November 2017 Album Round Up!

Greetings, fellow music fans of the (still “neutral” for now) Internet! Welcome to my second-to-last Album Round Up of 2017! As I type this, I’m already deep into the hours and hours of fierce internal debate that I pour into List…..ok, look. My first instinct was to write something about “List Season”, because naturally, I’ve been gleefully combing through 2017’s release calendar compiling those “best of” lists that consume all of my Decembers. But knowing myself as well as I do, I had this funny feeling that I had made some equally dumb comment about “List Season” at this time last year, and sure enough, I was right. And since I’m not a member of AC/DC, I don’t get some sort of pathological satisfaction out of constantly repeating myself. So maybe I just won’t acknowledge “List Season” this time around. Although….since I’ve now used the term “List Season” four times in this very paragraph, I guess I’m kinda committed.

In all seriousness, there’s a reason List Season is my favorite time of year. With the exception of my “Worst of” list, I literally have an excuse to just sit on my ass and listen to every single piece of auditory greatness that 2017 gave us for hours and hours on end! More over, I get to really dig into any records that got swept under the rug while I was busy drinking, procrastinating, or random bullshit like arguing with Geico about my premiums or shopping for a new massage chair.

As it turns out, November gave me a ton of material for this Round Up– at 23 albums, I think this might be the most different releases I’ve covered in one of these things – so I really hope you get something out of this! Even if there’s just ONE album that I turn you on to/steer you away from, then it’s all worth it to me.

Reputation – Taylor Swift

You know, I gave this a genuine chance. I was even willing to forego that gimmicky “leave it off streaming platforms for three weeks” marketing plan that Swift and the Suits dreamed up. But Reputation is a big step back from 2014’s Pop juggernaut 1989. Swift’s sixth album features ill-advised experiments with dance music (“I Did Something Bad”, “Look What You Made Me Do”), a really awkward Ed Sheeran collaboration (“End Game”), enough vocal manipulations to make T-Pain gawk, and cheaply invokes sexuality at nearly every turn (“…Ready for It?”, “Delicate”, “Dress”).   All that being said, Reputation has already passed 2 million sales worldwide and is currently occupying the top slot on the Billboard charts for the third week in a row, so as always, the joke’s on me. NOT RECOMMENDED

Radio Silence – Talib Kweli

 For his eighth solo release, the veteran Brooklyn MC and social activist – not to mention, one of Twitter’s most incessant self-righteousness finger-pointers – added another solid installment to his prolific catalogue. While a few late-album cuts like the title track and “Let It Roll” are underwhelming momentum-retardants, there are three songs in particular – “All of Us”, “She’s My Hero”, and “Chips” – that make everything worthwhile. “All of Us” is a soulful collaboration with singer Yummy Bingham that boasts I think, like, the SECOND Jay Electronica verse of all of 2017. “She’s My Hero” is a tear-jerking ode to abuse victim Bresha Meadows. And “Chips” is a rousing collab with none other than Waka Flocka Flame, who sets it on fire with one of the most surprisingly dope guest verses I’ve heard all year. Here is a full review. RECOMMENDED

Ashes EP – Sinsaenum

 This Extreme Metal “supergroup” – featuring Joey Jordison of Slipknot, Frederic Leclercq from Dragonforce, Attila Csihar from Mayhem, and others – came roaring back on the heels of their 2016 debut Echoes of the Tortured with a five-track EP that impressively upped the ante . Whereas their debut was more of a vintage Death Metal record with elements of Black Metal theatrics sprinkled in, Ashes finds the best of Black Metal and Death Metal in a furious seesaw that keeps getting more and more exciting as the tracks unravel. In particular, the opening trio of “Ashes”, “Monarch of Death”, and “2099 (Heretics)” are all absolutely essential listens. While I’ve been rooting for this band since day one, they are now top priority for me when it comes to their next release. Here is a full review. HIGHLY RECOMMENDED.

 Red Pill Blues – Maroon 5

For their third album as Adam Levine Plus Hip-Hop and Dance Beats, Maroon 5’s painful transition into by-the-numbers Z100 wallpaper fully crystallizes. Featuring production and songwriting contributions from every “hit-maker” imaginable – Diplo, Ben Billions, Charlie Puth, Teddy Geiger, Julia Michaels, Jason Evigan, etc. – Adam Levine and his buddies deliver a platter of instantly forgettable songs that are unlikely to have the same chart mojo that the pre-albums singles (“Don’t Wanna Know”, “Cold”, “What Lovers Do”) were able to maintain. Here is a full review. NOT RECOMMENDED

Laugh Now, Fly Later – Wiz Khalifa

 Instead of just letting fans wait a little longer for his hugely anticipated Rolling Papers 2 album, the Khalifa Kush CEO succumbed to the pressure and decided to squeeze out this little turd for anybody still lurking at the bottom of the toilet bowl praying he’ll redeem the last six-and-half years of mediocrity. This 39-minute mixtape consists of about 19 minutes of ad-libs and 20 minutes of bars about smoking weed. Even if you blaze religiously, there’s still no way that sounds appealing. And aside from a couple of decent moments – the “Weed Farm” beat goes hard, and Casey Veggies steals the show on the opener “Royal Highness” – it isn’t. it’s torturously boring. But all of my vitriol, I’m still holding out hope for Rolling Papers 2. Until then, no more “hold-over” projects Wiz, please and thank you. Here is a full review. NOT RECOMMENDED

Kids in Love – Kygo

For his second studio album and follow-up to last year’s overly commercial, monumentally disappointing Cloud Nine, the one-time prince of Tropical House doubles down and gives us 29 minutes of Kidz Bop EDM with the same quality and sophistication of The Chainsmokers. I find it strange that, seeing as Kygo has enjoyed international hits like “Firestone” and “Stole the Show”, he feels the need to make such desperate radio grabs. To be fair, he now has the Sony Music engine behind him, which may or may not have something to do with the bullshit on Kids in Love. Either way, this whole constant-vocals-with-one-small-drop format effectively qualifies this as Pop music – the fact that there’s a OneRepublic feature on a song titled after one of 2017’s biggest television phenomenons (“Stranger Things”) and a True-era Avicci knockoff (“Never Let You Go”) should say it all. Kygo doesn’t seem to have any interest in standing out in any way. He’s just falling in line. It’s a real shame to see it happen to yet another talented EDM artist. NOT RECOMMENDED

The Dusk in Us – Converge

In just a couple years, Converge will hit their thirtieth year as a band. That these New England Metalcore legends are still churning out material that sounds as fresh, fluid, and completely singular as The Dusk In Us is beyond my capacity of understanding. They always deliver. Every. Single. Time. The phenomenal “A Single Tear” single and music – released days before the album – was what initially stoked my excitement for this LP, but the chaotic riff fests that are “Under Duress” and “Broken by Light”, as well as the record’s more delicate moments like “Thousands of Miles Between Us” and the title, all further reinforce my belief that Converge are one of the preeminent Metal bands of the last two decades. HIGHLY RECOMMENDED

 Red Before Black – Cannibal Corpse

Just when I think these Death Metal legends are finally running their formula dry, they deliver more genuinely satisfying assault and battery on Red Before Black, their fourteenth studio album in nearly thirty years as a band. While a track like “Destroyed Without a Trace” is so dime-a-dozen in CC’s catalogue – seriously, it could’ve been on Evisceration Plague, OR Torture, OR A Skeletal Domain OR, well you get the point – this LP does have a few subtle differences. For one, the Tech Metal element that has crept into recent Cannibal releases has been noticeably dialed back – tracks like “Firestorm Vengeance” and “Code of the Slashers” are basically Thrash tunes with Death Metal growls on top. Second….well there is no second. And that’s why this band’s status quo approach never excites me. There’s very little on Red Before Black that I can’t get from the last TWENTY YEARS of Corpsegrinder-era material (which, by the way, I enjoy the hell out of his performance here!). So look, if you’re into this shit, you know the deal. And if you’re not, either go listen to Kill or, like, go do anything else with your time. The same thing the fourteenth time over isn’t gonna sway you. RECOMMENDED

