Top 5 WORST Albums of 2019

List Season is officially here!! For my first of four Year-End lists, I tackle the five WORST albums I heard all year. Yes, I could only manage five. Ten would’ve just been masochistic.

Kidding aside, this is definitely the most fun and cathartic list to do! I got a lot off my chest. Check it out here:

 

Top 15 Favorite Songs: Q4 2019

What’s up guys! Time for the final 2019 installment of my quarterly Favorite Songs segment, where I pick apart the tracks that have soundtracked my life for the past three months. As I note in the video, this stuff is mostly from October and November, since December was such a ghost town for new music this year! Seriously, unless you wanted to listen to One Direction solo albums or Drake saying the word “ting” over and over again or (God forbid) The Chainsmokers, there wasn’t much for you to check out during the holiday season.

As usual, there is an accompanying Spotify playlist with ten additional honorable mentions, which you can find here. Artists discussed in this one include Cigarettes After Sex, The Weeknd, Yelawolf, Tame Impala and more! Check out the video below and I’ll be back real soon with my Year-End Lists!

Rittz – Put a Crown On It Album Review

Annnnd, our last review of 2019! I dig into the latest LP from one of my very favorite rappers in the game, Rittz.

For those of you unfamiliar, Rittz is a ferociously proficient double-time spitter from Gwinnett County, GA. His first big break came from his appearance on Yelawolf’s classic “Box Chevy” track (off of 2010’s equally classic Trunk Muzik mixtape), and Big Break Number Two came when he signed a four-album deal with Tech N9ne’s Strange Music, inc., for which he would go on to be one of the label’s top-selling artists.

Put a Crown On It is Rittz’s first album since leaving Strange, released through his own label, CNT. How does his first post-Strange music stack up? Check out my thoughts below:

Yelawolf – Ghetto Cowboy Album Review

What’s up guys! Got two more album reviews for you before List Season kicks off.

I gotta say, it feels good to talk about Hip-Hop again. It’s been too long! This LP I actually lived with for over six weeks before recording my thoughts. But in case you missed my Year-End Hip-Hop list on Instagram, I may or may not have already hinted at my opinion

That being said, Ghetto Cowboy is Yelawolf’s first release since leaving Eminem’s Shady Records. How does Catfish Billy’s final music of the decade stack up against the rest of his catalogue? Check out my thoughts below:

 

 

Joell Ortiz Did It Again: Check Out His New Album “Monday”!

So, while Tool-mania consumed every pretentious music nerd on the planet this past weekend (the Prog Metal darlings finally emerged from hibernation after over 13 years with a new hour-and-a-half of dorkiness), my attention was focused elsewhere, to the chagrin of many a Tool fan on my YouTube channel.

Turns out I had bigger priorities. Joell Ortiz – a.k.a. “The Yaowa” – dropped album number five! And no, I had no idea it was coming out. And yes, it’s fire.

As the intro track explains, “Monday is for the hustlers; for those who work the hardest. Shit gets done on a Monday”. And several Mondays have passed – just shy of 10 months’ worth, actually – since Ortiz’s exceptional Mona Lisa project, a collaboration with Apollo Brown.

The Brooklyn-bred spitter and former Slaughterhouse member dazzles once again with a healthy mix of the autobiographical (“Momma”), the introspective (“Anxiety”), and loads of clever bars (one of my favorites is on the track “Champion”, when he raps, “my wife pops Rose like Jack did in Titanic”).

I also find myself engrossed in the nostalgia of “Screens”, which finds Ortiz bemoaning the decline of childhood in the modern day and I SWEAR uses the same sample as Nas’ “Black Girl Lost”. Doesn’t it? Somebody look that up for me!

“Learn You” is another highlight – a vulnerable, touching ode to Joell’s children and confession of his shortcomings as a father. Ortiz has never failed to let us into his life in a major way, and that’s what always keeps me coming back to every single one of his releases, as opposed to the lyrical miracles of his former group-mate Kxng Crooked, whom I know I can “check in” with every couple years and not miss a whole lot. If you skip an Ortiz project, you’re gonna miss a whole part of his life.

Please don’t sleep on this one, guys! For every last one of you who constantly bemoan the cultural dominance of “mumble rap” and the decreasing emphasis on lyrical skill in Hip-Hop, well, here’s your chance to vote with your ears.

