May 2017 Album Round Up!

Just like that, Summer’s upon us again! Pretty crazy to think that exactly a year ago today, I was writing about Drake and DJ Khaled’s new single “For Free”. Feels like a fucking decade ago.

If I recall, “For Free” ended up being one of summer sixteen’s core club bangers, as I totally WENT OUT ON A LIMB to predict. What a courageous music writer I am.

And a year later here I am, still pumping out these monthly round ups for an audience that’s expanding at a not-so-exponential rate. But the rapid growth that IS surprising me is how much I love doing this. It’s amazing to me that I can spend so much time working on something that generates zero income and have more and more fun doing it as the months go by. I guess that’s why they call it a passion. And I guess that’s why my parents always told me to “get a real job”.

May was an interesting month. It was really light on the Metal, and a good chunk of this year’s worst music (see below) was released as well. But as always, I found a lot to latch onto, and I hope you’ll enjoy some of these albums as much as I did!

Ether – B.o.B.

Still standing by his early work, I’m always hoping that our favorite Pop-Rap Flat-Earther is going to deliver something great. He’s certainly got it in him, as showcased once again on standouts from this album like the drugged-out banger “Xantastic” or the politically-charged “Peace Piece”, the former a collaboration with Young Thug, and the latter with Big K.R.I.T. (did I mention B.o.B. was versatile as hell?). Unfortunately though, Ether falls apart in the second half with a series of bland tracks that range from half-assed club attempts (“4 Lit”, “Tweakin’”) to excessive melodrama (“Big Kids”). Here is a full review. NOT RECOMMENDED

After Laughter – Paramore

Wow! These rockers – led by the feisty Hayley Willliams – have given me, without a doubt, the most pleasant surprise of 2017! On After Laughter, the band completely abandon their Pop-Punk/Pop-Rock fusion for a throwback to ‘80s pop. Like, seriously, the beginning of “Rose-Colored Boy” sounds straight out of Beverly Hills Cop or something. The beautiful twist, though, is how the super pessimistic lyrics sit in stark contrast with these peppy instrumentals. There is so much pain and suffering behind this album…that’s what makes it so compelling. I love the message of a song like “Idle Worship”, where Hayley Williams shies away from being put up on a pedestal just because she’s a famous musician. And the stripped-down ballad “26”? That shit makes me cry. If there’s ONE ALBUM you check out from this month, it should be this one! HIGHLY RECOMMENDED

All the Beauty in This Whole Life – Brother Ali

This legendary indie rapper returned from five years of radio silence with what is easily one of the best Hip-Hop albums of the entire year. I can’t remember the last time a rapper made me feel such strong emotions. Lead single “Own Light (What Hearts Are For)” is the ultimate uplifting anthem, while autobiographical cuts like “Pray for Me” and “Out of Here” – the former dealing with Ali’s social struggles as a child born with albinism, the latter with the suicides of his father and grandfather – are heartbreaking. Meanwhile, racially-charged moments like “Dear Black Son” and “Before They Called You White” really make you think. He does it all while still delivering intricate rhymes, and doing so over a set of wonderful instrumentals courtesy of Ant from Atmosphere. Here is a full review. HIGHLY RECOMMENDED

Tremendum – Hate

Despite being dogged by comparisons to their Polish counterparts Behemoth for their entire career, this Blackened Death Metal outfit has always walked a delicate line between the two genres that make up their sound. That is, until they decided to throw us for a loop with THIS ALBUM and go completely Black Metal! I’m not sure what was more of a surprise to me…that they made this ballsy shift in their sound this late into their career, or that it went over so well! I love Hate as a (mostly) Black Metal band. There’s still the Death Metal production, there’s still the blast beats that have their origins in Florida instead of Norway or Scandinavia, but the music is a lot more atmospheric and a lot less riff-driven. Tunes like “Sea of Rubble” really have that Bathory MARCH to them! Here is a full review. HIGHLY RECOMMENDED

Everybody – Logic

Despite being a fan of this Maryland rapper’s debut album Under Pressure, I will continue to point out how overrated he is. Even though I love his positive energy, his zeal for the genre, and his dedication to his craft, people big him up WAY too much. When you listen closely, his rhymes are pretty basic – he just speeds them up to make them sound complex. The opening scheme of this album is religion/prison/cracker/blacker. I don’t know why people think this guy is so good. Not to mention, his flows are borrowed from all his contemporaries. And this LP specifically is by far Logic’s worst. It’s incredibly corny. Just listen to those ad-libs on the anti-suicide song “1-800-273-8255” (“WHO CAN RELATE?? WOO!”), or the hook on the title track. Which, let’s be clear, the title track is not about being “inclusive” as much as it’s just Logic whining about being biracial. Oh, and Logic can’t sing either. He shouldn’t do that. I like a lot of 6ix’s beats on here though! NOT RECOMMENDED

 Bloom – Machine Gun Kelly

This is the worst piece of shit I have heard all year. “Heard” as in taken semi-seriously – I’m sure there are worse albums out there that I wouldn’t ever bother with. Here were my thoughts on the singles….and it got even worse from there. Listening to this white-washed Pop-Rap garbage is something I will regret until my dying day. I couldn’t even muster up the energy to give it a full review on YouTube. I just wanted it out of my life. I guess I’ll leave you with one somewhat constructive criticism: if there’s one hole that REALLY sinks this ship, it’s MGK’s unnecessary forays into singing on tracks like “Go For Broke”, “At My Best”, “Let You Go”, and the horrific country attempt “Rehab”. NOT RECOMMENDED

Poison the Parish – Seether

Believe it or not, this album actually has some pretty cool moments! The mopey Butt Rock thing doesn’t always sit well with me – the beginning of “Against the Wall”, for example makes me cringe…”I WAS BOOORNNN TO FLLLYYY AWAYYY” – but I think Seether nails down their demographic exceptionally well on here. Tracks like “Betray and Degrade” and “Saviours” have a razor sharp hooks, and are great for a semi-mindless listen while you’re driving. Even though I’m not a “fan” per se, having seen this band and gone through their discography, I’d like to say this is a crowning achievement for them. So maybe give it a listen out of curiosity! RECOMMENDED

 From a Room: Volume 1 – Chris Stapleton

In addition to the new offering from the Zac Brown Band, this was another Country album that I dug this month! This is Stapleton’s follow-up to his hugely acclaimed 2015 solo debut Traveller, and I’ve found his music really easy to get into as, well, not exactly a Country aficionado. Highlights include the bluesy “Them Stems”, the outlaw-tinged “Up to No Good Livin’” (LOVE the slide guitar in that one!), and the spare, intimate ballad “Either Way”. RECOMMENDED

One More Light – Linkin Park

God help us. I tried to be open-minded, I swear. Since I’m not a Linkin Park fan at ALL anymore – even their old stuff hasn’t aged well for me – I actually found it quite easy to go into this Pop crossover attempt with an open mind. But as I explain here (to the tune of over 600 views right now, which is a lot for me!), I found most of this material to be incredibly lightweight, surface level, and trend-hopping all over the place. LP took an L with this one. NOT RECOMMENDED

In a World of Fear – Scale the Summit

One of the most popular instrumental Prog Metal acts on the planet, Scale the Summit have continued to flourish since I saw them open up for Between the Buried and Me back in 2010. I’m so pleasantly surprised that things are working out for them, ‘cause I really wasn’t sure if there was a viable market for what they do. But guitar geeks are a passionate bunch, and they’ll likely eat this album up with all of its stop-start, odd-time rhythms, and impossibly intricate interplay. Unfortunately though, I’m not the right audience for it. A song like “Astral Kids”, despite having so much inventive, virtuosic guitar playing, just sounds like a Berklee School of Music jam room to me. Which isn’t inherently a bad thing! It’s just not what I personally gravitate towards (even as a guitar nerd myself). I still need “hooks” of some kind – and Scale the Summit DID have hooks on early favorites like “The Great Plains” – but there’s just not enough memorable parts on this album to keep me coming back to it for more than the “wow, they can play their asses off!” factor. NOT RECOMMENDED

The World Ablaze – God Dethroned

In a month where Metal felt as scarce as STD-free pussy in a whorehouse, these Dutch veterans delivered a solid slab of no-frills Extreme Metal. This records boasts some pretty memorable riffs (exhibit A: the demonic intro to Thrash/Death Metal hybrid “Annihilation Crusade”), it doesn’t try to be too fancy or experimental, and best of all, its production retains a slightly raw but powerful sound. Modern Death Metal has gotten so fucking pristine and robotic sounding that it drives me nuts , so it was refreshing to hear an LP that was still beautifully mixed but had a little humanness, a little UMPH behind it. RECOMMENDED