No Dope On Sundays – CyHi the Prynce

 Kanye’s most promising – and yet, perpetually shelved – protégé has been waiting in the wings since impressing Hip-Hop heads across the board with his guest spot on My Beautiful Dark Twisted Fantasy. And as one of those people eagerly awaiting his turn in the limelight, I’ve been frustrated right alongside him. Seven years later, his debut album has finally seen the light of day, and I’m thrilled to say that it’s one of the few super-delayed Hip-Hop debuts that’s actually worth the wait. With an insightful running theme that contrasts spirituality with street activity, CyHi rips through track after track of eloquent lyricism, thoughtful song structure, and invigorating collaboration, which include the likes of Pusha T, ScHoolboy Q, 2 Chainz, Travis Scott and Mr. West himself. All in all, No Dope on Sundays is a strong candidate for my Top 10 Hip-Hop Albums of 2017, which will be posted on this blog in the coming weeks. HIGHLY RECOMMENDED

 Post Self – Godflesh

 Despite having an overwhelming fondness for Godflesh’s game-changing industrial classics like Streetcleaner and Songs of Love and Hate, as well as an appreciation for the venerable comeback record that was 2014’s A World Lit Only By Fire, this new one is just too damn esoteric for me. I can’t get into it. For my taste, there’s too much emphasis on ambience and exhaustive repetition and not enough in the way of riffs, which Godflesh have always managed to weave into their sound, regardless of the experimental terrain it has traversed over the years. While the rhythms of tracks like “Parasite” may hit you like an 18-wheeler, there’s almost no semblance of “notes” or musicality, just raw rhythmic noise. And I’m sure, given Godflesh’s stature as the critical darlings of this corner of Metal, they’re being lauded for it by some bloggers. But if I’m being completely honest, Post Self was so over my head that I even scrapped my planned review of it. NOT RECOMMENDED

A FEW MORE:

LIKE:

The Thrill of It All – Sam Smith

BB – Mod Sun

I Am Legion – Witchery

Dark Flag – Phinehas

DON’T LIKE:

Psychosis – Cavalera Conspiracy

Reputation – Taylor Swift

No Shame – Hopsin

What If Nothing – Walk the Moon

Kaskade Christmas – Kaskade

Oblivion – T-Pain

SYRE – Jaden Smith

Stranger – Yung Lean

Friday On Elm Street – Fabolous & Jadakiss

 

October 2017 Album Round Up!

Why is it that every single year, the last week of October is always the greatest (and, well, busiest) week of the year for music listeners? As much as I know it isn’t, it feels so random to me. If I were a musician, I’d honestly feel comfortable with any release date between the months of April and June, or September to November. But there must be something about this particular week that only the accountants at Atlantic, Columbia and Warner Bros. can explain.

On October 28th of last year, I remember walking out of F.Y.E. with the biggest shit-eating grin on my face, now in possession of brand new records from Avenged Sevenfold, Testament, Serpentine Dominion, and Empire of the Sun. And I’d still barely scratched the surface. 2017 was no different. On October 27th, an overwhelming influx of new music saw the light of day, including but not limited to: Blut Aus Nord, Yelawolf, The Used, Yo Gotti, Weezer, Ty Dolla $ign, Hollywood Undead, Theory of a Deadman, and Winds of Plague. Whew. I’m still catching up. Which might explain why this fucking Round Up is getting posted two days before Thanksgiving.

I hope you enjoy my thoughts on this month’s albums, and believe me – there is a LOT to look forward to by the end of the year! I’ve already giddily begun prepping my numerous Year-End lists, so definitely stay tuned! And for God’s sake, please watch that credit limit this Friday. We wouldn’t want to buy a fucking boat for some middle manager at Visa.

