out with friends I always have to be working on something. Even if it’s re-listening to the first three Carcass records for the billionth time trying to rank how much I like them.

By the way, if reading this Round Up just isn’t enough for you, and you need more Panny in your life, you should definitely check out my guest appearance on the Surreal Resolution podcast, where I participated in….well, a June 2017 Album Round Up! (ya boy starts rambling at the 01:24:00 mark).

For real though, this was a fantastic month for new music! If you’re a Metalhead, there was Goatwhore, Dying Fetus, and Iced Earth. If you’re a Hip-Hop head, there was 2 Chainz and Vince Staples. If you like Pop music, Lorde dropped a gem. Pop-Punkers got some new music from All Time Low, indie folk got some Portugal the Man….we’re all sitting pretty right now. So thank you, music industry. You don’t always let me down.

 

 Last Young Renegade – All Time Low

 Having skipped over these Pop-Punkers’ last couple outings, I decided to pop my head back in and check out Last Young Renegade, their seventh album. And while it’s a pretty lightweight, run-of-the-mill Pop-Punk-but-mostly-Pop affair, there are a few exceptional standouts that make it worthwhile, like the hungover rockstar identity crisis of “Life of the Party”, or the Tegan and Sara collab “Ground Control”, one of my favorite songs of the year. Here is a full review. RECOMMENDED

 BEAUTIFUL THUGGER GIRLS – Young Thug

 He may be one of the most polarizing figures in Hip-Hop right now, but regardless of how you feel about him, you can’t deny that Young Thug has been fun to watch. BEAUTIFUL THUGGER GIRLS is the eccentric cross-dressing MC’s much-discussed “singing album”. Although the cover art is ominously reminiscent of Lil’ Wayne’s disastrous “rock album” Rebirth, BEAUTIFUL THUGGER GIRLS is actually awesome! I was shocked that I liked it, but Thugger’s playful experimentation and impressive sense of melody carry these tunes effortlessly. Cut out a few filler tracks, and this would’ve been one of my favorite albums of the year. Here is a full review. RECOMMENDED 

Incorruptible – Iced Earth

 On their twelfth studio album, Jon Schaffer and Co. are still churning out quality classic-leaning Metal with an extra Thrashy kick to it. This record can get downright ferocious (“Seven Headed Whore”), but the band can bring it down for some powerful melodic moments as well (“The Veil”). Definitely give this a listen if you’re on the hunt for vintage-sounding Metal with heavier, more modern production. RECOMMENDED

 Wrong One to Fuck With – Dying Fetus

 The first release in five years from these Death Metal titans is as relentless and crushing as the genre gets. My favorite thing about Dying Fetus is how they balance different shades of aggression – this record is super noodl-y and tech-y in spots (check the middle of a song like “Seething with Disdain”, for instance), but it’s also got a ‘90s Death Metal stomp at times (“Panic Amongst the Herd”), it’s got slam parts, and perhaps my favorite Dying Fetus signature, the Hardcore-influenced mosh riffs. One of my favorite Metal albums of the year so far. Here is a full review. HIGHLY RECOMMENDED

 Evolve – Imagine Dragons

 Though an improvement on 2015’s Smoke + Mirrors (which I found to be an uninspired dud), Imagine Dragon’s third record still leaves a lot to desired. The choruses are repetitive, the singles (“Believer” and “Thunder”) are unbearably corny, and even though this LP was supposedly born out of a period of emotional turmoil for frontman Dan Reynolds, the heartache doesn’t translate into something I can connect with. Here is a full review. NOT RECOMMENDED

 Pretty Girls Like Trap Music – 2 Chainz

 “I got a bank account/got anotha bank account/got anotha bank account,” boasts 2 Chainz in the single greatest line of his career. Kidding aside, Pretty Girls Like Trap Music is the unexpected artistic peak of this man’s career. It takes everything the Trap genre strives for – banging beats, swaggering flows, hard-hitting hooks, and a rugged, hyper-masculine aesthetic – and rolls it into one record. I’ve never been a 2 Chainz fan, but he sold me with this one. HIGHLY RECOMMENDED

Heart Break – Lady Antebellum

 Every month I try to give a couple Country records a chance in the hopes that I’ll be pleasantly surprised. A couple Mondays ago I was mowing my lawn and needed a soundtrack, so I picked this one. To my delight, I enjoyed a lot of what I heard. It’s definitely cut from the same cloth as a lot of the Pop-Country that I’ve been bashing for years, but the male-female vocal interplay adds a little extra, and I’ve found myself hypocritically enjoying simple, hook-heavy cuts like “The Stars” and “Heart Break”. RECOMMENDED

 Return of the Don – Kool G Rap

 At nearly fifty years old, Kool G Rap proves once again on Return of the Don that he is one of the most vicious MCs to ever touch a mic. Though not as narrative-driven as some of his classic ‘90s output like Live and Let Die or Roots of Evil, G Rap still brings his signature brand of ultra-violent technical rhyming over some the of the best beats of his career courtesy of MoSS, who produced the entire thing. Here is a full review. RECOMMENDED

 Hydrograd – Stone Sour

 So frontman Corey Taylor went ON AND ON AND ON in the press about this being a big departure for Stone Sour in that it’s a “straight ahead rock and roll album”. He’s kind of right – parts of this album really fulfill that promise, and others are an awkward mish-mash of Rock and Metal elements. But despite that, and the fact that the track list takes a nosedive in quality towards the end, Hydrograd has enough highs – the anthemic title track, the moody mid-tempo number “The Witness Trees”, the lovely steel-guitar tinged ballad “St. Marie” – to outweigh its lows. Here is a full review. RECOMMENDED

 Boomiverse – Big Boi

 Even though Big Boi is one of my favorite MCs of all time (a while back I TALKED ABOUT how important his first solo album Sir Lucious Left Foot is to me), I had a tough time getting into this one. I got soured early on it by a cringeworthy Adam Levine appearance on “Mic Jack” (for God’s sake, keep this man AWAY from Hip-Hop!) and the album’s lack of strong hooks only gets more apparent from there. Big Boi’s rapping is still on point – great at times, on tracks like “Order of Operations” – but I don’t find any of the songs sticking with me. NOT RECOMMENDED

A FEW MORE:

LIKE:

Vengeful Ascension – Goatwhore

Woodstock – Portugal. The Man

Funk Wav Bounces Vol. 1 – Calvin Harris

Unparalleled Universe – Origin

Big Fish Theory – Vince Staples

Melodrama – Lorde

DON’T LIKE:

Hopeless Fountain Kingdom – Halsey

Wolves – Rise Against

Witness – Katy Perry

Grateful – DJ Khaled

 

March 2017 Album Round Up!

So, halfway through the month of April, you’re getting my recap of all the music that came out in March. Sick, right?

Though I never try to be particularly timely, this is particularly untimely, and for that I am deeply sorry. Well, I’m not sorry, ‘cause I don’t really care about your feelings, but it does feel like I’m turning in a big paper past its due date or something.

