Top 10 Albums of 2019: NON-METAL EDITION

And to cap things off for 2019, our Year-End List is the Top 10 Non-Metal Albums of 2019! Artists discussed include Cigarettes After Sex, Dizzy Wright, Mannequin Pussy, Joell Ortiz & more!

I want to extend my deepest gratitude to anybody and everybody who tuned into a YouTube video on my channel, read a blog post, or supported me in any way in 2019! It means the world to me, and I can’t wait to kick things up a notch (or 10) for you guys in 2020. Have a safe and happy New Year everyone!

Check out the full video below:

September 2019 Album Round Up!

What’s up guys! Another month, another Album Round Up. Below is a quick run-through of all the records I checked out this month:

As I Lay Dying – Shaped By Fire: Seven years and one attempted murder charge later (yep, I went there), Metalcore veterans As I Lay Dying are back in business. And I had a lot to say. Some of my key critiques of this album include whiny, poorly executed clean choruses, copy-and-pasted songwriting for their last few releases, and at least one track that’s just bad across the board. But I (pun intended) WARMED up to this album as time went on, and ended up finding a lot to enjoy. Full review here. RECOMMENDED.

Betraying the Martyrs – Rapture: I’m glad I finally swallowed my pride and gave a true-blue “Verb-the-Noun” band a shot. Sure, I had plenty of critiques for Rapture (the French Deathcore upstarts’ fourth LP to be released on Sumerian Records), but I went in hoping to be pleasantly surprised, and I WAS, mainly by the pure Death Metal fury of the title cut and the “Iron Gates” as well as the formidable two-guitar songwriting on the single “Down”. Full review here. RECOMMENDED

Blink-182 – NINE: All the way back to my formative years, I’ve never been a Blink fan. So why I keep taking their new releases exceedingly seriously (2016’s California being another example) doesn’t make a whole lot of sense. As I explain here, I’m always gonna cherry pick a couple of instantly catchy tunes and discard the rest. And that’s what I did here with the ballad “Heaven”, and to a lesser extent cuts like “Black Rain” and “I Really Wish I Hated You”. See you guys in 2022 for another three songs! NOT RECOMMENDED.

Cashmere Cat – Princess Catgirl: Possibly my favorite album I heard all month, Cashmere Cat’s ability to pull so much emotion out of cheesy Kanye-esque chipmunk vocals and glitchy EDM tropes astonished me. Dude, it’s 19 minutes long. Do yourself a favor and go listen to it. It’ll make you feel like you’re in a romantic, utopian video game. HIGHLY RECOMMENDED.

Opeth – In Cauda Venenum: Far and away the worst of the “screamless 2010s” era of these Swedish Prog Metal legends, I found In Cauda Venenum to be dreadfully boring. Songs like “The Garroter” make me feel like I’m trapped for hours on end in the most depressing vintage record store ever, surrounded by rare Pink Floyd vinyls that not even Pink Floyd themselves give a shit about, wondering how the hell the owners can afford their rent. I’m not opposed to “screamless Opeth” – I think it’s fantastic that Mikael Akerfeldt and co. had the balls to drastically change course two decades into their career – but I AM opposed to soullessness. And In Cauda Venenum is egregiously soulless. NOT RECOMMENDED.

Post Malone – Hollywood’s Bleeding: After Postie Boy shocked me (and virtually all music writers) with the excellent Beerbongs & Bentleys last April, I thought to myself “gee, I hope he doesn’t rush-release an overly commercial follow-up”. I guess I forgot to knock on wood. Ironically, Hollywood’s Bleeding boasts excellent singles – the irresistible Young Thug collab “Goodbyes” is perhaps my favorite Top 40 Radio song of all of 2019, and the unexpected shoegaze-y guitars in the “Circles” intro still get me every time – but once you get to deeper cuts like the nursery rhyme chorus of “Myself”, or the failed Weeknd attempt “Allergic”, the LP doesn’t hold up. NOT RECOMMENDED.

