Top 10 Albums of 2019: NON-METAL EDITION

And to cap things off for 2019, our Year-End List is the Top 10 Non-Metal Albums of 2019! Artists discussed include Cigarettes After Sex, Dizzy Wright, Mannequin Pussy, Joell Ortiz & more!

I want to extend my deepest gratitude to anybody and everybody who tuned into a YouTube video on my channel, read a blog post, or supported me in any way in 2019! It means the world to me, and I can’t wait to kick things up a notch (or 10) for you guys in 2020. Have a safe and happy New Year everyone!

Check out the full video below:

Top 15 Favorite Songs: Q3 2019

Another three months gone by, another Favorite Songs list! This really might be my best one yet. I feel like there’s a song on here for everybody’s palette. Artists discussed include BJ the Chicago Kid, Banks, Rick Ross, Taylor Swift (yes, Taylor Swift) and much more!

And as always, here is the accompanying Spotify playlist if you want the full sh-bang (how do you properly spell that? Schbang? Sch-Bang?) with ten additional honorable mentions. Check out my remarks on the Top 15 below:

 

August 2019 Album Round Up!

What’s up guys! Another month, another Album Round Up. And August was absolutely ACTION-PACKED! Below is a quick run-through of all the records I checked out this month:

Illenium – Ascend: Quite disappointed with album number three from this EDM wunderkind. While I enjoyed its predecessor Awake quite a bit in 2017, Ascend finds Illenium leaning full-on into the bland, bubblegum Top 40 Dance/Pop hybrids that he only winked and nodded at previously. He seems to be going the way of Kygo. But to be fair, you knew it was doomed when a Chainsmokers collaboration was involved. What a shame. Notable tracks I enjoy in spite of this continued distillation of his sound are “Hold On”, “Crashing”, and “Every Piece of Me”. NOT RECOMMENDED.

Joell Ortiz- Monday: As I explained here in detail, the veteran Brooklyn spitter and former Slaughterhouse member continues to distinguish himself from the pack on Monday, which arrives only 10 months after Ortiz’s excellent Mona Lisa project with Apollo Brown. Rich in lyricism, narrative, and introspection, Hip-Hop fans won’t want to miss this one. HIGHLY RECOMMENDED.

Killswitch Engage – Atonement: To my dismay as a longtime KSE fan, album number three in the Jesse Leach Era 2.0 is shockingly middling. The majority of this short track list is lyrically repetitive, musically derivative, and contains no sense of exploration outside of its Killswitch-by-the-numbers songwriting formula. Here is a full review. NOT RECOMMENDED.

Rick Ross – Port of Miami 2: While 2017’s exceptional Rather You Than Me put Rick Ross in my good graces with several years of leeway, I found Port of Miami 2 to be a slight step backwards. While you have certified bangers like the intro track “Act a Fool”, a familiarly luxurious cut like “Vegas Residency”, and even the jazz-tinged “Running the Streets”, the  hooks are in short supply here. “Big Tyme”, “Maybach Music VI”, and “Rich N*gga Lifestyle” – all of which utilize somewhat forced-sounding guest appearances to achieve their ends – exemplify this. But still a solid release from Ross, who continues to impress me as an MC. RECOMMENDED.

Sleater-Kinney – The Center Won’t Hold: One of 2019’s greatest blessings for me has been getting into Sleater-Kinney. I’m utterly addicted to the sass of Carrie Brownstein and Corin Tucker. The Center Won’t Hold is certainly much sleeker and more polished than the band’s raw mid-90s material (which I tend to prefer) but “Can I Go On”, “Hurry On Home”, and “The Future Is Here” have all been in steady rotation for me since this came out. RECOMMENDED.

Slipknot – We Are Not Your Kind: With the notable exception of Tool-mania,  I’m not sure a Metal release in 2019 has landed with quite the splash that this one did. While We Are Not Your Kind winds up somewhere in the middle ranks of Slipknot’s catalogue (which speaks more to this band’s accumulated artistic achievements thus far than anything else), I’m so thrilled by the combination of forward-thinking 2019 Slipknot (“Spiders”, “My Pain”, “Nero Forte”) and vintage early-2000s Slipknot (“Red Flag”, “Critical Darling”, “Orphan”) that makes this track list so well-rounded. Here is a full review. RECOMMENDED.

Taylor Swift – Lover: Um, I actually like this. This is my favorite Taylor Swift album thus far, and for me to admit that must mean that the “Swifties” are going absolutely insane over it. The defiant feminist anthem “The Man”, the break-up ballad “Death By a Thousand Cuts”, the slightly mawkish but enjoyable title track, the tender Dixie Chicks collaboration “Soon You’ll Get Better”, the carefree “Paper Rings”…I could go on and on. Sure, I’ve got plenty of gripes about it too, but Lover is a well-thought out and very well-executed Pop juggernaut. RECOMMENDED.

Young Thug – So Much Fun: Quite the misleading title, Thugger. A sprawling 19-song track list with a few great moments here and there (“The London”, “Hot”, “Jumped Out the Window”) is the opposite of fun. I guess So Much Arduousness wasn’t as snappy. NOT RECOMMENDED.

Like:

Brockhampton – Ginger

Carnifex – World War X

Clairo – Immunity

Common – Let Love

Drake – Care Package

Knocked Loose – A Different Shade of Blue

Lana Del Rey – Norman F*cking Rockwell

Tool – Fear Inoculum

 

Dislike:

A$AP Ferg – Floor Seats

Trippie Redd – !

Ugly God – Bumps and Bruises

Vic Mensa & 93PUNX – 93PUNX

Volbeat – Rewind, Replay, Rebound

Joell Ortiz Did It Again: Check Out His New Album “Monday”!

So, while Tool-mania consumed every pretentious music nerd on the planet this past weekend (the Prog Metal darlings finally emerged from hibernation after over 13 years with a new hour-and-a-half of dorkiness), my attention was focused elsewhere, to the chagrin of many a Tool fan on my YouTube channel.

Turns out I had bigger priorities. Joell Ortiz – a.k.a. “The Yaowa” – dropped album number five! And no, I had no idea it was coming out. And yes, it’s fire.

As the intro track explains, “Monday is for the hustlers; for those who work the hardest. Shit gets done on a Monday”. And several Mondays have passed – just shy of 10 months’ worth, actually – since Ortiz’s exceptional Mona Lisa project, a collaboration with Apollo Brown.

The Brooklyn-bred spitter and former Slaughterhouse member dazzles once again with a healthy mix of the autobiographical (“Momma”), the introspective (“Anxiety”), and loads of clever bars (one of my favorites is on the track “Champion”, when he raps, “my wife pops Rose like Jack did in Titanic”).

I also find myself engrossed in the nostalgia of “Screens”, which finds Ortiz bemoaning the decline of childhood in the modern day and I SWEAR uses the same sample as Nas’ “Black Girl Lost”. Doesn’t it? Somebody look that up for me!

“Learn You” is another highlight – a vulnerable, touching ode to Joell’s children and confession of his shortcomings as a father. Ortiz has never failed to let us into his life in a major way, and that’s what always keeps me coming back to every single one of his releases, as opposed to the lyrical miracles of his former group-mate Kxng Crooked, whom I know I can “check in” with every couple years and not miss a whole lot. If you skip an Ortiz project, you’re gonna miss a whole part of his life.

Please don’t sleep on this one, guys! For every last one of you who constantly bemoan the cultural dominance of “mumble rap” and the decreasing emphasis on lyrical skill in Hip-Hop, well, here’s your chance to vote with your ears.

Monday is available now on all major streaming services, via Mello Music Group. Check out the complete project below: