Porter Robinson’s “Eon Break” Single (As Virtual Self)

Time to talk some EDM.

Last Wednesday, one of my favorite Dance songs of the year dropped out of nowhere and it was from some douchebag I had never heard of. His chosen moniker was Virtual Self, and I could only assume he was another anonymous Swedish teenager about to take the music world by storm.

Just kidding. Virtual Self is Porter Robinson. And I knew that going in. Why else do you think I would’ve immediately stumbled upon such a thing?

My first question: why does Porter Robinson need an alter ego? While I really don’t understand, the answer may lie in the drastic stylistic transformation that he undergoes in “Eon Break”. This track embraces a subgenre known as Happy Hardcore, a jubilant, Major-key spin on Hard Techno and Gabber. If you need a quick introduction, this is a great place to start. Or, as it has been explained to me by my friends who really know EDM: “when you think Happy Hardcore, think Dance Dance Revolution”.

While I don’t know jack shit about this style of music, I DO know that I love this fucking song. Its minute-long build is effortless in execution, and the drop is absolutely rapturous. The towering synth melody is accompanied by a background of fluttering cymbals and propelled by a simple quarter-note kick-snare combo that gives it more of a stomp than a pulse.

I’m also fascinated by the final 30 seconds of this song, because those drum rhythms are – no joke – exactly like the drums you’d hear in a Thrash Metal song. It almost made me chuckle at first. First there are those grinding triplets, and then at around 3:14 they erupt into machine gun-like bursts to close out the song. But you know what? I’ll save the EDM-Metal parallels conversation for another time. ‘Cause it’s a big thing I’ve been working on.

Oh, and what a stunning visual that accompanies this single! When you watch the video, be sure to pause the video at around 13 seconds and read all the sentences (questions on the left, statements on the right) that quickly wiz by on both sides of the screen.

In short, this song is absolutely magnificent. And I can’t wait to hear what this Carolina wunderkind has in store next, Virtual Self, Real Self, Porter Robinson, or otherwise.

 

My Summer ’16 Soundtrack: The Top 20 Songs

Well guys, the first day of Fall – or the “autumnal equinox” if you’re pretentious – is upon us, as is our official goodbye to Summer Sixteen. What we’re left with, aside from a month-long hangover and a couple genital warts, is a bunch of memories. More specifically, we’re left with the memories and the songs that accompany them. Seriously, the sheer power of the music-memory connection is mindblowing. (Example: two years ago, I had a severe panic attack in the middle of the Taconic Parkway in upstate New York while Wiz Khalifa’s “Bout Y’all” was playing, and to this day, I still can’t hear that track without losing my shit. It’s a shame, ‘cause it’s a banger.) This potent connection is bested only by the smell-memory link (Olfaction to Hippocampus), which any Neuroscientist will get a sizable boner explaining to you.

So whenever a meaningful chapter in my life closes, it always gets me thinking: what was my soundtrack? What are the songs that, until my liver finally calls it quits or an ex-girlfriend stabs me in my sleep, are gonna be intertwined with the good, the bad, and the ugly of this time period in my life? With Summer Sixteen coming to an end, I reached into the depths of my neurotic mind and these are the songs I yanked out. Below are brief thoughts on each one, and I’ve even compiled a Spotify playlist at the bottom for your listening pleasure.

This is what my Summer sounded like, and consequently, it’s what soul crushing nostalgia is gonna sound like for me in 2040. What did yours sound like? Let me know in the comments. I hope you’ve already given day one of Autumn a swift kick in the ass! Peace out Summer Sixteen!

(Girl We Got A) Good Thing – Weezer

If you ever wondered what summer “sounds like”, here’s your answer.

Sometimes – Ariana Grande

My favorite Pop song of the entire year. Max Martin’s impossibly smooth production reminds me of his work on Backstreet Boys’ Millenium.

KISA – Rittz

On Rittz’s brilliant, hard-hitting Top of the Line, the sappy love song also happens to be my favorite. Bite me.

Roses – Carly Rae Jepsen

Every single track on last month’s Emotion: Side B EP is a contender, but “Roses” takes the cake for me. It’s moody by Carly Rae standards, and perhaps that’s why I have a slightly deeper connection with it than peppy songs like “First Time”.

Everything– Atmosphere

Slug’s hyper self-aware rhymes and Ant’s knocking production make this a quintessential Atmosphere track.

Do You Mind – DJ Khaled

I love this sensual banger from DJ Khaled’s absurdly hyped Major Key LP. The production is a bit of a call back to Rich Gang’s “Lifestyle”, and Future’s guest verse is low key one of the best moments of his career.

Collapse – Vektor

Vektor’s Progressive Thrash opus Terminal Redux is still my number one Metal album of 2016 thus far. And yes, it’s fucking blistering, but it’s actually the LP’s pseudo-ballad that I’ve found myself coming back to the most.

Shelter –Porter Robinson & Madeon

 My two favorite EDM artists broke the Internet with this collaborative single, and it sounds exactly how I had hoped – like Madeon’s Adventure and Porter’s Worlds enjoyed some good ol’ passionate shtupping.

John Muir – ScHoolboy Q

Q’s menacing delivery and Sounwave’s throbbing boom bap – complemented by a touch of Jazz in the hook – are a lethal combination.

Whatever, Wherever – Band of Horses

Another stare-up-at-the-stars-and-think-about-life song from Band of Horses. Gorgeous, calming…everything I’ve come to adore about “Factory”, “Infinite Arms”, “The Funeral”, and the softer moments in the band’s catalogue. I often wonder if other listeners extract the same mood from these songs that I do – if not, chalk another thing up to my weirdness.

Hologram – Crown the Empire

 Histrionic metalcore angst at its most shameless. Normally it doesn’t fly with me, but “Hologram” is so fucking catchy.

Night Drive Loneliness – Garbage

Over two decades after their self-titled masterpiece, Garbage are still killing it. This standout from their new record Strange Little Birds – which came out in June – is the perfect sonic execution of its titular concept.

Stranded – Gojira

In stripping down their pulverizing sound for something a bit hookier, Gojira took a huge risk with Magma, the band’s sixth album. But it’s the most commercial song on it that ended up being my favorite!

 Cleaving Giants of Ice – Revocation

The mammoth closing track from Great Is Our Sin proves that Death Metal and clean vocals DO mix when done right! Prominent Enslaved influence here.

Stole the Show – Kygo

Overall, I was pretty turned off by the excessively commercial sound of Kygo’s debut, but “Stole the Show” was, ironically, my most beat-to-death party song of the summer ‘16.

Dive In – Pierce the Veil

I’ll give Pierce the Veil the gold medal for biggest surprise of 2016 thus far. I usually avoid verb-the-noun bands like the plague, but their new record Misadventures and its explosive opening track are undeniable.

The Fighter – Keith Urban

As with Kygo, I hated the album, but fell in love with a select track. “The Fighter” is a powerful duet with Carrie Underwood.

Something’s Off – Hatebreed

One of the very best songs of Hatebreed’s two-decade career. What a monstrous main groove! And in the bridge section, Jamey Jasta’s foray into clean singing is an absolute triumph.

Ideology is Theft – Saosin

For some reason, the bridge in this song yanks a tremendous amount of emotion out of me every single time I hear it. That addicting lead guitar riff in the chorus doesn’t hurt either.

Love Drought – Beyonce

 This is the song Drizzy Drake wishes he could pull off

 

The Fall 2015 Pregame Playlist

As I prepare for yet another Jack Daniels-sponsored night of played-out top 40 hits, increasingly horrific dance moves, and general sloppiness of many incarnations, it comes time to reflect. Time to reflect on a semester in which I’ve experienced a monumental methodological shift in my weekly partying and the copious alcohol consumption that operates in tandem. For the last three months or so, I have been accompanied by a playlist.

