Discography Ranking: Carcass

Save your work, kids. You never know what you’re going to stumble on years later! Just ask Van Halen about A Different Kind of Truth, a lot of which was written before the millennial generation was even born.

According to the corresponding Word doc on my hard drive, I decided this video was a good idea sometime in early 2018. For some reason – and lord knows we all have enough distractions – I never got around to shooting it, so when I was cleaning out some files and found this ranking (all of which I still agreed with) I just had to shoot it!

As discussed here in detail, Carcass have a remarkably unique catalogue since they were equally influential across 4 or 5 different Metal subgenres. And because of that, there’s very little fan consensus, which lends itself to some interesting discussion! Check out the full video here:

SLAMMING New Exhumed Single “Ravenous Cadavers”: Listen Here

Wow, here’s something to jolt you awake this Tuesday morning!

Extreme Metal veterans Exhumed have just announced album number nine – it’s called Horror and it drops October 4th via Relapse Records.

If this first single is any indication of the full 15-track release, we’re really in for a treat. “Ravenous Cadavers” turns its attention much more towards the Thrash-on-steroids, Carcass-influenced part of the band’s sound, rather than the Grind side of things. Frontman Matt Harvey’s voice sounds as brutal as ever. Check it out here and let me know if you love it as much as I do:

October 2016 Album Round Up!

Back in August I forecasted music release bedlam for the month of October, and boy was I right! Among the albums I heard but didn’t write up here: The Dillinger Escape Plan, Meshuggah, Jimmy Eat World, Darkthrone, and OneRepublic.

Among the albums I didn’t even get to hear yet: Candiria, Red Fang, Wormrot, The Game, Serpentine Dominion, NxWorries, and many, many more!

But I’m sure I’ll have some time to catch up next in the next few weeks – thankfully, the music industry’s about to lightly tap the brakes. But for now, I present to you my musings on what October 2016 had to offer!

The Last Hero – Alter Bridge

2013’s Fortress was Alter Bridge’s magnum opus – it found the band fully integrating a metallic edge into their accessible Hard Rock approach, walking a line only a select few have done successfully (white album Avenged Sevenfold, maybe?).Topping it was going to be next to impossible, but The Last Hero is an excellent follow-up. Once again, anthemic melody is co-existing harmoniously assaultive battering – just listen to “My Champion” and “Island of Fools back-to-back. I also gotta shout out the title track, which is a vast stylistic collage that even brings in some Extreme Metal elements. Aside from two misfires (“Twilight”, “You Will Be Remembered”), Alter Bridge hit another home run. Here is a full review. HIGHLY RECOMMENDED

The Stage – Avenged Sevenfold

Out of nowhere, A7X released a bonafide masterpiece that I had no idea they were capable of making. Back in a monstrous way is the wild experimentation that made City of Evil and the White Album so special. The band weaves every mood, every tempo, every groove, and every instrument imaginable into these 70-plus minutes. The dark lyrical concepts running through the LP – dystopia, the dangers of science, the human ego – are as riveting and emotionally potent as anything we’ve heard all year. Not to mention the tear-jerking narration from renowned scientist Neil Degrasse Tyson that closes out the record. An absolutely essential listen. Here is a full review. HIGHLY RECOMMENDED

Hotel EP – Yelawolf

Yelawolf’s surprise EP takes the bluesy Folk Rap of last year’s Love Story LP – a record that was too bloated and self-indulgent for its own good – and marries it with the gritty, speedy, and wildly charismatic bars that made him famous in the first place. It’s the first full project I’ve enjoyed from Yela in several years, and it reignited my interest in what’s next for ol’ Catfish Billy. Here is a full review. HIGHLY RECOMMENDED

Revolution Radio – Green Day

I’m absolutely baffled by how much I’m into this record! I went in with zero expectations, and was pleasantly surprised with a set of high-energy Pop-Punk offerings that made me feel like I’m in middle school again! (That feeling is nearly impossible to come by these days). Other than some poor lyrics (“Youngblood”) and some filler (“Too Dumb to Die”, “Forever Now”), I’m digging Green Day’s latest – the first album of theirs I’ve enjoyed since American Idiot. RECOMMENDED

Two Vines – Empire of the Sun

The Australian Electro duo’s best album yet! Compared with 2013’s Ice on the Dune – an album that has been the soundtrack to so many incredibly fun times for me – Two Vines is less banger-centric and more laid back and unassuming. It’s interesting that this LP came out in late October, because compared to its predecessor, it’s way less Summer-y and more tailored towards chilly late night drives. “ZZZ”, “Way To Go”, and “Before” are my favorite cuts on here. HIGHLY RECOMMENDED