Sturgill Simpson – Sound and Fury: Simpon’s brand of Alt-Country is one of the only modern shades of the genre granted full acceptance by the “music writer crowd”, and listening to tracks like the rock-influenced “Remember to Breathe” or the funky synth-infused “A Good Look”, in which Simpson’s hearty twang is the only noticeable “Country” element anywhere in sight, you can see why. But that’s not Simpson’s fault. He continues to be a fearless experimenter and poignant lyricist on album highlights like “Make Art Not Friends”, the aforementioned “A Good Look”, and “All Said and Done”. A must-listen! HIGHLY RECOMMENDED.

Zac Brown Band – The Owl

WOW. This is a (potentially unequivocal) contender for Worst Album of the Year. And “OMW” – in which the band recite a texting acronym and pass it off as a chorus – is an equally fierce contender for Worst Song of the Year. If “OMW” and “Me and the Boys in the Band” are the type of music Zac Brown and Co. want to make, then just go be Florida Georgia Line. Or join Florida Georgia Line and make one giant Pop-Country conglomerate with 32 members. It’s actually MORE offensive to me when they try to “return to their roots” with a late-album cut like “Shoofly Pie” buried in the tracklist. NOT RECOMMENDED.

A FEW MORE:

Enjoyed:

Cult of Luna – A Dawn to Fear

Eclipser – Pathos

Korn – The Nothing

The New Pornographers – In the Morse Code of Brake Lights

Tegan and Sara – Hey, I’m Just Like You

Didn’t Enjoy:

Charli XCX – Charli

JPEGMAFIA – All My Heroes Are Cornballs

Starset – Divisions

Top 15 Favorite Songs: Q3 2019

Another three months gone by, another Favorite Songs list! This really might be my best one yet. I feel like there’s a song on here for everybody’s palette. Artists discussed include BJ the Chicago Kid, Banks, Rick Ross, Taylor Swift (yes, Taylor Swift) and much more!

And as always, here is the accompanying Spotify playlist if you want the full sh-bang (how do you properly spell that? Schbang? Sch-Bang?) with ten additional honorable mentions. Check out my remarks on the Top 15 below:

 

April 2016 Album Round Up!

April 2016 was an insane month in my life. My final run as a college student, I spent my weekends living out of a suitcase and traveling up and down the East coast to visit friends at their respective schools before real life shows up and steps on our dreams. If I ever become a full-blown alcoholic, I will have April 2016 to blame. But in between binges on Jack Daniels, Xanax, and God knows what else, here are some releases that were the soundtrack to my escape (yep, that was an intentional In Flames reference!).

Weezer (The White Album) – Weezer

I couldn’t think of a better set of tunes to kick off the beginning of Spring. I haven’t heard anything from Weezer in over a decade that I’ve wanted to hear again, but the White Album is excellent. It has this light-hearted bounce to it that’s irresistible. It’s also succinct, not letting any of its ten songs slip through the cracks. Whether Nirvana deserves royalties for the “Lithium”-esque “Summer Elaine and Drunk Dori” is anyone’s guess, but it’s a hell of an album either way. HIGHLY RECOMMENDED

Gore – Deftones

Quite possibly my album of the year thus far. I’ve never been a Deftones guy, but Gore converted me. It has layers upon layers so it takes a few listens, but if you allow yourself to go along for the ride, you’re in for something special. Chino Moreno’s vocal performance on choruses like “Phantom Bride”, “Prayers/Triangles”, “Xenon”, and “Hearts/Wires” is breathtaking. I’ve especially beat “Phantom Bride” to death. My God. Here is a full review. HIGHLY RECOMMENDED

Views – Drake

Drizzy’s highly anticipated fourth album fluctuates between mildly underwhelming and utterly cringe-inducing. Views finds the Canadian-born superstar stagnating musically and regressing lyrically. Bars like “got so many chains they call me Chaining Tatum” and “Girl let me rock your body/Justin Timberlake” drag listeners back to 2009 kicking and screaming for the “hashtag rap” era. The crying shame is that the first six tracks are excellent, but things nosedive quickly, save a couple late-album highlights like the Rihanna-assisted “Too Good”. A major letdown. Here is a full review. NOT RECOMMENDED