The reason this month’s Round Up is a bit late is because my band spent a week in the studio laying down our debut singles with Joe Cocchi from Within the Ruins. We had such a fucking blast, and I’m beyond psyched to share them with the world in the coming months! I’m so proud of the work we did, and I’m so grateful to Joe being every a band can ask for in a producer. But at the same time, it’s nice to get back to being a “listener”, ya know? As I write this, Kendrick Lamar AND John Mayer have just dropped new albums, and Gorillaz, All That Remains, and more are on their way, so it’s safe to say there will be no shortage of content for my April Round Up! But hey, March wasn’t too shabby either. Here are my thoughts on some of last month’s releases:

Divide – Ed Sheeran

This is gonna sound fucking weird, but bare with me. The only thing Divide has going for it is (ahem) cuteness. No, not Mr. Hipster Ron Weasley himself (though I’m a straight male so how would I know?), but the songs themselves. The only moments I enjoyed on this otherwise pretty bland LP were the charming, cheeky ones, like on “New Man” when Sheeran neurotically jokes about Instagram creeping (“trying not to double tap/I know that’s where the trouble’s at”), or on “Eraser”, where he, I guess, “raps”. There’s also “Galway Girl”, which uses actual Irish instrumentation to a below-deck-Titanic-scene effect. These are the only times I felt truly engaged. Otherwise I’m kind of indifferent. NOT RECOMMENDED

Number 1 Angel – Charli XCX

 Though she has been featured on two of the most annoying chart-toppers in the history of music (Icona Pop’s “I Love It” and Iggy Azalea’s “Fancy”), Charli XCX makes fucking outstanding Pop music as a solo artist. Her latest mixtape is my favorite Pop project of 2017 thus far. It DOES occasionally cater to some industry trends – the opening one-two punch is a trap-heavy banger (“Dreamer”) followed by a dancehall-informed number (“3 AM”) – but Charli maintains a spunky swagger that is all her own. The EDM-dominated “Roll With Me” is likely to be a party favorite, while the ballad “Emotional” is lucky to get stuck in your head for days at a time. HIGHLY RECOMMENDED

Godless Prophets & the Migrant Flora – Darkest Hour

The unsung heroes of the New Wave of American Heavy Metal returned this month with their crowdfunded ninth album, an unquestionable return-to-form following 2014’s polarizing self-titled release, which was a little too “Warped Tour” for the Metalcore quintet’s diehard fans. Prophets sizzles with quintessential Darkest Hour fury, though its strongest cuts (“None of This is the Truth”, “Enter Oblivion”) are the dynamic ones that are able to balance the aggression with quieter passages. Though I didn’t love every track, my longstanding Metal heroes delivered. Here is a full review. RECOMMENDED

Obsidian Arc – Pillorian

Likely to be one of my top Metal albums of the entire year, ex-Agalloch frontman John Haughm’s first release since his legendary band’s breakup is nothing short of extraordinary. Imagine if Agalloch made a record that fused some of their moody, acoustic passages with a straight up, quintessential Black Metal sound. It’s as fucking amazing as you pictured it. Obsidian Arc manages to bring some of Agalloch’s signature strengths to the table while effortlessly capturing every single mood that’s ever been associated with Black Metal: rage, despair, terror, agony, depression, and everything in between – they’re all on this record. I could go on forever about this fucking thing on here, so here is a full review instead. HIGHLY RECOMMENDED

More Life – Drake

Aside from the entrancing nightclub melancholy of “Passionfruit”, which was one of my favorite songs of the year so far, and the rousing Kanye collab “Glow”, I don’t have much to say about Drake’s Views follow-up that isn’t “meh”. The guy just hasn’t wowed me in a long time. His musical continues to veer into wallpaper territory, and his petty personality continues to rub me wrong. But just like all of his past projects, the shining moments on More Life give me reason to continue to root for the guy in the hopes that he wows me again. NOT RECOMMENDED

Heartworms – The Shins

On the band’s sixth LP, The Shins continue to be a definitive band for the Alternative genre. But they manage to do it while weaving together a track list that’s anything but one-dimensional. Two of my favorite songs on here are the synth-peppered “Cherry Hearts” and the Alt-heavy, acoustic-driven title track, both of which couldn’t be more different from one another. James Mercer’s ability to stir ingredients from several different corners of Alternative music into one delicious recipe continues to impress me. This is one of his best works. HIGHLY RECOMMENDED

Rather You Than Me – Rick Ross

I have never been a fan of Rick Ross. Though he’s had a banger or two on almost every record, I’ve never been able to enjoy his fabricated lyrical narratives and by-the-numbers mainstream Rap sound. So it came as a complete and utter shock when Rather You Than Me was fucking awesome! I still can’t believe how much I’m enjoying this. The production is outstanding, whether it’s the lavish, luxurious sound of tracks like “Santorini Greece” and the saxophone-driven “Game Ain’t Based on Sympathy”, or it’s trap bangers like “Dead Presidents and “Summer Seventeen”, or it’s the more stripped-down, simplistic sounds of the Birdman diss “Idols Become Rivals” or the Nas collab “Powers that Be”. As for the features? They’re out of this world. The aforementioned “Dead Presidents” has possibly the best Future verse I’ve heard since 2011. And Nas, Scrilla, Yo Gotti, Jeezy, Young Thug, and many more ALL add a ton of character to this tracklist. And on some of these songs, Ross even sounds a bit more – hold your breath – HONEST. Like he’s not making everything up this time around. But even if he is, he’s made an excellent record. Here is a full review. HIGHLY RECOMMENDED

 Conformicide – Havok

The fourth LP from these Colorado thrashers is nothing short of astonishing. Though the band’s musical foundation is built on the Megadeths and Death Angels of the world, Conformicide spends as much time pushing boundaries as it does worshipping its heroes. It takes Thrash in some proggy territory, some political territory, and punishes listeners with more twisted, mean riffs than they even know what to do with. Not to mention bass wizard Nick Schendzielos, who provides some of the best and most inventive bass playing I’ve ever heard on a Thrash record on highlights like “F.P.C”. See, ann album like Conformicide is precisely why I’ve given (unpopular) mixed reviews of recent efforts from the likes of Metallica, Testament and Overkill – look at how a band like Havok is pushing Thrash as a whole! Younger Thrash bands like Havok and Vektor continue to set the bar for the genre. HIGHLY RECOMMENDED

Eternity, In Your Arms – Creeper 

Unfortunately, ya boy doesn’t buy into the hype. Creeper’s highly anticipated debut was supposed to turn Pop Punk on its head, but all it did for me was give me a few super catchy emo-tinged jams (namely “Black Rain” and “Hiding With Boys”) and spent the rest of its runtime underwhelming me. But there are definitely times, like on standout track “Poison Pens” where these guys feel like they COULD be worthy successors to AFI. Or, you know, maybe I should stop trying to like music like this. I don’t know. NOT RECOMMENDED

Bloodlust – Body Count

Not only was this fucking thing my Record of the Month, but it was the most pleasant surprise of 2017 so far. Ice-T and Co made a crushing M-E-T-A-L record that I had no idea they were capable of! While still proudly Hip-Hop influenced, Bloodlust is legitimately crushing, especially on the Randy Blythe-assisted “Walk With Me…”, the vengeful “This Is Why We Ride”, the irresistible title track, and the politically-charged “No Lives Matter”. I just can’t believe how good this is…Here is a full review. HIGHLY RECOMMENDED

A FEW MORE:

 

LIKE:

Woe to the Vanquished – Warbringer

Captain California – Murs

Hot Thoughts – Spoon

At What Cost – Goldlink

Obituary – Obituary (full review here)

Emperor of Sand – Mastodon

DON’T LIKE:

Look at Yourself – Emmure

Black and White Rainbows – Bush

The Wild – Raekwon

For the Fallen – Memoriam (full review here)

The Great Collapse – Fit For An Autopsy

Tremaine The Album – Trey Songz

 

 

February 2017 Album Round Up!

Wow, we’ve arrived at the First Anniversary of this segment! When I decided to write a post last March recapping all the records I was bumping in February 2016, I had no idea this was going to be a thing. But a year later, it’s become something I look forward to every month. It forces me to point my ears in all directions, and really think CRITICALLY about what I’m hearing, even if I’m not in “full review” mode.

