Suicide Silence – Become the Hunter Album Review

What’s up guys! You knew I HAD to cover this one. Three years after the unmitigated disaster that was the 2017 self-titled record, Deathcore leaders Suicide Silence are back and looking for redemption.

After the self-titled LP triggered so much backlash (some of which included the band tussling with their own fans online), I was curious to see how they bounced back. Two potential mistakes they could make here are a) double down on this heavily criticized new direction, or b) run scared and play things too safe, resulting in a borefest.

Did they manage to avoid these pitfalls? Here is my full review of ‘Become the Hunter’:

 

Kataklysm: The BEST Death Metal Gateway

Man, I’m really proud of this one.

As I wrote about for Metal Injection several years ago, “gateway bands” are incredibly crucial to the development of a Metal fan. And as you wade deeper into the genre, there is arguably no bigger hurdle than acquiring a taste for Death Metal, one of Metal’s most abrasive incarnations.

In this video I argue that for Death Metal, there is no one more up to the task of “gateway band” than the Canadian band Kataklysm, who have made a near-30 year career out of standing on the precipice of Melodic and Brutal Death Metal.

For any fans out there who are curious but trepidatious about Death Metal, I take this opportunity to explain how to use Kataklysm’s music to help you ease into the genre. There is also an accompanying Spotify playlist to further help you out.

I hope you guys find this video helpful! In retrospect, Death Metal was one of the most difficult transitions for me as a listener, but my patience up front has paid substantial dividends for well over a decade of my life, and if I can guide towards that same light, I will! Watch the full video below:

Essential Metal: Atheist – Unquestionable Presence

And here we are, our first 2020 installment of my Essential Metal series! This time around, I’m digging into Atheist’s 1991 classic Unquestionable Presence, a record that helped lay the groundwork for what would become Technical Death Metal. And despite being considered a key release in the Florida Death Metal explosion of the late ’80s and early ’90s, it actually had very little in common with its peers, as I argue in this video.

In case you’re playing catch-up, a full playlist of every album I’ve covered for the Essential Metal series is available here.

For my full thoughts on Unquestionable Presence, check out the video below. Thanks for watching!

 

Top 10 Albums of 2019: METAL EDITION

Year-End List Number Three is here! My Top 10 Metal Albums of 2019! This was a fantastic year for the Metal genre as a whole. And hopefully this wide range of exciting album I’ve selected – from bands new and old, high-profile and under-the-radar – reflects that. Above all, these lists are always a wonderful opportunity for a moment of gratitude. So THANK YOU to all of these bands for pouring their blood, sweat, and tears into their music and making all of our lives more manageable in the process! Artists discussed here include Allegaeon, Venom Prison, Liturgy, Fit for An Autopsy and more!

Check out the full list below:

Essential Metal: Dissection – Storm of the Light’s Bane

This might just be the best Essential Metal video I’ve ever done. Actually, it might be the best video I’ve done, period.

In this latest addition to the Essential Metal series, I “dissect” (yes, pun oh-so-egregiously intended) the classic second album from Dissection, Storm of the Light’s Bane, which I refer to in this video as “the Old Testament of Blackened Death Metal”.

If you’ve never heard this record, PLEASE go give it a listen (as soon as you watch this video, of course!). If you’re at all into Extreme Metal, chances are you’ve heard it already. But if you’re not, this could be your perfect gateway in. Check out the full video below:

 

Betraying the Martyrs – Rapture Album Review

What’s up guys! Got a brand new Metal review for you today! This week I’m unpacking the fourth full-length record from French Deathcore band Betraying the Martyrs.

I was just introduced to these guys about a month or two ago, and I thought Rapture would be a great opportunity to stretch my tastes a little bit and do a deep dive into something I typically wouldn’t check out. A majority of bands either on the Sumerian Records roster, within the Deathcore movement, or of the “verb-the-noun” persuasion tend to not be my cup of tea – and Betraying the Martyrs happen to check all three boxes. So I purposely went into this review hoping to be pleasantly surprised. Full review below:

Venom Prison – Glitch: Mental Health and Touring Musicians REACTION

Happy Friday guys! Or I guess I could wish you a Happy As I Lay Dying Release Day, Happy Cult of Luna Release Day, Happy Blink-182 Release Day, Happy Zac Brown Band Release Day, or however you choose to make this otherwise-insignificant day meaningful.

I wanted to share a few thoughts on this mental health-centered tour documentary that the band Venom Prison did. You can watch the full documentary here. It’s certainly a unique spin on your typical idealized and/or goofy supercut of “backstage footage” from established bands. “Glitch” instead chooses to focus on the emotional hardships of the touring lifestyle. The boredom, the drudgery, the loneliness. And it brought up a lot of interesting themes that I enjoyed discussing. Check out my full reaction here:

SLAMMING New Exhumed Single “Ravenous Cadavers”: Listen Here

Wow, here’s something to jolt you awake this Tuesday morning!

Extreme Metal veterans Exhumed have just announced album number nine – it’s called Horror and it drops October 4th via Relapse Records.

If this first single is any indication of the full 15-track release, we’re really in for a treat. “Ravenous Cadavers” turns its attention much more towards the Thrash-on-steroids, Carcass-influenced part of the band’s sound, rather than the Grind side of things. Frontman Matt Harvey’s voice sounds as brutal as ever. Check it out here and let me know if you love it as much as I do:

Top 10 Mid-Year Albums of 2019: METAL EDITION

Hey guys, it’s finally time for our Mid-Year Lists! I actually put these together in late June, but July got crazy and I haven’t had time to edit the footage and get it up on YouTube. Part 1 is our Metal list, featuring an AMAZING slew of releases ranging from heavy-hitters like Periphery and Baroness to criminally underrated music from the likes of Astronoid and Numenorean. Also featuring the…ehm…”colorful” commentary from yours truly, as always.

Check out the full video below, and let me know your picks! Non-Metal list coming soon too!

 

The Most Underrated Cannibal Corpse Song!

So the other day I’m in my car raging to Cannibal Corpse’s murderous 1994 classic The Bleeding, as I often do.

And I’m ripping through songs like the maniacal “Pulverized”, and of course, the ultra-violent “Fucked With a Knife”, and thinking nothing of this LP that I’ve heard a hundred times before. And then, all of a sudden, track five stops me dead in my tracks.

“Oh my God,” I said to myself (100 percent out loud, mind you). “How did I never notice the genius of this song??”

That song is “Return to Flesh”, and despite being an oft-forgotten deep cut surrounded by iconic Cannibal Corpse moments, is one of the band’s finest hours.

For starters, it demonstrates one of the great ironies of the early ’90s Floridian Death Metal movement: for a genre that’s known for upping the ante on Metal’s aggression by playing faster, it’s the excessively SLOW musical passages where the style’s “brutality” truly blossoms. Listen to this track’s lumbering intro riff, sauntering onto the speakers like an axe murderer who can’t be bothered to flee the scene.

And note how, after this sluggish intro riff, thr song effortlessly turns on a dime, launching into a breakneck sixteenth note feel, and then quickly transitioning to a catchy mid-tempo groove that would make Pantera jealous.

“Return to Flesh” is also one of drummer Paul Mazurkiewicz’s most impressive performances, as he navigates the constant feel changes and stop-start rhythms with masterful precision. And I love the creative guitar harmonies, which sound appropriately disgusting and disease-riddled. It’s truly a Death Metal masterclass.

Classic records like The Bleeding are the gift that keeps on giving. I live for unexpectedly joyous moments of (re)discovery like this. “Return to Flesh” just might be the best song on this whole LP, and I can’t believe I let that fact go unnoticed for so long.