November 2017 Album Round Up!

Greetings, fellow music fans of the (still “neutral” for now) Internet! Welcome to my second-to-last Album Round Up of 2017! As I type this, I’m already deep into the hours and hours of fierce internal debate that I pour into List…..ok, look. My first instinct was to write something about “List Season”, because naturally, I’ve been gleefully combing through 2017’s release calendar compiling those “best of” lists that consume all of my Decembers. But knowing myself as well as I do, I had this funny feeling that I had made some equally dumb comment about “List Season” at this time last year, and sure enough, I was right. And since I’m not a member of AC/DC, I don’t get some sort of pathological satisfaction out of constantly repeating myself. So maybe I just won’t acknowledge “List Season” this time around. Although….since I’ve now used the term “List Season” four times in this very paragraph, I guess I’m kinda committed.

In all seriousness, there’s a reason List Season is my favorite time of year. With the exception of my “Worst of” list, I literally have an excuse to just sit on my ass and listen to every single piece of auditory greatness that 2017 gave us for hours and hours on end! More over, I get to really dig into any records that got swept under the rug while I was busy drinking, procrastinating, or random bullshit like arguing with Geico about my premiums or shopping for a new massage chair.

As it turns out, November gave me a ton of material for this Round Up– at 23 albums, I think this might be the most different releases I’ve covered in one of these things – so I really hope you get something out of this! Even if there’s just ONE album that I turn you on to/steer you away from, then it’s all worth it to me.

Reputation – Taylor Swift

You know, I gave this a genuine chance. I was even willing to forego that gimmicky “leave it off streaming platforms for three weeks” marketing plan that Swift and the Suits dreamed up. But Reputation is a big step back from 2014’s Pop juggernaut 1989. Swift’s sixth album features ill-advised experiments with dance music (“I Did Something Bad”, “Look What You Made Me Do”), a really awkward Ed Sheeran collaboration (“End Game”), enough vocal manipulations to make T-Pain gawk, and cheaply invokes sexuality at nearly every turn (“…Ready for It?”, “Delicate”, “Dress”).   All that being said, Reputation has already passed 2 million sales worldwide and is currently occupying the top slot on the Billboard charts for the third week in a row, so as always, the joke’s on me. NOT RECOMMENDED

Radio Silence – Talib Kweli

 For his eighth solo release, the veteran Brooklyn MC and social activist – not to mention, one of Twitter’s most incessant self-righteousness finger-pointers – added another solid installment to his prolific catalogue. While a few late-album cuts like the title track and “Let It Roll” are underwhelming momentum-retardants, there are three songs in particular – “All of Us”, “She’s My Hero”, and “Chips” – that make everything worthwhile. “All of Us” is a soulful collaboration with singer Yummy Bingham that boasts I think, like, the SECOND Jay Electronica verse of all of 2017. “She’s My Hero” is a tear-jerking ode to abuse victim Bresha Meadows. And “Chips” is a rousing collab with none other than Waka Flocka Flame, who sets it on fire with one of the most surprisingly dope guest verses I’ve heard all year. Here is a full review. RECOMMENDED

Ashes EP – Sinsaenum

 This Extreme Metal “supergroup” – featuring Joey Jordison of Slipknot, Frederic Leclercq from Dragonforce, Attila Csihar from Mayhem, and others – came roaring back on the heels of their 2016 debut Echoes of the Tortured with a five-track EP that impressively upped the ante . Whereas their debut was more of a vintage Death Metal record with elements of Black Metal theatrics sprinkled in, Ashes finds the best of Black Metal and Death Metal in a furious seesaw that keeps getting more and more exciting as the tracks unravel. In particular, the opening trio of “Ashes”, “Monarch of Death”, and “2099 (Heretics)” are all absolutely essential listens. While I’ve been rooting for this band since day one, they are now top priority for me when it comes to their next release. Here is a full review. HIGHLY RECOMMENDED.