I can only imagine that in another year, when we have our two-year anniversary (whooaaa things are getting serious. I hope all the sex hasn’t dried up by then), I’ll still be cranking these out the same way I am today.

And given that we’ve hit this big milestone, it’s only fitting that I add something new! As you might’ve guessed, I listen to a lot more than 8 – 12 albums every month. But just because I’m too lazy to write about all of them in descriptive detail doesn’t mean I shouldn’t let my feelings be known! So I’ve added a section to these Round Ups where I give a basic “like” or “don’t like” verdict on another batch of the month’s releases….with zero explanation. I guess it’ll be up to you to listen to ‘em and figure out my reasons for your own damn self!

But if you’ve checked out any of these Round Ups so far, thank you so much for your support! Hopefully I’ve turned you on to (or helped you avoid) at least one new album you otherwise might’ve missed. That’s all I’m trying to do here. It’s not rocket science. So if that happened for any of my readers, I couldn’t be happier; this thing is a success.

DROGAS Light – Lupe Fiasco

After 2015’s stunning conceptual project Tetsuo & Youth, Chi town’s most pretentious wordsmith takes an infuriating nosedive into half-witted commercial Hip-Hop. This album was a colossal disappointment for me. I don’t understand why Lupe still feels the need to make Pop-Rap ditties like “Pick Up the Phone” after he was trashed for making an album full of them (2011’s Lasers). In all fairness, DROGAS Light isn’t Lasers Part 2 – tracks like “NGL” and “Made in the USA” have more of a Trap vibe than anything else – but whatever it is, it’s equally uninteresting. In fact, it’s my least favorite Lupe project to date. Here is a full review. NOT RECOMMENDED

Suicide Silence – Suicide Silence

Modern Deathcore frontrunners Suicide Silence decided to shake things up for album number five, bringing in famed Nu Metal producer Ross Robinson and drastically altering their sound. Hey, I’m all for adventurousness – in fact, that’s the only reason I checked this album out. The only problem? It’s one of the worst pieces of shit I have ever heard. Eddie Hermida’s clean “singing” is about as easy to listen to as a Sandy Hook conspiracy theory. What makes things worse is Hermida’s patronizing, dismissive responses to any criticism of this album, claiming that anyone who doesn’t like it “just doesn’t get it” or is “full of hatred” or whatever. He’s like the fucking Donald Trump of shitty Nu Metal. Here is a full review. NOT RECOMMENDED

Flying Micronatal Banana – King Gizzard & the Lizard Wizard

These guys are quickly becoming favorites of mine! This record in particular is an inventive blend of Psychedelic Rock, and Alternative with free-flowing, exploratory musicianship that keeps things interesting all the way through the track list. The eerie hookiness of a cuts like “Sleep Drifter” and “Melting” has made this the most addicting listen of any LP this month. HIGHLY RECOMMENDED

Prisoner – Ryan Adams

One of the most prolific songwriters in all of music came through with a set of painfully relatable tunes that center primarily on heartbreak and loss. Whether or not he intended it to be, it’s the ultimate breakup album. On the musical side of things, the balance between crunchy Heartland Rock, Folk-Rock balladry, and dashes of country is gracefully executed . And I have to particularly praise the impossibly gorgeous clean guitar tones that Ryan achieves throughout this entire thing – they make it worth the listen all on their own. Here is a full review. RECOMMENDED

I Decided. – Big Sean

Upside: with I Decided, Big Sean gave us his strongest project to date, featuring well-thought out concepts, an uncharacteristic amount of introspection, and some familiar clever word-play. Downside: the guy is still churning out horribly generic, Drake-biting songs like “Bounce Back” and “Moves”. Upside: with the sweet chick-swooping ballad “Jump Out the Window” and the stunning “Bigger Than Me”, Sean gave us not only HIS best two songs to date, but two of the best songs of the year. Downside: at one point, he rhymes “Channing Tatum” with “J. J. Abrams” and “Jason Statham”. Ugh. Very frustrating. But like I said, this is his best work to date, and I look forward to what the Detroit spitter does next. Here is a full review. NOT RECOMMENDED

Torment – Six Feet Under

 While there’s nothing outwardly WRONG with the 12th outing from these Death Metal veterans, it’s so painfully meat-and-potatoes that I’m gonna have to pass over it. Which, that more has to do with MY tastes than anything else – it’s more a “me” thing than a “them” thing. But the dumbed-down riffs on a song like “Knife Through the Skull” are mind-numbing for me (who knew ex-Cannibal Corpse frontman Chris Barnes would sing a song called “Knife Through the Skull”? What a plot twist!). I do really enjoy the track “Bloody Underwear” – it brings a bit of a Hardcore mosh sensibility, and it’s a lot of fun! (though the supposedly violent title could just be referring to his special lady’s time of the month…..just saying). Bottom line: if you like your Death Metal stripped to the bone and ultra groovy, you might dig this, but – with as little pretentiousness as possible – it’s just a bit simple for me. NOT RECOMMENDED

Chief – Jidenna

The man behind “Classic Man” proves that he’s anything but a one-hit wonder. On Chief, he’s versatile as hell, one minute pulling together a song like “Trampoline” – the ultimate soundtrack for a private dance at a strip club – and the next minute, commanding your attention with clever, posturing bars on “Long Live the Chief”. And smooth melodies abound, whether it’s the aforementioned “Trampoline”, or it’s the slick balladry of “Bambi”, or the exotic “Adaora”. The melting pot production is worthy of mention too – The Let Out” is like a DS2 Future/DJ Mustard mash-up, “Safari is a R&B/Hip-Hop mixture that The Weeknd would crush, “2 Points” features some punchy horns, “Long Live the Chief” is electro minimalism that oddly works. If only he had left the obligatory post-“One Dance” dancehall song off (“Little Bit More”). But I’ll forgive it, ‘cause this is one promising debut. HIGHLY RECOMMENDED

The Grinding Wheel – Overkill

 The legendary East Coast thrashers followed up 2014’s exceptional White Devil Armory with a record that’s significantly less exceptional, but still passable. This time around, the riffs just felt a bit less punchy and exciting, and the tracks dragged on and on for unnecessary lengths (similar to my gripes with the new Metallica album), which left me feeling underwhelmed. There’s still some bonafide rippers though, like the opener “Mean, Green, Killing Machine”, or “Our Finest Hour”, which has a couple devastating riffs and some shrieking vocals from frontman Bobby “Blitz” Ellsworth. Here is a full review. RECOMMENDED

Gelato – Young Dolph

The only noteworthy moment on this project is the Yo Gotti diss track (“Play Wit Yo Bitch”), which I have to at least commend for the DIRECT, very UN-subliminal nature of the insults, as basic and schoolyard as they are. And one more track I might come back to is “On the River”, because A) “fucked her on the river” is such a hilarious refrain, and B) the beat is HARD. Other than that, Gelato is one of my least favorite Hip-Hop projects I’ve heard this year. It’s got every stereotype that non-Rap fans gleefully shit on – posturing, smoking weed, banging bitches, and of course posturing about smoking weed and banging bitches. Wasn’t anything for me here, especially when Dolph’s rival Yo Gotti brought such FIRE with CM9 recently. NOT RECOMMENDED

Origins – Mutiny Within

The Little Metal Band That Could is still chugging along six years since being dropped from Roadrunner Records due to the disappointing commercial performance of their self-titled debut. I have loved this band since day one – their blend of melodic, keyboard-driven European Metal with the riff-tastic Metalcore of their American counterparts made them the band I wanted to be IN growing up. And Origins, their third LP, turned out to be their best yet! The album effortlessly sways between noodling technicality and accessible – dare I say, slightly Poppy – hooks. It’s probably not for everyone, but it feels tailored EXACTLY to my tastes. HIGHLY RECOMMENDED

