Bad Wolves – N.A.T.I.O.N. Album Review

What’s up guys! It’s time for another album review, and this week I had some STRONG words for Metal supergroup Bad Wolves. Their sophomore album follows the rapid success of last year’s debut Disobey, which came complete with a platinum-selling cover of The Cranberries’ “Zombie”, as well as several high-profile tours with the likes of Five Finger Death Punch, Shinedown, etc.

Seeing that their lineup consists of former members of bands like Devildriver, Bury Your Dead, In This Moment, and Divine Heresy, yet they appear to be catering more towards a Hard Rock audience, I was curious to check this out. Will they be an important band bridging the gap between Hard Rock and Metal? Or is this more insufferable Butt Rock? Find out in the review below! Thanks for watching:

 

Alter Bridge – Walk the Sky Album Review

Whew, it’s finally here! Thanks for your patience guys. Florida Hard Rock band Alter Bridge (a.k.a. “Creed Plus Myles Kennedy”) changed it up quite a bit for album number six, and it took me longer than usual to figure out how I felt about it.

I’m glad I took a little extra time, because I couldn’t be more proud of this review. I feel like I covered this record from every possible angle, and whether you agree or disagree, I really hope you find it entertaining! Full review below, thanks for watching!

Discography Ranking: All That Remains

Happy Friday everyone! Jesus Christ (Kanye pun intended), there are a LOT of new releases to get to today! Of course, Kanye West finally dropped the Gospel-themed Jesus is King, but I’m also chomping at the bit to hear the new Cigarettes After Sex. And then in the Metal world there’s Mayhem, Fit for An Autopsy, Sunn O)), and I’m also planning to review Bad Wolves, who are a massively popular band I have yet to dive into. Oh, and that Alter Bridge review is coming. I double pinky promise.

But for now, I had a lot of fun traveling down memory lane to rank the discography of the Massachusetts Metalcore powerhouse that is All That Remains. As I discuss in the video, there’s nothing quite like listening to a band with the context of their entire career arc at the forefront of your mind. For me, it totally transforms the way I see certain albums.

And All That Remains was an interesting one to do because of how MUCH and how LITTLE I regard different parts of their catalogue. It’s a topsy-turvy ride. And of course, I got to squeeze in a tribute to the late great Oli Herbert. Watch the full video below:

Alter Bridge’s “Dying Light” Single

Honestly, I’ve been getting increasingly worried about this new Alter Bridge record.

The forthcoming Walk the Sky – the band’s sixth LP overall – has now produced five singles from its lengthy tracklist, of which the first four (“Would You Rather”, “In the Deep”, “Take the Crown”, and “Pay No Mind”) I’ve found myself significantly underwhelmed by. So far, these tracks have teased a noticeable departure from the winning formula of 2013’s Fortress and 2016’s The Last Hero in several ways: toned-down aggression, de-emphasized guitar riffs, less vocal breaks, and as guitarist Mark Tremonti hinted at months ago, some experimentation with synthesizers.

As a massive proponent of bands not making the same fucking record over and over again, I’m obligated to applaud Alter Bridge for changing things up. And I’m convinced that Walk the Sky will be one of my most interesting and challenging reviews of 2019 when I do cover it on YouTube. But I simply haven’t enjoyed what I’ve heard so far. This new single “Dying Light”, however, is possibly my favorite of the lot, and manages to dodge several of the critiques I’ve had for the other four tracks.

Most importantly, the band seems to be overemphasizing frontman Myles Kennedy’s vocals, which is resulting in unbalanced songwriting. When you look in the rearview at some of Alter Bridge’s best moments (think “Blackbird”, “Cry of Achilles”, “Come to Life”, “Island of Fools”, etc) they all involve extended instrumental sections that complement Kennedy’s singing by juxtaposing his bright and shiny hooks with their darker and sometimes grittier shadow; songwriting that a Walk the Sky single like “In the Deep” eschews almost entirely . But “Dying Light”, with its moody guitar-and-vocal interplay in the verses, as well as the wonderfully nauseating guitars that groan through the bridge section (3:18 mark), does strike this balance well. Bland and pointless guitar solo aside, it’s got some genuinely unique and memorable instrumental moments, which I’m going to go out on a limb and say is absolutely crucial to Alter Bridge’s music. When they make it all about Myles’ vocals, they start to wade dangerously into “Butt Rock” territory.