The Sin and the Sentence – Trivium

 The eighth record from these mainstream Metal mainstays (and my personal favorite band from ages 13 – 15) is nothing short of a return to form. The band’s creative decline that plagued their last six years of music – beginning with 2013’s stale Vengeance Falls and continuing with the divisive, radio-friendly Silence in the Snow in 2015 – abruptly ends here with a set of tracks that up the ante considerably on aggression and on musicianship, the latter in part due to the addition of virtuoso drummer Alex Bent. Aside from a few missteps in the track list (e.g. the whiny throwaway ballad “Endless Night”), The Sin and the Sentence should electrify diehard supports and galvanize old fans whose support has waned in recent years.In particular, “Thrown Into the Fire” and “The Revanchist” are two of the best songs of Trivium’s entire career. Here is a full review. RECOMMENDED

Pacific Daydream – Weezer

 Frankly, I’m still enjoying the hell out of The White Album – Weezer’s 2016 effort that found its way onto my Top 10 Albums of the Year last December – so it wasn’t gonna be the end of the world for me if the band’s surprisingly quick follow-up was a slight disappointment. And I’m glad the stakes were low, because as it just so happens, Pacific Daydream was exactly that. Forgettable, cookie cutter material like “Mexican Fender” and “Get Right” are severe momentum killers on both the front and back end of this 34-minute LP. All was not lost, however – mid-album highlights like the wistful “Happy Hour” and the knockout hook on “Weekend Woman” kept it from being a total letdown. We’ll just have to wait and see if the band’s forthcoming Black Album finds them back on track. Here is a full review. NOT RECOMMENDED

Trial By Fire – Yelawolf

One of 2017’s brightest gems that I never saw coming, Yelawolf’s barely-promoted third studio album finds the ambitious but wildly inconsistent Alabama MC finally putting all the pieces together on Trial By Fire, his exceptional third LP for Eminem’s Shady Records. All of my favorite music has one thing in common: it takes you out of your surroundings and transports you to another world, and Yelawolf does exactly that on here. Soundtracked with an imaginative fusion of Country, Blues, Folk, Rock, and Hip-Hop, Yelawolf brings you straight down to his native Alabama with intensely autiobiographical dirt road rhymes and his singular, snarling Southern drawl. We’ll surely be chatting about Trial By Fire next month when I recap my favorite Hip-Hop albums of 2017, but for now, at least check out essential tracks like “Ride or Die”, the Juicy J-assisted “Punk”, and the haunting “Sabrina”. Here is a full review. HIGHLY RECOMMENDED

 Lil’ Pump – Lil’ Pump

 I cannot believe this nonsense hit number 3 on the Billboard Charts. I could make this whole mixtape in five minutes. Lil’ Pump’s brand of “Soundcloud” rap is as obnoxious as it is repetitive – there’s absolutely nothing redeeming about the headache-inducing flows on songs like “Gucci Gang”, “Crazy”, and the opener “What U Sayin’”. And even the star power of Rick Ross on “Pinky Ring” doesn’t help, because that discordant fire alarm-mimicking instrumental makes me genuinely angry for the duration of the song, regardless of who’s rhyming. Maybe I’m out of touch, but I really don’t understand what any of these hipster critics see in this shit. NOT RECOMMENDED

Judas – Fozzy

 One of my least favorite Rock releases of the entire year, the seventh LP from Fozzy – the band fronted by WWE Superstar Chris Jericho – is overproduced, formulaic Radio-Rock trash. “Three Days in Jail” is a particularly embarrassing moment as the band briefly attempt to resurrect Nu Metal (yes, rapping and all!) before returning to their cookie cutter Butt Rock. It’s a shame, because I’ve considered myself a fan since I was a teeanger (Chasing the Grail and Sin and Bones still get regular rotation in my car), but Judas better not indicate the direction the band is headed, or they’ve lost me. Here is a full review. NOT RECOMMENDED

Super Slimey – Future & Young Thug

 If people’s would’ve just fucking RELAXED with their unreasonable expectations for this high-profile Watch the Throne-type collab between two of Hip-Hop’s hottest acts, I guarantee they would’ve all enjoyed Super Slimey a hell of a lot more. I sure did. It’s noticeably unrefined and it’s far from perfect, but bangers like “Three” and the Offset-featuring “Patek Water”, as well as the hazy “All Da Smoke” made this auto-tuned meeting of the minds more than worth it. Especially when compared with Future and Drake’s lackluster collaborative What a Time To Be Alive tape from two years ago. RECOMMENDED