 Plato O Plomo – Fat Joe & Remy Ma

So Joey Crack and Remy Ma decided to follow up their vernacular-defining mega-hit “All the Way Up” with a full album,. On Power 105.1’s The Breakfast Club, the two emcees deemed the project a “complete masterpiece” and I strongly disagree. It’s full of a lot of empty boasts, standard gangsta rap bars, and the occasional hilariously clumsy sexism (like the beginning of “Go Crazy”), or lyrically challenged rhyme scheme (Fat Joe rhymes “Narcos” with “Pablo” on “Spaghetti”). There are a couple beats go hard, like the menacing “Swear to God”, or the riled up “Cookin”, but nothing to see here, really. NOT RECOMMENDED

A Few More

Like:

Atonement – Immolation (Death Metal)

The Breaker – Little Big Town (Country)

The Feminine: Act II – Anna Wise

Fin – Syd (R & B)

Drunk – Thundercat (Jazz Fusion)

Dislike:

NAV – NAV (Hip-Hop)

HNDRXX – Future (Hip-Hop, R & B)

 

 

Slayer, Lamb of God, and Behemoth: The Metal Tour of the Summer?

As Metalheads stare down our first summer with President Code Orange in office, our second straight summer without a Mayhem Festival, and our third straight summer without an Uproar Festival (the latter of which…good riddance), we got a big piece of news this past weekend. A piece of news that gives Summer ’17 a bit more meaning than just another three warm months where it’s easier to get laid. This past weekend, a must-see tour was announced: Lamb of God, Behemoth, and Slayer will be hitting the road together.

I can hardly contain my fucking excitement. Somewhere in America there’s a concert promoter who deserves a serious promotion (see what I did there?). This is the kind of lineup where the powers at be could get away with Ticket Price Rape. Not only does this lineup consist of three of Metal’s indisputable giants, but it’s also a) three of Metal’s indisputable giants of the LIVE arena, and b) it brings together three distinct fanbases that strike the perfect balance in terms of overlapping enough as to avoid polarizing the audience, but being different enough to draw headbangers from all walks of life.

I suppose in terms of pure album sales, Behemoth’s going to have to perform first, which is a bit depressing in the way that watching Megadeth go second on the Big Four was. Behemoth – whose last album The Satanist has already worked its way up into my favorite Extreme Metal albums of ALL TIME – are the one band I’ve yet to see live, so catching their set will be priority numero uno. As for Slayer, I haven’t caught a show since the 2010 American Carnage tour, where they played Seasons in the Abyss in its entirety, so I’m due for some thrashin’ about in the pit to a more well-rounded set. And Lamb of God….I saw them last spring and they fucking destroyed – provided they’ve tweaked their setlist a bit, I’ll be just as stoked to see them this time around.

Start saving your money NOW. Spend a sober weekend away from the bar, break up with your girlfriend right before her birthday….do whatever it takes to set aside the cash, ‘cause this is NOT a show you will want to miss. And if you’re somehow inexcusably behind the eightball on any these three bands, familiarize yourself with their catalogues – not only will your concert experience be greatly enhanced, but so will your overall quality of life.

Supposedly, the tour dates will be announced later this week. SEE YOU IN THE PIT!

January 2017 Album Round Up!

Greetings to all you lovebirds out there 😉

If you’ve got a special someone in your life, hope you and your bank account are gearing up for some good ol’ Valentine’s Day lovin’ next week . If that special someone is still finding their way to you, or if they already did and you fucking blew it, hope the ice cream, tears, and rom com re-runs are good to you. But for most of the single guys out there, hope you enjoy another typical Tuesday with a pointless cultural label where getting laid might be slightly easier.

As for me, I hope to spend Valentine’s Day VERY erotically – listening to that new Marilyn Manson record he’s hinted at (literally the opposite of coincidentally) releasing on that day. It’s supposed to be called Say10. If that title doesn’t strike a chord with you, slowly pronounce it out loud until it clicks. Don’t worry, it took me an embarrassing amount of time to put two and two together, too.

So while you make the necessary preparations (read: purchases) for a drama-free and sex-filled Valentine’s Day, here are some thoughts on what the first month of 2017 had to offer music-wise! We’re off to a pretty good start if you ask me!

Forever – Code Orange

 The hottest act in Metalcore unleashed their third record this month to frenzied excitement. Me? Just a contrarian son of a bitch, I guess. I LIKE album – furious cuts like “Real”, “Spy” and the title track are bone-crushing rushes of adrenaline, and my biggest praise is the LP’s mindboggling variety, with “Bleeding In the Blur” bringing some melodic Post-Hardcore to the table and “Ugly” fusing together ‘90s Alt-Rock with gruff Hard Rock – but the barrage of not-so-special breakdowns does get tiresome and a couple cuts (“The Mud”, “Hurt Goes On”) miss their mark. So yeah. Cool record but I didn’t go head-over-heels for it like everybody else did. Here is a full review. RECOMMENDED

Vessels – Starset

 I went against the grain with this new Starset record too, the band’s second. Vessels fuses together Electronic Music, Butt Rock, and some djent-y modern Metalcore for a sugar sweet but unfulfilling outing full of excessively angsty hooks, non-guitar riffs, and such a thick layer of production that it’s impossible to tell if a single thing is performed by a human being. It’s unbelievably catchy at points, and I understand the appeal, but it’s not gonna be anything more than an occasional guilty pleasure for me. Here is a full review. NOT RECOMMENDED

Return of the Cool – Nick Grant

After stumbling across this Billboard article on Nick Grant last year, Return of the Cool quickly became one of my most anticipated debuts of 2017. With the momentum the 28-year-old Grant has behind him right now, I was ready to bear witness to the meteoric rise of Hip-Hop’s next breakout star – and most of all, I was ready to hear soul and lyricism reinstated in Southern Hip-Hop (not to say I dislike what’s going on down there right now, but, I did grow up with ATLIENS as my bible). On Return of the Cool, the South Carolina native shows some promise and a bit of an old school flair, but the project disappointed the hell out of me. The painfully generic “Bouncin’” could’ve been made by ANY of Grant’s contemporaries (Logic, J. Cole, Big Sean Kendrick, etc.). And despite references to icons like Lauryn Hill and Nas, Grant doesn’t do much to uphold their standards with lines like “curves driving me crazy, I need some counseling”. NOT RECOMMENDED

The Search For Everything (Wave One) – John Mayer

 My fellow Pretentious Fairfield County, CT Douchebag is employing an adventurous and exciting release strategy for his seventh LP – he’s releasing four songs at a time in monthly “waves”. In the uncertain and uneasy free-for-all that is music promotion in 2017, I’m so glad to see someone with Mayer’s clout try a different approach. As for the music on “Wave One”? Simply put, three out of four songs connected for me. Most notably, however, I was psyched to see Mayer take a break from the genre gymnastics of his last few releases and just pen some straight ahead, no frills Pop tunes. Here is a full review. RECOMMENDED

Machine Messiah – Sepultura

 Growing up, I thought all you had to know about Sepultura occurred in the less-than-4-hour combined run time of Beneath the Remains, Chaos A.D., Arise, and Roots. I still sorta feel that way, but I was curious to hear Machine Messiah, which is now the band’s eighth (!) as Sepultura 2.0 since Derrick Green took over on vocals in 1997 (by comparison, they only made six LPs with Max Cavalera). So I felt behind.And I gotta say, I’m impressed with this current incarnation’s mix of Thrash, Groove Metal, a bit of Extreme Metal,, and the most thrilling surprise, a symphonic element on tracks like “Sworn Oath” and “Resistant Parasites”! Worth checking out if you’re like me and have only ever known “classic Sepultura”. Here is a full review. RECOMMENDED

