Discography Ranking: All That Remains

Happy Friday everyone! Jesus Christ (Kanye pun intended), there are a LOT of new releases to get to today! Of course, Kanye West finally dropped the Gospel-themed Jesus is King, but I’m also chomping at the bit to hear the new Cigarettes After Sex. And then in the Metal world there’s Mayhem, Fit for An Autopsy, Sunn O)), and I’m also planning to review Bad Wolves, who are a massively popular band I have yet to dive into. Oh, and that Alter Bridge review is coming. I double pinky promise.

But for now, I had a lot of fun traveling down memory lane to rank the discography of the Massachusetts Metalcore powerhouse that is All That Remains. As I discuss in the video, there’s nothing quite like listening to a band with the context of their entire career arc at the forefront of your mind. For me, it totally transforms the way I see certain albums.

And All That Remains was an interesting one to do because of how MUCH and how LITTLE I regard different parts of their catalogue. It’s a topsy-turvy ride. And of course, I got to squeeze in a tribute to the late great Oli Herbert. Watch the full video below:

September 2019 Album Round Up!

What’s up guys! Another month, another Album Round Up. Below is a quick run-through of all the records I checked out this month:

As I Lay Dying – Shaped By Fire: Seven years and one attempted murder charge later (yep, I went there), Metalcore veterans As I Lay Dying are back in business. And I had a lot to say. Some of my key critiques of this album include whiny, poorly executed clean choruses, copy-and-pasted songwriting for their last few releases, and at least one track that’s just bad across the board. But I (pun intended) WARMED up to this album as time went on, and ended up finding a lot to enjoy. Full review here. RECOMMENDED.

Betraying the Martyrs – Rapture: I’m glad I finally swallowed my pride and gave a true-blue “Verb-the-Noun” band a shot. Sure, I had plenty of critiques for Rapture (the French Deathcore upstarts’ fourth LP to be released on Sumerian Records), but I went in hoping to be pleasantly surprised, and I WAS, mainly by the pure Death Metal fury of the title cut and the “Iron Gates” as well as the formidable two-guitar songwriting on the single “Down”. Full review here. RECOMMENDED

Blink-182 – NINE: All the way back to my formative years, I’ve never been a Blink fan. So why I keep taking their new releases exceedingly seriously (2016’s California being another example) doesn’t make a whole lot of sense. As I explain here, I’m always gonna cherry pick a couple of instantly catchy tunes and discard the rest. And that’s what I did here with the ballad “Heaven”, and to a lesser extent cuts like “Black Rain” and “I Really Wish I Hated You”. See you guys in 2022 for another three songs! NOT RECOMMENDED.

Cashmere Cat – Princess Catgirl: Possibly my favorite album I heard all month, Cashmere Cat’s ability to pull so much emotion out of cheesy Kanye-esque chipmunk vocals and glitchy EDM tropes astonished me. Dude, it’s 19 minutes long. Do yourself a favor and go listen to it. It’ll make you feel like you’re in a romantic, utopian video game. HIGHLY RECOMMENDED.

Opeth – In Cauda Venenum: Far and away the worst of the “screamless 2010s” era of these Swedish Prog Metal legends, I found In Cauda Venenum to be dreadfully boring. Songs like “The Garroter” make me feel like I’m trapped for hours on end in the most depressing vintage record store ever, surrounded by rare Pink Floyd vinyls that not even Pink Floyd themselves give a shit about, wondering how the hell the owners can afford their rent. I’m not opposed to “screamless Opeth” – I think it’s fantastic that Mikael Akerfeldt and co. had the balls to drastically change course two decades into their career – but I AM opposed to soullessness. And In Cauda Venenum is egregiously soulless. NOT RECOMMENDED.

Post Malone – Hollywood’s Bleeding: After Postie Boy shocked me (and virtually all music writers) with the excellent Beerbongs & Bentleys last April, I thought to myself “gee, I hope he doesn’t rush-release an overly commercial follow-up”. I guess I forgot to knock on wood. Ironically, Hollywood’s Bleeding boasts excellent singles – the irresistible Young Thug collab “Goodbyes” is perhaps my favorite Top 40 Radio song of all of 2019, and the unexpected shoegaze-y guitars in the “Circles” intro still get me every time – but once you get to deeper cuts like the nursery rhyme chorus of “Myself”, or the failed Weeknd attempt “Allergic”, the LP doesn’t hold up. NOT RECOMMENDED.

Sturgill Simpson – Sound and Fury: Simpon’s brand of Alt-Country is one of the only modern shades of the genre granted full acceptance by the “music writer crowd”, and listening to tracks like the rock-influenced “Remember to Breathe” or the funky synth-infused “A Good Look”, in which Simpson’s hearty twang is the only noticeable “Country” element anywhere in sight, you can see why. But that’s not Simpson’s fault. He continues to be a fearless experimenter and poignant lyricist on album highlights like “Make Art Not Friends”, the aforementioned “A Good Look”, and “All Said and Done”. A must-listen! HIGHLY RECOMMENDED.

