November 2017 Album Round Up!

Greetings, fellow music fans of the (still “neutral” for now) Internet! Welcome to my second-to-last Album Round Up of 2017! As I type this, I’m already deep into the hours and hours of fierce internal debate that I pour into List…..ok, look. My first instinct was to write something about “List Season”, because naturally, I’ve been gleefully combing through 2017’s release calendar compiling those “best of” lists that consume all of my Decembers. But knowing myself as well as I do, I had this funny feeling that I had made some equally dumb comment about “List Season” at this time last year, and sure enough, I was right. And since I’m not a member of AC/DC, I don’t get some sort of pathological satisfaction out of constantly repeating myself. So maybe I just won’t acknowledge “List Season” this time around. Although….since I’ve now used the term “List Season” four times in this very paragraph, I guess I’m kinda committed.

In all seriousness, there’s a reason List Season is my favorite time of year. With the exception of my “Worst of” list, I literally have an excuse to just sit on my ass and listen to every single piece of auditory greatness that 2017 gave us for hours and hours on end! More over, I get to really dig into any records that got swept under the rug while I was busy drinking, procrastinating, or random bullshit like arguing with Geico about my premiums or shopping for a new massage chair.

As it turns out, November gave me a ton of material for this Round Up– at 23 albums, I think this might be the most different releases I’ve covered in one of these things – so I really hope you get something out of this! Even if there’s just ONE album that I turn you on to/steer you away from, then it’s all worth it to me.

Reputation – Taylor Swift

You know, I gave this a genuine chance. I was even willing to forego that gimmicky “leave it off streaming platforms for three weeks” marketing plan that Swift and the Suits dreamed up. But Reputation is a big step back from 2014’s Pop juggernaut 1989. Swift’s sixth album features ill-advised experiments with dance music (“I Did Something Bad”, “Look What You Made Me Do”), a really awkward Ed Sheeran collaboration (“End Game”), enough vocal manipulations to make T-Pain gawk, and cheaply invokes sexuality at nearly every turn (“…Ready for It?”, “Delicate”, “Dress”).   All that being said, Reputation has already passed 2 million sales worldwide and is currently occupying the top slot on the Billboard charts for the third week in a row, so as always, the joke’s on me. NOT RECOMMENDED

Radio Silence – Talib Kweli

 For his eighth solo release, the veteran Brooklyn MC and social activist – not to mention, one of Twitter’s most incessant self-righteousness finger-pointers – added another solid installment to his prolific catalogue. While a few late-album cuts like the title track and “Let It Roll” are underwhelming momentum-retardants, there are three songs in particular – “All of Us”, “She’s My Hero”, and “Chips” – that make everything worthwhile. “All of Us” is a soulful collaboration with singer Yummy Bingham that boasts I think, like, the SECOND Jay Electronica verse of all of 2017. “She’s My Hero” is a tear-jerking ode to abuse victim Bresha Meadows. And “Chips” is a rousing collab with none other than Waka Flocka Flame, who sets it on fire with one of the most surprisingly dope guest verses I’ve heard all year. Here is a full review. RECOMMENDED

Ashes EP – Sinsaenum

 This Extreme Metal “supergroup” – featuring Joey Jordison of Slipknot, Frederic Leclercq from Dragonforce, Attila Csihar from Mayhem, and others – came roaring back on the heels of their 2016 debut Echoes of the Tortured with a five-track EP that impressively upped the ante . Whereas their debut was more of a vintage Death Metal record with elements of Black Metal theatrics sprinkled in, Ashes finds the best of Black Metal and Death Metal in a furious seesaw that keeps getting more and more exciting as the tracks unravel. In particular, the opening trio of “Ashes”, “Monarch of Death”, and “2099 (Heretics)” are all absolutely essential listens. While I’ve been rooting for this band since day one, they are now top priority for me when it comes to their next release. Here is a full review. HIGHLY RECOMMENDED.

 Red Pill Blues – Maroon 5

For their third album as Adam Levine Plus Hip-Hop and Dance Beats, Maroon 5’s painful transition into by-the-numbers Z100 wallpaper fully crystallizes. Featuring production and songwriting contributions from every “hit-maker” imaginable – Diplo, Ben Billions, Charlie Puth, Teddy Geiger, Julia Michaels, Jason Evigan, etc. – Adam Levine and his buddies deliver a platter of instantly forgettable songs that are unlikely to have the same chart mojo that the pre-albums singles (“Don’t Wanna Know”, “Cold”, “What Lovers Do”) were able to maintain. Here is a full review. NOT RECOMMENDED

