May 2017 Album Round Up!

Just like that, Summer’s upon us again! Pretty crazy to think that exactly a year ago today, I was writing about Drake and DJ Khaled’s new single “For Free”. Feels like a fucking decade ago.

If I recall, “For Free” ended up being one of summer sixteen’s core club bangers, as I totally WENT OUT ON A LIMB to predict. What a courageous music writer I am.

And a year later here I am, still pumping out these monthly round ups for an audience that’s expanding at a not-so-exponential rate. But the rapid growth that IS surprising me is how much I love doing this. It’s amazing to me that I can spend so much time working on something that generates zero income and have more and more fun doing it as the months go by. I guess that’s why they call it a passion. And I guess that’s why my parents always told me to “get a real job”.

May was an interesting month. It was really light on the Metal, and a good chunk of this year’s worst music (see below) was released as well. But as always, I found a lot to latch onto, and I hope you’ll enjoy some of these albums as much as I did!

Ether – B.o.B.

Still standing by his early work, I’m always hoping that our favorite Pop-Rap Flat-Earther is going to deliver something great. He’s certainly got it in him, as showcased once again on standouts from this album like the drugged-out banger “Xantastic” or the politically-charged “Peace Piece”, the former a collaboration with Young Thug, and the latter with Big K.R.I.T. (did I mention B.o.B. was versatile as hell?). Unfortunately though, Ether falls apart in the second half with a series of bland tracks that range from half-assed club attempts (“4 Lit”, “Tweakin’”) to excessive melodrama (“Big Kids”). Here is a full review. NOT RECOMMENDED

After Laughter – Paramore

Wow! These rockers – led by the feisty Hayley Willliams – have given me, without a doubt, the most pleasant surprise of 2017! On After Laughter, the band completely abandon their Pop-Punk/Pop-Rock fusion for a throwback to ‘80s pop. Like, seriously, the beginning of “Rose-Colored Boy” sounds straight out of Beverly Hills Cop or something. The beautiful twist, though, is how the super pessimistic lyrics sit in stark contrast with these peppy instrumentals. There is so much pain and suffering behind this album…that’s what makes it so compelling. I love the message of a song like “Idle Worship”, where Hayley Williams shies away from being put up on a pedestal just because she’s a famous musician. And the stripped-down ballad “26”? That shit makes me cry. If there’s ONE ALBUM you check out from this month, it should be this one! HIGHLY RECOMMENDED

All the Beauty in This Whole Life – Brother Ali

This legendary indie rapper returned from five years of radio silence with what is easily one of the best Hip-Hop albums of the entire year. I can’t remember the last time a rapper made me feel such strong emotions. Lead single “Own Light (What Hearts Are For)” is the ultimate uplifting anthem, while autobiographical cuts like “Pray for Me” and “Out of Here” – the former dealing with Ali’s social struggles as a child born with albinism, the latter with the suicides of his father and grandfather – are heartbreaking. Meanwhile, racially-charged moments like “Dear Black Son” and “Before They Called You White” really make you think. He does it all while still delivering intricate rhymes, and doing so over a set of wonderful instrumentals courtesy of Ant from Atmosphere. Here is a full review. HIGHLY RECOMMENDED

Tremendum – Hate

Despite being dogged by comparisons to their Polish counterparts Behemoth for their entire career, this Blackened Death Metal outfit has always walked a delicate line between the two genres that make up their sound. That is, until they decided to throw us for a loop with THIS ALBUM and go completely Black Metal! I’m not sure what was more of a surprise to me…that they made this ballsy shift in their sound this late into their career, or that it went over so well! I love Hate as a (mostly) Black Metal band. There’s still the Death Metal production, there’s still the blast beats that have their origins in Florida instead of Norway or Scandinavia, but the music is a lot more atmospheric and a lot less riff-driven. Tunes like “Sea of Rubble” really have that Bathory MARCH to them! Here is a full review. HIGHLY RECOMMENDED

Everybody – Logic

Despite being a fan of this Maryland rapper’s debut album Under Pressure, I will continue to point out how overrated he is. Even though I love his positive energy, his zeal for the genre, and his dedication to his craft, people big him up WAY too much. When you listen closely, his rhymes are pretty basic – he just speeds them up to make them sound complex. The opening scheme of this album is religion/prison/cracker/blacker. I don’t know why people think this guy is so good. Not to mention, his flows are borrowed from all his contemporaries. And this LP specifically is by far Logic’s worst. It’s incredibly corny. Just listen to those ad-libs on the anti-suicide song “1-800-273-8255” (“WHO CAN RELATE?? WOO!”), or the hook on the title track. Which, let’s be clear, the title track is not about being “inclusive” as much as it’s just Logic whining about being biracial. Oh, and Logic can’t sing either. He shouldn’t do that. I like a lot of 6ix’s beats on here though! NOT RECOMMENDED

 Bloom – Machine Gun Kelly

This is the worst piece of shit I have heard all year. “Heard” as in taken semi-seriously – I’m sure there are worse albums out there that I wouldn’t ever bother with. Here were my thoughts on the singles….and it got even worse from there. Listening to this white-washed Pop-Rap garbage is something I will regret until my dying day. I couldn’t even muster up the energy to give it a full review on YouTube. I just wanted it out of my life. I guess I’ll leave you with one somewhat constructive criticism: if there’s one hole that REALLY sinks this ship, it’s MGK’s unnecessary forays into singing on tracks like “Go For Broke”, “At My Best”, “Let You Go”, and the horrific country attempt “Rehab”. NOT RECOMMENDED

Poison the Parish – Seether

Believe it or not, this album actually has some pretty cool moments! The mopey Butt Rock thing doesn’t always sit well with me – the beginning of “Against the Wall”, for example makes me cringe…”I WAS BOOORNNN TO FLLLYYY AWAYYY” – but I think Seether nails down their demographic exceptionally well on here. Tracks like “Betray and Degrade” and “Saviours” have a razor sharp hooks, and are great for a semi-mindless listen while you’re driving. Even though I’m not a “fan” per se, having seen this band and gone through their discography, I’d like to say this is a crowning achievement for them. So maybe give it a listen out of curiosity! RECOMMENDED

 From a Room: Volume 1 – Chris Stapleton

In addition to the new offering from the Zac Brown Band, this was another Country album that I dug this month! This is Stapleton’s follow-up to his hugely acclaimed 2015 solo debut Traveller, and I’ve found his music really easy to get into as, well, not exactly a Country aficionado. Highlights include the bluesy “Them Stems”, the outlaw-tinged “Up to No Good Livin’” (LOVE the slide guitar in that one!), and the spare, intimate ballad “Either Way”. RECOMMENDED

One More Light – Linkin Park

God help us. I tried to be open-minded, I swear. Since I’m not a Linkin Park fan at ALL anymore – even their old stuff hasn’t aged well for me – I actually found it quite easy to go into this Pop crossover attempt with an open mind. But as I explain here (to the tune of over 600 views right now, which is a lot for me!), I found most of this material to be incredibly lightweight, surface level, and trend-hopping all over the place. LP took an L with this one. NOT RECOMMENDED

In a World of Fear – Scale the Summit

One of the most popular instrumental Prog Metal acts on the planet, Scale the Summit have continued to flourish since I saw them open up for Between the Buried and Me back in 2010. I’m so pleasantly surprised that things are working out for them, ‘cause I really wasn’t sure if there was a viable market for what they do. But guitar geeks are a passionate bunch, and they’ll likely eat this album up with all of its stop-start, odd-time rhythms, and impossibly intricate interplay. Unfortunately though, I’m not the right audience for it. A song like “Astral Kids”, despite having so much inventive, virtuosic guitar playing, just sounds like a Berklee School of Music jam room to me. Which isn’t inherently a bad thing! It’s just not what I personally gravitate towards (even as a guitar nerd myself). I still need “hooks” of some kind – and Scale the Summit DID have hooks on early favorites like “The Great Plains” – but there’s just not enough memorable parts on this album to keep me coming back to it for more than the “wow, they can play their asses off!” factor. NOT RECOMMENDED

The World Ablaze – God Dethroned

In a month where Metal felt as scarce as STD-free pussy in a whorehouse, these Dutch veterans delivered a solid slab of no-frills Extreme Metal. This records boasts some pretty memorable riffs (exhibit A: the demonic intro to Thrash/Death Metal hybrid “Annihilation Crusade”), it doesn’t try to be too fancy or experimental, and best of all, its production retains a slightly raw but powerful sound. Modern Death Metal has gotten so fucking pristine and robotic sounding that it drives me nuts , so it was refreshing to hear an LP that was still beautifully mixed but had a little humanness, a little UMPH behind it. RECOMMENDED

T-Wayne – T-Pain & Lil’ Wayne

When T-Pain tweeted – completely out of the blue – that he was releasing a bunch of shelved T-Pain/Lil’ Wayne collabos from 2009, the Internet rightfully lost their shit. “These are lost gems from when the two of them were in their prime!” we all said to ourselves. And whether these eight songs would’ve been ill in 2009, we’ll never know, but in 2017, I’m not into it at all. The first unpleasant surprise is that T-Pain raps a bunch on here – his flow on the Willy Wonka-sampling “Listen to Me” is clunky as hell. The second unpleasant surprise is that the wackest bar of Lil’ Wayne’s career was actually recorded in 2009, during his supposed prime. Who knew? But the line “She was like Damn Damn Damn ‘cause I hit her with the wham wham wham” is certainly something special. NOT RECOMMENDED

A FEW MORE:

LIKE:

You’re Welcome – Wavves

Neva Left – Snoop Dogg

This Old Dog – Mac DeMarco

Welcome Home – Zac Brown Band

DON’T LIKE:

Crooked Teeth – Papa Roach

Louder Harder Faster – Warrant

Revelation – Oceano

 

 

April 2017 Album Round Up!