T-Wayne – T-Pain & Lil’ Wayne

When T-Pain tweeted – completely out of the blue – that he was releasing a bunch of shelved T-Pain/Lil’ Wayne collabos from 2009, the Internet rightfully lost their shit. “These are lost gems from when the two of them were in their prime!” we all said to ourselves. And whether these eight songs would’ve been ill in 2009, we’ll never know, but in 2017, I’m not into it at all. The first unpleasant surprise is that T-Pain raps a bunch on here – his flow on the Willy Wonka-sampling “Listen to Me” is clunky as hell. The second unpleasant surprise is that the wackest bar of Lil’ Wayne’s career was actually recorded in 2009, during his supposed prime. Who knew? But the line “She was like Damn Damn Damn ‘cause I hit her with the wham wham wham” is certainly something special. NOT RECOMMENDED

A FEW MORE:

LIKE:

You’re Welcome – Wavves

Neva Left – Snoop Dogg

This Old Dog – Mac DeMarco

Welcome Home – Zac Brown Band

DON’T LIKE:

Crooked Teeth – Papa Roach

Louder Harder Faster – Warrant

Revelation – Oceano

 

 

April 2017 Album Round Up!

So, another month came and went. The first week of April (right around the time the Chainsmokers released once of the worst albums of the year) kicked off the month in exciting fashion for me – my band hit the studio with Joe Cocchi from Within the Ruins and cranked out a couple killer tunes that I can’t wait to unleash on the world. After that? Well, I worked 50-hour weeks, squeezed out some YouTube videos, and socialized approximately zero times. I’ve currently been sober for 31 days, which is the longest I’ve gone without booze since I first started drinking when I was 15. It’s not an AA type thing – lately I’ve just found myself growing out of that lifestyle.

I’d like to report that laying off the sauce has drastically improved my day-to-day existence and forever altered the course of my life, but I’m pretty sure it’s just made me marginally less cranky and a lot more boring. But I still by no means endorse drinking – after all, have you seen the absolute rape of a markup that bars get away with on Jack and Cokes and other well drinks? Sheesh. Save your money, kids.

There was also the Kendrick Lamar album, which, now that I think of it, formed the nucleus of April 2017 in many ways. My GOD are we witnessing history with that guy. He fucking delivered again.

Anyway, here are my monthly biased-as-all-hell musings on some new music. I gotta say, 2017’s got some serious momentum now –  I couldn’t be more excited heading into May’s stacked release schedule!

Memories…Do Not Open – The Chainsmokers

This is…just, lowest common denominator everything. Lyrically, it has the depth of a sixth grader’s diary – “opener “The One” is SERIOUSLY about not being able to go to a friend’s party, and “Bloodstream” begins with the declaration, “I’ve been drunk three times this week” (not to mention this gem on “Last Day Alive”: “the night is young and we are young”) – and musically, it has the depth of, well, a sixth grader’s diary. The beat to “Break Up Every Night” sounds like a commercial for a Chuck E Cheese, while the drop in “Wake Up Alone” is mind-bogglingly juvenile. In all honesty, I feel like the frat party music/EDM crossover is a wonderful niche (one The Chainsmokers have successfully exploited with songs like “Roses”) but this is, like, teeny bop shit! It’s horribly dumbed down even by Pop standards! NOT RECOMMENDED

All Amerikkkan Bada$$ – Joey Bada$$

While some people may point to the likes of Kendrick Lamar and J. Cole as “ old school Hip-Hop revivalists”, I couldn’t disagree more. When I think of that term in its purest sense, I think of Joey Bada$$ the Brooklyn MC who may have born in 1995, but spits like that’s the current calendar year. Given my affinity for ‘90s Hip-Hop, his debut B4.Da.$$ was one of my favorite Hip-Hop albums of 2015, and its follow-up is even better (and way hookier). Gritty standout “Rockabye Baby” is the epitome of the aforementioned revivalism; anybody from The Lox to Mobb Deep to Nas to Big Pun would sound great on that instrumental (ScHoolboy Q ultimately steals the show with its guest spot). The melodic, almost serene ”For My People”, meanwhile, might be my favorite Hip-Hop track of 2017 thus far. My only gripe with this album is that Joey tackles familiar race issues without having any sort of unique perspective – it’s all the same “cops are out to kill me”, “racism is bad” “government is evil” kind of shit. It’s important shit to talk about, but it needs a new spin. Other than that, the dude is proving to be the real deal. RECOMMENDED

The Search for Everything – John Mayer

After forays into Country and Folk music with his last two LPs, John Mayer’s glorious return to the Pop world is an enjoyable but somewhat fluffy affair. While I dug the hell out of the mushy, relatable romance of “Love on the Weekend”, the wonderful break-up fodder of tracks like “Never on the Day You Leave” and “Moving on and Getting Over”, as well as the crunchy rocker “Helpless”, there were also a few empty, excessively dumbed down cuts like “In the Blood” and “Changing” that made this album underwhelming for me. Knowing Mayer’s talent, I’d prefer to be challenged as a listener. But he still hits his mark more often than not. Here is a full review. RECOMMENDED

 DAMN. – Kendrick Lamar

If you want some extended thoughts on this album, it’s best to go here, but I gotta say this: we are witnessing Hip-Hop history here. What many other artist in the history of the genre has come right out of the gate with FOUR INCREDIBLE RECORDS?? Outkast? Maybe. Eric B. and Rakim? Perhaps. But it’s a fucking select few. So when this dropped, I just soaked up the moment. This guy will go down as one of the greats. HIGHLY RECOMMENDED

Season High – Little Dragon

This Swedish Electronic group’s 5th studio album was my first outing with them. And to be blunt, I didn’t care for the slow-moving, campy, anti-climatic music that I came across. Maybe I just lack the necessary nuance in my taste for dance music, but these songs didn’t have the rousing energy that I look for in the genre. It was more like a goofy video game soundtrack with grating vocals. NOT RECOMMENDED

The Assassination of Julius Caesar – Ulver

Listening back to their classic debut album Bergtatt, I can’t think of a Metal band that has undergone as dramatic a transformation as Ulver over the years. In 2017, over 23 years after that seminal Black Metal release, they’re not even classifiably “Metal” anymore. The Assassination of Julius Caesar dips its toes into dance, a bit of new wave, and a whole lot of moody, nocturnal soundscapes. The spacey, mesmerizing “Southern Gothic” is a favorite of mine, as is the opening track “Nemoralia”, with its smooth electro strut and gorgeous vocals from Kristoffer Rygg. Whatever the fuck the genre is, these guys continue to wow me. HIGHLY RECOMMENDED

The Seven – Talib Kweli & Styles P

These two Hip-Hop veterans came together for seven fun yet thought-provoking tracks that delicately balance a carefree cypher spirit with uncompromising sociopolitical commentary, particularly as it retains to race issues. Here is a full review. You should watch it, given that Talib himself loved it. HIGHLY RECOMMENDED

Coming Home – Falling in Reverse

It makes me chuckle that I spent way more time unpacking this record than I thought I would. ‘Cause to be honest, I went into it with a sorta snobby, scornful dismissiveness, but when early cuts like “I Hate Everyone” and the title track were genuinely catchy, I was shocked. Was this album going to be the ultimate sleeper?? I started to get excited. The answer, though, was a resounding NO as I was introduced to songs like “Superhero” and “Hanging On”, and simultaneously realized that all of these childish lyrics were being sung by a 33-year-old man (in case you didn’t know, Falling in Reverse is fronted by ex-Escape the Fate frontman Ronnie Radke). Plus, I don’t see how the supposed “space theme” ties in except for a few corny Starset-lite studio effects. NOT RECOMMENDED

Madness – All That Remains

In what could be the final nail in the coffin for many of their older fans, All That Remains completed their descent into radio rock mediocrity with this LP. Featuring three of the sappiest, shittiest ballads I have ever heard (“If I’m Honest”, “Far From Home”, and “Back To You”) as well as neutered, passionless production from Howard Benson (who likewise ruined In Flames’ last record), Madness is everything fans have been afraid of as the band has teetered on the edge of Pop-Metal. Personally, since All That Remains has never been a “brutal” band anyway, I’d encourage them to keep going in this direction. If they just drop the ballads and write some better songs next time, maybe this could work out. Here is a full review. NOT RECOMMENDED

 Makes Me Sick – New Found Glory

These pop-punk pioneers came roaring back with an album that reaffirms their position as one of the very best at the genre they helped usher in. These tunes are just brimming with sugar sweet hooks and carefree, spunky energy. Listening to the sheepish innocence on display during “Short and Sweet” – where frontman Jordan Pundik gushes to his crush, “I don’t deserve someone as beautiful as you” – these guys haven’t aged a bit. The youthful spirit of this record is not forced at all. Special shout out to standout cut “Sound of Two Voices”, which is like….I don’t even know….Tropical-Pop-Dance-Punk? I love it! HIGHLY RECOMMENDED

A FEW MORE:

LIKE:

Back to the Basics – Rich Homie Quan

Lovely Little Lonely – The Maine

Long Live Nut – YFN Lucci

How Will You Know If You Never Try – COIN

Pure Comedy – Father John Misty

DON’T LIKE:

Extinction – Harlott

Humanz – Gorillaz

Youth – Tinie Tempah

Embodiment – Enterprise Earth

SHINE – Wale

March 2017 Album Round Up!

So, halfway through the month of April, you’re getting my recap of all the music that came out in March. Sick, right?

Though I never try to be particularly timely, this is particularly untimely, and for that I am deeply sorry. Well, I’m not sorry, ‘cause I don’t really care about your feelings, but it does feel like I’m turning in a big paper past its due date or something.

The reason this month’s Round Up is a bit late is because my band spent a week in the studio laying down our debut singles with Joe Cocchi from Within the Ruins. We had such a fucking blast, and I’m beyond psyched to share them with the world in the coming months! I’m so proud of the work we did, and I’m so grateful to Joe being every a band can ask for in a producer. But at the same time, it’s nice to get back to being a “listener”, ya know? As I write this, Kendrick Lamar AND John Mayer have just dropped new albums, and Gorillaz, All That Remains, and more are on their way, so it’s safe to say there will be no shortage of content for my April Round Up! But hey, March wasn’t too shabby either. Here are my thoughts on some of last month’s releases:

Divide – Ed Sheeran

This is gonna sound fucking weird, but bare with me. The only thing Divide has going for it is (ahem) cuteness. No, not Mr. Hipster Ron Weasley himself (though I’m a straight male so how would I know?), but the songs themselves. The only moments I enjoyed on this otherwise pretty bland LP were the charming, cheeky ones, like on “New Man” when Sheeran neurotically jokes about Instagram creeping (“trying not to double tap/I know that’s where the trouble’s at”), or on “Eraser”, where he, I guess, “raps”. There’s also “Galway Girl”, which uses actual Irish instrumentation to a below-deck-Titanic-scene effect. These are the only times I felt truly engaged. Otherwise I’m kind of indifferent. NOT RECOMMENDED

Number 1 Angel – Charli XCX

 Though she has been featured on two of the most annoying chart-toppers in the history of music (Icona Pop’s “I Love It” and Iggy Azalea’s “Fancy”), Charli XCX makes fucking outstanding Pop music as a solo artist. Her latest mixtape is my favorite Pop project of 2017 thus far. It DOES occasionally cater to some industry trends – the opening one-two punch is a trap-heavy banger (“Dreamer”) followed by a dancehall-informed number (“3 AM”) – but Charli maintains a spunky swagger that is all her own. The EDM-dominated “Roll With Me” is likely to be a party favorite, while the ballad “Emotional” is lucky to get stuck in your head for days at a time. HIGHLY RECOMMENDED

Godless Prophets & the Migrant Flora – Darkest Hour

The unsung heroes of the New Wave of American Heavy Metal returned this month with their crowdfunded ninth album, an unquestionable return-to-form following 2014’s polarizing self-titled release, which was a little too “Warped Tour” for the Metalcore quintet’s diehard fans. Prophets sizzles with quintessential Darkest Hour fury, though its strongest cuts (“None of This is the Truth”, “Enter Oblivion”) are the dynamic ones that are able to balance the aggression with quieter passages. Though I didn’t love every track, my longstanding Metal heroes delivered. Here is a full review. RECOMMENDED

Obsidian Arc – Pillorian

Likely to be one of my top Metal albums of the entire year, ex-Agalloch frontman John Haughm’s first release since his legendary band’s breakup is nothing short of extraordinary. Imagine if Agalloch made a record that fused some of their moody, acoustic passages with a straight up, quintessential Black Metal sound. It’s as fucking amazing as you pictured it. Obsidian Arc manages to bring some of Agalloch’s signature strengths to the table while effortlessly capturing every single mood that’s ever been associated with Black Metal: rage, despair, terror, agony, depression, and everything in between – they’re all on this record. I could go on forever about this fucking thing on here, so here is a full review instead. HIGHLY RECOMMENDED

More Life – Drake

Aside from the entrancing nightclub melancholy of “Passionfruit”, which was one of my favorite songs of the year so far, and the rousing Kanye collab “Glow”, I don’t have much to say about Drake’s Views follow-up that isn’t “meh”. The guy just hasn’t wowed me in a long time. His musical continues to veer into wallpaper territory, and his petty personality continues to rub me wrong. But just like all of his past projects, the shining moments on More Life give me reason to continue to root for the guy in the hopes that he wows me again. NOT RECOMMENDED

Heartworms – The Shins

On the band’s sixth LP, The Shins continue to be a definitive band for the Alternative genre. But they manage to do it while weaving together a track list that’s anything but one-dimensional. Two of my favorite songs on here are the synth-peppered “Cherry Hearts” and the Alt-heavy, acoustic-driven title track, both of which couldn’t be more different from one another. James Mercer’s ability to stir ingredients from several different corners of Alternative music into one delicious recipe continues to impress me. This is one of his best works. HIGHLY RECOMMENDED

Rather You Than Me – Rick Ross

I have never been a fan of Rick Ross. Though he’s had a banger or two on almost every record, I’ve never been able to enjoy his fabricated lyrical narratives and by-the-numbers mainstream Rap sound. So it came as a complete and utter shock when Rather You Than Me was fucking awesome! I still can’t believe how much I’m enjoying this. The production is outstanding, whether it’s the lavish, luxurious sound of tracks like “Santorini Greece” and the saxophone-driven “Game Ain’t Based on Sympathy”, or it’s trap bangers like “Dead Presidents and “Summer Seventeen”, or it’s the more stripped-down, simplistic sounds of the Birdman diss “Idols Become Rivals” or the Nas collab “Powers that Be”. As for the features? They’re out of this world. The aforementioned “Dead Presidents” has possibly the best Future verse I’ve heard since 2011. And Nas, Scrilla, Yo Gotti, Jeezy, Young Thug, and many more ALL add a ton of character to this tracklist. And on some of these songs, Ross even sounds a bit more – hold your breath – HONEST. Like he’s not making everything up this time around. But even if he is, he’s made an excellent record. Here is a full review. HIGHLY RECOMMENDED

 Conformicide – Havok

The fourth LP from these Colorado thrashers is nothing short of astonishing. Though the band’s musical foundation is built on the Megadeths and Death Angels of the world, Conformicide spends as much time pushing boundaries as it does worshipping its heroes. It takes Thrash in some proggy territory, some political territory, and punishes listeners with more twisted, mean riffs than they even know what to do with. Not to mention bass wizard Nick Schendzielos, who provides some of the best and most inventive bass playing I’ve ever heard on a Thrash record on highlights like “F.P.C”. See, ann album like Conformicide is precisely why I’ve given (unpopular) mixed reviews of recent efforts from the likes of Metallica, Testament and Overkill – look at how a band like Havok is pushing Thrash as a whole! Younger Thrash bands like Havok and Vektor continue to set the bar for the genre. HIGHLY RECOMMENDED

Eternity, In Your Arms – Creeper 

Unfortunately, ya boy doesn’t buy into the hype. Creeper’s highly anticipated debut was supposed to turn Pop Punk on its head, but all it did for me was give me a few super catchy emo-tinged jams (namely “Black Rain” and “Hiding With Boys”) and spent the rest of its runtime underwhelming me. But there are definitely times, like on standout track “Poison Pens” where these guys feel like they COULD be worthy successors to AFI. Or, you know, maybe I should stop trying to like music like this. I don’t know. NOT RECOMMENDED

Bloodlust – Body Count

Not only was this fucking thing my Record of the Month, but it was the most pleasant surprise of 2017 so far. Ice-T and Co made a crushing M-E-T-A-L record that I had no idea they were capable of! While still proudly Hip-Hop influenced, Bloodlust is legitimately crushing, especially on the Randy Blythe-assisted “Walk With Me…”, the vengeful “This Is Why We Ride”, the irresistible title track, and the politically-charged “No Lives Matter”. I just can’t believe how good this is…Here is a full review. HIGHLY RECOMMENDED

A FEW MORE:

 

LIKE:

Woe to the Vanquished – Warbringer

Captain California – Murs

Hot Thoughts – Spoon

At What Cost – Goldlink

Obituary – Obituary (full review here)

Emperor of Sand – Mastodon

DON’T LIKE:

Look at Yourself – Emmure

Black and White Rainbows – Bush

The Wild – Raekwon

For the Fallen – Memoriam (full review here)

The Great Collapse – Fit For An Autopsy

Tremaine The Album – Trey Songz

 

 

Mastodon’s “Emperor of Sand”: Three Singles Deep

Before we put the first quarter of 2017 in the books, this coming Friday is shaping up to be a hell of a send-off. We’ll be wrapping up the quarter with one of 2017’s biggest blockbuster Metal releases; Mastodon, the critical darlings of the New Wave of American Heavy Metal, the one Metal band other than Deafheaven that hipster Pitchfork readers are allowed to like, is dropping LP number seven.

Emperor of Sand will be the follow-up to 2014’s Once More ‘Round the Sun, a record that found the adventurous band thriving as much within concise songs, simpler structures, and subtle conceptuality as they had thrived with the winding, complex Prog Metal of 2009’s Crack the Skye, the latter which a big chunk of Mastodon’s fans consider to be an apex in the band’s illustrious 17-year career.

We’ve gotten three glimpses into Once More ‘Round the Sun’s successor, in the form of the pre-album singles “Sultan’s Curse”, “Show Yourself”, and “Andromeda”. So far, Emperor of Sand sounds like the logical next step in Mastodon’s discography – these tunes are even more melodic and to-the-point than the ones on their last LP, but they’re still dense; they’re still very musically involved. Of course, these scatterbrained Georgians have never been short on surprises, so I’m not saying jack shit until I get some quality time with the full record. According to drummer Brann Dailor though, Emperor of Sand does have a cohesive theme tying it together, so it’ll be interesting to see how that plays out.

One more thing: I love how the band only released three pre-album singles. In the age of rapid-fire Internet consumption, the mystique of a new record is precious, and unfortunately, i find it constantly eludes us. To put it in perspective: at this time last year, when I reviewed Killswitch Engage’s Incarnate, half the track list was out before I bought the CD on release day. It didn’t hugely impact my enjoyment of the album, but I like being left to speculate; I won’t REALLY know what Emperor of Sand sounds like until Friday. And I wouldn’t have it any other way.

Sultan’s Curse

The album opener and first official leak, “Sultan’s Curse” boasts an irresistibly groovy main riff and raspy but melodic vocal interplay between Troy Sanders, Brent Hinds, and Brann Dailor, whose chemistry is like a seasoned track squad running a relay race. Dailor’s restless skinsmanship is a crucial factor in this song being as engaging as it is – notice how he anchors the main riff during its first and third tail, but flails during its second and fourth, always keeping listeners on their toes. In general, it’s truly amazing how much is PACKED into these four minutes. This song has so much to it, yet the parts flow seamlessly. The apex for me is the bridge at 1:57, with its slightly psychedelic, Sabbath-esque guitars.

Show Yourself

In a way, this song is the “poppiest” Mastodon have ever sounded. But my God is it fucking catchy. During the verses, Brann Dailor’s vocal harmonies are airtight, and the guitars are almost danceable. It makes perfect sense that this one got the video treatment. I will reiterate for the thousandth time: Mastodon’s three-singer thing cannot be overstated – it keeps every second of this track feeling dynamic and fresh. And although I love seeing Mastodon get proggy and weird, the compact structure here is key in this song’s success – get in, get out, no bells and whistles. Prog-heads can cry a bucket of tears.

Andromeda

This track’s incredibly ugly main riff and its loudly mixed accompanying bassline kind of reminds me of Gorguts. It’s certainly a nice contrast to the sugar sweetness of “Show Yourself”. Things also get a bit eerie in the chorus with some harmonic minor guitar leads and Dailor and Sanders’ ghostly vocals. I also enjoy hearing that psychedelic guitar tone from “Sultan’s Curse” make another appearance, and I thought the guitar solo, with its quirky phrasing, was an excellent addition. Another great track with another different flavor. I am so fucking psyched for Friday!

 

February 2017 Album Round Up!

Wow, we’ve arrived at the First Anniversary of this segment! When I decided to write a post last March recapping all the records I was bumping in February 2016, I had no idea this was going to be a thing. But a year later, it’s become something I look forward to every month. It forces me to point my ears in all directions, and really think CRITICALLY about what I’m hearing, even if I’m not in “full review” mode.

I can only imagine that in another year, when we have our two-year anniversary (whooaaa things are getting serious. I hope all the sex hasn’t dried up by then), I’ll still be cranking these out the same way I am today.

And given that we’ve hit this big milestone, it’s only fitting that I add something new! As you might’ve guessed, I listen to a lot more than 8 – 12 albums every month. But just because I’m too lazy to write about all of them in descriptive detail doesn’t mean I shouldn’t let my feelings be known! So I’ve added a section to these Round Ups where I give a basic “like” or “don’t like” verdict on another batch of the month’s releases….with zero explanation. I guess it’ll be up to you to listen to ‘em and figure out my reasons for your own damn self!

But if you’ve checked out any of these Round Ups so far, thank you so much for your support! Hopefully I’ve turned you on to (or helped you avoid) at least one new album you otherwise might’ve missed. That’s all I’m trying to do here. It’s not rocket science. So if that happened for any of my readers, I couldn’t be happier; this thing is a success.

DROGAS Light – Lupe Fiasco

After 2015’s stunning conceptual project Tetsuo & Youth, Chi town’s most pretentious wordsmith takes an infuriating nosedive into half-witted commercial Hip-Hop. This album was a colossal disappointment for me. I don’t understand why Lupe still feels the need to make Pop-Rap ditties like “Pick Up the Phone” after he was trashed for making an album full of them (2011’s Lasers). In all fairness, DROGAS Light isn’t Lasers Part 2 – tracks like “NGL” and “Made in the USA” have more of a Trap vibe than anything else – but whatever it is, it’s equally uninteresting. In fact, it’s my least favorite Lupe project to date. Here is a full review. NOT RECOMMENDED

Suicide Silence – Suicide Silence

Modern Deathcore frontrunners Suicide Silence decided to shake things up for album number five, bringing in famed Nu Metal producer Ross Robinson and drastically altering their sound. Hey, I’m all for adventurousness – in fact, that’s the only reason I checked this album out. The only problem? It’s one of the worst pieces of shit I have ever heard. Eddie Hermida’s clean “singing” is about as easy to listen to as a Sandy Hook conspiracy theory. What makes things worse is Hermida’s patronizing, dismissive responses to any criticism of this album, claiming that anyone who doesn’t like it “just doesn’t get it” or is “full of hatred” or whatever. He’s like the fucking Donald Trump of shitty Nu Metal. Here is a full review. NOT RECOMMENDED

Flying Micronatal Banana – King Gizzard & the Lizard Wizard

These guys are quickly becoming favorites of mine! This record in particular is an inventive blend of Psychedelic Rock, and Alternative with free-flowing, exploratory musicianship that keeps things interesting all the way through the track list. The eerie hookiness of a cuts like “Sleep Drifter” and “Melting” has made this the most addicting listen of any LP this month. HIGHLY RECOMMENDED

Prisoner – Ryan Adams

One of the most prolific songwriters in all of music came through with a set of painfully relatable tunes that center primarily on heartbreak and loss. Whether or not he intended it to be, it’s the ultimate breakup album. On the musical side of things, the balance between crunchy Heartland Rock, Folk-Rock balladry, and dashes of country is gracefully executed . And I have to particularly praise the impossibly gorgeous clean guitar tones that Ryan achieves throughout this entire thing – they make it worth the listen all on their own. Here is a full review. RECOMMENDED

I Decided. – Big Sean

Upside: with I Decided, Big Sean gave us his strongest project to date, featuring well-thought out concepts, an uncharacteristic amount of introspection, and some familiar clever word-play. Downside: the guy is still churning out horribly generic, Drake-biting songs like “Bounce Back” and “Moves”. Upside: with the sweet chick-swooping ballad “Jump Out the Window” and the stunning “Bigger Than Me”, Sean gave us not only HIS best two songs to date, but two of the best songs of the year. Downside: at one point, he rhymes “Channing Tatum” with “J. J. Abrams” and “Jason Statham”. Ugh. Very frustrating. But like I said, this is his best work to date, and I look forward to what the Detroit spitter does next. Here is a full review. NOT RECOMMENDED

Torment – Six Feet Under

 While there’s nothing outwardly WRONG with the 12th outing from these Death Metal veterans, it’s so painfully meat-and-potatoes that I’m gonna have to pass over it. Which, that more has to do with MY tastes than anything else – it’s more a “me” thing than a “them” thing. But the dumbed-down riffs on a song like “Knife Through the Skull” are mind-numbing for me (who knew ex-Cannibal Corpse frontman Chris Barnes would sing a song called “Knife Through the Skull”? What a plot twist!). I do really enjoy the track “Bloody Underwear” – it brings a bit of a Hardcore mosh sensibility, and it’s a lot of fun! (though the supposedly violent title could just be referring to his special lady’s time of the month…..just saying). Bottom line: if you like your Death Metal stripped to the bone and ultra groovy, you might dig this, but – with as little pretentiousness as possible – it’s just a bit simple for me. NOT RECOMMENDED

Chief – Jidenna

The man behind “Classic Man” proves that he’s anything but a one-hit wonder. On Chief, he’s versatile as hell, one minute pulling together a song like “Trampoline” – the ultimate soundtrack for a private dance at a strip club – and the next minute, commanding your attention with clever, posturing bars on “Long Live the Chief”. And smooth melodies abound, whether it’s the aforementioned “Trampoline”, or it’s the slick balladry of “Bambi”, or the exotic “Adaora”. The melting pot production is worthy of mention too – The Let Out” is like a DS2 Future/DJ Mustard mash-up, “Safari is a R&B/Hip-Hop mixture that The Weeknd would crush, “2 Points” features some punchy horns, “Long Live the Chief” is electro minimalism that oddly works. If only he had left the obligatory post-“One Dance” dancehall song off (“Little Bit More”). But I’ll forgive it, ‘cause this is one promising debut. HIGHLY RECOMMENDED

The Grinding Wheel – Overkill

 The legendary East Coast thrashers followed up 2014’s exceptional White Devil Armory with a record that’s significantly less exceptional, but still passable. This time around, the riffs just felt a bit less punchy and exciting, and the tracks dragged on and on for unnecessary lengths (similar to my gripes with the new Metallica album), which left me feeling underwhelmed. There’s still some bonafide rippers though, like the opener “Mean, Green, Killing Machine”, or “Our Finest Hour”, which has a couple devastating riffs and some shrieking vocals from frontman Bobby “Blitz” Ellsworth. Here is a full review. RECOMMENDED

Gelato – Young Dolph

The only noteworthy moment on this project is the Yo Gotti diss track (“Play Wit Yo Bitch”), which I have to at least commend for the DIRECT, very UN-subliminal nature of the insults, as basic and schoolyard as they are. And one more track I might come back to is “On the River”, because A) “fucked her on the river” is such a hilarious refrain, and B) the beat is HARD. Other than that, Gelato is one of my least favorite Hip-Hop projects I’ve heard this year. It’s got every stereotype that non-Rap fans gleefully shit on – posturing, smoking weed, banging bitches, and of course posturing about smoking weed and banging bitches. Wasn’t anything for me here, especially when Dolph’s rival Yo Gotti brought such FIRE with CM9 recently. NOT RECOMMENDED

Origins – Mutiny Within

The Little Metal Band That Could is still chugging along six years since being dropped from Roadrunner Records due to the disappointing commercial performance of their self-titled debut. I have loved this band since day one – their blend of melodic, keyboard-driven European Metal with the riff-tastic Metalcore of their American counterparts made them the band I wanted to be IN growing up. And Origins, their third LP, turned out to be their best yet! The album effortlessly sways between noodling technicality and accessible – dare I say, slightly Poppy – hooks. It’s probably not for everyone, but it feels tailored EXACTLY to my tastes. HIGHLY RECOMMENDED

 Plato O Plomo – Fat Joe & Remy Ma

So Joey Crack and Remy Ma decided to follow up their vernacular-defining mega-hit “All the Way Up” with a full album,. On Power 105.1’s The Breakfast Club, the two emcees deemed the project a “complete masterpiece” and I strongly disagree. It’s full of a lot of empty boasts, standard gangsta rap bars, and the occasional hilariously clumsy sexism (like the beginning of “Go Crazy”), or lyrically challenged rhyme scheme (Fat Joe rhymes “Narcos” with “Pablo” on “Spaghetti”). There are a couple beats go hard, like the menacing “Swear to God”, or the riled up “Cookin”, but nothing to see here, really. NOT RECOMMENDED

A Few More

Like:

Atonement – Immolation (Death Metal)

The Breaker – Little Big Town (Country)

The Feminine: Act II – Anna Wise

Fin – Syd (R & B)

Drunk – Thundercat (Jazz Fusion)

Dislike:

NAV – NAV (Hip-Hop)

HNDRXX – Future (Hip-Hop, R & B)

 

 

Slayer, Lamb of God, and Behemoth: The Metal Tour of the Summer?

As Metalheads stare down our first summer with President Code Orange in office, our second straight summer without a Mayhem Festival, and our third straight summer without an Uproar Festival (the latter of which…good riddance), we got a big piece of news this past weekend. A piece of news that gives Summer ’17 a bit more meaning than just another three warm months where it’s easier to get laid. This past weekend, a must-see tour was announced: Lamb of God, Behemoth, and Slayer will be hitting the road together.

I can hardly contain my fucking excitement. Somewhere in America there’s a concert promoter who deserves a serious promotion (see what I did there?). This is the kind of lineup where the powers at be could get away with Ticket Price Rape. Not only does this lineup consist of three of Metal’s indisputable giants, but it’s also a) three of Metal’s indisputable giants of the LIVE arena, and b) it brings together three distinct fanbases that strike the perfect balance in terms of overlapping enough as to avoid polarizing the audience, but being different enough to draw headbangers from all walks of life.

I suppose in terms of pure album sales, Behemoth’s going to have to perform first, which is a bit depressing in the way that watching Megadeth go second on the Big Four was. Behemoth – whose last album The Satanist has already worked its way up into my favorite Extreme Metal albums of ALL TIME – are the one band I’ve yet to see live, so catching their set will be priority numero uno. As for Slayer, I haven’t caught a show since the 2010 American Carnage tour, where they played Seasons in the Abyss in its entirety, so I’m due for some thrashin’ about in the pit to a more well-rounded set. And Lamb of God….I saw them last spring and they fucking destroyed – provided they’ve tweaked their setlist a bit, I’ll be just as stoked to see them this time around.

Start saving your money NOW. Spend a sober weekend away from the bar, break up with your girlfriend right before her birthday….do whatever it takes to set aside the cash, ‘cause this is NOT a show you will want to miss. And if you’re somehow inexcusably behind the eightball on any these three bands, familiarize yourself with their catalogues – not only will your concert experience be greatly enhanced, but so will your overall quality of life.

Supposedly, the tour dates will be announced later this week. SEE YOU IN THE PIT!

Why You Should Add Me On Snapchat!

Dear World at Large,

In May 2015, I finally gave in to Snapchat. My buddy insisted it would help me get laid. It did help with that, but that’s not why I love Snapchat.

I love Snapchat because it caters to our generation. We’re visual as fuck, and our attention spans are short as fuck. When it comes to keeping in touch with friends, staying up to date on their comings and goings, and, well, sending and receiving titty pics, it makes more sense than Facebook at this point.

I also love Snachat because there are four or five girls on mine whose snap stories consist of nothing but them partying six days a week, and I watch them CONSTANTLY in order to feel good about myself and the fact that I’m living relatively responsibly and working to (sloooowwwwly) advance my goals. But that’s neither here nor there.

In my early ‘20s, I’m already an old man at heart. I hate change, I don’t have the patience to deal with technology, and I complain a lot about my back hurting. But Snapchat is a relatively current thing that I absolutely get down with, and I’ve found it to be more and more instrumental in my unwavering life goal these past 18 months: to bring happiness to the lives of others by sharing the great music that’s made mine manageable.

I am a shithead, and I do have shithead friends, so every now and then my story DOES consist of your typical debaucherous “going out” nonsense. But 90% of the time, it’s all about music. For the last few months, I’ve made a concentrated effort to post a few snap stories per week of song recommendations, album recommendations, quick little rants about my favorite and least favorite artists, and even what I’ve deemed “mini reviews”, in which I spend three or four consecutive ten-second stories giving brief thoughts about a new record! Despite how off-the-cuff it all may seem, I put considerable effort into making sure each and every snap will be worth SOMEONE’s time, if not many people’s.

My username is ryanpanny. No “music”, just “ryanpanny”. Hit me up on there, and I promise I’ll do my utmost to keep the music content flowing – recommendations, mini album reviews, embarrassingly awkward sing-alongs, and everything in between! Sharing my passion for music with the world every day – and the thought that my music commentary could change someone’s life for the better, if ever so slightly, by bringing some great new music into it – is a neverending joy for me. Going forward, Snapchat will be one of the main avenues with which I will work to accomplish this.

Hope to see ya on there!

Love,

Ryan

October 2016 Album Round Up!

Back in August I forecasted music release bedlam for the month of October, and boy was I right! Among the albums I heard but didn’t write up here: The Dillinger Escape Plan, Meshuggah, Jimmy Eat World, Darkthrone, and OneRepublic.

Among the albums I didn’t even get to hear yet: Candiria, Red Fang, Wormrot, The Game, Serpentine Dominion, NxWorries, and many, many more!

But I’m sure I’ll have some time to catch up next in the next few weeks – thankfully, the music industry’s about to lightly tap the brakes. But for now, I present to you my musings on what October 2016 had to offer!

The Last Hero – Alter Bridge

2013’s Fortress was Alter Bridge’s magnum opus – it found the band fully integrating a metallic edge into their accessible Hard Rock approach, walking a line only a select few have done successfully (white album Avenged Sevenfold, maybe?).Topping it was going to be next to impossible, but The Last Hero is an excellent follow-up. Once again, anthemic melody is co-existing harmoniously assaultive battering – just listen to “My Champion” and “Island of Fools back-to-back. I also gotta shout out the title track, which is a vast stylistic collage that even brings in some Extreme Metal elements. Aside from two misfires (“Twilight”, “You Will Be Remembered”), Alter Bridge hit another home run. Here is a full review. HIGHLY RECOMMENDED

The Stage – Avenged Sevenfold

Out of nowhere, A7X released a bonafide masterpiece that I had no idea they were capable of making. Back in a monstrous way is the wild experimentation that made City of Evil and the White Album so special. The band weaves every mood, every tempo, every groove, and every instrument imaginable into these 70-plus minutes. The dark lyrical concepts running through the LP – dystopia, the dangers of science, the human ego – are as riveting and emotionally potent as anything we’ve heard all year. Not to mention the tear-jerking narration from renowned scientist Neil Degrasse Tyson that closes out the record. An absolutely essential listen. Here is a full review. HIGHLY RECOMMENDED

Hotel EP – Yelawolf

Yelawolf’s surprise EP takes the bluesy Folk Rap of last year’s Love Story LP – a record that was too bloated and self-indulgent for its own good – and marries it with the gritty, speedy, and wildly charismatic bars that made him famous in the first place. It’s the first full project I’ve enjoyed from Yela in several years, and it reignited my interest in what’s next for ol’ Catfish Billy. Here is a full review. HIGHLY RECOMMENDED

Revolution Radio – Green Day

I’m absolutely baffled by how much I’m into this record! I went in with zero expectations, and was pleasantly surprised with a set of high-energy Pop-Punk offerings that made me feel like I’m in middle school again! (That feeling is nearly impossible to come by these days). Other than some poor lyrics (“Youngblood”) and some filler (“Too Dumb to Die”, “Forever Now”), I’m digging Green Day’s latest – the first album of theirs I’ve enjoyed since American Idiot. RECOMMENDED

Two Vines – Empire of the Sun

The Australian Electro duo’s best album yet! Compared with 2013’s Ice on the Dune – an album that has been the soundtrack to so many incredibly fun times for me – Two Vines is less banger-centric and more laid back and unassuming. It’s interesting that this LP came out in late October, because compared to its predecessor, it’s way less Summer-y and more tailored towards chilly late night drives. “ZZZ”, “Way To Go”, and “Before” are my favorite cuts on here. HIGHLY RECOMMENDED

The Serenity of Suffering – Korn

Rolling Stone called this thing “turn-of-the-millenium Korn-by-numbers”, and they’re not wrong. There are zero new ideas on this album. That being said, it’s earning a lot of praise from Metalheads because it’s Korn “returning to form”, per se. And on tracks like “Black is the Soul”, with its dissonant riffage, and lead single “Insane”, with its brooding refrain, that rings true. But its detractors also have a point, especially in the latter half of the LP – you can’t seriously argue that the chorus to “When You’re Not There”, for instance, is anything but a snoozefest. But if you’re looking for an intense, cathartic expulsion of all of your fucked up feelings, or you’re just curious what late-90s Korn would sound like with modern, cleaner production, give this thing a whirl. RECOMMENDED

Joanne – Lady GaGa

 What a colossal fucking disappointment. GaGa dulled her edges, stripped away all the kooky eccentricity, and what’s left is a record with zero personality. Vocally she delivers some great performances, but everything feels so lifeless and uninspired. It’s tough to explain, honestly, ‘cause the songs seem like they should “work”, but when I try and  connect with them, they feel stiff and aloof. I was totally ready to embrace a mature GaGa, but I’m astonished at how much I didn’t like Joanne. Maybe it’ll grow on me, but for now? BLEHHH. NOT RECOMMENDED

The Brotherhood of the Snake – Testament

If you’re on the prowl for 45 minutes of straight Thrash action from one of the Bay Area OGs, Brotherhood of the Snake cannot possibly let you down. But this LP is not nearly as catchy, intricate or dynamic as the band’s 2012 masterpiece Dark Roots of Earth. Not to say it doesn’t perform as advertised – it’s got some ripping thrashers in the vein of their classic records – but it offers nothing beyond that, which left me (ever so slightly) disappointed, especially in comparison with Dark Roots. Here is a full review. RECOMMENDED

Rage & the Machine – Joe Budden 

Even though I dug his last album (2015’s All Love Lost), I was pleasantly surprised to find that Rage & the Machine isn’t another complete mopefest exclusively about breakups, depression, and self-pity (believe me, I love that shit though). On album number six, Joey diversifies things – there’s sample-heavy boom bap, hype trap-influenced shit, and R&B-tinged moments as well, all providing a soundscape for his usual dense rhymes. “Wrong One” is a slapper and a half – ArraabMusik’s beat (he produced basically the whole project) goes SO fucking hard. “Serious” is a menacing duet with Budden’s Slaughterhouse compatriot Joell Ortiz. But there are several misses too – Fabolous’ sing-song flow on “Flex” is terrible enough to drag the entire album down on its own, and “By Law” bores me to tears. As a big Budden fan, I got some great new jams out of this, but I’m still waiting for the hooks, the narrative, the bars, and the beats to all add up into a single classic project. RECOMMENDED

 Three – Phantogram

 Phantogram’s dramatic, occasionally theatrical third LP is their best yet. I especially enjoy how the often bleak lyrics pair equally well with hard-hitting synths, dreamy, shoegaze-y landscapes, and some of the more Hip-Hop based production. But I’m not in love with everything here – namely, the irritating hook on “You Don’t Get Me High Anymore” and the plodding “Barking Dog”. Overall, Three is a concise crash course in the many facets of the Phantogram sound, which you can broadly label as “Alternative”, but which gets pretty sophisticated when you try and whittle the versatile duo down to a single subgenre. RECOMMENDED

DC4 – Meek Mill

Zzzz……I usually listen to these albums at least three to five times, but I made it through three songs on this one. Same ol’ same ol’. NOT RECOMMENDED

The Whole of the Law – Anaal Nathrakh

Listening to Anaal Nathrakh’s eclectic, everything-but-the-kitchen-sink approach to Extreme Metal is like playing subgenre I Spy. In a matter of seconds, these motherfuckers will cycle through Grindcore, Black Metal, Death Metal, Power Metal, and God knows what else, making for a uniquely exhilarating listening experience. There has yet to be a major misstep in the band’s catalogue, but “The Whole of the Law” might just be their best in a decade. Sure, you can criticize this record for being a bit wonky and over-the-top, but that’s EXACTLY why I love it. HIGHLY RECOMMENDED

Breathe in the Water – Kyng

Kyng’s throwback blend of Hard Rock and Metal continues to work on album number three. You can find Breathe in the Water at a delightful intersection between Black Sabbath, Thin Lizzy, and Baronness.“Pristine Warning”, “Bipolar Schemes”, and the title track all pack quite the punch in the riff category. I just wish this band would get the fucking attention they deserve! RECOMMENDED

 

 

 

 

September 2016 Album Round Up!

Since I was three years old – to put that in context, since BEFORE the world witnessed Kate Winslet and Leo DiCaprio bang on the Titanic and her subsequent refusal to share a rather spacious floating door, choosing instead to let him die – this was the first non-Summer month that I have not spent in a classroom. That’s almost 20 years of steady structure tossed out the fucking window. It’s almost surreal, but in the immortal words of Blink-182, “I guess this is growing up.” And growing up meant that in September 2016 I was busier than I have ever been, working and interning for absurd hours, scrambling to find time for quality, in-depth listens of all of these new records, and trying to somehow squeeze out a social life and some gym hours. The whole listening-to-new-music thing worked out reasonably well, although the true release mayhem came RIGHT on September 30th, so I’m still catching my breath. But I’ve got a bunch of great stuff to recommend! Enjoy my ramblings, and hope you’re all looking forward to October as much as I am – it’s gonna be fucking STACKED!

Bad Vibrations – A Day To Remember

This Metalcore/Pop-Punk band’s last effort – 2013’s Common Courtesy – is one of my favorite albums ever. So I didn’t expect Bad Vibrations to meet that high water mark. In the end, I’m walking away feeling positive yet slightly underwhelmed. The first half of this LP is packed with some of ADTR’s best material to date, like “Bullfight”, “Naviety” (showcasing their poppier side), and the title track (showcasing their more aggressive side), but there are a few duds and filler tracks in the latter half (“Turn Off the Radio”, “Forgive and Forget”, “We Got This”) weighing it down. Here is a full review. RECOMMENDED

Birds in the Trap Sing McKnight – Travis Scott

I was a bit late to the Travis Scott party, so the peculiarly titled Birds in the Trap Sing McKnight is the first time I’m experiencing his new music alongside the rest of the world. Scott’s hugely hyped sophomore full-length is not perfect, but it’s PACKED with bangers, and it’s been my go-to party album for the entire month. Particular highlights include “Coordinate”, “Goosebumps”, “Pick Up the Phone”, and “Through the Late Night”, the latter of which is the best thing Kid Cudi has been involved with in over half a decade. Between Birds and Young Thug’s Jeffery project last month, Hip-Hop is incredibly turnt right now. RECOMMENDED

Winter’s Gate – Insomnium 

I haven’t disliked a single album from these Finnish Melodeath masters, but “Winter’s Gate” is special. It’s a conceptual behemoth that meets the highest of Melodic Death Metal standards without ever getting ahead of itself. Along with Be’Lakor’s excellent Vessels LP this past June, Winter’s Gate proves that this style of Metal is as vital as it ever has been. You might see this one again when the time comes for “Best Albums of 2016” discussions. HIGHLY RECOMMENDED

Natural Causes – Skylar Grey

For her second album as Skylar Grey, the “Love the Way You Lie” songstress took a bold leap from the cookie cutter Pop of 2013’s Don’t Look Down into something much more spacey and ethereal. I was psyched about the transition and wanted more than anything to be blown away by the whole record, but in reality, I fell in love with a handful of tracks and could take or leave the rest. Here is a full review. RECOMMENDED

Yellowcard – Yellowcard

Even though they’re one of my all-time favorites, Yellowcard’s swansong left me indifferent. There are some flashes of the Yellowcard that I grew up loving, but the track list suffers from what I call “ballad syndrome” – of 11 songs, 5 or 6 of them venture into ballad territory. That’s not ok for a Pop-Punk album, or any album for that matter. These slow cuts aren’t terrible, but it makes for a strange and uneven listen. Rather than going out with a bang or a whimper, Yellowcard went out with a polite wave goodbye. Here is a full review. NOT RECOMMENDED

The Atrocity Exhibition – Danny Brown

On his fourth project, Danny Brown is once again an utterly singular Hip-Hop artist, from his unmistakable delivery, to his slightly avant-garde production, to his eccentric, drug-riddled storytelling. Don’t be fooled by his abrasive persona though; the guy can rap his ass off. Just check the gritty “Lost” or the star-studded “Really Doe”, the latter of which finds Brown holding his own with heavyweights like Kendrick Lamar, Ab-Soul, and Earl Sweatshirt. On second thought, scratch that “Really Doe” analysis, ‘cause “heavyweight” now describes Danny Brown too – he’s not only at the top of HIS game, he’s one of the most compelling rappers on the planet right now.

Creatures Watching Over the Dead – Charred Walls of the Damned

 Richard Christy, Steve DiGiorgio, Jason Suecof, and Tim “Ripper” Owens fire up their Metal supergroup again for album number three. This is BY FAR my favorite record of theirs. Hearing Ripper’s soaring, melodic vocals over some legitimately heavy riffs is particularly refreshing – I don’t know about you, but I get tired of the same throat-gurgling screams over everything. I love to hear a singer with old school PIPES, and the ex-Judas Priest frontman really brings it here. The melodies don’t stop at Ripper either – the track “Lies” is sent off with an ultra poppy riff and a sugary guitar solo that sounds like a Pop-Punk band got parachuted into a Metal anthem. Elsewhere, shit can get crushingly heavy (“The Soulless”), technically dazzling (Jason Suecof’s harmonized lead in “Tear Me Down”), and even thoughtful (“My Eyes”).The songs aren’t ALWAYS there, but the mastery these veterans exhibit over the genre is a true joy to listen to. RECOMMENDED

The Altar – Banks

Banks sophomore LP is a noticeable improvement over Goddess, her super hyped but slightly underwhelming debut. Plodding moments like “To the Hilt” and “Poltergeist” hurt the track list in its latter stages, but I’ll be damned if there’s aren’t some bonafide Alt-Pop smashes on here. “Gemini Feed” has proven to be a wise choice for a single, and “Trainwreck” continues in a similar vein. “This Is Not About Us” veers more toward the Electro-Pop route, while “Fuck With Myself” contains explicit Hip-Hop nods – the latter a display of swaggering attitude previously absent in Banks’ music. She’s definitely headed in the right direction; in the future, I’d love to see her further explore the edgier side that she began to tap into with The Altar. RECOMMENDED

The Divine Feminine – Mac Miller

Mac Miller’s best album to date is vulnerable, sensual, and loosely conceptual, dealing almost exclusively with love, sex, relationships, and women. Never an MC who could quite carry a full-length on his own, Mac leans on his talented guests with the perfect amount of weight, whether it’s Anderson .Paak on the fun and upbeat “Dang!”, Ty Dolla $ign on the DJ Dahi-produced “Cinderella” (the LP’s best song by far), Kendrick Lamar on the closer “God Is Fair Sexy Nasty”, or his boo thang Ariana Grande on “My Favorite Part”. I am beyond impressed with Mac’s wholehearted commitment to exploring, developing and delivering something totally different from the rest of his catalogue. Love it or hate it, you’re unlikely to hear another Hip-Hop record quite like this one in 2016. RECOMMENDED

Sorceress – Opeth

It’s a crying shame that I haven’t had the time to give this album the full review treatment, but October’s going to be the busiest fucking month of the year and I don’t want to fall behind. It’s only been out for a week, but here are my two cents: if I want Still Life or Blackwater Park Opeth, I can continue to wear out those fucking records to death. I ENCOURAGE stylistic change, as long as the music is up to par. And Sorceress is easily the best of Opeth’s 2010s output – that dramatic, fan-dividing shift in Mikael’s vocal delivery finally feels at home amongst these proggy yet catchy tunes. At the time of the initial transition on 2011’s Heritage, it felt like career suicide, but Sorceress justifies the creative decisions Opeth have made these past few years. HIGHLY RECOMMENDED

Schmilco – Wilco

Wilco’s tenth album is delivered with the same modest indie spirit that I’ve associated with them since I first heard AM as a 14-year-old. Schmilco is laid back, chill as fuck, and most importantly, it’s folky without those big cheesy pop hooks vacuuming the life out of it (looking at you, Mumford & Sons, how’s it going?). It didn’t knock my world off its axis or anything, but it’s exactly what I anticipated. Can’t be mad at that. RECOMMENDED

 

August 2016 Album Round Up!