Laugh Now, Fly Later – Wiz Khalifa

 Instead of just letting fans wait a little longer for his hugely anticipated Rolling Papers 2 album, the Khalifa Kush CEO succumbed to the pressure and decided to squeeze out this little turd for anybody still lurking at the bottom of the toilet bowl praying he’ll redeem the last six-and-half years of mediocrity. This 39-minute mixtape consists of about 19 minutes of ad-libs and 20 minutes of bars about smoking weed. Even if you blaze religiously, there’s still no way that sounds appealing. And aside from a couple of decent moments – the “Weed Farm” beat goes hard, and Casey Veggies steals the show on the opener “Royal Highness” – it isn’t. it’s torturously boring. But all of my vitriol, I’m still holding out hope for Rolling Papers 2. Until then, no more “hold-over” projects Wiz, please and thank you. Here is a full review. NOT RECOMMENDED

Kids in Love – Kygo

For his second studio album and follow-up to last year’s overly commercial, monumentally disappointing Cloud Nine, the one-time prince of Tropical House doubles down and gives us 29 minutes of Kidz Bop EDM with the same quality and sophistication of The Chainsmokers. I find it strange that, seeing as Kygo has enjoyed international hits like “Firestone” and “Stole the Show”, he feels the need to make such desperate radio grabs. To be fair, he now has the Sony Music engine behind him, which may or may not have something to do with the bullshit on Kids in Love. Either way, this whole constant-vocals-with-one-small-drop format effectively qualifies this as Pop music – the fact that there’s a OneRepublic feature on a song titled after one of 2017’s biggest television phenomenons (“Stranger Things”) and a True-era Avicci knockoff (“Never Let You Go”) should say it all. Kygo doesn’t seem to have any interest in standing out in any way. He’s just falling in line. It’s a real shame to see it happen to yet another talented EDM artist. NOT RECOMMENDED

The Dusk in Us – Converge

In just a couple years, Converge will hit their thirtieth year as a band. That these New England Metalcore legends are still churning out material that sounds as fresh, fluid, and completely singular as The Dusk In Us is beyond my capacity of understanding. They always deliver. Every. Single. Time. The phenomenal “A Single Tear” single and music – released days before the album – was what initially stoked my excitement for this LP, but the chaotic riff fests that are “Under Duress” and “Broken by Light”, as well as the record’s more delicate moments like “Thousands of Miles Between Us” and the title, all further reinforce my belief that Converge are one of the preeminent Metal bands of the last two decades. HIGHLY RECOMMENDED

 Red Before Black – Cannibal Corpse

Just when I think these Death Metal legends are finally running their formula dry, they deliver more genuinely satisfying assault and battery on Red Before Black, their fourteenth studio album in nearly thirty years as a band. While a track like “Destroyed Without a Trace” is so dime-a-dozen in CC’s catalogue – seriously, it could’ve been on Evisceration Plague, OR Torture, OR A Skeletal Domain OR, well you get the point – this LP does have a few subtle differences. For one, the Tech Metal element that has crept into recent Cannibal releases has been noticeably dialed back – tracks like “Firestorm Vengeance” and “Code of the Slashers” are basically Thrash tunes with Death Metal growls on top. Second….well there is no second. And that’s why this band’s status quo approach never excites me. There’s very little on Red Before Black that I can’t get from the last TWENTY YEARS of Corpsegrinder-era material (which, by the way, I enjoy the hell out of his performance here!). So look, if you’re into this shit, you know the deal. And if you’re not, either go listen to Kill or, like, go do anything else with your time. The same thing the fourteenth time over isn’t gonna sway you. RECOMMENDED

No Dope On Sundays – CyHi the Prynce

 Kanye’s most promising – and yet, perpetually shelved – protégé has been waiting in the wings since impressing Hip-Hop heads across the board with his guest spot on My Beautiful Dark Twisted Fantasy. And as one of those people eagerly awaiting his turn in the limelight, I’ve been frustrated right alongside him. Seven years later, his debut album has finally seen the light of day, and I’m thrilled to say that it’s one of the few super-delayed Hip-Hop debuts that’s actually worth the wait. With an insightful running theme that contrasts spirituality with street activity, CyHi rips through track after track of eloquent lyricism, thoughtful song structure, and invigorating collaboration, which include the likes of Pusha T, ScHoolboy Q, 2 Chainz, Travis Scott and Mr. West himself. All in all, No Dope on Sundays is a strong candidate for my Top 10 Hip-Hop Albums of 2017, which will be posted on this blog in the coming weeks. HIGHLY RECOMMENDED