You’ll Pay For This – Bear Hands

For Brooklyn, NY’s Bear Hands, album number three was a pivotal one. What an oversaturated market these guys are in. They are based in Brooklyn and they play electronic-infused indie Rock. Gonna go out on a limb and say it’s been known to happen. But You’ll Pay For This, while it doesn’t do much to distinguish itself stylistically, distinguishes itself in terms of quality. It’s simply a cut above its peers. And angst-ridden young adults will feel right at home with its lyrical content. Here is a full review. RECOMMENDED

Layers – Royce da 5’9

In early March, Detroit OG Royce da 5’9 dropped “Tabernacle”, the best Hip-Hop single of 2016 thus far, to promote his sixth solo album Layers. It was intensely personal and deeply moving, with stellar storytelling and grade-A production. The opening track of the LP, it’s followed by a set of cuts that, understandably so, don’t quite measure up to it. A majority are enjoyable, while some, like “America”, “Off”, and “Startercoat”, are on the boring side. It’s thoughtfully sequenced, with Royce’s lady problems woven in and out of typical lyrical flexing. But here’s the thing about Royce that fans should understand by now. If you are in the market (as I am) for old school lyricism and for flows that are more derivative of Nas than Future or Lil’ Wayne, the reliable Nickel Nine will deliver. And if you’re not, move along because there’s nothing here for you. Simple as that. RECOMMENDED

Dust – Tremonti

This is the strangest record of the month for me. NOT musically mind you – it’s actually pretty straightforward Metal-tinged Hard Rock. But given that Dust is simply “part 2” of the same recording sessions that produced last year’s Cauterize – an album I didn’t hate but was pretty lukewarm on – I am SHOCKED at how much better it is! Still trying to wrap my head around that. Here is a full review. HIGHLY RECOMMENDED

Book of Shadows II – Zakk Wylde

20 years after Zakk Wylde’s mellow cult classic Book of Shadows, we’re blessed with part two. Better late than never! Like its predecessor, Book of Shadows II is best enjoyed on an overcast, hungover Sunday or, once October rolls around, a brisk Fall afternoon with some foliage. It’s beautifully gloomy, and Wylde’s gravelly vocals make you momentarily forget that he’s actually from Jersey and not a good ol’ boy belting these tunes out across his cattle farm. And even though he’s unplugged for most of it, he does plug in for RIPPING electric guitar solos on tracks like “Lay Me Down” and “Lost Prayer”. Like Mr. Wylde himself, the track list is a bit bloated, but that’s a minor complaint. RECOMMENDED

Generation Doom – Otep

Otep’s Generation Doom combines the lyrical imagination of Five Finger Death Punch with the corny delivery of In This Moment’s latest dud, sprinkling in some generic Nu Metal-isms for good measure. There are even some painful rapped passages, like in the track “Down”. We get it, Otep. You’re not a fan of conformity. You’re not a fan of the fact that America fights wars. And you appear to be upset about it. But for the love of God, please learn to communicate it in a compelling manner. I suppose Generation Doom is heavy, and I like heavy. But “heavy” is literally all it has going for it. NOT RECOMMENDED

A Sailor’s Guide to Earth – Sturgill Simpson

This is Sturgill Simpson’s third LP and follow-up to the acclaimed Metamodern Sounds in Country Music. Like his sophomore triumph before it, A Sailor’s Guide to Earth completely transcends Country (or what has loosely become defined as “country” in the wake of the horrific Pop-Country explosion of the last half-decade plus). Simpson is unbounded in his use of horn sections, string arrangements, and anything in between on highlights like “Breakers Roar”, “Keep It Between the Lines”, and “All Around You”. I do have a gripe with the cover of Nirvana’s “In Bloom”: he made it his own, but I’m not sure the hard-hitting, singular sound of Nirvana’s debut should be tampered with in this fashion. Still, I’ve found a lot to enjoy here. I suppose “alt-country” is the categorical term, but what the hell do I know? Country is a genre I casually dip my toes into every now and then. And I’m quite glad I chose to get my feet wet with A Sailor’s Guide to Earth. RECOMMENDED