Monday is available now on all major streaming services, via Mello Music Group. Check out the complete project below:

Jeezy Hurls Not-So-Subtle Disses at Kanye West and Donald Trump in New Single “MLK BLVD”

Ahead of the release of his highly anticipated TM104: The Legend of the Snowman, ATL Trap pioneer (Young) Jeezy has decided to jump into the political arena with some less-than-subtle verbiage for President Donald Trump, as well as his number one fan, Kanye West, on the Lex Luger-produced single “MLK BLVD”. He mentions the president’s name fifteen bars in:

“Heard what I said n*gga, fuck Trump

Say it again n*gga, fuck Trump

Somebody better call CNN”

…Hopefully YG doesn’t try to sue him for copying his lyrics. Hey, Jeezy did take the word “Donald” out.

I can see Trump’s tweets in response already. Probably something about Kanye selling more albums than Jeezy, “fake news” CNN, and a punctuation of “sad!”. Ahh, you gotta love this political climate.

The part I’m surprised outlets haven’t picked up on yet is Jeezy’s open shots at one-time collaborator and friend Kanye West, with regards to West’s support of Trump. Check out the following bars:

“This n*gga talking like he Ye or something

That n*gga must be on that ye or something”

And immediately preceding that is a line warning listeners to “Keep your eyes out for them false prophets”, a reference to the 2016 J. Cole single by the same name that called out Kanye. Plus, depending on how you read the first stanza, it’s full of subliminals likely directed at Ye.

While Jeezy is definitely not the only rapper going after Trump – Rick Ross, who is mentioned in this song, had some bars for Trump last week on Port of Miami 2 – it IS significant that he mentions West’s name. Given the pair’s history as collaborators, I’ll be curious to see if this turns into anything more substantial. Check out the song below – which also features Meek Mill – and let me know what you think:

 

 

Top 10 Mid-Year Albums of 2019: NON-METAL EDITION

What’s up guys! Time for the Yin to the Yang that is my Mid-Year Metal list! Here are all the killer albums from the first half of the year that had nothing to do with Metal. As you’ll see, several of these picks were HUGE (pleasant) surprises for me, and I’m not sure there’s anything more rewarding than giving music a chance that ends up adding incredible value to your life.

Speaking of adding incredible value to your life, I really hope this list turns you on to some awesome stuff you wouldn’t have otherwise checked out. Thanks so much for watching!

July 2019 Album Round Up!

What’s up guys! Another month, another Album Round Up. Below is a quick run-through of all the records I checked out this month:

Abbath – Outstrider (Metal)

Wow, this is a massive improvement over the former Immortal frontman’s 2016 self-titled debut. Outstrider is a lean, mean commercial Black Metal record, with just the right mix of grit and production. Riff-fests like the title track, “Harvest Pyre”, and “Hecate” are among my favorite Metal songs of 2019. HIGHLY RECOMMENDED.

Banks – III (Alternative)

For three albums straight now, I’ve fallen in love with Jillian Rose Banks’ cutting edge, occasionally trippy brand of…Alternative R & B? Truthfully, Banks has always existed at a genre intersection that is difficult to categorize, and III only expands that sentiment. I’m still digesting some of the LP, but start with the powerful synth-laced single “Gimme” or the hauntingly dramatic “Godless”. RECOMMENDED.

Chance the Rapper – The Big Day (Hip-Hop)

Man, I expect better out of a three-year gap between Chance the Rapper projects. The guy’s always been lovably goofy, but on The Big Day he really overindulges in that carefree, ironic, tongue-in-cheek attidue, so much so that it dilutes his bars. Just listen to the unbearable, rambling rhymes in “Hot Shower”. And some songs on here are just poorly constructed, like “Get a Bag”, or “Ballin Flossin”, the latter with a SHAWN MENDES feature. Of all people. Though I love watching Chance take a stand against the industry with his independence, the songs need to be stronger next time around. NOT RECOMMENDED.

Crown the Empire – Sudden Sky (Rock)

Crown the Empire’s whiny Second Wave of Metalcore shtick has never been my cup of tea, but I’ve recognized the band’s talent since 2011’s Limitless and have always given them a chance. On Sudden Sky they provide exactly what 2016’s Retrograde provided: a lukewarm album with a couple really killer singles worth returning to (see: “What I Am”, “Blurry”). NOT RECOMMENDED.