So, another month came and went. The first week of April (right around the time the Chainsmokers released once of the worst albums of the year) kicked off the month in exciting fashion for me – my band hit the studio with Joe Cocchi from Within the Ruins and cranked out a couple killer tunes that I can’t wait to unleash on the world. After that? Well, I worked 50-hour weeks, squeezed out some YouTube videos, and socialized approximately zero times. I’ve currently been sober for 31 days, which is the longest I’ve gone without booze since I first started drinking when I was 15. It’s not an AA type thing – lately I’ve just found myself growing out of that lifestyle.

I’d like to report that laying off the sauce has drastically improved my day-to-day existence and forever altered the course of my life, but I’m pretty sure it’s just made me marginally less cranky and a lot more boring. But I still by no means endorse drinking – after all, have you seen the absolute rape of a markup that bars get away with on Jack and Cokes and other well drinks? Sheesh. Save your money, kids.

There was also the Kendrick Lamar album, which, now that I think of it, formed the nucleus of April 2017 in many ways. My GOD are we witnessing history with that guy. He fucking delivered again.

Anyway, here are my monthly biased-as-all-hell musings on some new music. I gotta say, 2017’s got some serious momentum now –  I couldn’t be more excited heading into May’s stacked release schedule!

Memories…Do Not Open – The Chainsmokers

This is…just, lowest common denominator everything. Lyrically, it has the depth of a sixth grader’s diary – “opener “The One” is SERIOUSLY about not being able to go to a friend’s party, and “Bloodstream” begins with the declaration, “I’ve been drunk three times this week” (not to mention this gem on “Last Day Alive”: “the night is young and we are young”) – and musically, it has the depth of, well, a sixth grader’s diary. The beat to “Break Up Every Night” sounds like a commercial for a Chuck E Cheese, while the drop in “Wake Up Alone” is mind-bogglingly juvenile. In all honesty, I feel like the frat party music/EDM crossover is a wonderful niche (one The Chainsmokers have successfully exploited with songs like “Roses”) but this is, like, teeny bop shit! It’s horribly dumbed down even by Pop standards! NOT RECOMMENDED

All Amerikkkan Bada$$ – Joey Bada$$

While some people may point to the likes of Kendrick Lamar and J. Cole as “ old school Hip-Hop revivalists”, I couldn’t disagree more. When I think of that term in its purest sense, I think of Joey Bada$$ the Brooklyn MC who may have born in 1995, but spits like that’s the current calendar year. Given my affinity for ‘90s Hip-Hop, his debut B4.Da.$$ was one of my favorite Hip-Hop albums of 2015, and its follow-up is even better (and way hookier). Gritty standout “Rockabye Baby” is the epitome of the aforementioned revivalism; anybody from The Lox to Mobb Deep to Nas to Big Pun would sound great on that instrumental (ScHoolboy Q ultimately steals the show with its guest spot). The melodic, almost serene ”For My People”, meanwhile, might be my favorite Hip-Hop track of 2017 thus far. My only gripe with this album is that Joey tackles familiar race issues without having any sort of unique perspective – it’s all the same “cops are out to kill me”, “racism is bad” “government is evil” kind of shit. It’s important shit to talk about, but it needs a new spin. Other than that, the dude is proving to be the real deal. RECOMMENDED

The Search for Everything – John Mayer

After forays into Country and Folk music with his last two LPs, John Mayer’s glorious return to the Pop world is an enjoyable but somewhat fluffy affair. While I dug the hell out of the mushy, relatable romance of “Love on the Weekend”, the wonderful break-up fodder of tracks like “Never on the Day You Leave” and “Moving on and Getting Over”, as well as the crunchy rocker “Helpless”, there were also a few empty, excessively dumbed down cuts like “In the Blood” and “Changing” that made this album underwhelming for me. Knowing Mayer’s talent, I’d prefer to be challenged as a listener. But he still hits his mark more often than not. Here is a full review. RECOMMENDED

 DAMN. – Kendrick Lamar

If you want some extended thoughts on this album, it’s best to go here, but I gotta say this: we are witnessing Hip-Hop history here. What many other artist in the history of the genre has come right out of the gate with FOUR INCREDIBLE RECORDS?? Outkast? Maybe. Eric B. and Rakim? Perhaps. But it’s a fucking select few. So when this dropped, I just soaked up the moment. This guy will go down as one of the greats. HIGHLY RECOMMENDED

Season High – Little Dragon

This Swedish Electronic group’s 5th studio album was my first outing with them. And to be blunt, I didn’t care for the slow-moving, campy, anti-climatic music that I came across. Maybe I just lack the necessary nuance in my taste for dance music, but these songs didn’t have the rousing energy that I look for in the genre. It was more like a goofy video game soundtrack with grating vocals. NOT RECOMMENDED

The Assassination of Julius Caesar – Ulver

Listening back to their classic debut album Bergtatt, I can’t think of a Metal band that has undergone as dramatic a transformation as Ulver over the years. In 2017, over 23 years after that seminal Black Metal release, they’re not even classifiably “Metal” anymore. The Assassination of Julius Caesar dips its toes into dance, a bit of new wave, and a whole lot of moody, nocturnal soundscapes. The spacey, mesmerizing “Southern Gothic” is a favorite of mine, as is the opening track “Nemoralia”, with its smooth electro strut and gorgeous vocals from Kristoffer Rygg. Whatever the fuck the genre is, these guys continue to wow me. HIGHLY RECOMMENDED

The Seven – Talib Kweli & Styles P

These two Hip-Hop veterans came together for seven fun yet thought-provoking tracks that delicately balance a carefree cypher spirit with uncompromising sociopolitical commentary, particularly as it retains to race issues. Here is a full review. You should watch it, given that Talib himself loved it. HIGHLY RECOMMENDED

Coming Home – Falling in Reverse

It makes me chuckle that I spent way more time unpacking this record than I thought I would. ‘Cause to be honest, I went into it with a sorta snobby, scornful dismissiveness, but when early cuts like “I Hate Everyone” and the title track were genuinely catchy, I was shocked. Was this album going to be the ultimate sleeper?? I started to get excited. The answer, though, was a resounding NO as I was introduced to songs like “Superhero” and “Hanging On”, and simultaneously realized that all of these childish lyrics were being sung by a 33-year-old man (in case you didn’t know, Falling in Reverse is fronted by ex-Escape the Fate frontman Ronnie Radke). Plus, I don’t see how the supposed “space theme” ties in except for a few corny Starset-lite studio effects. NOT RECOMMENDED

Madness – All That Remains

In what could be the final nail in the coffin for many of their older fans, All That Remains completed their descent into radio rock mediocrity with this LP. Featuring three of the sappiest, shittiest ballads I have ever heard (“If I’m Honest”, “Far From Home”, and “Back To You”) as well as neutered, passionless production from Howard Benson (who likewise ruined In Flames’ last record), Madness is everything fans have been afraid of as the band has teetered on the edge of Pop-Metal. Personally, since All That Remains has never been a “brutal” band anyway, I’d encourage them to keep going in this direction. If they just drop the ballads and write some better songs next time, maybe this could work out. Here is a full review. NOT RECOMMENDED

 Makes Me Sick – New Found Glory

These pop-punk pioneers came roaring back with an album that reaffirms their position as one of the very best at the genre they helped usher in. These tunes are just brimming with sugar sweet hooks and carefree, spunky energy. Listening to the sheepish innocence on display during “Short and Sweet” – where frontman Jordan Pundik gushes to his crush, “I don’t deserve someone as beautiful as you” – these guys haven’t aged a bit. The youthful spirit of this record is not forced at all. Special shout out to standout cut “Sound of Two Voices”, which is like….I don’t even know….Tropical-Pop-Dance-Punk? I love it! HIGHLY RECOMMENDED

A FEW MORE:

LIKE:

Back to the Basics – Rich Homie Quan

Lovely Little Lonely – The Maine

Long Live Nut – YFN Lucci

How Will You Know If You Never Try – COIN

Pure Comedy – Father John Misty

DON’T LIKE:

Extinction – Harlott

Humanz – Gorillaz

Youth – Tinie Tempah

Embodiment – Enterprise Earth

SHINE – Wale

Machine Gun Kelly’s “Bloom”: Four Singles Deep

This Friday, Cleveland’s own Machine Gun Kelly (a.k.a. Richard Colson Baker) will drop his third studio album Bloom. I’m more excited for my first colonoscopy.