Nightbringers – Black Dahlia Murder

 Chalk up another “W” for Black Dahlia Murder. Their first LP to feature lead guitarist Brandon Ellis finds the Michigan metallers right back in tip-top form – in particular, the tracks “As Good As Dead” and the title cut now rank in my top 10 songs of the band’s entire sixteen year career. Here is a full review. HIGHLY RECOMMENDED

 Beautiful Trauma – P!nk

 A true dud from the Pop world this past month, the rest of P!nk’s seventh album proves to be even sappier and more vanilla than its sappy and vanilla lead single, “What About Us”. Despite a decent chorus or two (e.g. “Better Life”) or the catchy dance pulse of “Secrets”, there’s just too much major label money riding on this record for it to be interesting. Not even Eminem’s guest appearance on “Revenge” is interesting, and significantly less interesting is P!nk’s pseudo-rapping attempts on that same track. Yikes. NOT RECOMMENDED

 E – Enslaved

 One of the Black Metal’s most important and adventurous trailblazers, Enslaved have been pushing the genre’s envelope for over a quarter century now, constantly searching for more clever ways to fuse the style’s more traditional sounds with the likes of Prog Metal and even various types of Rock music. On E, the band take another step forward, crafting masterful Blackened Prog Metal epics (if that’s, I guess, a genre now?) like “Hiindsiight” and “Sacred Horse”, which co-exist harmoniously alongside more direct cuts like “The River’s Mouth” and “What Else Is There”. An absolutely essential Metal listen, and an outstanding achievement even by Enslaved’s lofty standards. HIGHLY RECOMMENDED

 Losing Sleep – Chris Young

Given that his new LP consists of only ten tracks and a runtime of exactly a half hour, I figured it wasn’t a huge investment to give Country superstar Chris Young a shot. This year I’ve finally started to acquire a taste for one of music’s most critically dismissed genres – good ol’ Country – and Young is one of dozens of beloved mainstream artists that I’ve yet to try on for size. Well, you can imagine my disdain when I was greeted with the exact type of Pop Country genericism that makes people discriminate against this style of music. More often than not, the central lyrical topic of this album is just fucking DRINKING, and nothing else. And the closer “Blacked Out” is supposed to be this tear-stained, heartbroken ballad, but it comes across so shallow with its references to Ray Bans and Mustangs and ten thousand more allusions to – you guessed it – drinking. For Country music in October 2017, the real winner was Darius Rucker with his new LP When Was the Last Time – you’re better off checking out that one and giving Losing Sleep a hard pass. NOT RECOMMENDED

A FEW MORE:

LIKE:

Thinking Out Loud – Young Dolph

When Was the Last Time – Darius Rucker

Blood of My Enemy – Winds of Plague

4Eva Is a Mighty Long Time – Big K.R.I.T.

Heaven Upside Down – Marilyn Manson

Reaper – Nothing.Nowhere.

DON’T LIKE:

True View – Stick to Your Guns

Cold Like War – We Came As Romans

False Idol – Veil of Maya

I Still Am – Yo Gotti

Beach House 3 – Ty Dolla $ign

Deus Salutius Meae – Blut Aus Nord

 

July 2017 Album Round Up!

And so concludes (well, almost three weeks ago now) my least productive month of the year. I’m not gonna lie, I spent most of July either working myself to death at things that, you know, actually make money, or spending my “free time” blowing off all my hobbies to zone out and do nothing. Though I’m frustrated with how the past few weeks have gone – seriously, I haven’t shot a YouTube video in over a month… I’m practically gonna forget how to do it – the sheer act of writing this post is making me excited to jump back in with both feet.

As far as the albums below, don’t expect any sort of brilliant insight or compelling analysis from me; I was very passive with nearly everything I did this month, and unfortunately that included how I consumed music. But that doesn’t mean I had a shortage of opinions! I’m actually pleasantly surprised at the strength of July’s release calendar this year, especially since I remember writing something a year ago about how July is usually a dull, relatively uneventful time of year for new music. But I’m happy to say that in 2017 I was wrong as a motherfucker! Here’s to all the great new songs that have seeped their way into my life, and most of all, here’s to getting back on track!