Zac Brown Band – The Owl

WOW. This is a (potentially unequivocal) contender for Worst Album of the Year. And “OMW” – in which the band recite a texting acronym and pass it off as a chorus – is an equally fierce contender for Worst Song of the Year. If “OMW” and “Me and the Boys in the Band” are the type of music Zac Brown and Co. want to make, then just go be Florida Georgia Line. Or join Florida Georgia Line and make one giant Pop-Country conglomerate with 32 members. It’s actually MORE offensive to me when they try to “return to their roots” with a late-album cut like “Shoofly Pie” buried in the tracklist. NOT RECOMMENDED.

A FEW MORE:

Enjoyed:

Cult of Luna – A Dawn to Fear

Eclipser – Pathos

Korn – The Nothing

The New Pornographers – In the Morse Code of Brake Lights

Tegan and Sara – Hey, I’m Just Like You

Didn’t Enjoy:

Charli XCX – Charli

JPEGMAFIA – All My Heroes Are Cornballs

Starset – Divisions

As I Lay Dying – Shaped By Fire Album Review

What’s up, guys! Time for one of my biggest reviews of the Fall release season!

This week I dig into the long-awaited but controversial return of Metalcore veterans As I Lay Dying. Remember that little “attempted murder” thing that frontman Tim Lambesis went through? Well regardless of where you stand on the issue, Lambesis is now a free man, back on the streets AND the stage, fronting his old band.

However, rather than spend any time debating the ethical and moral implications of the situation, I chose to focus solely on the music. As I always do. We’re now 7 years removed from the band’s last album Awakened – how does Shaped by Fire measure up? Watch the full review below:

Betraying the Martyrs – Rapture Album Review

What’s up guys! Got a brand new Metal review for you today! This week I’m unpacking the fourth full-length record from French Deathcore band Betraying the Martyrs.

I was just introduced to these guys about a month or two ago, and I thought Rapture would be a great opportunity to stretch my tastes a little bit and do a deep dive into something I typically wouldn’t check out. A majority of bands either on the Sumerian Records roster, within the Deathcore movement, or of the “verb-the-noun” persuasion tend to not be my cup of tea – and Betraying the Martyrs happen to check all three boxes. So I purposely went into this review hoping to be pleasantly surprised. Full review below:

Discography Ranking: Lamb of God

Happy Friday guys! GOD, I’m so happy to finally release this video. See what I did there? No? It’s ok, neither do I most of the time.

Lamb of God has such a fascinating catalogue. They are the PERFECT band for a Discography Ranking because across all seven of their albums, there not a single undisputed “dud” nor “masterpiece”, which lends itself to incredibly rich discussion and debate, and a massive range of opinions.

I definitely make some controversial picks here, and I can’t wait to see what people think. If you watch this, do me a favor and leave a comment below the video with YOUR ranking of the band’s discography! Above all, I hope Lamb of God fans really enjoy this celebration of one of Modern Metal’s elite:

NAME THAT KILLSWITCH ENGAGE SONG!

Alright guys, time for another edition of Name That Song! I figured since I just reviewed their new record Atonement, Killswitch Engage would be the perfect candidates!

What I really enjoy about doing these videos, besides testing my knowledge about some of my favorite bands, is that I get to squeeze in quite a bit of commentary too. While I’ll never be a “Reaction Video” guy, there is admittedly something totally different about talking about music while you’re listening to it. And I had a lot of fun doing this one, as I did with Slipknot, Machine Head, and Trivium in my previous installments of this segment.

Be sure to comment below the video with your score! Best of luck!

Killswitch Engage – Atonement Album Review

Another album review! It feels so good to be back doing these, I can’t even tell ya. This week I’m digging into the brand new Killswitch Engage album Atonement, the band’s first for Metal Blade records, third since the return of original vocalist Jesse Leach, and eighth overall.

Based on this record’s singles, one of which I reviewed here, I gotta say, I was a little nervous. Atonement follows two SUPERB Leach-fronted albums (2013’s Disarm the Descent and 2016’s Incarnate), and I was anxious to see if the band could keep the momentum going and score a little hat trick here.

Full review below. Thanks so much for watching!

July 2019 Album Round Up!

What’s up guys! Another month, another Album Round Up. Below is a quick run-through of all the records I checked out this month:

Abbath – Outstrider (Metal)

Wow, this is a massive improvement over the former Immortal frontman’s 2016 self-titled debut. Outstrider is a lean, mean commercial Black Metal record, with just the right mix of grit and production. Riff-fests like the title track, “Harvest Pyre”, and “Hecate” are among my favorite Metal songs of 2019. HIGHLY RECOMMENDED.

Banks – III (Alternative)

For three albums straight now, I’ve fallen in love with Jillian Rose Banks’ cutting edge, occasionally trippy brand of…Alternative R & B? Truthfully, Banks has always existed at a genre intersection that is difficult to categorize, and III only expands that sentiment. I’m still digesting some of the LP, but start with the powerful synth-laced single “Gimme” or the hauntingly dramatic “Godless”. RECOMMENDED.