But as always, I reserve all judgments for the irreplaceable context of the whole album front-to-back. For all I know, it might all make sense on the 18th, and here’s to hoping that “Dying Light” is somewhat indicative of what “making sense” is gonna sound like.

Walk the Sky is due out October 18th on Napalm Records. Any way you slice it, it’s bound to be one of my most exciting reviews of the year, so be sure to tune in on YouTube! And check out “Dying Light” below:

 

Top 10 Five Finger Death Punch Songs

So, a couple years ago – no, really, a couple YEARS ago – I had the bright idea to make a list of the Top 10 Five Finger Death Punch Songs. One of the most commercially successful Metal acts of the 21st century – and quite a prominent one during my early to mid teens – I know the catalogue well and this thing should be real easy to put together, right?

I quickly gave up. I started making the list and realized that, based on what I was hearing coming out of the speakers, my problem was not gonna be NARROWING DOWN the best songs, but actually finding 10 that I liked! I was stunned at how much my tastes had changed over time. In the coming year, I went on to make a negative video about the band and then another – albeit, facetious – negative video about the band.

Fast forward two-and-a-half years, and I had this burning desire to go back and complete the list. Sure, my tastes have evolved quite a bit over the years, but it was time for a fun little trip down memory lane. And ironically, approaching this topic as a critical “outsider”, so to speak, made for much more compelling content in my book.

So here it is, a fond ode to quite possibly the bro-iest (is that a word?) Metal band of all time. I hope you guys enjoy!

All That Remains: Victim of the New Disease was AWESOME!!

What’s up guys! Time for a discussion that’s LONG overdue.

Last October, while his band was getting ready to unleash their highly anticipated ninth album, one of my heroes suddenly passed away.

The tragic, untimely, mysterious death of All That Remains shredder Oli Herbert shook the Metal community (particularly here in New England) and, needless to say, added a great deal of dark context to Victim of the New Disease, the ATR album released the following month in the wake of his passing.

Now that nearly a year has gone by, there’s something that I STRONGLY felt needed to be said about Victim of the New Disease. Several things, actually. And no, not just that it’s “AWESOME!!”

In the video below, I walk viewers through the crucial importance of Victim of the New Disease, both to the All That Remains legacy and the Metal world at large. If you’re an All That Remains fan, this is a must watch!

And as always, be sure to leave a comment with your thoughts on Victim of the New Disease! Thanks for watching!

Volbeat’s “Last Day Under the Sun” Single

After the one-two punch of 2010’s Beyond Hell/Above Heaven and 2013’s Outlaw Gentlemen & Shady Ladies, Danish Hard Rockers Volbeat certainly looked poised to fill the urgently vacant “Next Stadium Rock Act” slot. They toured the world with coveted opening slots for the likes of Metallica, Five Finger Death Punch, Slipknot, and others. They won over the hearts and minds of mainstream Metalheads with a King Diamond guest vocal and the ace shredding of former Anthrax axeman Rob Caggiano, and simultaneously grabbed serious market share in swaths of the “Active Rock radio” community.

Then 2016’s Seal the Deal & Let’s Boogie was underwhelming and repetitive. No big deal, they’ll get ’em on the next round.

Well, the “next round” is here, in the form of the band’s clumsily titled seventh album Rewind, Replay, Rebound, out August 2nd. And things are not looking good.

Released today, “Last Day Under the Sun” is the second single from the LP and hints at an all-in, spit-shined radio Rock approach. And it’s shockingly bland. I find it amusing that the band thinks that extending the song structure and adding in a guitar solo somehow masks the dull chord progressions and sugary Pop melodies that fill in the bulk of the song. Don’t worry kids, there will surely be a “radio edit” soon.

I’m still holding out hope, though. Volbeat do have a penchant for diverse track lists that run the gamut from borderline Pop-Rock (like this track) to a vintage Heavy Metal assault. But I’m definitely worried that the band have been lured into the depths of Butt Rock by their radio paychecks. They (and many of their fans) wouldn’t be the first victims. We’ll have to wait a couple more months to find out.

 

 

 

August 2018 Album Round Up!

Hey guys! Psyched to make my return to Monthly Round Ups during an action-packed month! Apologies for my little hiatus – work these past several months has been an absolute bitch and it’s been straight up unrealistic to try and squeeze in several listens to 20-25 albums every four or five weeks. It just wasn’t gonna happen. But I’m proud to say that I’m back and here to stay! Kinda like when Jay-Z came out of retirement after not even a year and released a shitty ass record that no one liked but eventually went on to do things like marry Beyonce and make an album with Kanye and start his own streaming service so it was all good. Ok, maybe not quite like that. But still. God, there’s so much to break down from August 2018! I hope you’ve been keeping up via my email list and YouTube channel while I’ve been away!

Mac Miller – Swimming

Five albums and at least twenty (!) projects into his career, one fact remains: Mac Miller is a hell of a beat picker. On Swimming, he lines up an endlessly listenable and surprisingly unique platter of instrumentals, from the funky “What’s the Use?” to the jazz-tinged “Jet Fuel” to one of the sexiest beat switches I’ve ever heard in the trap-laced “Self Care”. Everybody from J. Cole to Flying Lotus to Kanye collaborator Jon Brion to fellow Pittsburgh natives ID Labs to “God’s Plan” producer Cardo contribute to this album’s impressive sound. However, another fact remains: Mac Miller doesn’t really have a whole lot to say. Even after a public split with Ariana Grande earlier this year, Miller’s lyrics on Swimming – rather than directly addressing his feelings – often find him simply crawling between various esoteric trains of thought that leave the production to carry him. I find myself wincing in the first verse of “Wings” when he clumsily points out “that’s a motif!”, and I really struggle through the bleary-eyed pseudo-raps of “Dunno”, the meandering mopefest of “Small Worlds”, and several other underwhelming lyrical moments. So while I dig this album sonically, I don’t find myself connecting with Mac’s words like I did on the lovey dovey Divine Feminine or the triumphant “I’m off drugs!” comeback that was GO:OD AM. I salute Mac for continuing to be carve out his own sound within hip-hop, but I probably won’t be returning to this all that much. NOT RECOMMENDED

Sinsaenum – Repulsion for Humanity

Back in 2016, when ex-Slipknot skinsman Joey Jordison and Dragonforce bassist Frederic Leclercq teased their new supergroup Sinsaenum as an epic collision between Black Metal and Death Metal, I was ecstatic at the thought. At the time, Behemoth’s The Satanist was the last truly great Blackened Death Metal LP I had heard, and I was aching for something new. Well, you can imagine my disappointment when Sinsaenum’s debut Echoes of the Tortured was pretty much just Morbid Angel worship with creepy keyboard interludes. But then, last year’s Ashes EP renewed my hope with a short set of killer tracks that gave me exactly what I wanted – some eerie-yet-brutal, Black Metal-infused Death Metal! So, anticipation was high for Repulsion for Humanity, the band’s sophomore outing and follow-up to Ashes.

Well, they kinda let me down again. Don’t get me wrong, Repulsion for Humanity is very well-executed, but on this record Sinsaenum spend far too much time on compositional Death Metal clichés, aimless guitar solos, and tired lyrical subject matter, rather than turning their attention towards atmosphere and genre-fusing like they did on Ashes. At the end of the day, I found more positives than negatives, but given the raw talent that this band posses, I still wish Sinsaenum would have given us more than a slightly-above-average, dime-a-dozen Death Metal record. Here is a full review. RECOMMENDED

 Travis Scott – Astroworld

Trap powerhouse Travis Scott came in hot with album number three, armed with quite possibly the craziest guest list of any Hip-Hop release this year (Drake, Frank Ocean, James Blake, The Weeknd, Kid Cudi, Swae Lee, 21 Savage, Quavo, Juice Wrld, and Nav all appear). Not to mention, it’s a who’s who of Hip-Hop production as well, with people like Mike Dean, Hit-Boy, Cardo, Murda Beatz, Boi-1da, Thundercat, and even Tame Impala involved. If anybody has done a better job setting themselves up for an “instant classic”, I’d like to hear you argue against Travis Scott. And of course, many critics quickly obliged and gave it that label.

However, I find it surprising that any album containing a Drake verse about taking prescription drugs to fall asleep on a plane can be considered an “instant classic”. Not only do I find Drizzy’s aforementioned “Sicko Mode” verse boring, but a significant chunk of the LP as a whole, with mid-album cuts like “5% Tint”, “Astrothunder”, and “Can’t Say” lulling me to sleep. Surrounded by so many industry heavy-hitters, it’s strange but unsurprising that Scott and his familiar auto-tuned brags are the most non-essential part of this album. The beats are off the chain (see the tuneful Tame Impala and Weeknd collaboration “Skeletons” or the sensory overload of “Carousel”), and more than enough to keep me around most of the time, but Scott himself is just not that interesting to me. So, “instant classic”? Eh, don’t believe the hype. NOT RECOMMENDED

Snak the Ripper – Off the Rails

I got turned on to this amazing record by an Instagram post from Rittz (one of my favorite rappers for several years now), from whom Snak the Ripper had snagged a guest verse for the single “All Out”.

And yet again, Rittz has done great things for my life. I can’t believe how good this record is! Skill-wise, Snak is your archetypal rappity-rapper, packing dense rhyme patterns into complex, high-velocity flows, but his abundance of thoughtful content and his selection of low key, contemplative beats (see “I Ain’t Dead”, “I’m Good, or “Hourglass”) that give him room to let loose lyrically are what ultimately make him stand out. There’s not a single track I don’t like on here, but I’d especially recommend “Baby Boy”, where Snak has some touching words for his newborn son, “Driftin”, which has a super dope video with some tour footage mixed in, and “Knuckle Sandwich”, which brings on R.A. The Rugged Man for a murderous guest appearance.

Seriously, I can’t say ENOUGH good things about this LP! Should definitely end up in the year-end Hip-Hop conversation in a few months! HIGHLY RECOMMENDED

Jason Mraz – Know

Back in college, if you saw a corny dude wearing a fedora and strumming his Ukulele in the middle of campus, you’d make fun of him. The kid’s clearly just trying to get laid in the saddest, most transparent way possible.

Well, Jason Mraz’s albums are the sonic equivalent of that. I don’t know the guy personally, so if he really is this sunny and optimistic all the time, God bless him. Lord knows we have enough cynicism in the world at the moment. But this cutesy RomCom music is tough for me stomach. When I hear lines like “we could be bigger than cheese and macaroni” (on a song that is titled “UNLONELY”, mind you) I feel like punching him. A decade after Mraz’s most ubiquitous hits – “Lucky” and “I’m Yours” – he’s still using the same old chord progressions, the same child-like turns of phrases, and making the same manufactured Summer picnic music. NOT RECOMMENDED

 Death Cab for Cutie – Thank You For Today

I had no idea how much I missed Death Cab’s warm, comforting sound until I heard this LP. Regrettably, I skipped over 2015’s Kintsugi, so it had been around seven years. But I quickly got reacquainted thanks to misty-eyed highlights like “Autumn Love” and “Summer Years”, as well as the hooky “Northern Lights” and the contemplative intro track “I Dreamt We Spoke Again”, which almost felt Kid A-esque to me. While it fizzles out a tad with the last few tracks (I’m not crazy about the somber “You Moved Away” or the generic “Near/Far”), Thank You For Today is a wonderful way to send Summmer 2018 off, and it’s inspiring to dig back into the Death Cab catalogue a bit! RECOMMENDED

Ariana Grande – Sweetener

I realize that 2016’s Dangerous Woman might’ve been the most overplayed Pop album of that God forsaken year, but I still thought it was excellent. Even the deep cuts. I still jam it all the time. And it makes me sad that I couldn’t feel the same way about its follow-up, Sweetener. I’m very lukewarm on this one, mostly because of the beat selection. Personally, I would much rather hear Ariana’s gorgeous voice over stuff like the bluesy “Dangerous Woman” or the boy band nostalgia-invoking “Sometimes” from her last record than, say, the obnoxious Pharrell-ism “The Light is Coming” or the generic trap of “God is a Woman”. It just doesn’t excite me. Sweetener already feels a bit tired by the time the stand out single “No Tears Left to Cry” arrives ten tracks in. But I remain a fan and look forward to Ariana’s next project. NOT RECOMMENDED

Alice in Chains – Rainer Fog

Rainer Fog is now Alice in Chains’ third album during the William Duvall era of the band. It’s crazy to think about how a decade ago, replacing AIC’s late great frontman Layne Staley seemed preposterous, but this current incarnation really grew into it quickly. With Rainer Fog, the sixth LP overall from the Grunge legends, Alice continue to do justice to their legacy by making lively Hard Rock songs that feel modern and exciting – see the driving title cut or the dissonant stomp of opener “The One You Know” for further proof. It might not be a perfect record – I have trouble vibing with the bloated Sabbathian cut “Drone”, for instance – but neither was Facelift if we’re keeping it all the way real. Seriously, it wasn’t! So I don’t care how much you love their early ‘90s material – the point is, for Alice in Chains to continue to make quality music like this over thirty years into their career, it makes them….one of VERY few grunge bands to do so. RECOMMENDED

A FEW MORE:

LIKE:

Alkaline Trio – Is This Thing Cursed?

Blue October – I Hope You’re Happy

Bun B – Return of the Trill

Eminem – Kamikaze

Nothing – Dance on the Blacktop

Trippie Redd – Life’s a Trip

DON’T LIKE:

The Amity Affliction – Misery

Black Tusk – T.C.B.T.

Excision – Apex

Matoma – One in a Million

Plain White T’s – Parallel Universe

YG – Stay Dangerous

 

 

 

 

 

Breaking Benjamin’s “Ember”: Five Singles Deep

What’s up everyone!

As we approach our first Friday The 13th of 2018 (the other one’s coming in July), we’re also gearing up for one of this year’s biggest Blockbuster Butt Rock releases, Breaking Benjamin’s sixth studio album Ember. Don’t worry Shinedown, I’ll get to you too. Well, maybe.

The band’s first release in nearly three years will feature 12 songs, 38 minutes of material, and as we stand today, FIVE pre-album singles. FIVE. So, in other words, if we exclude the 30-second intro track “Lyra” and the 90-second closer “ Vega”, we’ve already heard half the album. Seriously, what happened to MYSTERY in album releases? As a fan, getting flooded with pre-album singles like this is sorta like when you’re on a first date with a girl and she starts talking about her ideal wedding and what she wants to name her kids.

Either way, since I’m planning on giving Ember the full “review” treatment on my YouTube channel, I figured I’d share my thoughts on the five singles we’ve already heard. Seems like there’s a ton of anticipation for this record amongst the HARD RAWWK crowd, so “Butt Rock” jokes aside, I’m gonna give it a legitimate chance.

“Feed the Wolf”

Way back in early January, “Feed the Wolf” was the first taste of Ember that really whipped Breaking Benjamin fans into a frenzy. And for good reason, I may add. The opening riff to this track circles around for a few measures before landing on a searing dissonant note that gives it a certain ugly aggression that’s not often found in this style of music. There’s also this song’s dynamic chorus, where frontman Benjamin Burnley (who is newly 40, by the way), showcases his impressive range by effortlessly stretching his voice from a pseudo-falsetto to an edgy roar in the blink of an eye.

My only complaint is that as I listen to this, I get the sense that if the tempo was like 30 BPM faster, it would be way sicker. But maybe that’s me not being able to get out of my Metalhead mindset. Which, by the way, is why so many Metal fans struggle to enjoy this style of music. But all in all, this is an excellent straightforward Hard Rock song and a prime choice for a first teaser.

“Red Cold River”

While second single “Red Cold River” has plenty of good things going for it – a main groove with a noted metallic edge and a legitimately good music video, for starters – given that it comes RIGHT after “Feed the Wolf” in the tracklist, I can’t help but worry that this album is gonna suffocate me with angst. This song in particularly is just overflowing with emotional distress and you can’t really tell why. It’s being oversold, if you will. To be fair, part of it might be due to the fact that Burnley’s repeated screams of “Run!” kind of sound like “Roar!”, which always makes me chuckle and takes me out of the game a bit. But it’s over-the-top songs like “Red Cold River” that make me struggle to take this genre seriously. It’s too much.

“Psycho”

You know what, I’ll forgive this song’s super boring opening riff and its equally awkward transition into the main groove. Don’t get me wrong, it sucks. But with “Psycho” we get an ultra-melodic chorus that makes up for everything. It’s got a nice subtle use of lead guitars, an appropriately dramatic vocal line, a little shout out to the album title…what more could you want, right? I also love how much love the bass guitar gets on this track – it helps offset the processed guitar tones and generally over-produced feel that this band can’t seem to shake.

Also, going back to my point on “Feed the Wolf”, I’m once again getting the itch to speed this motherfucker up during the verses. That bottom-heavy main riff would sound so killer at more of a breakneck Thrash tempo, wouldn’t it? And how about that double bass in the final chorus?? Why can’t we see more of that in this song?? But I realize I’m a broken record at this point. I’m like if that SNL “More Cowbell” skit were a Metalhead in a Carcass t-shirt.

“Blood”

“Blood” may boast one of the better Breaking Benjamin grooves of this decade – tailor-made for the live environment or maybe one of those tackling montages on the NFL Network – but the rest of it is fairly forgettable. Typical verses that are basically a “subdued” version of the main groove, typical chord progression in the chorus, typical barely-noticeable bridge transition….the band’s kinda on autopilot with this one.

This is where I start to worry about my enjoyment of Ember as a whole. Because within those five unreleased tracks, all the band would need to derail the whole album would be 3 or 4 pieces of filler that knock off the “Blood” formula. That’s how you bore your audience. So while “Blood” isn’t a bad song but any means, I truly hope that there is some slightly more adventurous music in this LP’s other half.

“Save Yourself”

I really wish Breaking Benjamin and bands of their ilk would get together and a have little pow wow where they collectively BAN certain words and phrases from being used in this genre of music. Seriously. This chorus uses “save yourself” and “nothing left” within five seconds of each other. Can you get more cliché than that? Needless to say, I echo the sentiments I had regarding “Blood”. This album’s gonna have to be rounded out by unreleased songs like “The Dark of You” or “Tourniquet” or “Torn In Two”, otherwise we’re just looking at your standard Hard Rock release. But I guess we’ll have to wait and see!

Ember is available everywhere this Friday, April 13th.

June 2017 Album Round Up!

Wow, we’re halfway through 2017?! It feels like just yesterday that I was at a Virginia Tech New Year’s party making tasteless school shooter jokes.

What a crazy year 2017 is so far. I’ve probably been the busiest I’ve ever been in my entire life. Psychology says that busier people are happier, but I think the jury’s still out on that! I wouldn’t have it any other way though. The older I get, the more the whole “free time” thing starts to feel toxic to me. We’ve got such finite time to do everything we wanna do, so unless I’m hanging out with friends I always have to be working on something. Even if it’s re-listening to the first three Carcass records for the billionth time trying to rank how much I like them.

By the way, if reading this Round Up just isn’t enough for you, and you need more Panny in your life, you should definitely check out my guest appearance on the Surreal Resolution podcast, where I participated in….well, a June 2017 Album Round Up! (ya boy starts rambling at the 01:24:00 mark).

For real though, this was a fantastic month for new music! If you’re a Metalhead, there was Goatwhore, Dying Fetus, and Iced Earth. If you’re a Hip-Hop head, there was 2 Chainz and Vince Staples. If you like Pop music, Lorde dropped a gem. Pop-Punkers got some new music from All Time Low, indie folk got some Portugal the Man….we’re all sitting pretty right now. So thank you, music industry. You don’t always let me down.

 

 Last Young Renegade – All Time Low

 Having skipped over these Pop-Punkers’ last couple outings, I decided to pop my head back in and check out Last Young Renegade, their seventh album. And while it’s a pretty lightweight, run-of-the-mill Pop-Punk-but-mostly-Pop affair, there are a few exceptional standouts that make it worthwhile, like the hungover rockstar identity crisis of “Life of the Party”, or the Tegan and Sara collab “Ground Control”, one of my favorite songs of the year. Here is a full review. RECOMMENDED

 BEAUTIFUL THUGGER GIRLS – Young Thug

 He may be one of the most polarizing figures in Hip-Hop right now, but regardless of how you feel about him, you can’t deny that Young Thug has been fun to watch. BEAUTIFUL THUGGER GIRLS is the eccentric cross-dressing MC’s much-discussed “singing album”. Although the cover art is ominously reminiscent of Lil’ Wayne’s disastrous “rock album” Rebirth, BEAUTIFUL THUGGER GIRLS is actually awesome! I was shocked that I liked it, but Thugger’s playful experimentation and impressive sense of melody carry these tunes effortlessly. Cut out a few filler tracks, and this would’ve been one of my favorite albums of the year. Here is a full review. RECOMMENDED 

Incorruptible – Iced Earth

 On their twelfth studio album, Jon Schaffer and Co. are still churning out quality classic-leaning Metal with an extra Thrashy kick to it. This record can get downright ferocious (“Seven Headed Whore”), but the band can bring it down for some powerful melodic moments as well (“The Veil”). Definitely give this a listen if you’re on the hunt for vintage-sounding Metal with heavier, more modern production. RECOMMENDED