 Culture – Migos

Around 20 million people were watching the Golden Globes when, two weeks before the release of their sophomore album, Donald Glover unexpectedly shouted out the Migos during an acceptance speech (his PHENOMENAL tv show Atlanta took home two awards that night). And with Culture, it’s safe to say the Migos are seizing their moment in the sun. This LP is the EPITOME of the Atlanta-based trap sound: Quavo, Offset, and Takeoff hop on these knocking instrumentals (one of the best collections of trap beats I have ever heard) with colorful ad-libs, tons of charisma, and memorable refrains. I mean, how could you not just throw on a track like “T-Shirt” or “Call Casting” and vibe out? Historically , I’m into Rap like this, so I’m gonna need some more time with it, but Culture just might be an unexpected 2017 favorite. RECOMMENDED

Gods of Violence – Kreator

 On album number fourteen from the legendary German thrashers, they delivered a collection of powerhouse Metal anthems and did so without being restricted by that old school Thrash “leash” that some of their veteran peers seem to be hindered by. As with its predecessor Phantom Antichrist, Gods of Violence draws on not just Thrash but Melodic Death Metal, streaks of classic NWOBHM, and a bit of lyrical inspiration from Viking Metal for a well-rounded listen. Here is a full review. HIGHLY RECOMMENDED

I See You – The xx

The third LP from these British indie poppers is chalk full of seductive nocturnal vibes that range from slightly spacey (“A Violent Noise”) to hipster nightclub-y (“Dangerous”) to just plain heart-wrenching (“Performance). While these guys’ music has never really “clicked” with me, I actually found myself enjoying a good chunk of this album! Unfortunately, one thing that bugs me is how overwhelmingly seriously these guys take themselves – at times, they oversell their emotions in an almost histrionic fashion that leaves me feeling a bit drained, like I’m not allowed to enjoy myself or something. Plus, Romy and Oliver just AREN’T the best singers from a technical standpoint. But it’s still a solid LP, definitely The xx’s best yet! RECOMMENDED

AFI (The Blood Album) – AFI

 Call it nostalgia, call it glass half full, call it “a retard who knows nothing about anything” like you all love to do on YouTube, but AFI fucking BROUGHT it this time around, in a way they haven’t in over a decade! I’m serious. “White Offerings” is PURE Sing the Sorrow (the band’s landmark 2003 release – a childhood favorite of mine), while the sharp riffing in “Hidden Knives” does the song’s title justice, and tracks like “Pink Eyes” and “Snow Cats” have all the makings of hit songs (particularly the latter, with its irresistible call-and-response chorus). I’m just shocked at how into this record I am. The Blood Album is the OGs sending the new bucks back to the drawing board. These songs completely justify my endless shit talking about all these wack ass “emo” bands that are coming up on Warped Tour – this is what they should shoot for. A thoughtful melding of Punk, Post-Hardcore, and Hard Rock, The Blood Album proves that AFI still set the standard. HIGHLY RECOMMENDED

Migration – Bonobo

As easy on the ears as this record is, it DOES tend to drift to the background as you listen to it. The gentle, serene touch of “Break Apart” and the ambience of “Grains” are some of the most pleasant sounds you’re likely to hear from Electronic Music all year, but Migration is not the most outwardly engaging of listens. Of course, you could take that in whatever connotation you’d like! ‘Cause I don’t have any “critiques” here – just my personal experience with this LP, which is that it’s a more passive listen than his early works like Dial “M” for Monkey, which was my favorite album when I was sixteen. Don’t get me wrong – there’s a lot to like here, and it’s 100 percent worth a listen, but it hasn’t gotten much repeated love from me. RECOMMENDED

November 2016 Album Round Up!

Hey everyone! Nine days into December, I hope all the obnoxious repeats of Mariah Carey, Wham!, and God knows what else by your “spirited” friends and family haven’t broken you yet. I love how these fucking people try to make me feel like the Grinch just ‘cause I don’t want to hear the same five songs every day for a month. I actually love a lot of Christmas tunes, but as someone who will listen to Grindcore on Wednesday, Disco on Thursday, and Shoegaze on Friday, it’s the lack of variety that kills me.

Anyway, ya boy’s in full-on Year End List mode!!! “List Season”, as I deem it, is my favorite time of year every year! I have tons of fun holing myself up for hours on end listening, re-listening, and deliberating for hours on end about lists that 95% of people don’t give two fucks about. But I do give two fucks, and I’ve got a lot to say this year. I’ve already published one list on YouTube, and several more are on their way! Stay tuned! In the meantime, here are eight records I checked out last month. Keep it gangsta.

Battles – In Flames

Sometimes I seriously wonder who the In Flames fanbase consists of at this point. They’ve now spent over a decade making syrupy Metalcore-ish music that seems to have an inverse time-quality relationship (translation: it keeps getting shittier). This newest one, while not as terrible as 2014’s Siren Charms, takes some vocal cues from Bring Me the Horizon (the “melodic gang vocals” that show up in “The End”, “The Truth”, and the final chorus in “Here Until Forever”), puts some late-‘90s In Flames in the microwave, and then overproduces the shit out of it. I actually didn’t mind it that much, but I’ll be sticking with The Jester Race. Here is a full review. NOT RECOMMENDED

We Got It From Here…Thank You 4 Your Service – A Tribe Called Quest

The Queens legends’ swansong and first record in almost 18 years, We Got It From Here picks up RIGHT where classic Tribe albums like Midnight Marauders left off. I’m astonished at how effortlessly these three veterans manage to make music with the same charisma and gusto that they had a quarter of a century ago. This LP is loaded with all kinds of exciting features (Andre 3000, Talib Kweli, Kendrick Lamar, Busta Rhymes, and even Elton John), but ironically, it’s just icing on the cake – the core of the record is three of Hip-Hop’s (dare I say) elder statesmen taking the kids to school. I’m blown away. HIGHLY RECOMMENDED

24k Magic – Bruno Mars

I can’t believe Bruno Mars took almost four years to follow up Unorthodox Jukebox! It doesn’t feel that long ago at all, right? Well, he’s back with a third record that expands on the unapologetic throwback sound of “Uptown Funk”, his collaborative smash with producer Mark Ronson. 24K Magic is almost entirely rooted in nostalgia for the Pop and R & B of the ‘80s and ‘90s – much of the production is synth driven, with bombastic clapping snares and funky basslines.  Many of these songs have a brazen sexuality, a dose of braggadocio, and are fairly lighthearted, making for a simple, quick, and easy listen. For me, some of it connects and some of it doesn’t. “Chunky”, “That’s What I Like”, and “24K Magic” are three of my favorite Pop songs of 2016, while I could do without the obnoxious “Perm” and the dull closing ballad “Too Good to Say Goodbye”. Currently, the addictive title track is this LP’s only single, but I imagine that’ll change soon. Future single predictions: “Chunky” and “Versace on the Floor”. RECOMMENDED

Hardwired…To Self-Destruct – Metallica

God, my life was so fucking different the last time Metallica put out a record. Death Magnetic came out EIGHT FUCKING YEARS AGO! Wow. Well, the Thrash legends are finally back with another underwhelming but solid LP. My main issue with much of Metallica’s music remains intact: the meandering song structures. These songs are essentially just piles of riffs stacked on top of each other with little regard for concision or quality control. So there ends up being lots of wasted space. The upside, of course, is James Hetfield delivers a ton of riff gems amongst the wasted space. Fans should be (and seem) happy. Here is a full review. RECOMMENDED