The Serenity of Suffering – Korn

Rolling Stone called this thing “turn-of-the-millenium Korn-by-numbers”, and they’re not wrong. There are zero new ideas on this album. That being said, it’s earning a lot of praise from Metalheads because it’s Korn “returning to form”, per se. And on tracks like “Black is the Soul”, with its dissonant riffage, and lead single “Insane”, with its brooding refrain, that rings true. But its detractors also have a point, especially in the latter half of the LP – you can’t seriously argue that the chorus to “When You’re Not There”, for instance, is anything but a snoozefest. But if you’re looking for an intense, cathartic expulsion of all of your fucked up feelings, or you’re just curious what late-90s Korn would sound like with modern, cleaner production, give this thing a whirl. RECOMMENDED

Joanne – Lady GaGa

 What a colossal fucking disappointment. GaGa dulled her edges, stripped away all the kooky eccentricity, and what’s left is a record with zero personality. Vocally she delivers some great performances, but everything feels so lifeless and uninspired. It’s tough to explain, honestly, ‘cause the songs seem like they should “work”, but when I try and  connect with them, they feel stiff and aloof. I was totally ready to embrace a mature GaGa, but I’m astonished at how much I didn’t like Joanne. Maybe it’ll grow on me, but for now? BLEHHH. NOT RECOMMENDED

The Brotherhood of the Snake – Testament

If you’re on the prowl for 45 minutes of straight Thrash action from one of the Bay Area OGs, Brotherhood of the Snake cannot possibly let you down. But this LP is not nearly as catchy, intricate or dynamic as the band’s 2012 masterpiece Dark Roots of Earth. Not to say it doesn’t perform as advertised – it’s got some ripping thrashers in the vein of their classic records – but it offers nothing beyond that, which left me (ever so slightly) disappointed, especially in comparison with Dark Roots. Here is a full review. RECOMMENDED

Rage & the Machine – Joe Budden 

Even though I dug his last album (2015’s All Love Lost), I was pleasantly surprised to find that Rage & the Machine isn’t another complete mopefest exclusively about breakups, depression, and self-pity (believe me, I love that shit though). On album number six, Joey diversifies things – there’s sample-heavy boom bap, hype trap-influenced shit, and R&B-tinged moments as well, all providing a soundscape for his usual dense rhymes. “Wrong One” is a slapper and a half – ArraabMusik’s beat (he produced basically the whole project) goes SO fucking hard. “Serious” is a menacing duet with Budden’s Slaughterhouse compatriot Joell Ortiz. But there are several misses too – Fabolous’ sing-song flow on “Flex” is terrible enough to drag the entire album down on its own, and “By Law” bores me to tears. As a big Budden fan, I got some great new jams out of this, but I’m still waiting for the hooks, the narrative, the bars, and the beats to all add up into a single classic project. RECOMMENDED

 Three – Phantogram

 Phantogram’s dramatic, occasionally theatrical third LP is their best yet. I especially enjoy how the often bleak lyrics pair equally well with hard-hitting synths, dreamy, shoegaze-y landscapes, and some of the more Hip-Hop based production. But I’m not in love with everything here – namely, the irritating hook on “You Don’t Get Me High Anymore” and the plodding “Barking Dog”. Overall, Three is a concise crash course in the many facets of the Phantogram sound, which you can broadly label as “Alternative”, but which gets pretty sophisticated when you try and whittle the versatile duo down to a single subgenre. RECOMMENDED

DC4 – Meek Mill

Zzzz……I usually listen to these albums at least three to five times, but I made it through three songs on this one. Same ol’ same ol’. NOT RECOMMENDED

The Whole of the Law – Anaal Nathrakh

Listening to Anaal Nathrakh’s eclectic, everything-but-the-kitchen-sink approach to Extreme Metal is like playing subgenre I Spy. In a matter of seconds, these motherfuckers will cycle through Grindcore, Black Metal, Death Metal, Power Metal, and God knows what else, making for a uniquely exhilarating listening experience. There has yet to be a major misstep in the band’s catalogue, but “The Whole of the Law” might just be their best in a decade. Sure, you can criticize this record for being a bit wonky and over-the-top, but that’s EXACTLY why I love it. HIGHLY RECOMMENDED

Breathe in the Water – Kyng

Kyng’s throwback blend of Hard Rock and Metal continues to work on album number three. You can find Breathe in the Water at a delightful intersection between Black Sabbath, Thin Lizzy, and Baronness.“Pristine Warning”, “Bipolar Schemes”, and the title track all pack quite the punch in the riff category. I just wish this band would get the fucking attention they deserve! RECOMMENDED

 

 

 

 

June 2016 Album Round Up!

