August 2017 Album Round Up!

Welcome to the Monthly Album Round Up: Back to School Special! (Unfortunately, as much as I regret to inform you, this one doesn’t come with a Tax Holiday!) If you’re a bright, diligent, hard-working young student (wow, listen to how full of shit I sound), I hope your new school year is off to a great start; if you’re a parent that’s finally gotten rid of your toddler/teenager/college-aged manchild, I hope your newfound freedom has been soothing and has lessened the chances that you’ll kill yourself in the near future.

One look at a release calendar like this one should tell you all you need to know – Fall Release Mania is right around the corner!

I couldn’t be more excited to for this onslaught of new music from all corners of the industry. As always, I’ll be reviewing at least one or two albums every week on my YouTube channel, so be sure to head over there and subscribe to stay up-to-date!

As for August 2017, several artists really came through in the clutch for me! Hip-Hop wise, I was constantly bumping A$AP Ferg’s new project. In the Pop world, I found myself unexpectedly digging the first post-Camila Cabello Fifth Harmony album. And Melodic Death Metal legends The Haunted gave us undoubtedly one of the Metal albums of the year with their ninth LP Strength in Numbers. So there was a lot to be stoked on this month, and I’d say we’ve got plenty of momentum as we drift away from Summer and into the clutches of Autumn.

Here’s to Fall 2017! Don’t let me down….that terrible Chainsmokers song compels you.

Rainbow – Kesha

Though it’s miles more sophisticated than the days when she was brushing her teeth with a bottle of Jack, Ke$ha’s (or, sorry, “Kesha’s”) highly acclaimed new record is still way overhyped. Her third overall and first since her widely publicized sexual assault case against her producer Dr. Luke, Rainbow is, by all accounts, an adventurous and deeply vulnerable album – it’s just inconsistent. While I really enjoy the spunky punk-infused “Let ‘Em Talk”, the brazen feminist anthem “Woman”, and the Country detour “Hunt You Down”, the rest of the LP is full of bland, by-the-numbers “I’ve been through soooo much” Pop songs (e.g. “Learn to Let Go”, “Finding You”, and the title track). And I’m already beyond sick of the Ryan Lewis-produced ballad “Praying”, which is getting some significant airtime and is setting itself up to be the next “Hello” (sorry Adele fans, hated that one too). So while Rainbow is without a doubt her best album yet, and I admire Ke$ha greatly for laying bare the very real heartbreak she’s experienced in the past few years, but I’m not as into the music as a majority of Pop fans seem to be. NOT RECOMMENDED

Paranoia: A True Story EP – Dave East

The debut Def Jam release from Harlem’s own Dave East – one of last year’s XXL Freshmen and a noted Nas protégé – is an abbreviated and uneven but overall satisfying EP to hold fans over until his proper debut full-length. Despite some underwhelming cuts like “Phone Jumpin’” and “My Dirty Little Secret” that lack in the hook department, East definitely impressed me on “The Hated”, which finds him flexing his storytelling prowess, “Perfect” in which he teams up with Chris Brown for a well-executed strip-club song, and “Maneuever”, which is brought to life by palpable chemistry with fellow NY rapper French Montana. While this wasn’t the knockout project I hoped for from Dave East, he has given me every reason to believe that he has one in him. Here is a full review. RECOMMENDED

Strength in Numbers – The Haunted

 With their ninth record, The Haunted delivered modern Thrash Metal at a level that Metallica, Slayer, Overkill, Testament, Exodus, and Megadeth have ALL failed to reach this side of 2010. And while The Haunted will always be classified as a Melodic Death Metal band, this is a Thrash record. I don’t care what you think. It’s like listening to Testament’s The Gathering if Chuck Billy was even meaner and the riffs were twice as pummeling. And this album’s laser focus on great choruses may be its greatest asset– tracks like “Spark” and “Preachers of Death” hone in on gritty but memorable hooks in a way that The Haunted’s contemporaries simply do not. Here is a full review. HIGHLY RECOMMENDED

Fifth Harmony – Fifth Harmony

This superstar girl group’s first album post-Camila Cabello is a surprisingly tight, well-rounded, sharply written, and charismatically performed ten tracks. In particular, the irresistible “Deliver” is one of my favorite songs of the summer. And ballads like the dancehall-influenced “Don’t Say You Love Me” and Shaggy-interpolating “Messy” provide a nice balance for party songs like “Sauced Up” and the smash single “Down”. While some of the lyrics may be as irritatingly unimaginative as expected, and a few moments fall flat (“Make You Mad”, “Angel”) this LP was a nice surprise for me. Here is a full review. RECOMMENDED

Still Striving – A$AP Ferg

 Truth be told – I had precisely ZERO intentions of writing about this mixtape (or even listening to it more than once, for that matter). Ferg’s 2016 LP Always Strive and Prosper was one of the worst Hip-Hop releases I heard all year, and the last thing I wanted to do was waste more of my precious time on messy, store brand Trap/EDM mash-ups. But thank GOD I kept an open mind, ‘cause I could not have been more wrong this time around! Still Striving is a thrilling collection of slappers, whether it’s the Migos collab “Nasty (Who Dat)”, which begs to be cranked to 11, or perhaps the catchiest cut of the bunch, “Aww Yeah” with Lil’ Yachty. There’s also the spitterific “East Coast Remix”, with everyone from Busta Rhymes to Dave East to French Montana to frickin’ Snoop Dogg going at it in high-caliber fashion. Still Striving is the Hip-Hop release that I’ve been shamelessly plugging to everyone I know that’s remotely into the genre. Do NOT sleep on this! HIGHLY RECOMMENDED

Dead Cross – Dead Cross

Noisy, chaotic, and eccentric (I mean this is MIKE PATTON on vocals, after all!), this supergroup’s self-titled debut met all of my weirdness expectations and many of my musical ones too. Dead Cross is an eclectic mix of Hardcore Punk, a bit of Thrash Metal, some noisy, avant-garde Rock, and lord knows what else. One listen to a remarkably strange ball of energy like “Obedience School” will likely turn many listeners off, but close examination of an explosive cut like “Gag Reflex” is rewarded by some seriously awesome riffing from guitarist Mike Crain. Not to mention, “The Future Has Been Cancelled” takes home the gold in the Song Title Olympics. This record is a must-listen for Mike Patton fans, and a “you probably SHOULD listen” to any Hardcore or Thrash fanatics looking for a radical departure from their typical day-to-day mosh-fare. RECOMMENDED

Luv is Rage 2 – Lil’ Uzi Vert

Coming off his guest appearance on the Migos’ smash single “Bad and Boujee”, 2016 XXL Freshman Lil’ Uzi Vert’s buzz couldn’t be bigger right now. So it wasn’t a shock to see this – his debut studio album – hit number one on the Billboard charts. Production is handled by the likes of Pharrell, Metro Boomin, TM88, Don Cannon, Illmind, and more heavy hitters, so the beats are top shelf, to say the least. And while Uzi’s approach as an MC is clearly in line with the Hip-Hop zeitgeist, featuring heavily auto-tuned, sometimes half-sung bars in various trendy flows (hence, his popularity), he can’t hold me attention for this whole project. A song like “For Real” is as repetitive as it is vapid. But feel free to try out a couple fun tracks, like the turn-up cut “Sauce It Up”, or the Pharrell-assisted “Neon”. NOT RECOMMENDED

 Dear Desolation – Thy Art is Murder

So….I’m not typically a Deathcore fan. New releases from this corner of the Metal world consistently rank as the biggest time-wasters in my listening calendar, and that’s putting it nicely. All that being said, I’m so glad that I gave this album (and this band) a shot, because Dear Desolation is the exception to the rule. The first half of this LP in particular is full of pummeling, crisply produced Extreme Metal. The constant stream of breakdowns – which is something that usually bores me to tears with other albums in this style -are able to remain effective because band keeps the riffs exciting and the tempos dynamic throughout these 38 minutes. Thy Art is Murder certainly aren’t reinventing the wheel, but I commend them for making a listenable album within a (mostly) unlistenable style of music. RECOMMENDED

 

Painted Ruins – Grizzly Bear

For the most part a pretty chill, spaced-out, and zen eleven tracks, Grizzly Bear’s fifth LP was my ultimate soundtrack to quiet, contemplative Tuesday evenings on my porch this month (due to my work schedule, Tuesday night is my version of “Sunday night”, if that helps paint the picture). Though I’m not too knowledgeable about the band’s catalogue, I’ve enjoyed vibing out to relaxing songs like “Glass Hillside”, “Three Rings”, “Systole” (featuring incredibly dreamy vocal harmonies!), and “Neighbors” (which has a slight psychedelic touch). The band’s musical ability is evident in their thoughtful, occasionally unorthodox chord choices (there’s a conspicuous jazz influence embedded in many of these tracks), and I’m impressed to the point that I feel compelled to dig through their first four records and familiarize myself. ‘Cause next album cycle, I’ve gotta be ready! RECOMMENDED

A FEW MORE:

LIKE:

The Rise of Chaos – Accept

Science Fiction – Brand New

The Golden Age 2 – Dizzy Wright

Galaktikon II: Become the Storm – Brendon Small

Renaissance in Extremis – Akercocke

Villains – Queens of the Stone Age

DON’T LIKE:

Deadweight – Wage War

Hell Yeah – KMFDM

The Reign – Hinder

17 – XXXTENTACION

 

A Day To Remember’s “Paranoia” Single

Nearly two and a half years after Common Courtesy, and an impossibly ugly cage match with Victory Records over contract discrepancies, the world finally has new music from A Day To Remember – yeah, a whopping 3 minutes and 22 seconds, but still. It’s a single called “Paranoia”, which, while it has been made clear it doesn’t necessarily mark the beginning of an album cycle ramp-up, is exciting enough on its own.

2013’s Common Courtesy was, in this narcissist’s opinion, far away ADTR’s best record to date. Their fifth LP found the Ocala, FL quintet simultaneously mastering Pop-Punk and Metalcore – the Pop-Punk moments were livelier and the Metalcore moments were devastating (particularly on “Violence”…my God). So I guess after publicly squaring off with Victory over Common Courtesy, ADTR Records is still a thing. And the band has my wholehearted support. The way the industry is structured in 2016, with only a few independent labels for aggressive music still standing that haven’t been conglomerated, the more DIY shit you can pull off successfully, the better. But on to this new single “Paranoia”.

The tune kicks off with a bit of a volley between a dissonant guitar lick and markedly punk-y explosions of rhythm. It terms of power, adrenaline, and attitude, it wastes no time. Nor does it waste time arriving at the ultra-catchy chorus, which stitches together the frantic verses that surround it.

And like every ADTR studio effort from For Those Who Have Heart onward, “Paranoia” is a meticulously produced tidal wave of sound. The Thrash-informed breakdown is the particular highlight, with the chunky guitars, drums, and bass working in tandem in the mix rather than stepping on each other’s toes. While calling this tune “groundbreaking” in the ADTR world might get you laughed out of the room, it’s a powerful “we’re back” statement – nay, exclamation – that has me drooling at the thought of Common Courtesy’s follow-up.