Anthrax’s “Evil Twin” Single

More than four years removed from one of metal’s most epic comebacks and a possible career peak in 2011’s Worship Music, a new Anthrax album is imminent. Man, it makes me tingle writing that. With what will be the band’s eleventh studio album slated for a 2016 release, classic thrash fans have a lot of celebrating on the horizon, with Megadeth’s Dystopia album also dropping in early 2016 – January to be precise (read my write-up of the “Fatal Illusion” single HERE). And this past Friday, fans got their first sampling of the as-of-now untitled release from Scott Ian and Co., a single entitled “Evil Twin”.

Immediately noticeable in “Evil Twin” is a new and improved rhythm guitar tone from Scott Ian – while Worship Music was a near-masterpiece, the rhythm tone did lack a certain thrash metal punch, reducing the power of pedal tone riffs on songs like “The Devil You Know” and “The Giant”. With an opening riff centered on pedal tones, “Evil Twin” serves as the perfect comparison, and the improvement is quite evident – the guitars sound heavier this time around. I realize some would considerate it disrespectful, ignorant – as well as a bunch of other useless adjectives I don’t give a shit about – for me to compare a veteran band to their metalcore offspring, but the main riff is very much an Anthrax’d version of Killswitch Engage’s “Rose of Sharyn”, at least before it bursts into punk-influenced rage.

Elsewhere, Joey Belladonna continues to contend for the G.O.A.T. spot among thrash metal vocalists (what’s up Bobby Blitz?), and delivers the thoughtfully-penned, topical lyrics in a way only he is capable of. I know this lyrical comparison is painfully obvious, but…”Holy Wars”, anyone? Newcomer Jonathan Donais (formerly of Shadows Fall) also delivers an appropriately shred-laced solo, although I am definitely going to miss Rob Caggiano.

My one gripe with this track is Charlie Benante’s choice not to sync the verse riff with double kick drums. Perhaps my neurological pathways are overrun with Fear Factory jams lately, but I can’t help but feel like locking in that guitar and bass groove with the kick drum would push the verses to an even heavier place.

It is no secret that Worship Music will be tough for Anthrax – and, quite frankly, any modern thrash band – to top, but “Evil Twin” effortlessly reaches the high bar set by that album and arguably lifts it higher. It is, simply put, a clinic in thrash metal circa 2015.

Megadeth’s “Fatal Illusion” Single

In the Megadeth world, the last year or so has been a PR whirlwind. There was the failed reunion of the Rust in Peace lineup, the sudden departure of guitarist Chris Broderick and drummer Shawn Drover, the exciting replacement drummer no one saw coming in Lamb of God’s Chris Adler, and a whole lot of sensationalized Blabbermouth headlines. In all fairness, it’s publicity like this that keeps a band relevant after releasing an album that was truly a skid mark on their legendary discography. Being the Megadeth diehard that I am, Super Collider remains the only album by the band that I cannot listen to (yep, Risk included – without Megadeth’s name on it, there’s some decent alternative rock hidden in there). The only thing that could’ve possibly ignited my interest in Super Collider’s follow-up was if the band recruited one of my favorite drummers and potentially my favorite guitar player of all-time…. wait a second, those would be Megadeth’s brand new members, the aforementioned Chris Adler and Angra’s Kiko Loureiro! Based on this alone, Megadeth’s instant jump in my mind from “washed up” to “I can’t wait for their new album” makes me feel like such a wishy washy hypocrite.

This past Thursday, Megadeth’s fifteenth album became public knowledge, with the title, release date, track list, and some truly awesome cover art all revealed, along with the premiere of first single “Fatal Illusion”. The album will be called Dystopia, and won’t be out until January 22nd of next year. I’m not sure whether to be charmed by Universal’s traditional album roll out or concerned by such a resistance to industry change. Either way, we now have the first Megadeth song since June 2013, and I couldn’t have been more curious to hear it.

“Fatal Illusion” is – at a minimum– the best Megadeth song since 2009’s Endgame. After a well-executed intro that allows the song to gradually build, we’re greeted by one of the meatiest bass tones I have ever heard, as David Ellefson introduces the main riff “Peace Sells” style. After that, it’s everything that makes Megadeth great, and everything Super Collider was missing. The song’s powerful main riff is amplified by Chris Adler’s hard-hitting double bass, which segues into a catchy verse groove straight out of the Rust in Peace playbook. Kiko Loureiro and Dave Mustaine sprinkle some indulgent lead playing throughout, adding some spice to the song’s structure. By the time the band erupts into the breakneck bridge section, “Fatal Illusion” has already sold itself. Megadeth are not fucking around this time.

Sonically, “Fatal Illusion” is along the lines of United Abominations and Endgame – the production strikes a successful balance between polish and edge. In addition to Ellefson’s stunning bass tone, the guitars and drums sound like Megadeth again, as opposed to the muddiness of Super Collider and its predecessor, Th1rt3en. Perhaps the biggest critical headache on Super Collider was Dave Mustaine’s lazy, painfully corny lyrical content, but “Fatal Illusion” makes significant strides in this department, despite the backseat role lyrics often assume in Megadeth. If you ask me, “It’s a fatal illusion that evil never dies” is pretty fucking badass.

With “Fatal Illusion”, Megadeth have made quite the statement. Super Collider is already disappearing from the rear view mirror, and the band’s new lineup gives the metal community – young and old – something to be truly excited about. I’m eagerly anticipating Dystopia’s January 22nd release. Well, either that or its inevitable leak.