It’s been so fucking amusing to watch MGK, a guy who at one point was so anti-industry that it practically defined him – whether it was his independent mixtape come-up or his incessant whining in the press about how “the industry just doesn’t want to see me win” (for examples, watch this, or this, a little more recently, this, or even this)– now thrusting himself shamelessly into the center of it. Like, the Top 40 center of it.

Our first taste of Bloom was “Bad Things”, a duet with Fifth Harmony’s Camila Cabello and a shameless crossover grab with a calculated sexual “edginess”. Not surprisingly, it has since peaked at number 4 on the Billboard Hot 100.

Shockingly enough, after being given a few more unsavory samples of what this LP is gonna sound like, I’m no longer bothered by “Bad Things”. ‘Cause these other three singles….holy shit. See, now I have a morbid curiosity about this album ‘cause I need to find out how deep the rabbit hole goes. But at this moment, I’ll just say a few cathartic words about what we’ve already heard.

Bad Things (feat. Camila Cabello)

 Since I can’t escape it, I’ve learned to deal with this one. And I’ll even give it this: the instrumental, courtesy of The Futuristics, is an impressive blend of Pop balladry with subtle Hip-Hop isms like Trap-style snare claps and hi-hats. Camila Cabello’s voice isn’t too bad either, but her generic performance just gives off an any-singer-in-the-world-could-fill-this-slot type vibe. As I alluded to earlier, my main issue with this track is its gimmicky sexual edge. It taps into lust as a commodity but makes no attempt to cleverly explore it. I suppose MGK has a couple lines about nail scratching or whatever, but it all comes off so fucking forced. Listening to this, I also wonder how the hell MGK could feel fulfilled as an MC making such watered-down music.

At My Best (feat. Hailee Steinfeld)

 This is where things really started to worry me. I actually wrote about it here, but I don’t remind repeating myself when it comes to cathartic rants on shitty music. With “At My Best”, MGK plays the role of Worst Motivational Coach in History with cringe-inducing bars like “life is about making mistakes/it’s also about trying to be great” or “this song is for anybody who feels like I did/never the cool kid”. What’s unfortunate is that in his underdog days, even MGK’s corniest inspirational tracks at least came off genuine. But this is so robotic and unimaginative. I’m all for the message here – and if it helps even one depressed teenager feel marginally better, I’m with it – but I’m struggling to see how these vague self-affirmations and trite “life is…” talk are gonna make an impact on anyone.

Trap Paris (feat. Quavo & Ty Dolla $ign)

Ah, the turn up song! Did you know MGK likes to party??? I know, me neither dude, it’s so sick! Maybe one day if I do enough drugs I can be like him!

All kidding aside, this is my favorite of the bunch. The beat bangs, and Quavo from the Migos continues his winning streak with another hot feature. But hearing MGK just go through the motions with that same lifeless triplet flow as every other Trap MC is uninspiring. And the whole “I’m a crazy white boy who does a lot of drugs” schtick is the reason that I stopped listening to his music when I turned 20. I grew out of it.

Let You Go

Perhaps the single worst song I have heard in 2017. Here we get an auto-tuned MGK fronting his own little synthetic Pop-Punk band. I don’t understand – who the fuck are these yes men sitting in the studio with him going, “yeah Richard, this sounds rockin’ man!” There’s no justification for this other than casting a line out to radio listeners who was born in 2005. Which, I’m not gonna lie, it might work. But hopefully not without some deserved backlash.

I’d imagine there are a couple thousand people out there who are hearing these singles, looking at the “Lace Up” tattoos they got when they were 16, and realizing for the first time just how permanent tattoos really are. I can’t say I’ve been a Machine Gun Kelly “fan” past the age of 19, but as a lover of music it hurts to watch this type of artistic deterioration in the name of the almighty dollar. To be clear, I never use the term “sell out”, because as long as the music’s genuine, every artist has the right to chase a hit. But songs like these four? That’s a different story. I guess we’ll see when the full album comes out on Friday, but don’t expect to hear from me. I’ll be looking around for anything but this.

March 2017 Album Round Up!

So, halfway through the month of April, you’re getting my recap of all the music that came out in March. Sick, right?

Though I never try to be particularly timely, this is particularly untimely, and for that I am deeply sorry. Well, I’m not sorry, ‘cause I don’t really care about your feelings, but it does feel like I’m turning in a big paper past its due date or something.

The reason this month’s Round Up is a bit late is because my band spent a week in the studio laying down our debut singles with Joe Cocchi from Within the Ruins. We had such a fucking blast, and I’m beyond psyched to share them with the world in the coming months! I’m so proud of the work we did, and I’m so grateful to Joe being every a band can ask for in a producer. But at the same time, it’s nice to get back to being a “listener”, ya know? As I write this, Kendrick Lamar AND John Mayer have just dropped new albums, and Gorillaz, All That Remains, and more are on their way, so it’s safe to say there will be no shortage of content for my April Round Up! But hey, March wasn’t too shabby either. Here are my thoughts on some of last month’s releases:

Divide – Ed Sheeran

This is gonna sound fucking weird, but bare with me. The only thing Divide has going for it is (ahem) cuteness. No, not Mr. Hipster Ron Weasley himself (though I’m a straight male so how would I know?), but the songs themselves. The only moments I enjoyed on this otherwise pretty bland LP were the charming, cheeky ones, like on “New Man” when Sheeran neurotically jokes about Instagram creeping (“trying not to double tap/I know that’s where the trouble’s at”), or on “Eraser”, where he, I guess, “raps”. There’s also “Galway Girl”, which uses actual Irish instrumentation to a below-deck-Titanic-scene effect. These are the only times I felt truly engaged. Otherwise I’m kind of indifferent. NOT RECOMMENDED

Number 1 Angel – Charli XCX

 Though she has been featured on two of the most annoying chart-toppers in the history of music (Icona Pop’s “I Love It” and Iggy Azalea’s “Fancy”), Charli XCX makes fucking outstanding Pop music as a solo artist. Her latest mixtape is my favorite Pop project of 2017 thus far. It DOES occasionally cater to some industry trends – the opening one-two punch is a trap-heavy banger (“Dreamer”) followed by a dancehall-informed number (“3 AM”) – but Charli maintains a spunky swagger that is all her own. The EDM-dominated “Roll With Me” is likely to be a party favorite, while the ballad “Emotional” is lucky to get stuck in your head for days at a time. HIGHLY RECOMMENDED

Godless Prophets & the Migrant Flora – Darkest Hour

The unsung heroes of the New Wave of American Heavy Metal returned this month with their crowdfunded ninth album, an unquestionable return-to-form following 2014’s polarizing self-titled release, which was a little too “Warped Tour” for the Metalcore quintet’s diehard fans. Prophets sizzles with quintessential Darkest Hour fury, though its strongest cuts (“None of This is the Truth”, “Enter Oblivion”) are the dynamic ones that are able to balance the aggression with quieter passages. Though I didn’t love every track, my longstanding Metal heroes delivered. Here is a full review. RECOMMENDED

Obsidian Arc – Pillorian

Likely to be one of my top Metal albums of the entire year, ex-Agalloch frontman John Haughm’s first release since his legendary band’s breakup is nothing short of extraordinary. Imagine if Agalloch made a record that fused some of their moody, acoustic passages with a straight up, quintessential Black Metal sound. It’s as fucking amazing as you pictured it. Obsidian Arc manages to bring some of Agalloch’s signature strengths to the table while effortlessly capturing every single mood that’s ever been associated with Black Metal: rage, despair, terror, agony, depression, and everything in between – they’re all on this record. I could go on forever about this fucking thing on here, so here is a full review instead. HIGHLY RECOMMENDED

More Life – Drake

Aside from the entrancing nightclub melancholy of “Passionfruit”, which was one of my favorite songs of the year so far, and the rousing Kanye collab “Glow”, I don’t have much to say about Drake’s Views follow-up that isn’t “meh”. The guy just hasn’t wowed me in a long time. His musical continues to veer into wallpaper territory, and his petty personality continues to rub me wrong. But just like all of his past projects, the shining moments on More Life give me reason to continue to root for the guy in the hopes that he wows me again. NOT RECOMMENDED