 Red Pill Blues – Maroon 5

For their third album as Adam Levine Plus Hip-Hop and Dance Beats, Maroon 5’s painful transition into by-the-numbers Z100 wallpaper fully crystallizes. Featuring production and songwriting contributions from every “hit-maker” imaginable – Diplo, Ben Billions, Charlie Puth, Teddy Geiger, Julia Michaels, Jason Evigan, etc. – Adam Levine and his buddies deliver a platter of instantly forgettable songs that are unlikely to have the same chart mojo that the pre-albums singles (“Don’t Wanna Know”, “Cold”, “What Lovers Do”) were able to maintain. Here is a full review. NOT RECOMMENDED

Laugh Now, Fly Later – Wiz Khalifa

 Instead of just letting fans wait a little longer for his hugely anticipated Rolling Papers 2 album, the Khalifa Kush CEO succumbed to the pressure and decided to squeeze out this little turd for anybody still lurking at the bottom of the toilet bowl praying he’ll redeem the last six-and-half years of mediocrity. This 39-minute mixtape consists of about 19 minutes of ad-libs and 20 minutes of bars about smoking weed. Even if you blaze religiously, there’s still no way that sounds appealing. And aside from a couple of decent moments – the “Weed Farm” beat goes hard, and Casey Veggies steals the show on the opener “Royal Highness” – it isn’t. it’s torturously boring. But all of my vitriol, I’m still holding out hope for Rolling Papers 2. Until then, no more “hold-over” projects Wiz, please and thank you. Here is a full review. NOT RECOMMENDED

Kids in Love – Kygo

For his second studio album and follow-up to last year’s overly commercial, monumentally disappointing Cloud Nine, the one-time prince of Tropical House doubles down and gives us 29 minutes of Kidz Bop EDM with the same quality and sophistication of The Chainsmokers. I find it strange that, seeing as Kygo has enjoyed international hits like “Firestone” and “Stole the Show”, he feels the need to make such desperate radio grabs. To be fair, he now has the Sony Music engine behind him, which may or may not have something to do with the bullshit on Kids in Love. Either way, this whole constant-vocals-with-one-small-drop format effectively qualifies this as Pop music – the fact that there’s a OneRepublic feature on a song titled after one of 2017’s biggest television phenomenons (“Stranger Things”) and a True-era Avicci knockoff (“Never Let You Go”) should say it all. Kygo doesn’t seem to have any interest in standing out in any way. He’s just falling in line. It’s a real shame to see it happen to yet another talented EDM artist. NOT RECOMMENDED

The Dusk in Us – Converge

In just a couple years, Converge will hit their thirtieth year as a band. That these New England Metalcore legends are still churning out material that sounds as fresh, fluid, and completely singular as The Dusk In Us is beyond my capacity of understanding. They always deliver. Every. Single. Time. The phenomenal “A Single Tear” single and music – released days before the album – was what initially stoked my excitement for this LP, but the chaotic riff fests that are “Under Duress” and “Broken by Light”, as well as the record’s more delicate moments like “Thousands of Miles Between Us” and the title, all further reinforce my belief that Converge are one of the preeminent Metal bands of the last two decades. HIGHLY RECOMMENDED

 Red Before Black – Cannibal Corpse

Just when I think these Death Metal legends are finally running their formula dry, they deliver more genuinely satisfying assault and battery on Red Before Black, their fourteenth studio album in nearly thirty years as a band. While a track like “Destroyed Without a Trace” is so dime-a-dozen in CC’s catalogue – seriously, it could’ve been on Evisceration Plague, OR Torture, OR A Skeletal Domain OR, well you get the point – this LP does have a few subtle differences. For one, the Tech Metal element that has crept into recent Cannibal releases has been noticeably dialed back – tracks like “Firestorm Vengeance” and “Code of the Slashers” are basically Thrash tunes with Death Metal growls on top. Second….well there is no second. And that’s why this band’s status quo approach never excites me. There’s very little on Red Before Black that I can’t get from the last TWENTY YEARS of Corpsegrinder-era material (which, by the way, I enjoy the hell out of his performance here!). So look, if you’re into this shit, you know the deal. And if you’re not, either go listen to Kill or, like, go do anything else with your time. The same thing the fourteenth time over isn’t gonna sway you. RECOMMENDED

No Dope On Sundays – CyHi the Prynce

 Kanye’s most promising – and yet, perpetually shelved – protégé has been waiting in the wings since impressing Hip-Hop heads across the board with his guest spot on My Beautiful Dark Twisted Fantasy. And as one of those people eagerly awaiting his turn in the limelight, I’ve been frustrated right alongside him. Seven years later, his debut album has finally seen the light of day, and I’m thrilled to say that it’s one of the few super-delayed Hip-Hop debuts that’s actually worth the wait. With an insightful running theme that contrasts spirituality with street activity, CyHi rips through track after track of eloquent lyricism, thoughtful song structure, and invigorating collaboration, which include the likes of Pusha T, ScHoolboy Q, 2 Chainz, Travis Scott and Mr. West himself. All in all, No Dope on Sundays is a strong candidate for my Top 10 Hip-Hop Albums of 2017, which will be posted on this blog in the coming weeks. HIGHLY RECOMMENDED