What a month June was. The back end of the month saw me frantically putting together my Mid-Year Album Lists (check my YouTube channel for the video versions or check back with this blog in the next few days), and the month of June itself spawned five releases that ended up beating out albums I’ve been living with for months! Garbage, Gojira, Nails, Apathy, and Be’Lakor all wound up on my Mid-Year lists! June couldn’t have ever topped May, but it was an excellent month for new music! Here are my thoughts on ten albums that dropped:

Seal the Deal & Let’s Boogie – Volbeat

Unfortunately, it is no easy feat to follow up a pair of excellent LPs (2010’s Beyond Hell/Above Heaven and 2013’s Outlaw Gentlemen & Shady Ladies) that blurred the lines between Rock and Metal and nudged both genres forward in the process. Alas, the Danes have returned from half a decade of triumphs with something less exciting and more repetitive. But Volbeat retracing their steps still entails a solid helping of fun, catchy, immediately satisfying Rock songs. I especially dug “The Bliss”, the title cut, and the closing duo of tracks, “You Will Know” and “The Loa’s Crossroad”. Here is a full review. RECOMMENDED

Why Are You OK – Band of Horses

When I sit and consider some of my favorite Alternative music that has ever been made, Band of Horses’ third LP Infinite Arms almost always springs to mind. It’s just a special record for me. Thus it’s a high water mark I can forgive them for failing to reach again on album number five, which otherwise performs as advertised.As Band of Horses continue to execute on their winning formula, much of these tracks wash over you with waves of mellow, calmly reassuring musical passages that occasionally pick up their pace and crunchiness, but still retain that same good-natured vibe. Standouts include beautiful ballads like “Hag”, “Lying Under Oak”, and lead single “Whatever, Wherever”, as well as the bouncy boardwalk soundtrack “Solemn Oath”. Overall, Why Are You OK is not necessarily the type of music that invokes an impassioned response in either direction . It’s pleasant, it’s unassuming, and if it were playing in my childhood home, my mom would walk by and go, “oh, that’s a nice song”. You can flip that evaluation to mean something positive or something negative. I definitely choose positive. RECOMMENDED

The Human Condition – Jon Bellion

Jon Bellion’s debut LP has got to be one of the highest anticipated releases of the summer. His mixtape buzz has been years in the making, and he’s already built quite a loyal fanbase for himself through both his Visionary Music Group affiliation and his ties to several gargantuan hits like Zedd’s “Beautiful Now” and Eminem’s “The Monster” (he co-wrote the latter). The Human Condition, the end result of all this hype, is enjoyable and well-thought out, but pretty spotty. It’s tough for me to sit through sappy, well-worn Pop terrain like “Fashion” or the One Republic knock-off “Maybe IDK” in order to get to tracks I dig like the rap-heavy “New York Soul, Pt. ii”. Nevertheless, these 14 songs have more successes than failures – not to mention these lyrical themes are so millennial-centric – so it gets overall approval from me. RECOMMENDED

Magma – Gojira

With Magma, these French extreme metal masters made the mainstream-ish gateway album that they only hinted at on 2012’s L’Enfant Sauvage. And guess what?? They’re just as convincing playing concise and simple music as they are being epic and long-winded. In fact, borderline Hard Rock track “Stranded” is potentially my favorite! Magma might be slightly flawed and not completely live up to the masterful trio of LPs that came before it, but that’s like saying Megadeth’s awesome Countdown to Extinction doesn’t live up to Peace Sells…But Who’s Buying? or Rust in Peace. One of the best Metal albums of the year thus far. Here is a full review. HIGHLY RECOMMENDED

Rude Awakening – Wiz Khalifa, Juicy J, & TM88

I should’ve learned from Collegrove (this past March’s collaborative mixtape between 2 Chainz and Lil’ Wayne). I suppose I didn’t. But at least Collegrove carried with it the possibility of hearing an occasional flash of brilliance from Wayne reminiscent of his mid-00s mixtape run. Rude Awakening, however, is a different story. I could almost feel the neural pathways in my brain writhing in agony as I got clobbered with one rudimentary turn-up rhyme after another. On the track “All Night”, Wiz Khalifa actually says “I got bars like a jail”, making other lines like “Don’t SnapChat me that pussy, I want it for real” sound like Langston Hughes. Avoid this thing at all costs. NOT RECOMMENDED

Strange Little Birds – Garbage

I got into these beloved ‘90s alt heroes (specifically their self-titled debut) JUST in time for Strange Little Birds, their sixth LP overall. Admittedly, I’m riding a bit of a “discovery high” so check back in with me in a few months, but Strange Little Birds is fucking awesome. It manages to fit in with its modern contemporaries and avoid sounding derivative, yet it successfully recalls greatness of two decades ago. “Blackout”, ripping lead single “Empty”, and “Teaching Little Fingers to Play” – the latter which gracefully addresses growing pains – are among my favorites, but all 11 tracks hit their mark. More thoughts in this video. HIGHLY RECOMMENDED

Handshakes with Snakes – Apathy

Words can’t express what this album means to an old-school Hip Hop head like myself. Handshakes with Snakes is Apathy’s 5th studio album, but the CT veteran’s copious releases are well into the double digits. What we get on this LP is knocking, boom-bap production and thoughtful, lyrically complex bars. A song like “Pay Your Dues”, with a sweet Phil Collins sample, finds Ap railing against entitled, unoriginal new rappers, telling them “you can’t win wars if you ain’t swung swords” and reaffirming his commitment to the craft: “what’s love? Studying Illmatic like the Bible.” “Rap Is Not Pop” is another killer cut, with the MC boldly claiming he’s “Too Kool G Rap for these new school cats.” I’d fucking agree. There’s even a reference to Big L’s “H-E-double hockey sticks line” on “Blow Ya Head Off”. You can’t miss if you’re a fan of gritty 90s Hip-Hop, and for me, this is a contender for indie Rap album of the year so far. HIGHLY RECOMMENDED

Unden!able – Hellyeah

This Metal supergroup began their career with three albums in a row full of cookie cutter, throwaway Groove Metal and lyrics that made Fred Durst and Five Finger Death Punch’s Ivan Moody seem tolerable. Occasionally a song would find its way onto my work out playlist, but I was not a fan. Their fourth LP, 2014’s Blood for Blood, was a noticeable uptick in production and songwriting, with a decent chunk of the corny cut out, but I still wasn’t convinced. Unden!able is an ever-so-slight improvement on Blood for Blood, weighed down by several cringeworthy moments but featuring Active Rock radio slam dunks “Human”, “Leap of Faith”, “X”, and the soaring ballad “Love Falls”, which are juuust enough to tip it over the edge for me. That being said, every now and then I give something the benefit of the doubt and regret it later, and it remains to be seen if Unden!able fits that narrative. Here is a full review. RECOMMENDED

You Will Never Be One of Us – Nails

 The third record from Nails is a fucking exhilarating listen. Before the sludgy eight-minute closer “They Come Crawling Back”, it’s 14 minutes of pummeling Powerviolence/Grindcore/Thrash Metal/Death Metal combos that leave the listener gasping for air. The guitar tone is absurdly heavy, yet the production doesn’t muddy up any riffs or grooves. If you like music that inspires you to grab the cutest baby and just start violently shaking it, this is for you. Personally, it made my Metal Mid-Year List. HIGHLY RECOMMENDED

Still Brazy – YG

I just don’t see it guys. The hype behind YG’s follow-up to his breakout My Krazy Life album isn’t warranted to me. It’s definitely an improvement on that LP, but it’s not the West Coast Hip-Hop landmark that people are making it out to be. Sure, there’s some menacing bravado on “Don’t Come to LA”, and “Gimmie Got Shot” is a satisfying conceptual listen about mooching, but there’s nothing spectacular. But a track like “Bool, Balm, and Bollective” has such an unimaginative hook, and “Why You Always Hatin’” finds YG getting bodied by a singin’ nigga (Drake shows up for a feature and up-stages him). The best thing about this record is the production – “I Got a Question”, for instance, has to be one of the more interesting combination of sounds I’ve heard this year. The 1500 or Nothin’ beat sounds like DJ Mustard meets “Nuthin’ but a G Thang” meets a laser gun from an arcade game. It’s definitely not a BAD album, but it’s pretty good at best, and to my ears, it’s fairly non-essential. NOT RECOMMENDED