Flower Boy – Tyler, The Creator

With his first major label studio album Flower Boy, Tyler, The Creator stripped away some of the over-the-top absurdity (both sonically and lyrically) of his past works and gave us both his most accessible, mature, laser-focused project to date. It’s full of the music that I always felt like Tyler had in him but was never gonna make – it’s a wonderfully shocking surprise. On this entirely self-produced affair, Tyler’s instrumentals are impressively diverse – “Who Dat Boy” is a tense banger with a mix meant for bumping in the whip, “See You Again” has a slight cinematic touch, whereas the closing cut “Enjoy Right Now, Today” has an almost cartoonish-ly upbeat, hopeful, and optimistic vibe to it. Oh, and I also gotta mention the nostalgia-laced November as a standout track! I can’t recommend Flower Boy enough as an honest, gimmick-free look into one of Hip-Hop’s most unique minds. HIGHLY RECOMMENDED

The Autobiography – Vic Mensa

With what is quite possibly my favorite Hip-Hop release of the entire Summer, the 2014 XXL Freshman unleashed a phenomenal debut album that more than justifies all of the hype surrounding him (if last year’s EP There’s A Lot Going On didn’t already). Not only do I love the way he SOUNDS on a beat, but the guy can rap his fucking ass off, as showcased on the syllable-stacking first verse in “Killa Cam”, or the particularly impressive “Heaven on Earth”, which finds Mensa spitting three different intricate verses from three different perspectives. As promised by the title, these tracks are deeply introspective, personal, and often narrative driven – the Weezer-sampling “Homewrecker” describes a turbulent relationship, and “Wings” features a self-hating tantrum in the vein of Kendrick Lamar’s “u”. But Mensa still has time to sneak in an absolute banger with “Rollin’ Like a Stoner”, which is what would happen if Kid Cudi’s “Day ‘n Nite” got in a time capsule and merged with Travi$ Scott. To top it all off, cuts like “The Fire Next Time” prove that Mensa knows his way around a hook too. I am beyond impressed – I can’t wait to see what this guy does next. HIGHLY RECOMMENDED

Everything Now – Arcade Fire

With Arcade Fire’s hugely anticipated follow-up to 2013’s Reflektor (an album that, four years later, critics are still furiously jerking off to), I’m having some difficulty wholeheartedly embracing their latest change of direction. Featuring a very prominent dance music vibe, Everything Now often feels like I’m listening to Indie Rock meets Disco meets Lonerism-era Tame Impala. And though there are definitely some high points, such as the funky basslines in “Good God Damn” and the uber melodic, almost syrupy “Put Your Money on Me”, this record’s sound has left me less than enthusiastic. I’ll give it the benefit of the doubt for now and suggest that you give it a whirl (after all, I may still just be overly attached to 2011’s The Suburbs), but I’m gonna need a lot of convincing to avoid labeling Everything Now as Arcade Fire’s weakest record to date. RECOMMENDED

Ritual – In This Moment

I have followed In This Moment for eight years now, but I’ve only been able to tolerate their music for about four of those years. The band’s increasing descent towards cookie cutter Alt-Metal – which reached an apex with 2014’s vapid Black Widow – is something I just CANNOT get into. The trend continues on Ritual, another LP that finds me equally annoyed with its hyper-processed sound and Maria Brink’s histrionic vocals. Worst of all, the cover of “In the Air Tonight” is in extremely poor taste – the band drowns the Genesis classic in overly showy, bombastic melodrama. But I have to praise the sleazy Party Metal vibes of “Black Wedding”, which features a killer appearance from Rob Halford and a wonderfully creepy piano line. I enjoy the acoustic guitar playing on “Twin Flames”, as well as the Pop-Metal number “Joan of Arc”, which is heavily reminiscent of late-90s Marilyn Manson. Ritual is not a total disaster by any means, but I won’t be returning to it. NOT RECOMMENDED

Issa Album – 21 Savage

When it comes to 21 Savage and I, it’s really as simple as this: I do NOT understand the appeal. At all. The guy’s M.O. seems to be to create the ultimate hood soundtrack, but in my experience, the Hip-Hop albums that best capture the essence of the underworld and bring it to life (e.g. Young Jeezy’s debut album) are much more forcefully self-assured in bravado, vivid in stories, and lively in energy. To me, 21 Savage’s music is not “lit” at all – in fact, it puts the lights OUT and makes me doze off. Couple that with some truly atrocious rhyming (on “Dead People” he says he’s “single like a pringle”) and you have Issa Album. An album it may be, but I can’t say issa good album. NOT RECOMMENDED