 Post Self – Godflesh

 Despite having an overwhelming fondness for Godflesh’s game-changing industrial classics like Streetcleaner and Songs of Love and Hate, as well as an appreciation for the venerable comeback record that was 2014’s A World Lit Only By Fire, this new one is just too damn esoteric for me. I can’t get into it. For my taste, there’s too much emphasis on ambience and exhaustive repetition and not enough in the way of riffs, which Godflesh have always managed to weave into their sound, regardless of the experimental terrain it has traversed over the years. While the rhythms of tracks like “Parasite” may hit you like an 18-wheeler, there’s almost no semblance of “notes” or musicality, just raw rhythmic noise. And I’m sure, given Godflesh’s stature as the critical darlings of this corner of Metal, they’re being lauded for it by some bloggers. But if I’m being completely honest, Post Self was so over my head that I even scrapped my planned review of it. NOT RECOMMENDED

A FEW MORE:

LIKE:

The Thrill of It All – Sam Smith

BB – Mod Sun

I Am Legion – Witchery

Dark Flag – Phinehas

DON’T LIKE:

Psychosis – Cavalera Conspiracy

Reputation – Taylor Swift

No Shame – Hopsin

What If Nothing – Walk the Moon

Kaskade Christmas – Kaskade

Oblivion – T-Pain

SYRE – Jaden Smith

Stranger – Yung Lean

Friday On Elm Street – Fabolous & Jadakiss

 

October 2017 Album Round Up!

Why is it that every single year, the last week of October is always the greatest (and, well, busiest) week of the year for music listeners? As much as I know it isn’t, it feels so random to me. If I were a musician, I’d honestly feel comfortable with any release date between the months of April and June, or September to November. But there must be something about this particular week that only the accountants at Atlantic, Columbia and Warner Bros. can explain.

On October 28th of last year, I remember walking out of F.Y.E. with the biggest shit-eating grin on my face, now in possession of brand new records from Avenged Sevenfold, Testament, Serpentine Dominion, and Empire of the Sun. And I’d still barely scratched the surface. 2017 was no different. On October 27th, an overwhelming influx of new music saw the light of day, including but not limited to: Blut Aus Nord, Yelawolf, The Used, Yo Gotti, Weezer, Ty Dolla $ign, Hollywood Undead, Theory of a Deadman, and Winds of Plague. Whew. I’m still catching up. Which might explain why this fucking Round Up is getting posted two days before Thanksgiving.

I hope you enjoy my thoughts on this month’s albums, and believe me – there is a LOT to look forward to by the end of the year! I’ve already giddily begun prepping my numerous Year-End lists, so definitely stay tuned! And for God’s sake, please watch that credit limit this Friday. We wouldn’t want to buy a fucking boat for some middle manager at Visa.

The Sin and the Sentence – Trivium

 The eighth record from these mainstream Metal mainstays (and my personal favorite band from ages 13 – 15) is nothing short of a return to form. The band’s creative decline that plagued their last six years of music – beginning with 2013’s stale Vengeance Falls and continuing with the divisive, radio-friendly Silence in the Snow in 2015 – abruptly ends here with a set of tracks that up the ante considerably on aggression and on musicianship, the latter in part due to the addition of virtuoso drummer Alex Bent. Aside from a few missteps in the track list (e.g. the whiny throwaway ballad “Endless Night”), The Sin and the Sentence should electrify diehard supports and galvanize old fans whose support has waned in recent years.In particular, “Thrown Into the Fire” and “The Revanchist” are two of the best songs of Trivium’s entire career. Here is a full review. RECOMMENDED

Pacific Daydream – Weezer

 Frankly, I’m still enjoying the hell out of The White Album – Weezer’s 2016 effort that found its way onto my Top 10 Albums of the Year last December – so it wasn’t gonna be the end of the world for me if the band’s surprisingly quick follow-up was a slight disappointment. And I’m glad the stakes were low, because as it just so happens, Pacific Daydream was exactly that. Forgettable, cookie cutter material like “Mexican Fender” and “Get Right” are severe momentum killers on both the front and back end of this 34-minute LP. All was not lost, however – mid-album highlights like the wistful “Happy Hour” and the knockout hook on “Weekend Woman” kept it from being a total letdown. We’ll just have to wait and see if the band’s forthcoming Black Album finds them back on track. Here is a full review. NOT RECOMMENDED

Trial By Fire – Yelawolf

One of 2017’s brightest gems that I never saw coming, Yelawolf’s barely-promoted third studio album finds the ambitious but wildly inconsistent Alabama MC finally putting all the pieces together on Trial By Fire, his exceptional third LP for Eminem’s Shady Records. All of my favorite music has one thing in common: it takes you out of your surroundings and transports you to another world, and Yelawolf does exactly that on here. Soundtracked with an imaginative fusion of Country, Blues, Folk, Rock, and Hip-Hop, Yelawolf brings you straight down to his native Alabama with intensely autiobiographical dirt road rhymes and his singular, snarling Southern drawl. We’ll surely be chatting about Trial By Fire next month when I recap my favorite Hip-Hop albums of 2017, but for now, at least check out essential tracks like “Ride or Die”, the Juicy J-assisted “Punk”, and the haunting “Sabrina”. Here is a full review. HIGHLY RECOMMENDED

 Lil’ Pump – Lil’ Pump

 I cannot believe this nonsense hit number 3 on the Billboard Charts. I could make this whole mixtape in five minutes. Lil’ Pump’s brand of “Soundcloud” rap is as obnoxious as it is repetitive – there’s absolutely nothing redeeming about the headache-inducing flows on songs like “Gucci Gang”, “Crazy”, and the opener “What U Sayin’”. And even the star power of Rick Ross on “Pinky Ring” doesn’t help, because that discordant fire alarm-mimicking instrumental makes me genuinely angry for the duration of the song, regardless of who’s rhyming. Maybe I’m out of touch, but I really don’t understand what any of these hipster critics see in this shit. NOT RECOMMENDED

Judas – Fozzy

 One of my least favorite Rock releases of the entire year, the seventh LP from Fozzy – the band fronted by WWE Superstar Chris Jericho – is overproduced, formulaic Radio-Rock trash. “Three Days in Jail” is a particularly embarrassing moment as the band briefly attempt to resurrect Nu Metal (yes, rapping and all!) before returning to their cookie cutter Butt Rock. It’s a shame, because I’ve considered myself a fan since I was a teeanger (Chasing the Grail and Sin and Bones still get regular rotation in my car), but Judas better not indicate the direction the band is headed, or they’ve lost me. Here is a full review. NOT RECOMMENDED

Super Slimey – Future & Young Thug

 If people’s would’ve just fucking RELAXED with their unreasonable expectations for this high-profile Watch the Throne-type collab between two of Hip-Hop’s hottest acts, I guarantee they would’ve all enjoyed Super Slimey a hell of a lot more. I sure did. It’s noticeably unrefined and it’s far from perfect, but bangers like “Three” and the Offset-featuring “Patek Water”, as well as the hazy “All Da Smoke” made this auto-tuned meeting of the minds more than worth it. Especially when compared with Future and Drake’s lackluster collaborative What a Time To Be Alive tape from two years ago. RECOMMENDED

Nightbringers – Black Dahlia Murder

 Chalk up another “W” for Black Dahlia Murder. Their first LP to feature lead guitarist Brandon Ellis finds the Michigan metallers right back in tip-top form – in particular, the tracks “As Good As Dead” and the title cut now rank in my top 10 songs of the band’s entire sixteen year career. Here is a full review. HIGHLY RECOMMENDED

 Beautiful Trauma – P!nk

 A true dud from the Pop world this past month, the rest of P!nk’s seventh album proves to be even sappier and more vanilla than its sappy and vanilla lead single, “What About Us”. Despite a decent chorus or two (e.g. “Better Life”) or the catchy dance pulse of “Secrets”, there’s just too much major label money riding on this record for it to be interesting. Not even Eminem’s guest appearance on “Revenge” is interesting, and significantly less interesting is P!nk’s pseudo-rapping attempts on that same track. Yikes. NOT RECOMMENDED

 E – Enslaved

 One of the Black Metal’s most important and adventurous trailblazers, Enslaved have been pushing the genre’s envelope for over a quarter century now, constantly searching for more clever ways to fuse the style’s more traditional sounds with the likes of Prog Metal and even various types of Rock music. On E, the band take another step forward, crafting masterful Blackened Prog Metal epics (if that’s, I guess, a genre now?) like “Hiindsiight” and “Sacred Horse”, which co-exist harmoniously alongside more direct cuts like “The River’s Mouth” and “What Else Is There”. An absolutely essential Metal listen, and an outstanding achievement even by Enslaved’s lofty standards. HIGHLY RECOMMENDED