 Post Self – Godflesh

 Despite having an overwhelming fondness for Godflesh’s game-changing industrial classics like Streetcleaner and Songs of Love and Hate, as well as an appreciation for the venerable comeback record that was 2014’s A World Lit Only By Fire, this new one is just too damn esoteric for me. I can’t get into it. For my taste, there’s too much emphasis on ambience and exhaustive repetition and not enough in the way of riffs, which Godflesh have always managed to weave into their sound, regardless of the experimental terrain it has traversed over the years. While the rhythms of tracks like “Parasite” may hit you like an 18-wheeler, there’s almost no semblance of “notes” or musicality, just raw rhythmic noise. And I’m sure, given Godflesh’s stature as the critical darlings of this corner of Metal, they’re being lauded for it by some bloggers. But if I’m being completely honest, Post Self was so over my head that I even scrapped my planned review of it. NOT RECOMMENDED

A FEW MORE:

LIKE:

The Thrill of It All – Sam Smith

BB – Mod Sun

I Am Legion – Witchery

Dark Flag – Phinehas

DON’T LIKE:

Psychosis – Cavalera Conspiracy

Reputation – Taylor Swift

No Shame – Hopsin

What If Nothing – Walk the Moon

Kaskade Christmas – Kaskade

Oblivion – T-Pain

SYRE – Jaden Smith

Stranger – Yung Lean

Friday On Elm Street – Fabolous & Jadakiss

 

August 2016 Album Round Up!

Hey guys! Hope your summers went out with a bang and the whole death-of-fun-and-sunshine-and-continuation-of-your-shit-life thing isn’t getting ya too down! As expected, August was relatively slow on the new music front. But in terms of new music, shit’s about to get crazy so I didn’t mind a quiet month. I got to chip away at my never-ending quest to “catch up” on classics, I got to drink excessively, and I got to put together a bit of a game plan for taking on the musical insanity that’s headed our way. Still, in any given month, there’s never a COMPLETE shortage of high profile albums. In fact, I think Frank Ocean and Young Thug purposely waited for a commercial lull to drop their hugely successful new projects. Not that either of them needed it, but it’s that much less space they have to share with their peers.

I’m so fucking psyched for the Fall. SO MUCH shit is dropping. Kinda like hanging out by the Seagulls at the beach. (Don’t worry, I didn’t actually just make that joke, it’s all in your head.) But for now, here are my thoughts on nine of this past month’s releases:

Emotion: Side B – Carly Rae Jepsen

That we didn’t get this earlier in the Summer is a travesty, but Carly Rae’s b-side collection from last year’s phenomenal Emotion LP is a rarity in that it’s as great as the main event was. Seriously, Emotion was in my Top 5 albums of 2015, and I’m enjoying these 8 tracks JUST AS MUCH. Carly’s songs are just as infectious when she’s bubbly and optimistic (“First Time” and Higher”) as when she’s down on her luck (“Cry” and “Roses”). As with Kendrick Lamar’s untitled unmastered release earlier this year, Emotion: Side B proves that following a critical triumph with its leftovers actually HELPS rather than hinders its legacy. HIGHLY RECOMMENDED

Slow Death – Carnifex

I expected to hate the shit out of this. Deathcore is potentially my least favorite style of Metal – more often than not, it’s brute force over nuance, nihilistic ranting over thoughtfulness, and aggression for aggression’s sake. But I’m so glad I gave this new Carnifex LP a shot. It’s hardly the one-track minded Deathcore of early Whitechapel or Job for a Cowboy – rather, it’s a formidable amalgamation of a few different Metal niches. Standout “Drown Me In Blood”, for instance, is more of a brutal Death Metal/Deathcore hybrid, with some seriously catchy riffing in the chorus, and “Black Candles Burning” brings a touch of blackened Metal to the table. Not to mention the keys throughout the album on cuts like “Pale Ghost” add a slight theatrical element. Sure, there’s an abundance of low brow lyrics (check the refrain in “Six Feet Closer to Hell”…eeek), and Slow Death isn’t a Metal Album of the Year or anything, but it’s a friendly reminder that genre elitism is the worst offense a music fan can commit. RECOMMENDED

Fishing Blues – Atmosphere

 These prolific indie Hip-Hop giants followed up 2014’s Southsiders with a set of tracks that showcase Ant’s midas touch for slick, tuneful beats far more prominently than Slug’s rhyming skills. The instrumentals on Fishing Blues are spot on, while the lyrics are spot-TY in places. Slug drops some questionable bars, like “I wanna put my DNA in your American Pie”, or the entire track “Next To You”, which is about jerking off next to his sleeping girlfriend, and is as painfully cringeworthy as it sounds. But as expected from an MC of Slug’s caliber, he also has moments of greatness, like the self-aware “Everything” or the elegant scene-setting in the title track. All things considered – barring a few skip-worthy cuts – it still adds up to yet another solid Atmosphere project. Here is a full review. RECOMMENDED