Heartworms – The Shins

On the band’s sixth LP, The Shins continue to be a definitive band for the Alternative genre. But they manage to do it while weaving together a track list that’s anything but one-dimensional. Two of my favorite songs on here are the synth-peppered “Cherry Hearts” and the Alt-heavy, acoustic-driven title track, both of which couldn’t be more different from one another. James Mercer’s ability to stir ingredients from several different corners of Alternative music into one delicious recipe continues to impress me. This is one of his best works. HIGHLY RECOMMENDED

Rather You Than Me – Rick Ross

I have never been a fan of Rick Ross. Though he’s had a banger or two on almost every record, I’ve never been able to enjoy his fabricated lyrical narratives and by-the-numbers mainstream Rap sound. So it came as a complete and utter shock when Rather You Than Me was fucking awesome! I still can’t believe how much I’m enjoying this. The production is outstanding, whether it’s the lavish, luxurious sound of tracks like “Santorini Greece” and the saxophone-driven “Game Ain’t Based on Sympathy”, or it’s trap bangers like “Dead Presidents and “Summer Seventeen”, or it’s the more stripped-down, simplistic sounds of the Birdman diss “Idols Become Rivals” or the Nas collab “Powers that Be”. As for the features? They’re out of this world. The aforementioned “Dead Presidents” has possibly the best Future verse I’ve heard since 2011. And Nas, Scrilla, Yo Gotti, Jeezy, Young Thug, and many more ALL add a ton of character to this tracklist. And on some of these songs, Ross even sounds a bit more – hold your breath – HONEST. Like he’s not making everything up this time around. But even if he is, he’s made an excellent record. Here is a full review. HIGHLY RECOMMENDED

 Conformicide – Havok

The fourth LP from these Colorado thrashers is nothing short of astonishing. Though the band’s musical foundation is built on the Megadeths and Death Angels of the world, Conformicide spends as much time pushing boundaries as it does worshipping its heroes. It takes Thrash in some proggy territory, some political territory, and punishes listeners with more twisted, mean riffs than they even know what to do with. Not to mention bass wizard Nick Schendzielos, who provides some of the best and most inventive bass playing I’ve ever heard on a Thrash record on highlights like “F.P.C”. See, ann album like Conformicide is precisely why I’ve given (unpopular) mixed reviews of recent efforts from the likes of Metallica, Testament and Overkill – look at how a band like Havok is pushing Thrash as a whole! Younger Thrash bands like Havok and Vektor continue to set the bar for the genre. HIGHLY RECOMMENDED

Eternity, In Your Arms – Creeper 

Unfortunately, ya boy doesn’t buy into the hype. Creeper’s highly anticipated debut was supposed to turn Pop Punk on its head, but all it did for me was give me a few super catchy emo-tinged jams (namely “Black Rain” and “Hiding With Boys”) and spent the rest of its runtime underwhelming me. But there are definitely times, like on standout track “Poison Pens” where these guys feel like they COULD be worthy successors to AFI. Or, you know, maybe I should stop trying to like music like this. I don’t know. NOT RECOMMENDED

Bloodlust – Body Count

Not only was this fucking thing my Record of the Month, but it was the most pleasant surprise of 2017 so far. Ice-T and Co made a crushing M-E-T-A-L record that I had no idea they were capable of! While still proudly Hip-Hop influenced, Bloodlust is legitimately crushing, especially on the Randy Blythe-assisted “Walk With Me…”, the vengeful “This Is Why We Ride”, the irresistible title track, and the politically-charged “No Lives Matter”. I just can’t believe how good this is…Here is a full review. HIGHLY RECOMMENDED

A FEW MORE:

 

LIKE:

Woe to the Vanquished – Warbringer

Captain California – Murs

Hot Thoughts – Spoon

At What Cost – Goldlink

Obituary – Obituary (full review here)

Emperor of Sand – Mastodon

DON’T LIKE:

Look at Yourself – Emmure

Black and White Rainbows – Bush

The Wild – Raekwon

For the Fallen – Memoriam (full review here)

The Great Collapse – Fit For An Autopsy

Tremaine The Album – Trey Songz

 

 

St. Patty’s Day Track Round Up

So last Friday was St. Patty’s Day. For me, it was just another Friday – some new music came out, I listened to it, I went to work, I came home, neglected my social obligations, and listened to obscure Metal albums that nobody gives a fuck about. But for some other geniuses out there, local drinking establishments got a nice payday off their desperate need for an “excuse” or an “occasion” to be alcoholics. Look, if you want to get fucked up and escape from your miserable existence for a while, be my guest. But don’t pretend like this is a fucking legitimate holiday. Even if you’re Irish.

Ok, Part 1/1,000,000 of my St. Patty’s Day Rant over. Now, here are my thoughts on some of the biggest tracks released on the most pointless “holiday” of the year.

“At My Best (feat. Hailee Steinfeld)” – Machine Gun Kelly

I swear to God, if I had the cash I’d scramble together a team of the best, Jewiest lawyers I could find and sue Machine Gun Kelly for false advertising. Suffice to say, in this song MGK is not exactly “at his best”. What a fucking bore. Mind-numbingly basic rhyme schemes, dime-a-dozen pasted-in pop hook, hollow self-affirmations….when he delivers cringe-inducing lines like “life is about making mistakes/it’s also about trying to be great” or “this song is for anybody who feels like I did/never the cool kid”….it becomes clear that I would NOT want MGK as my motivational coach. “At My Best” is an incredibly poor excuse for an uplifting, “inspirational song”, something that in the beginning of his career felt genuine but now just feels calculated, robotic, and commodified. NOT RECOMMENDED

“Good Life” – G-Eazy & Kehlani

I gotta say, when placed alongside MGK’s latest lightweight dud, G-Eazy looks like fucking Big Pun here. Joking aside, there’s a bit of surgical rhyming going on here, especially in the second verse when Mr. Eazy sails smoothly through patterns “toast to success/broke and distressed/open my chest/hope for the best”. Even though I’ve always criticized this guy’s music for being bland, generic, and as non-essential as non-essential gets, you HAVE to give him one thing – he comes across incredibly likable. Laid back and easy going, but sincere and hardworking…I’ve never met the guy but this how his personality comes through in his bars. And on this particular track, the stadium-ready hook from Kehlani is totally passable and will probably make for one of the stronger tracks on the Fate of the Furious soundtrack. RECOMMENDED

“Feels Like Summer” – Weezer

Almost a year removed from their excellent return-to-form with the White Album last April, these veteran alt-Rockers are back! And, it’s disappointing. For me, what makes this track a let down is how the crunchy guitars have been replaced by lifeless pop production. It couldn’t get more summer-y than “(Girl We Got a) Good Thing” and “California Kids” anyway, but this track tries to manufacture its way into Warm California Weather Anthem. And it fails. NOT RECOMMENDED

“Battle Symphony” – Linkin Park

So this is single numero dos from Linkin Park’s forthcoming One More Light album. I’ve yet to listen to “Heavy” – all I know is that a lot of people fucking hated it. Well, maybe when I get around to “Heavy” I’ll be the ol’ devil’s advocate, but I’m definitely on the hate bandwagon with “Battle Symphony”. I was shocked when the opening of this track kicked in and there were all these cheesy synths – the song felt like a nightmarish fusion of Imagine Dragons and The Chainsmokers. I suppose the chorus is kind of catchy, but aside from those six notes (Bat-tle Sym-pho-nee-eee), the song is so forgettable. NOT RECOMMENDED

“My Corner (feat. Lil’ Wayne)” – Raekwon

Based on this, I’ll definitely be checking out Raekwon’s new LP The Wild. In the first verse, the Wu-Tang OG makes it perfectly clear that he still murks 80 percent of the new crop of younger MCs. His raspy bars still carry that same weight that they did in the mid-90s, even if the music itself is less vital (Lil Wayne’s appearance is fairly standard, as is the production, which sounds like something Wayne, Rick Ross, Meek Mill, or any G-Unit affiliate would jump on.) Hopefully The Wild will give old school heads something to use those Fire Emojis on, ‘cause I know Drake’s new project sure isn’t! RECOMMENDED

“On the Come Up (feat. Big Sean)” – Mike Will Made-It

Nah. I don’t think Big Sean’s overly hyped-up yelling marries all that well with the operatic vocal sample in the beat. I just always find it funny how Sean delivers his lyrics with this brash, dramatic emphasis as if he’s dropping one mindblowing bar after another. The way his voice inflects on this track, you’d think he’s dropping the verse of the century. But his rhymes are actually REALLY average. I enjoyed some of what he had to say on I Decided, but this one is not doing it for me. NOT RECOMMENDED

“Animal” – Trey Songz

Despite these atrocious lyrics being a laundry list of every corny sexual innuendo on the face of the planet – Trey compares his penis to an anaconda, then a banana, then a boomerang, and then compares the vagina in question to forbidden fruit, a monkey, and SURPRISE, a pussycat – those chromatic guitar chords in the pre-chorus are so fucking sexy. They make everything else tolerable. The raunchy club beat that surrounds them is also hard-hitting and effective. I have to give it to Trey Songz here; depending on America’s tolerance for this kind of filthy sexual content in Pop music (I mean, Nicki Minaj’s “Anaconda” did squeak through), this could be a hit. RECOMMENDED

 

 

February 2017 Album Round Up!