 Losing Sleep – Chris Young

Given that his new LP consists of only ten tracks and a runtime of exactly a half hour, I figured it wasn’t a huge investment to give Country superstar Chris Young a shot. This year I’ve finally started to acquire a taste for one of music’s most critically dismissed genres – good ol’ Country – and Young is one of dozens of beloved mainstream artists that I’ve yet to try on for size. Well, you can imagine my disdain when I was greeted with the exact type of Pop Country genericism that makes people discriminate against this style of music. More often than not, the central lyrical topic of this album is just fucking DRINKING, and nothing else. And the closer “Blacked Out” is supposed to be this tear-stained, heartbroken ballad, but it comes across so shallow with its references to Ray Bans and Mustangs and ten thousand more allusions to – you guessed it – drinking. For Country music in October 2017, the real winner was Darius Rucker with his new LP When Was the Last Time – you’re better off checking out that one and giving Losing Sleep a hard pass. NOT RECOMMENDED

A FEW MORE:

LIKE:

Thinking Out Loud – Young Dolph

When Was the Last Time – Darius Rucker

Blood of My Enemy – Winds of Plague

4Eva Is a Mighty Long Time – Big K.R.I.T.

Heaven Upside Down – Marilyn Manson

Reaper – Nothing.Nowhere.

DON’T LIKE:

True View – Stick to Your Guns

Cold Like War – We Came As Romans

False Idol – Veil of Maya

I Still Am – Yo Gotti

Beach House 3 – Ty Dolla $ign

Deus Salutius Meae – Blut Aus Nord

 

December 2016 Album Round Up!

I don’t care what anyone says – the last month of 2016 belonged to Hip-Hop. In the 11 months prior, every other genre had seemingly said all they had to say, but a legion of brilliant MCs, beat makers, and (hopefully not too many) ghostwriters were just getting started.

I.E. The hare that was the rest of the music biz had all but settled in for 2017, and Hip-Hop was the ultimate tortoise. And for me, this is not even COUNTING the surprise Christmas Eve release of the highly anticipated Run The Jewels 3 album – I can wait ‘til the official date in January for that (I think).

And I’m glad that I didn’t have a crazy influx of new music to deal with, ‘cause I was so God damn busy with my year-end lists that it would’ve been too much to handle anyway. I needed to debate Frank Ocean vs. Beyonce for hours on end in peace.

Anyway, I’m beyond psyched to see what 2017 has in store for us (anticipated albums coming next!), and I’m gonna enjoy turning my eye toward the future once again, ‘cause List Season is all about the retrospective. But before I turn forward, here’s one more look back – eight albums that I was bumping in between year-end list work:

Passion, Pain, & Demon Slayin’ – Kid Cudi

Hands down the best Kid Cudi project since 2010’s Man on the Moon 2: The Legend of Mr. Rager. If you’re a longtime Cudi fan, I bet you’re LOVING this. Unfortunately, there are a couple things holding me back from an overall positive verdict. A) this thing is an incredibly bloated 86 minutes – Frustratingly, a lot of said 86 minutes consists of Cudi ruining otherwise great tracks by dragging them out for unnecessary lengths. B) it’s excessively mopey at times – and “mopey” as in minus the self-destructive charisma of the “moping” on his first two records. But FUCK ME if there isn’t a killer album in here somewhere! Getting some dope, vibed-out production from the likes of Dot da Genius, Plain Pat, and Pharrell definitely helped – I love the spacey beats on tracks like “ILLusions”,”Swim in the Light”, and the Travis Scott-assisted lead single “Baptized in Fire”. And “By Design” is one of the top 5 tracks of Cudi’s entire career. I swear, one of these days this guy’s gonna drop a FIRE project front to back. I can feel it. But not this one. NOT RECOMMENDED

4 Your Eyez Only – J. Cole

I fucking hate J. Cole’s fans. J. Cole’s fans ruined (the stuff I did like by) J. Cole for me. They tried to act like JUST because there was a loose concept to this album – Cole’s fourth – anybody who didn’t like it must feel that way ‘cause it’s “over their head” and they’re JUST NOT SMART ENOUGH. What a crock of shit. 4 Your Eyez Only does have a cool (easy to follow!) storyline, and it has a few phenomenal tracks like “Neighbors” and the tear-jerking title track, but it has a major momentum problem. Too much mopey crooning, too much underwhelming lyricism, and an abomination called “Foldin’ Clothes”. However, I did enjoy the strong cuts enough to grant it a 6/10. But no, dickriders, it’s not a “classic”. FOH with that. Here is a full review. RECOMMENDED