Black America Again – Common

Common’s soulful 11th album is – as its title may suggest – loaded with impassioned social commentary, particularly as it pertains to race relations in America. The powerful title track addresses the Flint water crisis, refers to mass incarceration as “the new plantation”, and comments on racism in sports (“Maria Sharapova making more than Serena”). It all feels like a call-to-action for the black community. While profound and sobering, these weighty themes do start to take their toll on the listener, which is why light-hearted breathers like “Love Star”, “Unfamiliar”, and “Red Wine” are helpful. But for me, the best thing about Black America Again is Common’s bars! Look no further than the song “Pyramids” or the amazing first verse on “A Bigger Picture Called Free” for lyrical gymnastics that we haven’t heard from the Chicago OG in forever. He does some of the best rapping of his career on here. And content-wise, he has a lot to say. HIGHLY RECOMMENDED

Starboy – The Weeknd

 Cut out the filler, kids. The Weeknd’s third studio Starboy would’ve been one of the best albums of the year if he had done just that. There is so much FIRE on here, particularly on the first half of the record, but as a listener, I feel like he wastes a good 20 minutes of my time within these 18 tracks. “Attention, “Rockin”, Nothing Without You”, “All I Know”…these all could’ve gotten the axe. STILL, I have been bumping this LP non-stop since it came out – I really do love its tortured-partier themes, its butter smooth production, The Weeknd’s unique croon, and the night-time atmosphere the songs suck me into. The title track is one of 2016’s greatest moments, and there are a good eight or nine other bangers on here that I’m gonna continue to vibe with. RECOMMENDED

Atoma – Dark Tranquillity 

One of my favorite Metal bands of all time and I didn’t review this, even though I wrote about the singles and everything. Why? Well, I didn’t have much to say about it. If I reviewed it, I would’ve given it a strong 7/light 8 and said something to the effect of “this is another great DT album”. But at this point, there are already ten of those! So even though the music is solid on Atoma, it’s starting to feel like I’ve heard everything I’m gonna hear from them. So I cherry-picked my favorite tracks (“Atoma”, “Forward Momentum”, “Our Proof of Life”, “Clearing Skies”) and moved on. I’m hoping for a bit more surprises next go ‘round! RECOMMENDED

Built to Last – Hammerfall

Power Metal mainstays Hammerfall are on their tenth album now. And if you didn’t already expect a rehashing of the band’s other nine LPs, the third track “Sacred Vow” uses multiple previous song titles as lyrics. Look, if you’re into this type of Power Metal – Priest/Maiden throwback sound combined with corny lyrics about warriors, I can definitely recommend Hammerfall’s Steel Meets Steel compilation from 2007 (particularly the second disc). But this record here? You don’t need to hear it. It’s the exact same shit. I’m not gonna say Built to Last is a bad album, ‘cause it’s not a blatantly “bad” album. I just don’t particularly care that it exists. NOT RECOMMENDED

 

 

 

October 2016 Album Round Up!

Back in August I forecasted music release bedlam for the month of October, and boy was I right! Among the albums I heard but didn’t write up here: The Dillinger Escape Plan, Meshuggah, Jimmy Eat World, Darkthrone, and OneRepublic.

Among the albums I didn’t even get to hear yet: Candiria, Red Fang, Wormrot, The Game, Serpentine Dominion, NxWorries, and many, many more!

But I’m sure I’ll have some time to catch up next in the next few weeks – thankfully, the music industry’s about to lightly tap the brakes. But for now, I present to you my musings on what October 2016 had to offer!

The Last Hero – Alter Bridge

2013’s Fortress was Alter Bridge’s magnum opus – it found the band fully integrating a metallic edge into their accessible Hard Rock approach, walking a line only a select few have done successfully (white album Avenged Sevenfold, maybe?).Topping it was going to be next to impossible, but The Last Hero is an excellent follow-up. Once again, anthemic melody is co-existing harmoniously assaultive battering – just listen to “My Champion” and “Island of Fools back-to-back. I also gotta shout out the title track, which is a vast stylistic collage that even brings in some Extreme Metal elements. Aside from two misfires (“Twilight”, “You Will Be Remembered”), Alter Bridge hit another home run. Here is a full review. HIGHLY RECOMMENDED

The Stage – Avenged Sevenfold

Out of nowhere, A7X released a bonafide masterpiece that I had no idea they were capable of making. Back in a monstrous way is the wild experimentation that made City of Evil and the White Album so special. The band weaves every mood, every tempo, every groove, and every instrument imaginable into these 70-plus minutes. The dark lyrical concepts running through the LP – dystopia, the dangers of science, the human ego – are as riveting and emotionally potent as anything we’ve heard all year. Not to mention the tear-jerking narration from renowned scientist Neil Degrasse Tyson that closes out the record. An absolutely essential listen. Here is a full review. HIGHLY RECOMMENDED

Hotel EP – Yelawolf

Yelawolf’s surprise EP takes the bluesy Folk Rap of last year’s Love Story LP – a record that was too bloated and self-indulgent for its own good – and marries it with the gritty, speedy, and wildly charismatic bars that made him famous in the first place. It’s the first full project I’ve enjoyed from Yela in several years, and it reignited my interest in what’s next for ol’ Catfish Billy. Here is a full review. HIGHLY RECOMMENDED

Revolution Radio – Green Day

I’m absolutely baffled by how much I’m into this record! I went in with zero expectations, and was pleasantly surprised with a set of high-energy Pop-Punk offerings that made me feel like I’m in middle school again! (That feeling is nearly impossible to come by these days). Other than some poor lyrics (“Youngblood”) and some filler (“Too Dumb to Die”, “Forever Now”), I’m digging Green Day’s latest – the first album of theirs I’ve enjoyed since American Idiot. RECOMMENDED

Two Vines – Empire of the Sun

The Australian Electro duo’s best album yet! Compared with 2013’s Ice on the Dune – an album that has been the soundtrack to so many incredibly fun times for me – Two Vines is less banger-centric and more laid back and unassuming. It’s interesting that this LP came out in late October, because compared to its predecessor, it’s way less Summer-y and more tailored towards chilly late night drives. “ZZZ”, “Way To Go”, and “Before” are my favorite cuts on here. HIGHLY RECOMMENDED

The Serenity of Suffering – Korn

Rolling Stone called this thing “turn-of-the-millenium Korn-by-numbers”, and they’re not wrong. There are zero new ideas on this album. That being said, it’s earning a lot of praise from Metalheads because it’s Korn “returning to form”, per se. And on tracks like “Black is the Soul”, with its dissonant riffage, and lead single “Insane”, with its brooding refrain, that rings true. But its detractors also have a point, especially in the latter half of the LP – you can’t seriously argue that the chorus to “When You’re Not There”, for instance, is anything but a snoozefest. But if you’re looking for an intense, cathartic expulsion of all of your fucked up feelings, or you’re just curious what late-90s Korn would sound like with modern, cleaner production, give this thing a whirl. RECOMMENDED

Joanne – Lady GaGa

 What a colossal fucking disappointment. GaGa dulled her edges, stripped away all the kooky eccentricity, and what’s left is a record with zero personality. Vocally she delivers some great performances, but everything feels so lifeless and uninspired. It’s tough to explain, honestly, ‘cause the songs seem like they should “work”, but when I try and  connect with them, they feel stiff and aloof. I was totally ready to embrace a mature GaGa, but I’m astonished at how much I didn’t like Joanne. Maybe it’ll grow on me, but for now? BLEHHH. NOT RECOMMENDED

The Brotherhood of the Snake – Testament

If you’re on the prowl for 45 minutes of straight Thrash action from one of the Bay Area OGs, Brotherhood of the Snake cannot possibly let you down. But this LP is not nearly as catchy, intricate or dynamic as the band’s 2012 masterpiece Dark Roots of Earth. Not to say it doesn’t perform as advertised – it’s got some ripping thrashers in the vein of their classic records – but it offers nothing beyond that, which left me (ever so slightly) disappointed, especially in comparison with Dark Roots. Here is a full review. RECOMMENDED

Rage & the Machine – Joe Budden 

Even though I dug his last album (2015’s All Love Lost), I was pleasantly surprised to find that Rage & the Machine isn’t another complete mopefest exclusively about breakups, depression, and self-pity (believe me, I love that shit though). On album number six, Joey diversifies things – there’s sample-heavy boom bap, hype trap-influenced shit, and R&B-tinged moments as well, all providing a soundscape for his usual dense rhymes. “Wrong One” is a slapper and a half – ArraabMusik’s beat (he produced basically the whole project) goes SO fucking hard. “Serious” is a menacing duet with Budden’s Slaughterhouse compatriot Joell Ortiz. But there are several misses too – Fabolous’ sing-song flow on “Flex” is terrible enough to drag the entire album down on its own, and “By Law” bores me to tears. As a big Budden fan, I got some great new jams out of this, but I’m still waiting for the hooks, the narrative, the bars, and the beats to all add up into a single classic project. RECOMMENDED

 Three – Phantogram

 Phantogram’s dramatic, occasionally theatrical third LP is their best yet. I especially enjoy how the often bleak lyrics pair equally well with hard-hitting synths, dreamy, shoegaze-y landscapes, and some of the more Hip-Hop based production. But I’m not in love with everything here – namely, the irritating hook on “You Don’t Get Me High Anymore” and the plodding “Barking Dog”. Overall, Three is a concise crash course in the many facets of the Phantogram sound, which you can broadly label as “Alternative”, but which gets pretty sophisticated when you try and whittle the versatile duo down to a single subgenre. RECOMMENDED

DC4 – Meek Mill

Zzzz……I usually listen to these albums at least three to five times, but I made it through three songs on this one. Same ol’ same ol’. NOT RECOMMENDED

The Whole of the Law – Anaal Nathrakh

Listening to Anaal Nathrakh’s eclectic, everything-but-the-kitchen-sink approach to Extreme Metal is like playing subgenre I Spy. In a matter of seconds, these motherfuckers will cycle through Grindcore, Black Metal, Death Metal, Power Metal, and God knows what else, making for a uniquely exhilarating listening experience. There has yet to be a major misstep in the band’s catalogue, but “The Whole of the Law” might just be their best in a decade. Sure, you can criticize this record for being a bit wonky and over-the-top, but that’s EXACTLY why I love it. HIGHLY RECOMMENDED

Breathe in the Water – Kyng

Kyng’s throwback blend of Hard Rock and Metal continues to work on album number three. You can find Breathe in the Water at a delightful intersection between Black Sabbath, Thin Lizzy, and Baronness.“Pristine Warning”, “Bipolar Schemes”, and the title track all pack quite the punch in the riff category. I just wish this band would get the fucking attention they deserve! RECOMMENDED

 

 

 

 

April 2016 Album Round Up!

April 2016 was an insane month in my life. My final run as a college student, I spent my weekends living out of a suitcase and traveling up and down the East coast to visit friends at their respective schools before real life shows up and steps on our dreams. If I ever become a full-blown alcoholic, I will have April 2016 to blame. But in between binges on Jack Daniels, Xanax, and God knows what else, here are some releases that were the soundtrack to my escape (yep, that was an intentional In Flames reference!).

Weezer (The White Album) – Weezer

I couldn’t think of a better set of tunes to kick off the beginning of Spring. I haven’t heard anything from Weezer in over a decade that I’ve wanted to hear again, but the White Album is excellent. It has this light-hearted bounce to it that’s irresistible. It’s also succinct, not letting any of its ten songs slip through the cracks. Whether Nirvana deserves royalties for the “Lithium”-esque “Summer Elaine and Drunk Dori” is anyone’s guess, but it’s a hell of an album either way. HIGHLY RECOMMENDED

Gore – Deftones

Quite possibly my album of the year thus far. I’ve never been a Deftones guy, but Gore converted me. It has layers upon layers so it takes a few listens, but if you allow yourself to go along for the ride, you’re in for something special. Chino Moreno’s vocal performance on choruses like “Phantom Bride”, “Prayers/Triangles”, “Xenon”, and “Hearts/Wires” is breathtaking. I’ve especially beat “Phantom Bride” to death. My God. Here is a full review. HIGHLY RECOMMENDED

Views – Drake

Drizzy’s highly anticipated fourth album fluctuates between mildly underwhelming and utterly cringe-inducing. Views finds the Canadian-born superstar stagnating musically and regressing lyrically. Bars like “got so many chains they call me Chaining Tatum” and “Girl let me rock your body/Justin Timberlake” drag listeners back to 2009 kicking and screaming for the “hashtag rap” era. The crying shame is that the first six tracks are excellent, but things nosedive quickly, save a couple late-album highlights like the Rihanna-assisted “Too Good”. A major letdown. Here is a full review. NOT RECOMMENDED

You’ll Pay For This – Bear Hands

For Brooklyn, NY’s Bear Hands, album number three was a pivotal one. What an oversaturated market these guys are in. They are based in Brooklyn and they play electronic-infused indie Rock. Gonna go out on a limb and say it’s been known to happen. But You’ll Pay For This, while it doesn’t do much to distinguish itself stylistically, distinguishes itself in terms of quality. It’s simply a cut above its peers. And angst-ridden young adults will feel right at home with its lyrical content. Here is a full review. RECOMMENDED

Layers – Royce da 5’9

In early March, Detroit OG Royce da 5’9 dropped “Tabernacle”, the best Hip-Hop single of 2016 thus far, to promote his sixth solo album Layers. It was intensely personal and deeply moving, with stellar storytelling and grade-A production. The opening track of the LP, it’s followed by a set of cuts that, understandably so, don’t quite measure up to it. A majority are enjoyable, while some, like “America”, “Off”, and “Startercoat”, are on the boring side. It’s thoughtfully sequenced, with Royce’s lady problems woven in and out of typical lyrical flexing. But here’s the thing about Royce that fans should understand by now. If you are in the market (as I am) for old school lyricism and for flows that are more derivative of Nas than Future or Lil’ Wayne, the reliable Nickel Nine will deliver. And if you’re not, move along because there’s nothing here for you. Simple as that. RECOMMENDED

Dust – Tremonti

This is the strangest record of the month for me. NOT musically mind you – it’s actually pretty straightforward Metal-tinged Hard Rock. But given that Dust is simply “part 2” of the same recording sessions that produced last year’s Cauterize – an album I didn’t hate but was pretty lukewarm on – I am SHOCKED at how much better it is! Still trying to wrap my head around that. Here is a full review. HIGHLY RECOMMENDED

Book of Shadows II – Zakk Wylde

20 years after Zakk Wylde’s mellow cult classic Book of Shadows, we’re blessed with part two. Better late than never! Like its predecessor, Book of Shadows II is best enjoyed on an overcast, hungover Sunday or, once October rolls around, a brisk Fall afternoon with some foliage. It’s beautifully gloomy, and Wylde’s gravelly vocals make you momentarily forget that he’s actually from Jersey and not a good ol’ boy belting these tunes out across his cattle farm. And even though he’s unplugged for most of it, he does plug in for RIPPING electric guitar solos on tracks like “Lay Me Down” and “Lost Prayer”. Like Mr. Wylde himself, the track list is a bit bloated, but that’s a minor complaint. RECOMMENDED