Chance the Rapper – The Big Day (Hip-Hop)

Man, I expect better out of a three-year gap between Chance the Rapper projects. The guy’s always been lovably goofy, but on The Big Day he really overindulges in that carefree, ironic, tongue-in-cheek attidue, so much so that it dilutes his bars. Just listen to the unbearable, rambling rhymes in “Hot Shower”. And some songs on here are just poorly constructed, like “Get a Bag”, or “Ballin Flossin”, the latter with a SHAWN MENDES feature. Of all people. Though I love watching Chance take a stand against the industry with his independence, the songs need to be stronger next time around. NOT RECOMMENDED.

Crown the Empire – Sudden Sky (Rock)

Crown the Empire’s whiny Second Wave of Metalcore shtick has never been my cup of tea, but I’ve recognized the band’s talent since 2011’s Limitless and have always given them a chance. On Sudden Sky they provide exactly what 2016’s Retrograde provided: a lukewarm album with a couple really killer singles worth returning to (see: “What I Am”, “Blurry”). NOT RECOMMENDED.

Ed Sheeran – No. 6 Collaborations Project (Pop)

Ok, here’s the funny thing about this one: quality-wise, it’s such a mixed bag, with some of Ed’s stylistic adventures paying off (“Antisocial”) and some falling beautifully flat (hearing him rap on “Remember the Name” is so cringe-inducing). But I wouldn’t have wanted it any other way! The general problem with Sheeran’s music tends to be how safe and bland it feels. In contrast, this was an exciting project full of risk, inclusivity of ideas, and creative self-indulgence just for the fun of it. And even though I don’t love every minute of it, I admire when an artist of Sheeran’s stature has the courage to abandon their comfort zone. RECOMMENDED.

Nas – The Lost Tapes 2 (Hip-Hop)

As it turns out, an album full of b-sides from Nas’ prime (2002’s incredibly underrated The Lost Tapes) is very different from an album full of b-sides from PAST Nas’ prime (The Lost Tapes 2). Within this scattered tracklist, you can hear the once great Nasir Jones going through the very same artistic identity crisis that has marred his inconsistent projects of the last decade, most notably 2018’s Nasir and 2008’s Untitled. NOT RECOMMENDED.

Sabaton – The Great War (Metal)

I’ve been hearing about Sabaton for a number of years, and their profile in the US got a huge bump when they toured with Trivium in support of their 2016 album The Last Stand. As someone passionate about both world history and epic, grandiose Power Metal, I was eager to give The Great War a shot, which is conceptually centered around World War One (a.k.a. “The Great War”).  Unfortunately, while there are a couple standout tunes (exhibit A: “Fields of Verdun”, with its triumphant guitar lines in the chorus), I generally found The Great War to be nothing more than your generic Power Metal fodder. NOT RECOMMENDED

A FEW MORE:

Like:

Big K.R.I.T. – K.R.I,T. Iz Here (Hip-Hop)

Blood Orange – Angel’s Pulse (R&B)

Knife Party – Lost Souls EP (Dance)

Tomb Mold – Planetary Clairvoyance (Metal)

Wear Your Wounds – Rust on the Gates of Heaven (Metal)

Wormed – Metaportal EP (Metal)

Dislike:

E-40 – Practice Makes Paper (Hip-Hop)

Machine Gun Kelly – Hotel Diablo (Hip-Hop)

Marshmello – Joytime III (Dance)

 

 

All That Remains: Victim of the New Disease was AWESOME!!

What’s up guys! Time for a discussion that’s LONG overdue.

Last October, while his band was getting ready to unleash their highly anticipated ninth album, one of my heroes suddenly passed away.

The tragic, untimely, mysterious death of All That Remains shredder Oli Herbert shook the Metal community (particularly here in New England) and, needless to say, added a great deal of dark context to Victim of the New Disease, the ATR album released the following month in the wake of his passing.

Now that nearly a year has gone by, there’s something that I STRONGLY felt needed to be said about Victim of the New Disease. Several things, actually. And no, not just that it’s “AWESOME!!”

In the video below, I walk viewers through the crucial importance of Victim of the New Disease, both to the All That Remains legacy and the Metal world at large. If you’re an All That Remains fan, this is a must watch!

And as always, be sure to leave a comment with your thoughts on Victim of the New Disease! Thanks for watching!

Killswitch Engage – Unleashed Track Review

What’s up guys! Brand new track review for ya today!

So as of this week, Massachusetts Metalcore veterans Killswitch Engage have officially announced album number eight (and album number three since original vocalist Jesse Leach rejoined the band). It’s titled Atonement (yes, like the killer Immolation album from two years ago), and it’s coming later this summer! The LP will feature guest appearances from Testament frontman Chuck Billy (which I’m especially curious to hear!), and none other than former KSE singer Howard Jones.

And on Tuesday, Killswitch kicked off the rollout for Atonement by unveiling its lead single and opening track, “Unleashed”. Being the longtime Killswitch listener that I am, I couldn’t resist chiming in, offering my thoughts on the song, and making more jokes at the expense of the band’s awful 2009 self-titled record, which happens to turn ten years old this Sunday.

Atonement will drop August 16th via Metal Blade Records. In other words, in 51 days. Mark your calendars and look out for my full review! In the meantime, here are my thoughts on “Unleashed”: