April 2017 Album Round Up!

So, another month came and went. The first week of April (right around the time the Chainsmokers released once of the worst albums of the year) kicked off the month in exciting fashion for me – my band hit the studio with Joe Cocchi from Within the Ruins and cranked out a couple killer tunes that I can’t wait to unleash on the world. After that? Well, I worked 50-hour weeks, squeezed out some YouTube videos, and socialized approximately zero times. I’ve currently been sober for 31 days, which is the longest I’ve gone without booze since I first started drinking when I was 15. It’s not an AA type thing – lately I’ve just found myself growing out of that lifestyle.

I’d like to report that laying off the sauce has drastically improved my day-to-day existence and forever altered the course of my life, but I’m pretty sure it’s just made me marginally less cranky and a lot more boring. But I still by no means endorse drinking – after all, have you seen the absolute rape of a markup that bars get away with on Jack and Cokes and other well drinks? Sheesh. Save your money, kids.

There was also the Kendrick Lamar album, which, now that I think of it, formed the nucleus of April 2017 in many ways. My GOD are we witnessing history with that guy. He fucking delivered again.

Anyway, here are my monthly biased-as-all-hell musings on some new music. I gotta say, 2017’s got some serious momentum now –  I couldn’t be more excited heading into May’s stacked release schedule!

Memories…Do Not Open – The Chainsmokers

This is…just, lowest common denominator everything. Lyrically, it has the depth of a sixth grader’s diary – “opener “The One” is SERIOUSLY about not being able to go to a friend’s party, and “Bloodstream” begins with the declaration, “I’ve been drunk three times this week” (not to mention this gem on “Last Day Alive”: “the night is young and we are young”) – and musically, it has the depth of, well, a sixth grader’s diary. The beat to “Break Up Every Night” sounds like a commercial for a Chuck E Cheese, while the drop in “Wake Up Alone” is mind-bogglingly juvenile. In all honesty, I feel like the frat party music/EDM crossover is a wonderful niche (one The Chainsmokers have successfully exploited with songs like “Roses”) but this is, like, teeny bop shit! It’s horribly dumbed down even by Pop standards! NOT RECOMMENDED

All Amerikkkan Bada$$ – Joey Bada$$

While some people may point to the likes of Kendrick Lamar and J. Cole as “ old school Hip-Hop revivalists”, I couldn’t disagree more. When I think of that term in its purest sense, I think of Joey Bada$$ the Brooklyn MC who may have born in 1995, but spits like that’s the current calendar year. Given my affinity for ‘90s Hip-Hop, his debut B4.Da.$$ was one of my favorite Hip-Hop albums of 2015, and its follow-up is even better (and way hookier). Gritty standout “Rockabye Baby” is the epitome of the aforementioned revivalism; anybody from The Lox to Mobb Deep to Nas to Big Pun would sound great on that instrumental (ScHoolboy Q ultimately steals the show with its guest spot). The melodic, almost serene ”For My People”, meanwhile, might be my favorite Hip-Hop track of 2017 thus far. My only gripe with this album is that Joey tackles familiar race issues without having any sort of unique perspective – it’s all the same “cops are out to kill me”, “racism is bad” “government is evil” kind of shit. It’s important shit to talk about, but it needs a new spin. Other than that, the dude is proving to be the real deal. RECOMMENDED

The Search for Everything – John Mayer

After forays into Country and Folk music with his last two LPs, John Mayer’s glorious return to the Pop world is an enjoyable but somewhat fluffy affair. While I dug the hell out of the mushy, relatable romance of “Love on the Weekend”, the wonderful break-up fodder of tracks like “Never on the Day You Leave” and “Moving on and Getting Over”, as well as the crunchy rocker “Helpless”, there were also a few empty, excessively dumbed down cuts like “In the Blood” and “Changing” that made this album underwhelming for me. Knowing Mayer’s talent, I’d prefer to be challenged as a listener. But he still hits his mark more often than not. Here is a full review. RECOMMENDED

 DAMN. – Kendrick Lamar

If you want some extended thoughts on this album, it’s best to go here, but I gotta say this: we are witnessing Hip-Hop history here. What many other artist in the history of the genre has come right out of the gate with FOUR INCREDIBLE RECORDS?? Outkast? Maybe. Eric B. and Rakim? Perhaps. But it’s a fucking select few. So when this dropped, I just soaked up the moment. This guy will go down as one of the greats. HIGHLY RECOMMENDED

Season High – Little Dragon

This Swedish Electronic group’s 5th studio album was my first outing with them. And to be blunt, I didn’t care for the slow-moving, campy, anti-climatic music that I came across. Maybe I just lack the necessary nuance in my taste for dance music, but these songs didn’t have the rousing energy that I look for in the genre. It was more like a goofy video game soundtrack with grating vocals. NOT RECOMMENDED

The Assassination of Julius Caesar – Ulver

Listening back to their classic debut album Bergtatt, I can’t think of a Metal band that has undergone as dramatic a transformation as Ulver over the years. In 2017, over 23 years after that seminal Black Metal release, they’re not even classifiably “Metal” anymore. The Assassination of Julius Caesar dips its toes into dance, a bit of new wave, and a whole lot of moody, nocturnal soundscapes. The spacey, mesmerizing “Southern Gothic” is a favorite of mine, as is the opening track “Nemoralia”, with its smooth electro strut and gorgeous vocals from Kristoffer Rygg. Whatever the fuck the genre is, these guys continue to wow me. HIGHLY RECOMMENDED

The Seven – Talib Kweli & Styles P

These two Hip-Hop veterans came together for seven fun yet thought-provoking tracks that delicately balance a carefree cypher spirit with uncompromising sociopolitical commentary, particularly as it retains to race issues. Here is a full review. You should watch it, given that Talib himself loved it. HIGHLY RECOMMENDED

Coming Home – Falling in Reverse

It makes me chuckle that I spent way more time unpacking this record than I thought I would. ‘Cause to be honest, I went into it with a sorta snobby, scornful dismissiveness, but when early cuts like “I Hate Everyone” and the title track were genuinely catchy, I was shocked. Was this album going to be the ultimate sleeper?? I started to get excited. The answer, though, was a resounding NO as I was introduced to songs like “Superhero” and “Hanging On”, and simultaneously realized that all of these childish lyrics were being sung by a 33-year-old man (in case you didn’t know, Falling in Reverse is fronted by ex-Escape the Fate frontman Ronnie Radke). Plus, I don’t see how the supposed “space theme” ties in except for a few corny Starset-lite studio effects. NOT RECOMMENDED

Madness – All That Remains

In what could be the final nail in the coffin for many of their older fans, All That Remains completed their descent into radio rock mediocrity with this LP. Featuring three of the sappiest, shittiest ballads I have ever heard (“If I’m Honest”, “Far From Home”, and “Back To You”) as well as neutered, passionless production from Howard Benson (who likewise ruined In Flames’ last record), Madness is everything fans have been afraid of as the band has teetered on the edge of Pop-Metal. Personally, since All That Remains has never been a “brutal” band anyway, I’d encourage them to keep going in this direction. If they just drop the ballads and write some better songs next time, maybe this could work out. Here is a full review. NOT RECOMMENDED

 Makes Me Sick – New Found Glory

These pop-punk pioneers came roaring back with an album that reaffirms their position as one of the very best at the genre they helped usher in. These tunes are just brimming with sugar sweet hooks and carefree, spunky energy. Listening to the sheepish innocence on display during “Short and Sweet” – where frontman Jordan Pundik gushes to his crush, “I don’t deserve someone as beautiful as you” – these guys haven’t aged a bit. The youthful spirit of this record is not forced at all. Special shout out to standout cut “Sound of Two Voices”, which is like….I don’t even know….Tropical-Pop-Dance-Punk? I love it! HIGHLY RECOMMENDED

A FEW MORE:

LIKE:

Back to the Basics – Rich Homie Quan

Lovely Little Lonely – The Maine

Long Live Nut – YFN Lucci

How Will You Know If You Never Try – COIN

Pure Comedy – Father John Misty

DON’T LIKE:

Extinction – Harlott

Humanz – Gorillaz

Youth – Tinie Tempah

Embodiment – Enterprise Earth

SHINE – Wale

January 2017 Album Round Up!

Greetings to all you lovebirds out there 😉

If you’ve got a special someone in your life, hope you and your bank account are gearing up for some good ol’ Valentine’s Day lovin’ next week . If that special someone is still finding their way to you, or if they already did and you fucking blew it, hope the ice cream, tears, and rom com re-runs are good to you. But for most of the single guys out there, hope you enjoy another typical Tuesday with a pointless cultural label where getting laid might be slightly easier.

As for me, I hope to spend Valentine’s Day VERY erotically – listening to that new Marilyn Manson record he’s hinted at (literally the opposite of coincidentally) releasing on that day. It’s supposed to be called Say10. If that title doesn’t strike a chord with you, slowly pronounce it out loud until it clicks. Don’t worry, it took me an embarrassing amount of time to put two and two together, too.

So while you make the necessary preparations (read: purchases) for a drama-free and sex-filled Valentine’s Day, here are some thoughts on what the first month of 2017 had to offer music-wise! We’re off to a pretty good start if you ask me!

Forever – Code Orange

 The hottest act in Metalcore unleashed their third record this month to frenzied excitement. Me? Just a contrarian son of a bitch, I guess. I LIKE album – furious cuts like “Real”, “Spy” and the title track are bone-crushing rushes of adrenaline, and my biggest praise is the LP’s mindboggling variety, with “Bleeding In the Blur” bringing some melodic Post-Hardcore to the table and “Ugly” fusing together ‘90s Alt-Rock with gruff Hard Rock – but the barrage of not-so-special breakdowns does get tiresome and a couple cuts (“The Mud”, “Hurt Goes On”) miss their mark. So yeah. Cool record but I didn’t go head-over-heels for it like everybody else did. Here is a full review. RECOMMENDED

Vessels – Starset

 I went against the grain with this new Starset record too, the band’s second. Vessels fuses together Electronic Music, Butt Rock, and some djent-y modern Metalcore for a sugar sweet but unfulfilling outing full of excessively angsty hooks, non-guitar riffs, and such a thick layer of production that it’s impossible to tell if a single thing is performed by a human being. It’s unbelievably catchy at points, and I understand the appeal, but it’s not gonna be anything more than an occasional guilty pleasure for me. Here is a full review. NOT RECOMMENDED

Return of the Cool – Nick Grant

After stumbling across this Billboard article on Nick Grant last year, Return of the Cool quickly became one of my most anticipated debuts of 2017. With the momentum the 28-year-old Grant has behind him right now, I was ready to bear witness to the meteoric rise of Hip-Hop’s next breakout star – and most of all, I was ready to hear soul and lyricism reinstated in Southern Hip-Hop (not to say I dislike what’s going on down there right now, but, I did grow up with ATLIENS as my bible). On Return of the Cool, the South Carolina native shows some promise and a bit of an old school flair, but the project disappointed the hell out of me. The painfully generic “Bouncin’” could’ve been made by ANY of Grant’s contemporaries (Logic, J. Cole, Big Sean Kendrick, etc.). And despite references to icons like Lauryn Hill and Nas, Grant doesn’t do much to uphold their standards with lines like “curves driving me crazy, I need some counseling”. NOT RECOMMENDED

The Search For Everything (Wave One) – John Mayer

 My fellow Pretentious Fairfield County, CT Douchebag is employing an adventurous and exciting release strategy for his seventh LP – he’s releasing four songs at a time in monthly “waves”. In the uncertain and uneasy free-for-all that is music promotion in 2017, I’m so glad to see someone with Mayer’s clout try a different approach. As for the music on “Wave One”? Simply put, three out of four songs connected for me. Most notably, however, I was psyched to see Mayer take a break from the genre gymnastics of his last few releases and just pen some straight ahead, no frills Pop tunes. Here is a full review. RECOMMENDED

Machine Messiah – Sepultura

 Growing up, I thought all you had to know about Sepultura occurred in the less-than-4-hour combined run time of Beneath the Remains, Chaos A.D., Arise, and Roots. I still sorta feel that way, but I was curious to hear Machine Messiah, which is now the band’s eighth (!) as Sepultura 2.0 since Derrick Green took over on vocals in 1997 (by comparison, they only made six LPs with Max Cavalera). So I felt behind.And I gotta say, I’m impressed with this current incarnation’s mix of Thrash, Groove Metal, a bit of Extreme Metal,, and the most thrilling surprise, a symphonic element on tracks like “Sworn Oath” and “Resistant Parasites”! Worth checking out if you’re like me and have only ever known “classic Sepultura”. Here is a full review. RECOMMENDED

 Culture – Migos

Around 20 million people were watching the Golden Globes when, two weeks before the release of their sophomore album, Donald Glover unexpectedly shouted out the Migos during an acceptance speech (his PHENOMENAL tv show Atlanta took home two awards that night). And with Culture, it’s safe to say the Migos are seizing their moment in the sun. This LP is the EPITOME of the Atlanta-based trap sound: Quavo, Offset, and Takeoff hop on these knocking instrumentals (one of the best collections of trap beats I have ever heard) with colorful ad-libs, tons of charisma, and memorable refrains. I mean, how could you not just throw on a track like “T-Shirt” or “Call Casting” and vibe out? Historically , I’m into Rap like this, so I’m gonna need some more time with it, but Culture just might be an unexpected 2017 favorite. RECOMMENDED

Gods of Violence – Kreator

 On album number fourteen from the legendary German thrashers, they delivered a collection of powerhouse Metal anthems and did so without being restricted by that old school Thrash “leash” that some of their veteran peers seem to be hindered by. As with its predecessor Phantom Antichrist, Gods of Violence draws on not just Thrash but Melodic Death Metal, streaks of classic NWOBHM, and a bit of lyrical inspiration from Viking Metal for a well-rounded listen. Here is a full review. HIGHLY RECOMMENDED

I See You – The xx

The third LP from these British indie poppers is chalk full of seductive nocturnal vibes that range from slightly spacey (“A Violent Noise”) to hipster nightclub-y (“Dangerous”) to just plain heart-wrenching (“Performance). While these guys’ music has never really “clicked” with me, I actually found myself enjoying a good chunk of this album! Unfortunately, one thing that bugs me is how overwhelmingly seriously these guys take themselves – at times, they oversell their emotions in an almost histrionic fashion that leaves me feeling a bit drained, like I’m not allowed to enjoy myself or something. Plus, Romy and Oliver just AREN’T the best singers from a technical standpoint. But it’s still a solid LP, definitely The xx’s best yet! RECOMMENDED

AFI (The Blood Album) – AFI

 Call it nostalgia, call it glass half full, call it “a retard who knows nothing about anything” like you all love to do on YouTube, but AFI fucking BROUGHT it this time around, in a way they haven’t in over a decade! I’m serious. “White Offerings” is PURE Sing the Sorrow (the band’s landmark 2003 release – a childhood favorite of mine), while the sharp riffing in “Hidden Knives” does the song’s title justice, and tracks like “Pink Eyes” and “Snow Cats” have all the makings of hit songs (particularly the latter, with its irresistible call-and-response chorus). I’m just shocked at how into this record I am. The Blood Album is the OGs sending the new bucks back to the drawing board. These songs completely justify my endless shit talking about all these wack ass “emo” bands that are coming up on Warped Tour – this is what they should shoot for. A thoughtful melding of Punk, Post-Hardcore, and Hard Rock, The Blood Album proves that AFI still set the standard. HIGHLY RECOMMENDED

Migration – Bonobo

As easy on the ears as this record is, it DOES tend to drift to the background as you listen to it. The gentle, serene touch of “Break Apart” and the ambience of “Grains” are some of the most pleasant sounds you’re likely to hear from Electronic Music all year, but Migration is not the most outwardly engaging of listens. Of course, you could take that in whatever connotation you’d like! ‘Cause I don’t have any “critiques” here – just my personal experience with this LP, which is that it’s a more passive listen than his early works like Dial “M” for Monkey, which was my favorite album when I was sixteen. Don’t get me wrong – there’s a lot to like here, and it’s 100 percent worth a listen, but it hasn’t gotten much repeated love from me. RECOMMENDED

John Mayer – The Search For Everything: Wave One EP Review

John Mayer is one of those people whose so brilliant you can’t really blame him for being kind of a douche. His mastery of the Pop hook, his chops as a guitar player, his genre elasticity and the all-around adventurous spirit with which he approaches music…he’s easy to hate but equally easy to admire. After detours into Country and Folk with his last two LPs – 2013’s exceptional Paradise Valley and the previous year’s solid-but-less-exceptional Born & Raised – Mayer is one of the artists whose new tunes I’ve been most anxiously anticipating.

Wave One of The Search For Everything (which is Mayer’s seventh full length) is the official kick off of an exciting, unorthodox release strategy in which the Connecticut-born “recovering ego addict” will drop four songs a month until the whole LP is completely“ out”. A n intriguing approach from one of the elite “so-successful-he can-do-whatever-he-wants” members of the industry.

Reviewing four short songs is, well, exactly that. It’s basically four intertwined track reviews. So we might as well start with “Love on the Weekend”, the lead single Mayer premiered back in November. This track is a resurrection of the warm, intimate Rom-Com relatability of his debut Room for Squares – Mayer sings matter-of-factly about the every day ins and outs of relationships and packages it with bubbly melodies like only a Pop genius like him can. He makes romance sound so effortless and so casual with a lovely, soft-spoken piano line that’s accentuated by sleek stabs of clean guitars.

“Love on the Weekend” definitely feels like a deliberate, conscious return to simplicity for the songwriter – Mayer’s music hasn’t sounded this stripped down in over a decade (though the quaint Born & Raised was similarly straightforward – just in a whole new style, mind you.) I can only fault it for being TOO MUCH of a “Pandora station for a froyo shop” type song. It’s pleasant as can be, but it does have a certain wallpaper quality to it.

The opening cut “Moving On and Getting Over” is a much more interesting affair. Stylistically it’s an intersection of Heavier Things and Continuum. What immediately caught my attention is Mayer’s use of octave vocal harmonies in the verses – the harmonizing pitches are so far apart that it creates the illusion of two separate singers in two separate moods trying to express the same thing. It’s a fucking cool effect. Lyrically, it’s an understated meditation on the aftermath of a break up – the point where you THINK you’re ready to move on but you’re still, as John himself puts it, “One text away from being back again”. And the funky guitars that accompany these sentiments tie a neat little bow around a superb song.

But it’s the tender, heartwarming piano ballad “You’re Gonna Live Forever in Me” that steals the show. There’s something so wistful about Mayer’s performance as he whistles his way through an unforgettable melody with one particularly beautiful chromatic passing tone (in laymen’s terms: that one note that doesn’t sound like it “fits”). And there’s one lyric that practically brings me to tears: “Life is full of sweet mistakes/and love’s an honest one to make”. Just so glad John Mayer thought of it first and not Nicholas Sparks or some other hokey sap.

Unfortunately, the one BIG dip in quality is “Changes”, which could’ve easily found a nice, comfy spot on the cutting room floor. It’s bland and predictable, with a refrain that isn’t strong enough to be repeated as many times as it is. And let’s not even begin to dissect this gem: “ I see the sky changing/it reminds me of my changing”. Ugh, what the fuck. But hey, I’m not at all mad at that Stevie Ray Vaughan-esque guitar tone in the solo though!

To be honest, it’s tough to review a small fourteen-minute chunk of a record. ‘Cause fascinatingly enough, even though “Wave One” had some mixed results (Mayer batted .750 with me if you’re keeping score), if the next three “Waves” – or however many it ends up being – are super consistent, then that still adds up to a great album! So we’ll see. I certainly commend John Mayer for throwing us all for a loop, and it’s going to make my job that much more delightfully puzzling in the coming months. Until Wave Two, John!

Ten Albums I’m Anticipating in 2017

Annnd here we are! Another new year, another 365 days of people moping about how awful it is. To be fair, 2016 did give 2017 quite the head start in that category, but I always prefer to be optimistic. Being a whiney whore on social media is too easy. I like a challenge.

Musically, I wouldn’t be surprised if we saw a bit of a drop off in 2017, ‘cause, let’s face it, who DIDN’T come out with an awesome new album in the past two years?? 2015 and 2016 were overwhelming, in the best way imaginable.

But this damn industry always finds a way. And since New Year’s, I’ve been steadily adding to my 2017 release date calendar, salivating at the chance to review and talk about these mysterious LPs that, at the moment, are nothing but titles on a word doc.

So here are ten of those records, all of which are CONFIRMED to come out this year. Being speculative is a waste of time. Sure, Tool MIGHT drop an album before 2017 is over, but I’d rather focus my attention on the “sure things”. Like going to a bar and only talking to girls with tramp stamps.

And one more quick clarification: these albums aren’t necessarily “anticipated” ‘cause I think they’re gonna be good – some I’m just curious to hear! Big difference there!

Can hardly contain my excitement for this new Kreator LP Gods of Violence, which drops in a couple weeks (January 27th). This might be THE major Metal release of January for me. I haven’t kept up with every Kreator album (which they crank out like clockwork), but I’ve never been disappointed by what I’ve heard, so high hopes for this one!

The following week, Big Sean is dropping an album called I Decided. According to him, it’s his “most ambitious one yet” or some other PR nonsense. I always have a morbid curiosity with new Big Sean music, ‘cause there’s a small part of me that thinks the guy’s genuinely talented and wants to see him pull through with a dope project. But it never happens. We’ll have to see…

Hip-Hop’s most pretentious (alleged) Jew hater, Lupe Fiasco, will be dropping Drogas Light on February 10th, following up 2015’s excellent Tetsuo & Youth. Growing up, I worshipped this man. Nowadays, his bars make me feel like I’m being talked down to. But Tetsuo was undeniably great so I can’t wait to hear its successor.

After that T Swift covers album got him heaps more (deserved) recognition, I’m looking forward to what singer/songwriter Ryan Adams has in store for his new LP Prisoner. Check out Love is Hell if you haven’t yet. The guy is unreal.

Everyone has that criminally underrated band from their childhood that they’ll never stop yelling about. For me, that’s Darkest Hour, the unsung heroes of the New Wave of American Heavy Metal who quietly put out two classics (2003’s Undoing Ruin and 2005’s Deliver Us) while Trivium and Lamb of God hogged the spotlight. Though I did get a little vindication when “District Divided”, one of my favorite songs, got 30 seconds of screen time in The Big Short. But I digress

This upcoming record Godless Prophets and the Migrant Flora is the result of a crowd-funding campaign and after Sumerian Records ruined their last album, I’ve got my fingers crossed for a return to form. The title is certainly epic.

Since I’m a HUGE proponent of Metal and Hip-Hop intermingling (even at the cost of Limp Bizkit existing), Ice-T’s Metal band Body Count is always on my radar. Their sixth LP Bloodlust is on its way this St. Patty’s Day. Given that “Pop Bubble”, featuring Hatebreed frontman Jamey Jasta, was far and away the standout track on 2014’s Manslaughter, it’s gonna be Jasta Collab or Bust. Just kidding.

My tears still haven’t quite dried up from the break up of legendary Black Metal band Agalloch last year, but frontman John Haughm is back! His new band is called Pillorian and the record – out March 10th – is called Obsidian Arc. Let us pray to the Black Metal Gods for some continued quality from Mr. Haughm. I can only listen to The Mantle and Marrow of the Spirit so many hundreds of times.

Oh, and Mastodon have confirmed a seventh full-length for 2017! It doesn’t have a title yet, but as far as this obnoxious blogger goes, it sure as shit has an audience! I can’t fucking wait – 2014’s Once More ‘Round the Sun might’ve been my favorite of the band’s six records.

The ever-elusive Wintersun is – I kid you not – ACTUALLY dropping an album. The band’s third in a 13-year career….but, I swear it’s happening. Take a look hereThe Forest Seasons is a title that’s floating around out there, but who knows. Here’s what I DO know: this will be one of the most talked about Metal albums of 2017.

And, last but not least, John Mayer is returning to the limelight with The Search for Everything. And an interesting release strategy , I might add. A Mayer fanboy from early on in life, I’ll be there every step of the way.