It happened completely by accident. Because of the sheer variety of music I enjoy, coupled with my abnormally low tolerance for repeated listens, I have always been a staunch opponent of Party and Work Out playlists. For God’s sake, change it up. There’s so much out there that’s not Drake, it’ll blow you away. Anyway, due to my Baby Boomer level of technological savvy, it took me until Summer 2015 to discover the wondrous beauty of YouTube to MP3. Upon this life-altering revelation, I began to accumulate various “turn up” songs that I would never necessarily own but have always enjoyed pregaming to via YouTube, many of them extremely questionable to everyone else. Without even realizing it, I had curated a fucking playlist.

Now I assume nearly everyone’s familiar with the basic, triadic college night structure – 1) drinks with a small crew of close friends, 2) the larger scale “official” pregame, and 3) the main event, at which you hope to either get laid, hang with casual friends you don’t often see, get completely obliterated to celebrate/mourn an occasion, or if you have a banner night, all of the above. For some odd reason, I’ve always taken Phase 1 very seriously, except I execute it in utter solitude. In order to boost my mood, transition from work to fun, and enter the headspace required for a successful night of partying, it has always been crucial for me to have a few drinks alone to the exact party music that I want to hear, and have whatever “deeper” thoughts I need to have before I go mingle with a sea of people I pretend to like, to a soundtrack that I also – for the most part – pretend to like. This 30-minute ritual has slowly evolved into the routine that no good night of mine can start without. Sometimes it’s complemented in various douche-y ways like pushups, pullups, or a nutritious snack, but that’s a whole other issue.

So my newly acquired YouTube rips had a function all of a sudden. Starting at the beginning of the Fall semester in September, they were my soundtrack to Phase 1. I figured that as the semester wore on I would make some sort of changes to the playlist, but I guess that as I age (a whopping 21 years now), familiarity becomes more appealing. Before you know it, I’m going to have a monogamous girlfriend. Anyway, because of the narcissist that I am, I felt eager to share this playlist. I guess it was a big deal to me, at least. Just picture it: I’m pouring my first homemade Jack and Coke, putting on some sort of button down that I’d never wear if I could be socially accepted otherwise, and contemplating whether we actually have any sort of control over our own destinies. Who knows, maybe somebody somewhere else is doing the exact same weird shit.

1) Yeah Yeah Yeahs: Heads Will Roll (A-Trak Remix) – so basic it hurts

2) Sum 41: In Too Deep (Kasum Remix) – a great EDM remix that invigorates an otherwise tired, unwelcome throwback

3) ‘NSync: Tearin’ Up My Heart – yep. One of my all time favorites. Wish I were kidding

4) Backstreet Boys: Everybody (Rock Your Body) – see number 3

5) David Guetta: Titanium (feat. Sia) – how this hasn’t gotten old is beyond me. Still possibly my favorite party song for its mix of danceable beat and dramatic vocals

6) Waka Flocka Flame: No Hands (feat. Roscoe Dash & Wale) – as effective as it was in 2010

7) ScHoolboy Q: Man of the Year – that mesmerizing beat puts my mind in a place that only this song can

8) Porter Robinson: Sad Machine – who knew EDM could make you feel so intensely?

9) Cascada: I Need a Miracle – see numbers 3 and 4

10) Future: Same Damn Time – I never fuck with trap. But THIS…

11) Jay-Z: We Made It (Remix) [feat. Jay Electronica] – the fucking bars on this track. This one should be automatically programmed into every sports locker room

12) Flashdance: She’s a Maniac – do you NOT pregame to 80’s dance anthems?

13) Ariana Grande: The Way (feat. Mac Miller) – Big Pun beat plus Easy Mac plus hot chick? Sign me up.

14) Kaskade: Disarm You (feat. Ilsey) – I wrote about this here

15) The Killers: Smile Like You Mean It (Madeon Remix) – Madeon flipped this gem from Hot Fuss into something equally special

16) Madeon: Adventure (entire fucking album) – THE party album of 2015. Just mindblowing