 Wrong One to Fuck With – Dying Fetus

 The first release in five years from these Death Metal titans is as relentless and crushing as the genre gets. My favorite thing about Dying Fetus is how they balance different shades of aggression – this record is super noodl-y and tech-y in spots (check the middle of a song like “Seething with Disdain”, for instance), but it’s also got a ‘90s Death Metal stomp at times (“Panic Amongst the Herd”), it’s got slam parts, and perhaps my favorite Dying Fetus signature, the Hardcore-influenced mosh riffs. One of my favorite Metal albums of the year so far. Here is a full review. HIGHLY RECOMMENDED

 Evolve – Imagine Dragons

 Though an improvement on 2015’s Smoke + Mirrors (which I found to be an uninspired dud), Imagine Dragon’s third record still leaves a lot to desired. The choruses are repetitive, the singles (“Believer” and “Thunder”) are unbearably corny, and even though this LP was supposedly born out of a period of emotional turmoil for frontman Dan Reynolds, the heartache doesn’t translate into something I can connect with. Here is a full review. NOT RECOMMENDED

 Pretty Girls Like Trap Music – 2 Chainz

 “I got a bank account/got anotha bank account/got anotha bank account,” boasts 2 Chainz in the single greatest line of his career. Kidding aside, Pretty Girls Like Trap Music is the unexpected artistic peak of this man’s career. It takes everything the Trap genre strives for – banging beats, swaggering flows, hard-hitting hooks, and a rugged, hyper-masculine aesthetic – and rolls it into one record. I’ve never been a 2 Chainz fan, but he sold me with this one. HIGHLY RECOMMENDED

Heart Break – Lady Antebellum

 Every month I try to give a couple Country records a chance in the hopes that I’ll be pleasantly surprised. A couple Mondays ago I was mowing my lawn and needed a soundtrack, so I picked this one. To my delight, I enjoyed a lot of what I heard. It’s definitely cut from the same cloth as a lot of the Pop-Country that I’ve been bashing for years, but the male-female vocal interplay adds a little extra, and I’ve found myself hypocritically enjoying simple, hook-heavy cuts like “The Stars” and “Heart Break”. RECOMMENDED

 Return of the Don – Kool G Rap

 At nearly fifty years old, Kool G Rap proves once again on Return of the Don that he is one of the most vicious MCs to ever touch a mic. Though not as narrative-driven as some of his classic ‘90s output like Live and Let Die or Roots of Evil, G Rap still brings his signature brand of ultra-violent technical rhyming over some the of the best beats of his career courtesy of MoSS, who produced the entire thing. Here is a full review. RECOMMENDED

 Hydrograd – Stone Sour

 So frontman Corey Taylor went ON AND ON AND ON in the press about this being a big departure for Stone Sour in that it’s a “straight ahead rock and roll album”. He’s kind of right – parts of this album really fulfill that promise, and others are an awkward mish-mash of Rock and Metal elements. But despite that, and the fact that the track list takes a nosedive in quality towards the end, Hydrograd has enough highs – the anthemic title track, the moody mid-tempo number “The Witness Trees”, the lovely steel-guitar tinged ballad “St. Marie” – to outweigh its lows. Here is a full review. RECOMMENDED

 Boomiverse – Big Boi

 Even though Big Boi is one of my favorite MCs of all time (a while back I TALKED ABOUT how important his first solo album Sir Lucious Left Foot is to me), I had a tough time getting into this one. I got soured early on it by a cringeworthy Adam Levine appearance on “Mic Jack” (for God’s sake, keep this man AWAY from Hip-Hop!) and the album’s lack of strong hooks only gets more apparent from there. Big Boi’s rapping is still on point – great at times, on tracks like “Order of Operations” – but I don’t find any of the songs sticking with me. NOT RECOMMENDED

A FEW MORE:

LIKE:

Vengeful Ascension – Goatwhore

Woodstock – Portugal. The Man

Funk Wav Bounces Vol. 1 – Calvin Harris

Unparalleled Universe – Origin

Big Fish Theory – Vince Staples

Melodrama – Lorde

DON’T LIKE:

Hopeless Fountain Kingdom – Halsey

Wolves – Rise Against

Witness – Katy Perry

Grateful – DJ Khaled