RL Grime’s “Stay For It” Single

If for the past few months there was some game show host running around offering $5 million to whoever could name the best EDM song of 2017, I would’ve been shit out of luck had he happened upon me. That was, until this past Friday. If that hypothetical guy came up to me on the street and stuck a camera in my face on Friday or any day since then, ya boy would have somewhere around $2,483,124 of after-tax money sitting in a few well-diversified Vanguard index funds. And maybe a Ferrari or two.

What I’m trying to say here is, this new track from Trap powerhouse RL Grime is fucking awesome.

As I talked about here, Mr. Grime’s “Aurora” single was one of my favorite party songs of 2016…for reasons not too distant from why I love this brand new single “Stay for It”, which features a collaboration with big-time R & B crooner Miguel.

Like “Aurora”, “Stay for It” is structured around two enormous, scintillating drops. I can’t even begin to imagine the hard-hitting, dramatic impact they’re gonna have in the live setting. Jesus fucking Christ.

Unlike “Aurora”, “Stay for It” has one of the biggest singers in the world lending his pipes for the occasion. Miguel’s appearance adds a completely new dimension to what’s already a massive sound. This song, simply put, would NOT be the same without the LA native’s belting high notes right before the drop. It’s kinda like when a rollercoaster stops at the top of a big plunge and everyone screams.

Miguel’s reverbed-out vocals elevate the song through its brief verses and its spellbinding bridge too, the latter of which features this rapid-fire synth line that sounds like it’s headed to outer space and back. This section kicks off a magnificent 50-second build to the final drop – a build that’s executed at a perfect acceleration, with enough frenzied momentum to make the final destination climactic, but avoiding any excessive delay that would make it tantalizing or frustrating.

Interestingly enough, “Stay for It” would’ve been a big deal even if it wasn’t as great as it is. ‘Cause other than Pop-House institutions like David Guetta or Calvin Harris, EDM guest vocals rarely utilize the star power of someone like Miguel. In fact, EDM vocal appearances are often anonymous and uncredited. So to have Miguel singing over a Melodic Trap banger like this one is huge for the genre – hopefully it’ll help bring this style greater exposure and inspire similar partnerships in the future.

According to RL Grime’s YouTube description for this track, him and Miguel started working on it in the back of a tour bus two years ago. Well, I’m glad they took their time, because the payoff was worth it ten fucking times over. PLEASE, do yourself a favor and check this out.

And if you’ve already heard it, go listen to it again.

 

 

 

 

 

 

The Spring 2016 Pregame Playlist

This past December, this blog received a generous helping of douche when I gave a candid account of the embarrassingly basic music I had been pregaming to during the Fall semester of my senior year of college. As much as I am loath to admit, those songs continue to soundtrack my increasingly frequent alcohol consumption as college comes to a close. Still, my pregame playlist this Spring semester has also welcomed several new faces, some just as corny and white girl-y, but that have become mainstays nonetheless.

Kidding aside, it is overwhelming to think that years from now, these songs will likely trigger some intense nostalgia for that time period “before life stepped on my dreams”. Anyway, if you’re an alcoholic millennial like me, here are a few pregame and party jams that may or may not already be in your life:

Lush Life – Zara Larsson

Maybe it was because it was Boston in January and Ms. Larsson repeatedly mentions Summer. Maybe it was even because I was crushing a bit at the time myself (#relatable). But somehow, this sickeningly sugary tune thrust itself into my life rather forcefully. And granted, it doesn’t sound as fresh as it did at the beginning of the semester. But it’s still there. And it’s still nearly as much of a familiar face in my weekends as Jack Daniels himself.

Perdoname – Deorro

In 2012, “Gangnam Style” proved beyond a shadow of doubt that fans of Pop music do not give a flying FUCK about lyrics. Evidently, if it bumps, it can be in another language for all we care (or even fucking notice). The irresistible synth line in this Latino-flavored banger is the kind that inspires the goofiest, silliest, and most carefree bodily reactions (read: humiliating dance moves) of any of these songs.