Ed Sheeran – No. 6 Collaborations Project (Pop)

Ok, here’s the funny thing about this one: quality-wise, it’s such a mixed bag, with some of Ed’s stylistic adventures paying off (“Antisocial”) and some falling beautifully flat (hearing him rap on “Remember the Name” is so cringe-inducing). But I wouldn’t have wanted it any other way! The general problem with Sheeran’s music tends to be how safe and bland it feels. In contrast, this was an exciting project full of risk, inclusivity of ideas, and creative self-indulgence just for the fun of it. And even though I don’t love every minute of it, I admire when an artist of Sheeran’s stature has the courage to abandon their comfort zone. RECOMMENDED.

Nas – The Lost Tapes 2 (Hip-Hop)

As it turns out, an album full of b-sides from Nas’ prime (2002’s incredibly underrated The Lost Tapes) is very different from an album full of b-sides from PAST Nas’ prime (The Lost Tapes 2). Within this scattered tracklist, you can hear the once great Nasir Jones going through the very same artistic identity crisis that has marred his inconsistent projects of the last decade, most notably 2018’s Nasir and 2008’s Untitled. NOT RECOMMENDED.

Sabaton – The Great War (Metal)

I’ve been hearing about Sabaton for a number of years, and their profile in the US got a huge bump when they toured with Trivium in support of their 2016 album The Last Stand. As someone passionate about both world history and epic, grandiose Power Metal, I was eager to give The Great War a shot, which is conceptually centered around World War One (a.k.a. “The Great War”).  Unfortunately, while there are a couple standout tunes (exhibit A: “Fields of Verdun”, with its triumphant guitar lines in the chorus), I generally found The Great War to be nothing more than your generic Power Metal fodder. NOT RECOMMENDED

A FEW MORE:

Like:

Big K.R.I.T. – K.R.I,T. Iz Here (Hip-Hop)

Blood Orange – Angel’s Pulse (R&B)

Knife Party – Lost Souls EP (Dance)

Tomb Mold – Planetary Clairvoyance (Metal)

Wear Your Wounds – Rust on the Gates of Heaven (Metal)

Wormed – Metaportal EP (Metal)

Dislike:

E-40 – Practice Makes Paper (Hip-Hop)

Machine Gun Kelly – Hotel Diablo (Hip-Hop)

Marshmello – Joytime III (Dance)

 

 

Top 15 Favorite Songs: Q2 2019

Hey guys! Another quarter of a year has (almost) passed us by. If I were running a Fortune 500 company, I might refer to it as a “fiscal quarter”, but I’m writing a relatively anonymous music blog, so something about the word “fiscal” just doesn’t feel appropriate….

But it’s a quarter of the year nonetheless! And with each quarter of a year that inches me closer and closer to my impending doom, I celebrate on my YouTube channel with a list of my Top 15 Favorite Songs of the past few months. These lists deliberately exclude Metal, as it’s all about shining a light on the broad spectrum of tunes that have been soundtracking my life.

And I’m not sure i’ve ever been more proud of one of these lists. This fucking group of songs (which I spent a surprising amount of time narrowing down) has it all: EDM, Pop, Indie Rock, Hip-Hop, R & B, Instrumental music – you name it, it’s here.

Be sure to check out the accompanying Spotify playlist – complete with 10 additional honorable mentions – here. Full video below. Thanks for watching!

Every Metalhead Needs to Hear This Rap Song!

So I was having a moment yesterday. It had been a long time since I had heard Death Grips’ Bottomless Pit, and I forgot just how damn amazing it was. Now over three years after its release, I still can’t wrap my head around how such a cacophonous, overindulgent, everything-but-the-kitchen-sink musical approach can be so fucking CATCHY! It truly baffles me.

And for some reason I kept thinking about my metalhead friends. How they always ridicule me for my devout Hip-Hop fandom and fail to see the IMMENSE overlap between the two genres (something I’ve spoken about many times on my YouTube channel, and even made this Spotify playlist years ago to prove my point). And then it dawned on me: how have I never recommended Death Grips??

I’m sure Death Grips fanatics can point to any number of Metalhead-friendly cuts in the experimental Hip-Hop group’s catalogue, but there’s no better place to start than the ferocious Bottomless Pit opener “Giving Bad People Good Ideas”. For God’s sake, it kicks the album off with a fucking blast beat! Between the pulverizing industrial drums, MC Ride’s Chuck-D-on-steroids vocals, and the frantic guitar loops, there’s so much for a Metal fan to dig into here. Check it out below if you haven’t heard it!