Wow, we’ve arrived at the First Anniversary of this segment! When I decided to write a post last March recapping all the records I was bumping in February 2016, I had no idea this was going to be a thing. But a year later, it’s become something I look forward to every month. It forces me to point my ears in all directions, and really think CRITICALLY about what I’m hearing, even if I’m not in “full review” mode.

I can only imagine that in another year, when we have our two-year anniversary (whooaaa things are getting serious. I hope all the sex hasn’t dried up by then), I’ll still be cranking these out the same way I am today.

And given that we’ve hit this big milestone, it’s only fitting that I add something new! As you might’ve guessed, I listen to a lot more than 8 – 12 albums every month. But just because I’m too lazy to write about all of them in descriptive detail doesn’t mean I shouldn’t let my feelings be known! So I’ve added a section to these Round Ups where I give a basic “like” or “don’t like” verdict on another batch of the month’s releases….with zero explanation. I guess it’ll be up to you to listen to ‘em and figure out my reasons for your own damn self!

But if you’ve checked out any of these Round Ups so far, thank you so much for your support! Hopefully I’ve turned you on to (or helped you avoid) at least one new album you otherwise might’ve missed. That’s all I’m trying to do here. It’s not rocket science. So if that happened for any of my readers, I couldn’t be happier; this thing is a success.

DROGAS Light – Lupe Fiasco

After 2015’s stunning conceptual project Tetsuo & Youth, Chi town’s most pretentious wordsmith takes an infuriating nosedive into half-witted commercial Hip-Hop. This album was a colossal disappointment for me. I don’t understand why Lupe still feels the need to make Pop-Rap ditties like “Pick Up the Phone” after he was trashed for making an album full of them (2011’s Lasers). In all fairness, DROGAS Light isn’t Lasers Part 2 – tracks like “NGL” and “Made in the USA” have more of a Trap vibe than anything else – but whatever it is, it’s equally uninteresting. In fact, it’s my least favorite Lupe project to date. Here is a full review. NOT RECOMMENDED

Suicide Silence – Suicide Silence

Modern Deathcore frontrunners Suicide Silence decided to shake things up for album number five, bringing in famed Nu Metal producer Ross Robinson and drastically altering their sound. Hey, I’m all for adventurousness – in fact, that’s the only reason I checked this album out. The only problem? It’s one of the worst pieces of shit I have ever heard. Eddie Hermida’s clean “singing” is about as easy to listen to as a Sandy Hook conspiracy theory. What makes things worse is Hermida’s patronizing, dismissive responses to any criticism of this album, claiming that anyone who doesn’t like it “just doesn’t get it” or is “full of hatred” or whatever. He’s like the fucking Donald Trump of shitty Nu Metal. Here is a full review. NOT RECOMMENDED

Flying Micronatal Banana – King Gizzard & the Lizard Wizard

These guys are quickly becoming favorites of mine! This record in particular is an inventive blend of Psychedelic Rock, and Alternative with free-flowing, exploratory musicianship that keeps things interesting all the way through the track list. The eerie hookiness of a cuts like “Sleep Drifter” and “Melting” has made this the most addicting listen of any LP this month. HIGHLY RECOMMENDED

Prisoner – Ryan Adams

One of the most prolific songwriters in all of music came through with a set of painfully relatable tunes that center primarily on heartbreak and loss. Whether or not he intended it to be, it’s the ultimate breakup album. On the musical side of things, the balance between crunchy Heartland Rock, Folk-Rock balladry, and dashes of country is gracefully executed . And I have to particularly praise the impossibly gorgeous clean guitar tones that Ryan achieves throughout this entire thing – they make it worth the listen all on their own. Here is a full review. RECOMMENDED

I Decided. – Big Sean

Upside: with I Decided, Big Sean gave us his strongest project to date, featuring well-thought out concepts, an uncharacteristic amount of introspection, and some familiar clever word-play. Downside: the guy is still churning out horribly generic, Drake-biting songs like “Bounce Back” and “Moves”. Upside: with the sweet chick-swooping ballad “Jump Out the Window” and the stunning “Bigger Than Me”, Sean gave us not only HIS best two songs to date, but two of the best songs of the year. Downside: at one point, he rhymes “Channing Tatum” with “J. J. Abrams” and “Jason Statham”. Ugh. Very frustrating. But like I said, this is his best work to date, and I look forward to what the Detroit spitter does next. Here is a full review. NOT RECOMMENDED

Torment – Six Feet Under

 While there’s nothing outwardly WRONG with the 12th outing from these Death Metal veterans, it’s so painfully meat-and-potatoes that I’m gonna have to pass over it. Which, that more has to do with MY tastes than anything else – it’s more a “me” thing than a “them” thing. But the dumbed-down riffs on a song like “Knife Through the Skull” are mind-numbing for me (who knew ex-Cannibal Corpse frontman Chris Barnes would sing a song called “Knife Through the Skull”? What a plot twist!). I do really enjoy the track “Bloody Underwear” – it brings a bit of a Hardcore mosh sensibility, and it’s a lot of fun! (though the supposedly violent title could just be referring to his special lady’s time of the month…..just saying). Bottom line: if you like your Death Metal stripped to the bone and ultra groovy, you might dig this, but – with as little pretentiousness as possible – it’s just a bit simple for me. NOT RECOMMENDED

Chief – Jidenna

The man behind “Classic Man” proves that he’s anything but a one-hit wonder. On Chief, he’s versatile as hell, one minute pulling together a song like “Trampoline” – the ultimate soundtrack for a private dance at a strip club – and the next minute, commanding your attention with clever, posturing bars on “Long Live the Chief”. And smooth melodies abound, whether it’s the aforementioned “Trampoline”, or it’s the slick balladry of “Bambi”, or the exotic “Adaora”. The melting pot production is worthy of mention too – The Let Out” is like a DS2 Future/DJ Mustard mash-up, “Safari is a R&B/Hip-Hop mixture that The Weeknd would crush, “2 Points” features some punchy horns, “Long Live the Chief” is electro minimalism that oddly works. If only he had left the obligatory post-“One Dance” dancehall song off (“Little Bit More”). But I’ll forgive it, ‘cause this is one promising debut. HIGHLY RECOMMENDED

The Grinding Wheel – Overkill

 The legendary East Coast thrashers followed up 2014’s exceptional White Devil Armory with a record that’s significantly less exceptional, but still passable. This time around, the riffs just felt a bit less punchy and exciting, and the tracks dragged on and on for unnecessary lengths (similar to my gripes with the new Metallica album), which left me feeling underwhelmed. There’s still some bonafide rippers though, like the opener “Mean, Green, Killing Machine”, or “Our Finest Hour”, which has a couple devastating riffs and some shrieking vocals from frontman Bobby “Blitz” Ellsworth. Here is a full review. RECOMMENDED

Gelato – Young Dolph

The only noteworthy moment on this project is the Yo Gotti diss track (“Play Wit Yo Bitch”), which I have to at least commend for the DIRECT, very UN-subliminal nature of the insults, as basic and schoolyard as they are. And one more track I might come back to is “On the River”, because A) “fucked her on the river” is such a hilarious refrain, and B) the beat is HARD. Other than that, Gelato is one of my least favorite Hip-Hop projects I’ve heard this year. It’s got every stereotype that non-Rap fans gleefully shit on – posturing, smoking weed, banging bitches, and of course posturing about smoking weed and banging bitches. Wasn’t anything for me here, especially when Dolph’s rival Yo Gotti brought such FIRE with CM9 recently. NOT RECOMMENDED

Origins – Mutiny Within

The Little Metal Band That Could is still chugging along six years since being dropped from Roadrunner Records due to the disappointing commercial performance of their self-titled debut. I have loved this band since day one – their blend of melodic, keyboard-driven European Metal with the riff-tastic Metalcore of their American counterparts made them the band I wanted to be IN growing up. And Origins, their third LP, turned out to be their best yet! The album effortlessly sways between noodling technicality and accessible – dare I say, slightly Poppy – hooks. It’s probably not for everyone, but it feels tailored EXACTLY to my tastes. HIGHLY RECOMMENDED

 Plato O Plomo – Fat Joe & Remy Ma

So Joey Crack and Remy Ma decided to follow up their vernacular-defining mega-hit “All the Way Up” with a full album,. On Power 105.1’s The Breakfast Club, the two emcees deemed the project a “complete masterpiece” and I strongly disagree. It’s full of a lot of empty boasts, standard gangsta rap bars, and the occasional hilariously clumsy sexism (like the beginning of “Go Crazy”), or lyrically challenged rhyme scheme (Fat Joe rhymes “Narcos” with “Pablo” on “Spaghetti”). There are a couple beats go hard, like the menacing “Swear to God”, or the riled up “Cookin”, but nothing to see here, really. NOT RECOMMENDED

A Few More

Like:

Atonement – Immolation (Death Metal)

The Breaker – Little Big Town (Country)

The Feminine: Act II – Anna Wise

Fin – Syd (R & B)

Drunk – Thundercat (Jazz Fusion)

Dislike:

NAV – NAV (Hip-Hop)

HNDRXX – Future (Hip-Hop, R & B)

 

 

January 2017 Album Round Up!

Greetings to all you lovebirds out there 😉

If you’ve got a special someone in your life, hope you and your bank account are gearing up for some good ol’ Valentine’s Day lovin’ next week . If that special someone is still finding their way to you, or if they already did and you fucking blew it, hope the ice cream, tears, and rom com re-runs are good to you. But for most of the single guys out there, hope you enjoy another typical Tuesday with a pointless cultural label where getting laid might be slightly easier.

As for me, I hope to spend Valentine’s Day VERY erotically – listening to that new Marilyn Manson record he’s hinted at (literally the opposite of coincidentally) releasing on that day. It’s supposed to be called Say10. If that title doesn’t strike a chord with you, slowly pronounce it out loud until it clicks. Don’t worry, it took me an embarrassing amount of time to put two and two together, too.

So while you make the necessary preparations (read: purchases) for a drama-free and sex-filled Valentine’s Day, here are some thoughts on what the first month of 2017 had to offer music-wise! We’re off to a pretty good start if you ask me!

Forever – Code Orange

 The hottest act in Metalcore unleashed their third record this month to frenzied excitement. Me? Just a contrarian son of a bitch, I guess. I LIKE album – furious cuts like “Real”, “Spy” and the title track are bone-crushing rushes of adrenaline, and my biggest praise is the LP’s mindboggling variety, with “Bleeding In the Blur” bringing some melodic Post-Hardcore to the table and “Ugly” fusing together ‘90s Alt-Rock with gruff Hard Rock – but the barrage of not-so-special breakdowns does get tiresome and a couple cuts (“The Mud”, “Hurt Goes On”) miss their mark. So yeah. Cool record but I didn’t go head-over-heels for it like everybody else did. Here is a full review. RECOMMENDED

Vessels – Starset

 I went against the grain with this new Starset record too, the band’s second. Vessels fuses together Electronic Music, Butt Rock, and some djent-y modern Metalcore for a sugar sweet but unfulfilling outing full of excessively angsty hooks, non-guitar riffs, and such a thick layer of production that it’s impossible to tell if a single thing is performed by a human being. It’s unbelievably catchy at points, and I understand the appeal, but it’s not gonna be anything more than an occasional guilty pleasure for me. Here is a full review. NOT RECOMMENDED

Return of the Cool – Nick Grant

After stumbling across this Billboard article on Nick Grant last year, Return of the Cool quickly became one of my most anticipated debuts of 2017. With the momentum the 28-year-old Grant has behind him right now, I was ready to bear witness to the meteoric rise of Hip-Hop’s next breakout star – and most of all, I was ready to hear soul and lyricism reinstated in Southern Hip-Hop (not to say I dislike what’s going on down there right now, but, I did grow up with ATLIENS as my bible). On Return of the Cool, the South Carolina native shows some promise and a bit of an old school flair, but the project disappointed the hell out of me. The painfully generic “Bouncin’” could’ve been made by ANY of Grant’s contemporaries (Logic, J. Cole, Big Sean Kendrick, etc.). And despite references to icons like Lauryn Hill and Nas, Grant doesn’t do much to uphold their standards with lines like “curves driving me crazy, I need some counseling”. NOT RECOMMENDED

The Search For Everything (Wave One) – John Mayer

 My fellow Pretentious Fairfield County, CT Douchebag is employing an adventurous and exciting release strategy for his seventh LP – he’s releasing four songs at a time in monthly “waves”. In the uncertain and uneasy free-for-all that is music promotion in 2017, I’m so glad to see someone with Mayer’s clout try a different approach. As for the music on “Wave One”? Simply put, three out of four songs connected for me. Most notably, however, I was psyched to see Mayer take a break from the genre gymnastics of his last few releases and just pen some straight ahead, no frills Pop tunes. Here is a full review. RECOMMENDED

Machine Messiah – Sepultura

 Growing up, I thought all you had to know about Sepultura occurred in the less-than-4-hour combined run time of Beneath the Remains, Chaos A.D., Arise, and Roots. I still sorta feel that way, but I was curious to hear Machine Messiah, which is now the band’s eighth (!) as Sepultura 2.0 since Derrick Green took over on vocals in 1997 (by comparison, they only made six LPs with Max Cavalera). So I felt behind.And I gotta say, I’m impressed with this current incarnation’s mix of Thrash, Groove Metal, a bit of Extreme Metal,, and the most thrilling surprise, a symphonic element on tracks like “Sworn Oath” and “Resistant Parasites”! Worth checking out if you’re like me and have only ever known “classic Sepultura”. Here is a full review. RECOMMENDED

 Culture – Migos

Around 20 million people were watching the Golden Globes when, two weeks before the release of their sophomore album, Donald Glover unexpectedly shouted out the Migos during an acceptance speech (his PHENOMENAL tv show Atlanta took home two awards that night). And with Culture, it’s safe to say the Migos are seizing their moment in the sun. This LP is the EPITOME of the Atlanta-based trap sound: Quavo, Offset, and Takeoff hop on these knocking instrumentals (one of the best collections of trap beats I have ever heard) with colorful ad-libs, tons of charisma, and memorable refrains. I mean, how could you not just throw on a track like “T-Shirt” or “Call Casting” and vibe out? Historically , I’m into Rap like this, so I’m gonna need some more time with it, but Culture just might be an unexpected 2017 favorite. RECOMMENDED

Gods of Violence – Kreator

 On album number fourteen from the legendary German thrashers, they delivered a collection of powerhouse Metal anthems and did so without being restricted by that old school Thrash “leash” that some of their veteran peers seem to be hindered by. As with its predecessor Phantom Antichrist, Gods of Violence draws on not just Thrash but Melodic Death Metal, streaks of classic NWOBHM, and a bit of lyrical inspiration from Viking Metal for a well-rounded listen. Here is a full review. HIGHLY RECOMMENDED

I See You – The xx

The third LP from these British indie poppers is chalk full of seductive nocturnal vibes that range from slightly spacey (“A Violent Noise”) to hipster nightclub-y (“Dangerous”) to just plain heart-wrenching (“Performance). While these guys’ music has never really “clicked” with me, I actually found myself enjoying a good chunk of this album! Unfortunately, one thing that bugs me is how overwhelmingly seriously these guys take themselves – at times, they oversell their emotions in an almost histrionic fashion that leaves me feeling a bit drained, like I’m not allowed to enjoy myself or something. Plus, Romy and Oliver just AREN’T the best singers from a technical standpoint. But it’s still a solid LP, definitely The xx’s best yet! RECOMMENDED

AFI (The Blood Album) – AFI

 Call it nostalgia, call it glass half full, call it “a retard who knows nothing about anything” like you all love to do on YouTube, but AFI fucking BROUGHT it this time around, in a way they haven’t in over a decade! I’m serious. “White Offerings” is PURE Sing the Sorrow (the band’s landmark 2003 release – a childhood favorite of mine), while the sharp riffing in “Hidden Knives” does the song’s title justice, and tracks like “Pink Eyes” and “Snow Cats” have all the makings of hit songs (particularly the latter, with its irresistible call-and-response chorus). I’m just shocked at how into this record I am. The Blood Album is the OGs sending the new bucks back to the drawing board. These songs completely justify my endless shit talking about all these wack ass “emo” bands that are coming up on Warped Tour – this is what they should shoot for. A thoughtful melding of Punk, Post-Hardcore, and Hard Rock, The Blood Album proves that AFI still set the standard. HIGHLY RECOMMENDED

Migration – Bonobo

As easy on the ears as this record is, it DOES tend to drift to the background as you listen to it. The gentle, serene touch of “Break Apart” and the ambience of “Grains” are some of the most pleasant sounds you’re likely to hear from Electronic Music all year, but Migration is not the most outwardly engaging of listens. Of course, you could take that in whatever connotation you’d like! ‘Cause I don’t have any “critiques” here – just my personal experience with this LP, which is that it’s a more passive listen than his early works like Dial “M” for Monkey, which was my favorite album when I was sixteen. Don’t get me wrong – there’s a lot to like here, and it’s 100 percent worth a listen, but it hasn’t gotten much repeated love from me. RECOMMENDED

Lupe Fiasco’s “DROGAS Light”: Four Singles Deep

As I mentioned in my last post, next month Alleged Jew-Hater-Turned-Rap-Retiree Lupe Fiasco will be dropping a follow-up to 2015’s highly acclaimed Tetsuo & Youth, rumors and click bait be damned. A fan of Lupe’s for almost a decade, I’m as excited as I am curious to check out and review the LP, titled DROGAS Light, out February 10th. And in the past couple weeks, Lupe has now unchained more than a quarter of the 14-song tracklist for our listening pleasure via Apple Music, Spotify, and YouTube.

I almost fucking missed it. I WOULD’VE fucking missed it, actually, if I hadn’t noticed “Jump” make an appearance on Apple Music’s “hot tracks” list. And so I immediately diverted my attention (from reviewing Sepultura’s Machine Messiah – coming this week on my YouTube channel) and JUMPED in, horrible pun intended.

Made in the USA (feat. Bianca Sings)

Production-wise the most “stereotypical mainstream Hip-Hop” of these tracks (possibly on purpose), “Made in the USA” might be the most energetic I’ve ever heard Lupe on a track. Lupe’s delivery is always sleek and graceful, even when the subject matter gets intense. But here, he’s fucking hype. It is tongue-and-check? Probably, because as long time fans will likely recognize, he spits these lyrics with a familiar politically-charged facetiousness – one can only assume he’s not actually that proud to be an American right now. Especially since him and Colonel Sanders aren’t on such good terms– he mentions that “KFC is trying to kill me”, and whenever a fast food chain is coming for your head, you’ve seen better days. Kidding aside, “Made in the USA” is a confusing listen in the way that a track like “Bitch Bad” is – it SOUNDS like a banger, but ‘cause Lupe clearly wants you to dig deeper, you practically feel guilty enjoying it at a surface level. And that’s why this is my least favorite of the four songs.

 Jump (feat. Gizzle)

“Jump” – which, given its lack of an impactful hook, is surprisingly the most popular of the bunch – is partially cut from the “A Milli” cloth: rapidly repeated vocal sample, booming bassline, and lots of space for stream-of-consciousness bars. But it’s actually a story track, and if you follow along, it gets pretty damn weird – the protagonist and his new female companion get abducted by aliens, and she (“she” meaning lesbian fem-C Gizzle, who has written for TONS of big name rappers) talks about sampling some…alien pussy. But it’s entertaining through and through, and I like it a lot. Is there some symbolism behind the female character in the story, or maybe the entire plot itself? I’m sure there is, but I’ll leave it to the more pretentious listeners to sort that out.

Pick up the Phone

Listening to this track, I can’t help but wonder if it would’ve boosted the success of Lupe’s heavily criticized third LP Lasers, his detour into Pop-Rap. In a way, this one’s got all the elements of a formulaic Pop chorus – acoustic guitars, simple radio-friendly chord progression, easily digestible vocal melody courtesy of Sebastian Lundberg, and some strings to add a tinge of drama. But the difference is it’s good. Really good, actually. By his standards, Lupe’s lyrics might be a tad disposable, but he flows in a way that’s friendly to Hip-Hop fans and mainstream listeners alike. We’ll see if this one can cross over. Also, the intro to the beat is reminiscent of “Superstar”, so it’s got that going for it.

Wild Child (feat. Jake Torrey)

Like “Pick Up the Phone”, “Wild Child” is another poppy affair, venturing even further in that direction. I’ll say this much: if the God damn radio doesn’t pick up on this song, I might hurt someone. Or have a stroke. Or hurt someone, then have a stroke. It’s so fucking catchy. “Wild Child” not only has a lot going for it musically – perky guitars, spunky bass lines, and a danceable, swinging groove in the chorus – it exudes a beautifully carefree vibe, and “carefree” is not a word you can use to describe ANY of Lupe’s music, really. Sure, the song’s Summer-y vibes might not fit the current mid-January climate, but who cares! I’m looking forward to having this as a sleeper song for pregames when girls are around.

December 2016 Album Round Up!

I don’t care what anyone says – the last month of 2016 belonged to Hip-Hop. In the 11 months prior, every other genre had seemingly said all they had to say, but a legion of brilliant MCs, beat makers, and (hopefully not too many) ghostwriters were just getting started.

I.E. The hare that was the rest of the music biz had all but settled in for 2017, and Hip-Hop was the ultimate tortoise. And for me, this is not even COUNTING the surprise Christmas Eve release of the highly anticipated Run The Jewels 3 album – I can wait ‘til the official date in January for that (I think).

And I’m glad that I didn’t have a crazy influx of new music to deal with, ‘cause I was so God damn busy with my year-end lists that it would’ve been too much to handle anyway. I needed to debate Frank Ocean vs. Beyonce for hours on end in peace.

Anyway, I’m beyond psyched to see what 2017 has in store for us (anticipated albums coming next!), and I’m gonna enjoy turning my eye toward the future once again, ‘cause List Season is all about the retrospective. But before I turn forward, here’s one more look back – eight albums that I was bumping in between year-end list work:

Passion, Pain, & Demon Slayin’ – Kid Cudi

Hands down the best Kid Cudi project since 2010’s Man on the Moon 2: The Legend of Mr. Rager. If you’re a longtime Cudi fan, I bet you’re LOVING this. Unfortunately, there are a couple things holding me back from an overall positive verdict. A) this thing is an incredibly bloated 86 minutes – Frustratingly, a lot of said 86 minutes consists of Cudi ruining otherwise great tracks by dragging them out for unnecessary lengths. B) it’s excessively mopey at times – and “mopey” as in minus the self-destructive charisma of the “moping” on his first two records. But FUCK ME if there isn’t a killer album in here somewhere! Getting some dope, vibed-out production from the likes of Dot da Genius, Plain Pat, and Pharrell definitely helped – I love the spacey beats on tracks like “ILLusions”,”Swim in the Light”, and the Travis Scott-assisted lead single “Baptized in Fire”. And “By Design” is one of the top 5 tracks of Cudi’s entire career. I swear, one of these days this guy’s gonna drop a FIRE project front to back. I can feel it. But not this one. NOT RECOMMENDED

4 Your Eyez Only – J. Cole

I fucking hate J. Cole’s fans. J. Cole’s fans ruined (the stuff I did like by) J. Cole for me. They tried to act like JUST because there was a loose concept to this album – Cole’s fourth – anybody who didn’t like it must feel that way ‘cause it’s “over their head” and they’re JUST NOT SMART ENOUGH. What a crock of shit. 4 Your Eyez Only does have a cool (easy to follow!) storyline, and it has a few phenomenal tracks like “Neighbors” and the tear-jerking title track, but it has a major momentum problem. Too much mopey crooning, too much underwhelming lyricism, and an abomination called “Foldin’ Clothes”. However, I did enjoy the strong cuts enough to grant it a 6/10. But no, dickriders, it’s not a “classic”. FOH with that. Here is a full review. RECOMMENDED

Awaken, My Love! – Childish Gambino

Donald Glover is CRUSHING it right now. The other night, his critically acclaimed TV series Atlanta got hella more critically acclaimed when it took home a pair of Golden Globes; he’s playing Lando Calrissian in the upcoming Star Wars film; AND he dropped Awaken, My Love! – this total stylistic left turn of a record – out of nowhere. DAMN. If you haven’t heard the LP yet, Glover abandoned rapping altogether and hopped in a time machine back to the mid-70s for some George Clinton-inspired funk and soul jams. I’d be full of shit if I said I was well-versed in this genre of music, but I would not be full of shit if I said I enjoyed what I heard, and that I’m continually impressed with Glover’s versatility. RECOMMENDED

Not the Actual Events EP – Nine Inch Nails

With this quick little Christmastime EP, these Industrial Rock legends have finally crawled out of their three-year cave to (hopefully) give us a taste of what they have in store for us on their highly anticipated ninth full-length. In other words, they’re lubricating their audience (pause). A good chunk of what’s on here is classic Nine Inch Nails though. Exhibit A: the electronic grooves on highlight “Dear World” that are nearly danceable but still ominous and foreboding. I’m especially into the track “The Idea of You”, which has these off-kilter machine gun rhythms that are addicting as hell. Ultimately, it’s all just a teaser though, like the full theater trailer for a summer blockbuster. But this thing has me excited for a new Nine Inch Nails studio album (fingers crossed) this year. RECOMMENDED

White Friday (CM9) – Yo Gotti

While every other music nerd spent Christmas Eve freaking out about the Run the Jewels surprise release, I was bumping this mixtape, lured by the explosive single “Power of Money”. Gotti continues to impress me. He’s clearly a street rapper, but there’s a certain elegance to him – he spits with the self-assurance of an OG with nothing to prove, but with the hunger of an MC half his age. He also gets surprisingly sentimental on the closing track “What Happened”, which is dedicated to his friend and manager Mel Carter, who passed away a few weeks before this tape came out. Here is a full review. HIGHLY RECOMMENDED.

 Don’t Smoke Rock – Smoke DZA & Pete Rock

 Harlem MC Smoke DZA teamed up with one of the greatest Hip-Hop producers of all time for a beautifully old school Hip-Hop record, one rooted purely in the ‘90s. Don’t Smoke Rock was so up my alley, it almost feels like it was made specifically for me. I’m giving the top 3 features to Jadakiss, Royce da 5’9, and Big K.R.I.T – they all crushed it. Here is a full review. RECOMMENDED

Darkness and Light – John Legend

So this is the first time I’ve given a full John Legend project a shot. Maybe this style of (mostly) lethargic R & B just isn’t my cup of tea, but these 45 minutes elicited more yawns than anything else. That’s not to say the LP is without its undeniable high points: the funky Chance the Rapper collaboration “Penthouse Floor” is awesome – Chance’s verse on that one, much like himself, is quirky, fun, and imaginative – but my personal favorite is the sensual “Temporarily Painless”. It’s one of my favorite songs right now. It’s SO.DAMN.SEXY, between its dreamy production and Legend’s airtight songwriting – I just can’t get enough. Overall, Darkness and Light is a decent listen for a rainy day, but I’ve found myself coming back to a few select tracks rather than the whole LP. NOT RECOMMENDED

Filthy America…It’s Beautiful – The Lox

No, this hugely anticipated comeback record did not meet my extremely overinflated expectations. The Lox’s 1998 debut Money, Power, & Respect was one of my Hip-Hop bibles growing up, and Jadakiss was always a favorite of mine. Unfortunately, the issue with Filthy America seems to be an identity crisis. This LP doesn’t know whether it wants to be traditionalist (the Premo-produced “Move Forward”) or fit in with the young’ns (the generic trap turn-up of “Secure the Bag”). So it winds up being a disjointed listen. Aside from one gem – the menacing Mobb Deep collab “Hard Life” – I think I’ll stick with Money, Power, & Respect. NOT RECOMMENDED

 

November 2016 Album Round Up!

Hey everyone! Nine days into December, I hope all the obnoxious repeats of Mariah Carey, Wham!, and God knows what else by your “spirited” friends and family haven’t broken you yet. I love how these fucking people try to make me feel like the Grinch just ‘cause I don’t want to hear the same five songs every day for a month. I actually love a lot of Christmas tunes, but as someone who will listen to Grindcore on Wednesday, Disco on Thursday, and Shoegaze on Friday, it’s the lack of variety that kills me.

Anyway, ya boy’s in full-on Year End List mode!!! “List Season”, as I deem it, is my favorite time of year every year! I have tons of fun holing myself up for hours on end listening, re-listening, and deliberating for hours on end about lists that 95% of people don’t give two fucks about. But I do give two fucks, and I’ve got a lot to say this year. I’ve already published one list on YouTube, and several more are on their way! Stay tuned! In the meantime, here are eight records I checked out last month. Keep it gangsta.

Battles – In Flames

Sometimes I seriously wonder who the In Flames fanbase consists of at this point. They’ve now spent over a decade making syrupy Metalcore-ish music that seems to have an inverse time-quality relationship (translation: it keeps getting shittier). This newest one, while not as terrible as 2014’s Siren Charms, takes some vocal cues from Bring Me the Horizon (the “melodic gang vocals” that show up in “The End”, “The Truth”, and the final chorus in “Here Until Forever”), puts some late-‘90s In Flames in the microwave, and then overproduces the shit out of it. I actually didn’t mind it that much, but I’ll be sticking with The Jester Race. Here is a full review. NOT RECOMMENDED

We Got It From Here…Thank You 4 Your Service – A Tribe Called Quest

The Queens legends’ swansong and first record in almost 18 years, We Got It From Here picks up RIGHT where classic Tribe albums like Midnight Marauders left off. I’m astonished at how effortlessly these three veterans manage to make music with the same charisma and gusto that they had a quarter of a century ago. This LP is loaded with all kinds of exciting features (Andre 3000, Talib Kweli, Kendrick Lamar, Busta Rhymes, and even Elton John), but ironically, it’s just icing on the cake – the core of the record is three of Hip-Hop’s (dare I say) elder statesmen taking the kids to school. I’m blown away. HIGHLY RECOMMENDED

24k Magic – Bruno Mars

I can’t believe Bruno Mars took almost four years to follow up Unorthodox Jukebox! It doesn’t feel that long ago at all, right? Well, he’s back with a third record that expands on the unapologetic throwback sound of “Uptown Funk”, his collaborative smash with producer Mark Ronson. 24K Magic is almost entirely rooted in nostalgia for the Pop and R & B of the ‘80s and ‘90s – much of the production is synth driven, with bombastic clapping snares and funky basslines.  Many of these songs have a brazen sexuality, a dose of braggadocio, and are fairly lighthearted, making for a simple, quick, and easy listen. For me, some of it connects and some of it doesn’t. “Chunky”, “That’s What I Like”, and “24K Magic” are three of my favorite Pop songs of 2016, while I could do without the obnoxious “Perm” and the dull closing ballad “Too Good to Say Goodbye”. Currently, the addictive title track is this LP’s only single, but I imagine that’ll change soon. Future single predictions: “Chunky” and “Versace on the Floor”. RECOMMENDED

Hardwired…To Self-Destruct – Metallica

God, my life was so fucking different the last time Metallica put out a record. Death Magnetic came out EIGHT FUCKING YEARS AGO! Wow. Well, the Thrash legends are finally back with another underwhelming but solid LP. My main issue with much of Metallica’s music remains intact: the meandering song structures. These songs are essentially just piles of riffs stacked on top of each other with little regard for concision or quality control. So there ends up being lots of wasted space. The upside, of course, is James Hetfield delivers a ton of riff gems amongst the wasted space. Fans should be (and seem) happy. Here is a full review. RECOMMENDED

Black America Again – Common

Common’s soulful 11th album is – as its title may suggest – loaded with impassioned social commentary, particularly as it pertains to race relations in America. The powerful title track addresses the Flint water crisis, refers to mass incarceration as “the new plantation”, and comments on racism in sports (“Maria Sharapova making more than Serena”). It all feels like a call-to-action for the black community. While profound and sobering, these weighty themes do start to take their toll on the listener, which is why light-hearted breathers like “Love Star”, “Unfamiliar”, and “Red Wine” are helpful. But for me, the best thing about Black America Again is Common’s bars! Look no further than the song “Pyramids” or the amazing first verse on “A Bigger Picture Called Free” for lyrical gymnastics that we haven’t heard from the Chicago OG in forever. He does some of the best rapping of his career on here. And content-wise, he has a lot to say. HIGHLY RECOMMENDED

Starboy – The Weeknd

 Cut out the filler, kids. The Weeknd’s third studio Starboy would’ve been one of the best albums of the year if he had done just that. There is so much FIRE on here, particularly on the first half of the record, but as a listener, I feel like he wastes a good 20 minutes of my time within these 18 tracks. “Attention, “Rockin”, Nothing Without You”, “All I Know”…these all could’ve gotten the axe. STILL, I have been bumping this LP non-stop since it came out – I really do love its tortured-partier themes, its butter smooth production, The Weeknd’s unique croon, and the night-time atmosphere the songs suck me into. The title track is one of 2016’s greatest moments, and there are a good eight or nine other bangers on here that I’m gonna continue to vibe with. RECOMMENDED

Atoma – Dark Tranquillity 

One of my favorite Metal bands of all time and I didn’t review this, even though I wrote about the singles and everything. Why? Well, I didn’t have much to say about it. If I reviewed it, I would’ve given it a strong 7/light 8 and said something to the effect of “this is another great DT album”. But at this point, there are already ten of those! So even though the music is solid on Atoma, it’s starting to feel like I’ve heard everything I’m gonna hear from them. So I cherry-picked my favorite tracks (“Atoma”, “Forward Momentum”, “Our Proof of Life”, “Clearing Skies”) and moved on. I’m hoping for a bit more surprises next go ‘round! RECOMMENDED

Built to Last – Hammerfall

Power Metal mainstays Hammerfall are on their tenth album now. And if you didn’t already expect a rehashing of the band’s other nine LPs, the third track “Sacred Vow” uses multiple previous song titles as lyrics. Look, if you’re into this type of Power Metal – Priest/Maiden throwback sound combined with corny lyrics about warriors, I can definitely recommend Hammerfall’s Steel Meets Steel compilation from 2007 (particularly the second disc). But this record here? You don’t need to hear it. It’s the exact same shit. I’m not gonna say Built to Last is a bad album, ‘cause it’s not a blatantly “bad” album. I just don’t particularly care that it exists. NOT RECOMMENDED