No, My Name is JEFFERY – Young Thug

The Atlanta MC’s latest mixtape has earned him unprecedented acclaim, and for good reason. Tracks like the funky “Wyclef Jean”, the uber-melodic “Swizz Beatz”, and the impossibly smooth “Guwop” are some of the best Hip-Hop songs of 2016. Jeffery’s track list is not bulletproof (exhibits A and B: the obnoxious voice cracks on “RiRi” and the plodding “menace” of “Harambe”), and there’s still a part of me that’s irritated as fuck with Thugger’s whole schtick – the squeaky delivery and the unimaginative sexual vulguarity in particular – but that part of me is quieter than he’s ever been with Jeffery. It’s just too damn catchy. I’d go as far as to call it the best Young Thug project to date. RECOMMENDED

Echoes of the Tortured – Sinsaenum

I will admit, upon hearing Echoes of the Tortured , the debut from this Extreme Metal supergroup (featuring ex-Slipknot skinsman Joey Jordison, Dragonforce bassist Frederic Leclercq, and vocalists Attila from Mayhem and Sean Zatorsky from Daath), I felt mislead, and to a lesser extent disappointed. On The Jasta Show, Joey and Frederic sold their new project in a manner that had me thinking it would be a Black Metal and Death Metal hybrid, equal parts Darkthrone and Morbid Angel. In reality, they’ve unleashed eleven tracks of Death Metal and ten tracks of campy keyboard interludes. That being said, despite a few lyrical clichés (the Deicide homage “Inverted Cross”), it’s flawlessly executed. Check the middle of “Condemned to Suffer” for some amazingly catchy riffing, and check tracks like “Army of Chaos” and “Final Curse” for stripped-back headbanging grooves that recall the early ‘90s. If you’re at all into Death Metal, this is a great listen. RECOMMENDED

Encore – DJ Snake

Fuck, I did this one to myself. Electronic Dance Music is the latest “genre project” in my obsessive music nerd manhunt – I’ve been falling deeper and deeper in love with its many subgenres and the 40-year history of Electronic music, determined to become qualified to review and write about it in the next six months or so. Unfortunately, this means I’m giving every EDM release a listen out of sheer curiosity, even total nonsense like this. DJ Snake ironically titled his debut album Encore, which I suppose is encouraging for us in his case because an encore usually signals the end. Either way, the flavors on this LP range from plain Vanilla to Sweaty Butthole (to clarify for any sexual deviants, that is a NEGATIVE thing). The Skrillex collaboration “Sahara” features the most obnoxious EDM drop I have ever fucking heard. “Pigalle” is a close runner-up. That’s all I’m willing to share. NOT RECOMMENDED

Blonde – Frank Ocean

Listen to this. It’s fucking beautiful. HIGHLY RECOMMENDED

Home of the Strange – Young the Giant

Young the Giant’s third LP comes with no major surprises – sauntering grooves (“Amerika” and “Something to Believe in”), reverb-soaked choruses (“Titus Was Born”) straightforward lyrical content (“Mr. Know-It-All”), and, periodically, some glossy synths playing back up (“Elsewhere”). I enjoyed the hell out of this band’s self-titled debut back in 2010 – it fit right in with Alt-Rock acts that I was into like Band of Horses, Cage the Elephant, and soon after, Imagine Dragons. For better or worse, Young the Giant are another agreeable indie Rock band. The (minor) issue that pops up with this particular sound is that Young the Giant and their peers tend to be pretty faceless and mild. Home of the Strange is often a fun listen, but it’s like wandering into a delicious pizza place in New York City- another block or two and you can find a similar experience. RECOMMENDED

SremmLife 2 – Rae Sremmurd

When I think of Rae Sremmurd, their music isn’t the first thing that comes to mind. I think of Complex magazine controversially ranking their Sremmlife debut the third best album of 2015, ahead of Drake, Vince Staples, A$AP Rocky, and, well, every other album that came out that year except two (Future’s DS2 and Kendrick’s To Pimp a Butterfly). On their sophomore effort, the two MCs are a banger factory once again– there’s no denying that – but I find myself indifferent because there’s so little to explore beneath its charismatic surface. As a result, the record as a whole has had little replay value for me. But I will say that “Look Alive” is my favorite Rae Sremmurd track yet, and I totally understand why tons of fans are likely head-over-heels for this album. NOT RECOMMENDED