Generation Doom – Otep

Otep’s Generation Doom combines the lyrical imagination of Five Finger Death Punch with the corny delivery of In This Moment’s latest dud, sprinkling in some generic Nu Metal-isms for good measure. There are even some painful rapped passages, like in the track “Down”. We get it, Otep. You’re not a fan of conformity. You’re not a fan of the fact that America fights wars. And you appear to be upset about it. But for the love of God, please learn to communicate it in a compelling manner. I suppose Generation Doom is heavy, and I like heavy. But “heavy” is literally all it has going for it. NOT RECOMMENDED

A Sailor’s Guide to Earth – Sturgill Simpson

This is Sturgill Simpson’s third LP and follow-up to the acclaimed Metamodern Sounds in Country Music. Like his sophomore triumph before it, A Sailor’s Guide to Earth completely transcends Country (or what has loosely become defined as “country” in the wake of the horrific Pop-Country explosion of the last half-decade plus). Simpson is unbounded in his use of horn sections, string arrangements, and anything in between on highlights like “Breakers Roar”, “Keep It Between the Lines”, and “All Around You”. I do have a gripe with the cover of Nirvana’s “In Bloom”: he made it his own, but I’m not sure the hard-hitting, singular sound of Nirvana’s debut should be tampered with in this fashion. Still, I’ve found a lot to enjoy here. I suppose “alt-country” is the categorical term, but what the hell do I know? Country is a genre I casually dip my toes into every now and then. And I’m quite glad I chose to get my feet wet with A Sailor’s Guide to Earth. RECOMMENDED

 

February 2016 Album Round Up!

We’re just over two months into 2016, and we’ve already – somewhat surprisingly – been blessed with a ton of exciting releases in the midst of typically low-key winter months. When this calendar year is in the books, will we be looking back at January and February as the peak of 2016? Pretty unlikely. But I still feel like I’ve had a fairly reliable, steady stream of high-profile albums to look forward to (some delivered, some did not). And yes, Kanye dropped. But I’m fucking determined to go as long as I possibly can without hearing it. Not for lack of interest either. Just ‘cause. Anyway, here’s a quick recap of nine albums NOT named The Life of Pablo that I spent some time with this past month. Looking forward to what March has in store!

Khalifa – Wiz Khalifa

In the first project of his I’ve enjoyed since 2011’s smash hit Rolling Papers, Wiz dropped some…well, smoking and drinking music. The production and hooks are significantly more effective – to my ears, at least – than O.N.I.F.C. and Blacc Hollywood (save those two albums’ singles). If you’re looking for great lyricism, steer clear, but I definitely found myself coming back to this record quite a bit for some day drinking and pregaming, especially two exceptional, Kush & OJ-style tracks, “Zoney” and “Elevated”. RECOMMENDED

For All Kings – Anthrax

Welcome back Anthrax! About ten listens in, I’ve evaluated For All Kings as “dangerously close” to the Thrash mastery of 2011’s Worship Music. The difference is really just a filler track or two. But the middle chunk of this record is some of the best Anthrax music I’ve ever laid ears on. Joey Belladonna gets the MVP. My full review is available here. YouTube review here. HIGHLY RECOMMENDED

Day One – From Ashes to New

This studio debut from Lancaster, PA outfit From Ashes to New made me want to vomit. They’re like an even more cheesed-up version of Twenty One Pilots meets Crown the Empire. I appreciate what they’re trying to do, but it just made me cringe. This guy Matt Brandyberry sounds like an even more melodramatic Mike Shinoda when he utters (well, raps) the words: “I lay awake and look at the ceiling and wonder why/I’m so afraid to face all these feelings and want to die”. And that dubstep-y breakdown? Fuck outta here wit dat. Not to mention the clean vocalist sounds fucking IDENTICAL to the guy on Escape the Fate’s self-titled album. I mean, is Day One heavy and appropriately angsty? Passionate even? Sure. And it’ll dominate with the Hot Topic crowd. But holy fuck is it not for me. NOT RECOMMENDED

Sittin’ Heavy – Monster Truck

Simply put, this band’s sophomore effort is the best fucking throwback hard rock record I’ve heard since perhaps Kyng’s Burn the Serum. It’s all there: it’s energetic, passionate, and wholeheartedly convincing. Fans of ‘70s and early ‘80s Rock should check it out immediately! HIGHLY RECOMMENDED

This Unruly Mess I’ve Made – Macklemore & Ryan Lewis

This one certainly hurt. Macklemore is someone I really root for, if not always for his talent but for his passion, honesty, humility, and sometimes ruthless self-awareness. The Language of My World is phenomenal, The Heist is a near-classic, but Mess, his second with Ryan Lewis, is a huge disappointment. Save a few shining moments (“Light Tunnels”, “Kevin”, and the must-listen “Need of Know”) this thing is all over the place in a BAD way this time. My full review is available here. NOT RECOMMENDED

I Like it When You Sleep – The 1975

Ok, LP number two for these guys, who seem utterly ubiquitous at the moment. I am absolutely in love with the tracks “This Must Be My Dream” and “Somebody Else”. On the latter, those snare drums with the 80s-style reverb are borderline euphoric. While we’re on the topic of the 80s, the standout “She’s American” could’ve squeezed right into an early Huey Lewis and the News disc. But we didn’t need 17 frickin’ songs here. “UGH!” kind of drags in the wake of hit single “Love Me”, and are BOTH “If I Believe You” and “Please Be Naked” necessary when the title track brings all the dynamics this album needs? Still, at a bare minimum this is a wonderful soundtrack to a night drive in the city. Though I tend to think it offers a whole lot more. And yes, I do think Matt Healy eerily resembles Patrick Stump at times. But we’ll agree to disagree. RECOMMENDED

Victorious – Wolfmother

Ugh. This record has one of the strangest dichotomies in any track listing I’ve ever encountered. The first 5 songs are excellent and on par with some of the best moments on Wolfmother’s debut, and the second 5 songs are pure throwaway filler garbage. “Uneven” is an understatement. My full review is available here. NOT RECOMMENDED

X (No Absolutes) – Prong

Album number 11 for Prong – but their 10th of original material – wastes no time with opener “Ultimate Authority”, some excellent Crossover Thrash which would be right at home on a classic like Cleansing (although I know mentioning that record is understandably played out). I love the dissonant yet super-catchy riff in “Without Words” (and, for that matter, “Soul Sickness”) X (No Absolutes) has an impeccable combination of melody and heaviness that all these scream/sing Metalcore bands can only dream about. It stays completely true to the Prong aesthetic, and it’s a set that is sure to devastate in the live environment. I have yet to catch these legends live, so I’m hoping to get the chance on the cycle for X. RECOMMENDED

Dead Dawn – Entombed A.D.

Dead Dawn (Deicide anybody?) is the second album from Entombed 2.0 since the legendary band’s legal battles and break up. One of Entombed’s distinct qualities is how much more groove-oriented they are than the majority of Death Metal, showcased in the title track, and they’re not afraid to get downright melodic, like in that song’s bridge, which sounds like something Arch Enemy would do.There’s nothing in these ten tracks that’ll blow your mind, but there’s some certainly some heavy-ass (surprisingly fun) metal! I’m especially a fan of “Down to Mars to Ride” and the dynamic “Hubris Fall” And it’s still really not THAT far off from Left Hand Path, so there’s that. RECOMMENDED