Big Catzz – Rustie

As I repeatedly emphasize, I do not – nor do I pretend to – know jack shit about EDM. From time to time, I simply hit up a reliable connoisseur friend of mine for some periodic education. And one Friday last month I was feeling particularly EDM-y (yep, I’m inventing new emotions by the minute) and requested that he drop some knowledge. The same dude that has fed me gems like Madeon’s Adventure and Porter Robinson’s Worlds recommended Rustie’s EVENIFUDONTBELIEVE album from last year. Its massive single “Big Catzz” quickly became a pregame staple for me. It’s a song that’s bursting with energy, but its melodic content is ultimately what drives it home.

Zoney – Wiz Khalifa

Released in February, Wiz’s Khalifa album wasn’t too exciting for me for the simple reason that his music is, to put it lightly, topically stagnant. But nevertheless, several songs on the LP offer little retrospective glimpses into his brilliant Kush & OJ era, “Zoney” being a prime example. It’s four hundred and twenty different types of chill, with a mesmerizing instrumental and some smooth, sentimental crooning from Wiz. And that appearance by his son at the end is fucking adorable.

1234 – Wallpaper

I finally got around to seeing the new Blue Mountain State movie the DAY BEFORE my Spring Break began (yeah, there’s definitely some subconscious forces at work there). So you can only imagine how I felt when I heard “1234” during the film’s absurd, drug-riddled party montage. Fused with some electronic flavors, the acoustic instrumentation is what allows this song to channel Radical Something’s “Santa Barbara” reasonably well.

Make Me Like You – Gwen Stefani

Ok there’s a HUGE asterisk on this one. When she put out this little ditty as single number two to her upcoming record This Is What the Truth Feels Like, I was smitten and even somewhat amped to hear the LP. Well, sometimes life leads you down unfortunate roads. Now that I have heard the album, I can’t even enjoy “Make Me Like You” anymore without Stefani’s cringeworthy Iggy Azalea-meets-Fergie attempt on “Red Flag” lurking in my mind’s darkest, most masochistic corners.

Famous – Kanye West

I made it about a month. I successfully ignored The Life of Pablo and its overwhelming hype until the end of March. And I’m proud of each and every one of those days. I suppose it was my twisted way of proving to myself that I have an ounce of self-restraint. But once it hit Apple Music, “Famous” floored me. Undoubtedly, this one will go down as one of Kanye’s shining moments as an artist. The provocative bars, the Swizz Beatz ad-libs, Rihanna’s chorus, and that tuneful, eargasmic breakdown do all the arguing for me.

Old Thing Back (Matoma Remix) – The Notorious B.I.G. feat. Ja Rule

I was unfathomably late to this irresistible rager, but I still have every right to enjoy it! Crazily enough, we’re at the point where this remix is technically one of Biggie’s top songs on Spotify. Babuh BAYBUH!

Pedal to the Metal – Wiz Khalifa

New tunes like the aforementioned “Zoney” had me revisiting Kush & OJ quite a bit – a mixtape that just floods me with nostalgia and immediately makes me feel like a 16-year-old kid with dreams, aspirations, and all those other things we had in high school. “Pedal to the Metal” is far away my favorite from the mixtape. I love the way the chorus is able to drum up an ever-so-slight sense of drama while maintaining an impossibly fly (can I say that if I’m white?) aesthetic.

Aurora – RL Grime

The most recent edition to my Ultimate Playlist of Douche, “Aurora” caught me completely flat-footed. For the most part I can’t stand trap (the EDM OR the Hip-Hop subgenre, mind you). The former has always felt lifeless to me, almost like Electronic’s off-kilter answer to Heavy Metal that’s less abrasive than Dubstep was. But on a whim, I took a peak at Apple Music’s Electronic A-List playlist and was blown away by “Aurora”. It’s fucking hypnotic. It has definitely sparked a bit of curiosity for me in the Melodic Trap department.