Hey guys! Hope your summers went out with a bang and the whole death-of-fun-and-sunshine-and-continuation-of-your-shit-life thing isn’t getting ya too down! As expected, August was relatively slow on the new music front. But in terms of new music, shit’s about to get crazy so I didn’t mind a quiet month. I got to chip away at my never-ending quest to “catch up” on classics, I got to drink excessively, and I got to put together a bit of a game plan for taking on the musical insanity that’s headed our way. Still, in any given month, there’s never a COMPLETE shortage of high profile albums. In fact, I think Frank Ocean and Young Thug purposely waited for a commercial lull to drop their hugely successful new projects. Not that either of them needed it, but it’s that much less space they have to share with their peers.

I’m so fucking psyched for the Fall. SO MUCH shit is dropping. Kinda like hanging out by the Seagulls at the beach. (Don’t worry, I didn’t actually just make that joke, it’s all in your head.) But for now, here are my thoughts on nine of this past month’s releases:

Emotion: Side B – Carly Rae Jepsen

That we didn’t get this earlier in the Summer is a travesty, but Carly Rae’s b-side collection from last year’s phenomenal Emotion LP is a rarity in that it’s as great as the main event was. Seriously, Emotion was in my Top 5 albums of 2015, and I’m enjoying these 8 tracks JUST AS MUCH. Carly’s songs are just as infectious when she’s bubbly and optimistic (“First Time” and Higher”) as when she’s down on her luck (“Cry” and “Roses”). As with Kendrick Lamar’s untitled unmastered release earlier this year, Emotion: Side B proves that following a critical triumph with its leftovers actually HELPS rather than hinders its legacy. HIGHLY RECOMMENDED

Slow Death – Carnifex

I expected to hate the shit out of this. Deathcore is potentially my least favorite style of Metal – more often than not, it’s brute force over nuance, nihilistic ranting over thoughtfulness, and aggression for aggression’s sake. But I’m so glad I gave this new Carnifex LP a shot. It’s hardly the one-track minded Deathcore of early Whitechapel or Job for a Cowboy – rather, it’s a formidable amalgamation of a few different Metal niches. Standout “Drown Me In Blood”, for instance, is more of a brutal Death Metal/Deathcore hybrid, with some seriously catchy riffing in the chorus, and “Black Candles Burning” brings a touch of blackened Metal to the table. Not to mention the keys throughout the album on cuts like “Pale Ghost” add a slight theatrical element. Sure, there’s an abundance of low brow lyrics (check the refrain in “Six Feet Closer to Hell”…eeek), and Slow Death isn’t a Metal Album of the Year or anything, but it’s a friendly reminder that genre elitism is the worst offense a music fan can commit. RECOMMENDED

Fishing Blues – Atmosphere

 These prolific indie Hip-Hop giants followed up 2014’s Southsiders with a set of tracks that showcase Ant’s midas touch for slick, tuneful beats far more prominently than Slug’s rhyming skills. The instrumentals on Fishing Blues are spot on, while the lyrics are spot-TY in places. Slug drops some questionable bars, like “I wanna put my DNA in your American Pie”, or the entire track “Next To You”, which is about jerking off next to his sleeping girlfriend, and is as painfully cringeworthy as it sounds. But as expected from an MC of Slug’s caliber, he also has moments of greatness, like the self-aware “Everything” or the elegant scene-setting in the title track. All things considered – barring a few skip-worthy cuts – it still adds up to yet another solid Atmosphere project. Here is a full review. RECOMMENDED

No, My Name is JEFFERY – Young Thug

The Atlanta MC’s latest mixtape has earned him unprecedented acclaim, and for good reason. Tracks like the funky “Wyclef Jean”, the uber-melodic “Swizz Beatz”, and the impossibly smooth “Guwop” are some of the best Hip-Hop songs of 2016. Jeffery’s track list is not bulletproof (exhibits A and B: the obnoxious voice cracks on “RiRi” and the plodding “menace” of “Harambe”), and there’s still a part of me that’s irritated as fuck with Thugger’s whole schtick – the squeaky delivery and the unimaginative sexual vulguarity in particular – but that part of me is quieter than he’s ever been with Jeffery. It’s just too damn catchy. I’d go as far as to call it the best Young Thug project to date. RECOMMENDED

Echoes of the Tortured – Sinsaenum

I will admit, upon hearing Echoes of the Tortured , the debut from this Extreme Metal supergroup (featuring ex-Slipknot skinsman Joey Jordison, Dragonforce bassist Frederic Leclercq, and vocalists Attila from Mayhem and Sean Zatorsky from Daath), I felt mislead, and to a lesser extent disappointed. On The Jasta Show, Joey and Frederic sold their new project in a manner that had me thinking it would be a Black Metal and Death Metal hybrid, equal parts Darkthrone and Morbid Angel. In reality, they’ve unleashed eleven tracks of Death Metal and ten tracks of campy keyboard interludes. That being said, despite a few lyrical clichés (the Deicide homage “Inverted Cross”), it’s flawlessly executed. Check the middle of “Condemned to Suffer” for some amazingly catchy riffing, and check tracks like “Army of Chaos” and “Final Curse” for stripped-back headbanging grooves that recall the early ‘90s. If you’re at all into Death Metal, this is a great listen. RECOMMENDED

Encore – DJ Snake

Fuck, I did this one to myself. Electronic Dance Music is the latest “genre project” in my obsessive music nerd manhunt – I’ve been falling deeper and deeper in love with its many subgenres and the 40-year history of Electronic music, determined to become qualified to review and write about it in the next six months or so. Unfortunately, this means I’m giving every EDM release a listen out of sheer curiosity, even total nonsense like this. DJ Snake ironically titled his debut album Encore, which I suppose is encouraging for us in his case because an encore usually signals the end. Either way, the flavors on this LP range from plain Vanilla to Sweaty Butthole (to clarify for any sexual deviants, that is a NEGATIVE thing). The Skrillex collaboration “Sahara” features the most obnoxious EDM drop I have ever fucking heard. “Pigalle” is a close runner-up. That’s all I’m willing to share. NOT RECOMMENDED

Blonde – Frank Ocean

Listen to this. It’s fucking beautiful. HIGHLY RECOMMENDED

Home of the Strange – Young the Giant

Young the Giant’s third LP comes with no major surprises – sauntering grooves (“Amerika” and “Something to Believe in”), reverb-soaked choruses (“Titus Was Born”) straightforward lyrical content (“Mr. Know-It-All”), and, periodically, some glossy synths playing back up (“Elsewhere”). I enjoyed the hell out of this band’s self-titled debut back in 2010 – it fit right in with Alt-Rock acts that I was into like Band of Horses, Cage the Elephant, and soon after, Imagine Dragons. For better or worse, Young the Giant are another agreeable indie Rock band. The (minor) issue that pops up with this particular sound is that Young the Giant and their peers tend to be pretty faceless and mild. Home of the Strange is often a fun listen, but it’s like wandering into a delicious pizza place in New York City- another block or two and you can find a similar experience. RECOMMENDED

SremmLife 2 – Rae Sremmurd

When I think of Rae Sremmurd, their music isn’t the first thing that comes to mind. I think of Complex magazine controversially ranking their Sremmlife debut the third best album of 2015, ahead of Drake, Vince Staples, A$AP Rocky, and, well, every other album that came out that year except two (Future’s DS2 and Kendrick’s To Pimp a Butterfly). On their sophomore effort, the two MCs are a banger factory once again– there’s no denying that – but I find myself indifferent because there’s so little to explore beneath its charismatic surface. As a result, the record as a whole has had little replay value for me. But I will say that “Look Alive” is my favorite Rae Sremmurd track yet, and I totally understand why tons of fans are likely head-over-heels for this album. NOT RECOMMENDED