Awaken, My Love! – Childish Gambino

Donald Glover is CRUSHING it right now. The other night, his critically acclaimed TV series Atlanta got hella more critically acclaimed when it took home a pair of Golden Globes; he’s playing Lando Calrissian in the upcoming Star Wars film; AND he dropped Awaken, My Love! – this total stylistic left turn of a record – out of nowhere. DAMN. If you haven’t heard the LP yet, Glover abandoned rapping altogether and hopped in a time machine back to the mid-70s for some George Clinton-inspired funk and soul jams. I’d be full of shit if I said I was well-versed in this genre of music, but I would not be full of shit if I said I enjoyed what I heard, and that I’m continually impressed with Glover’s versatility. RECOMMENDED

Not the Actual Events EP – Nine Inch Nails

With this quick little Christmastime EP, these Industrial Rock legends have finally crawled out of their three-year cave to (hopefully) give us a taste of what they have in store for us on their highly anticipated ninth full-length. In other words, they’re lubricating their audience (pause). A good chunk of what’s on here is classic Nine Inch Nails though. Exhibit A: the electronic grooves on highlight “Dear World” that are nearly danceable but still ominous and foreboding. I’m especially into the track “The Idea of You”, which has these off-kilter machine gun rhythms that are addicting as hell. Ultimately, it’s all just a teaser though, like the full theater trailer for a summer blockbuster. But this thing has me excited for a new Nine Inch Nails studio album (fingers crossed) this year. RECOMMENDED

White Friday (CM9) – Yo Gotti

While every other music nerd spent Christmas Eve freaking out about the Run the Jewels surprise release, I was bumping this mixtape, lured by the explosive single “Power of Money”. Gotti continues to impress me. He’s clearly a street rapper, but there’s a certain elegance to him – he spits with the self-assurance of an OG with nothing to prove, but with the hunger of an MC half his age. He also gets surprisingly sentimental on the closing track “What Happened”, which is dedicated to his friend and manager Mel Carter, who passed away a few weeks before this tape came out. Here is a full review. HIGHLY RECOMMENDED.

 Don’t Smoke Rock – Smoke DZA & Pete Rock

 Harlem MC Smoke DZA teamed up with one of the greatest Hip-Hop producers of all time for a beautifully old school Hip-Hop record, one rooted purely in the ‘90s. Don’t Smoke Rock was so up my alley, it almost feels like it was made specifically for me. I’m giving the top 3 features to Jadakiss, Royce da 5’9, and Big K.R.I.T – they all crushed it. Here is a full review. RECOMMENDED

Darkness and Light – John Legend

So this is the first time I’ve given a full John Legend project a shot. Maybe this style of (mostly) lethargic R & B just isn’t my cup of tea, but these 45 minutes elicited more yawns than anything else. That’s not to say the LP is without its undeniable high points: the funky Chance the Rapper collaboration “Penthouse Floor” is awesome – Chance’s verse on that one, much like himself, is quirky, fun, and imaginative – but my personal favorite is the sensual “Temporarily Painless”. It’s one of my favorite songs right now. It’s SO.DAMN.SEXY, between its dreamy production and Legend’s airtight songwriting – I just can’t get enough. Overall, Darkness and Light is a decent listen for a rainy day, but I’ve found myself coming back to a few select tracks rather than the whole LP. NOT RECOMMENDED

Filthy America…It’s Beautiful – The Lox

No, this hugely anticipated comeback record did not meet my extremely overinflated expectations. The Lox’s 1998 debut Money, Power, & Respect was one of my Hip-Hop bibles growing up, and Jadakiss was always a favorite of mine. Unfortunately, the issue with Filthy America seems to be an identity crisis. This LP doesn’t know whether it wants to be traditionalist (the Premo-produced “Move Forward”) or fit in with the young’ns (the generic trap turn-up of “Secure the Bag”). So it winds up being a disjointed listen. Aside from one gem – the menacing Mobb Deep collab “Hard Life” – I think I’ll stick with Money, Power, & Respect. NOT RECOMMENDED