Lust for Life – Lana Del Rey

 Man, I could listen to Lana Del Rey’s silky, reverb-soaked vocals all day long. Her fifth full-length LP is some of the best music to just zone out to, whether it’s the ethereal eroticism of the title cut (which, whoever thought of that Weeknd collab is a brilliant, brilliant human being), the entrancing ballad “Cherry”, or the Hip-Hop infused “Summer Bummer”, the latter which is driven home by Playboi Carti and A$AP Rocky’s hazy guest rhymes. A truly one-of-a-kind talent, Lana has now delivered four excellent albums in a row, shoring up one of the strongest discographies of this decade. Much like Lorde, she’s an A-list mainstream sensation whose music, refreshingly, offers anything but the status quo. HIGHLY RECOMMENDED

Howling, For the Nightmare Shall Consume – Integrity

After only 30 years and nine full-length studio albums, I’ve finally hopped on board for Integrity’s tenth record. Approaching Howling, For the Nightmare Shall Consume, I was under the impression that Integrity was a Hardcore Punk band, but after ripping through this track list a few times, I felt like “Hardcore” is a label that so reduces the wide scope with which this band – and this LP – approaches heavy music. Alongside more straight-ahead muscular mosh music (“Burning Beneath the Devil’s Cross”) is Thrash (“Hymn for the Children of the Black Flame”), a bit of Black Metal (“Blood Sermon”), and even some New Wave of British Heavy Metal influences (“Die With Your Boots On”). This album took me on a wild, exciting ride through many corners of the Metal genre, and has me anxious to dive into Integrity’s back catalogue. HIGHLY RECOMMENDED

The Forest Seasons – Wintersun

Why the fuck is everyone being so tough on this album? Who cares if Wintersun – one of Metal’s least prolific and most enigmatic bands to come out of the 21st century – wants to release three albums in the span of 13 years?? How about we just judge this as the great Metal record that it is, instead of holding it to some lofty expectations that result from that whole “well, if it took this long, it’s gotta be….” type of thinking. The Forest Seasons may not reach the heights of Wintersun’s masterful self-titled debut, but it’s an exciting combination of Symphonic Metal, Melodic Death Metal, and some touches of Black Metal and Power Metal here and there. It’s like Insomnium plus Dimmu Borgir plus Children of Bodom and a touch of Nightwish. In a month where I barely listened to any Metal, Wintersun gave me my fix with this incredibly engaging, dynamic record. HIGHLY RECOMMENDED

Low Blows – Meg Mac

Though up-and-coming Australian singer/songwriter Meg Mac definitely has a few excellent tunes under her belt (namely the swaggering, self-assured “Never Be”, which I couldn’t stop listening to while I was interning at her label a couple summers ago), I’ve found her debut album to be pretty vanilla. Which, that doesn’t necessarily carry a negative connotation – Mac has an undeniable ear for melody, vocal harmony, and simple but effective arrangements – but I’ve been struggling to come up with reasons to replay this LP. I suppose it’s not helped by a couple of bland throwaways (e.g. “Shiny Bright”) that bog down its second half. If you’re into the singer/songwriter genre, Low Blows is definitely an album worth your attention, but I don’t see myself coming back to it much. NOT RECOMMENDED

A FEW MORE:

LIKE:

Jungle Rules – French Montana

Dead Reflection – Silverstein

Tha Truth, Pt. 3 – Trae Tha Truth

Hug of Thunder – Broken Social Scene

Sacred Hearts Club – Foster the People

DON’T LIKE:

Steve Aoki Presents Kolony – Steve Aoki

Anticult – Decapitated

Defying Gravity – Mr. Big

Crook County – Twista

 

May 2017 Album Round Up!

Just like that, Summer’s upon us again! Pretty crazy to think that exactly a year ago today, I was writing about Drake and DJ Khaled’s new single “For Free”. Feels like a fucking decade ago.

If I recall, “For Free” ended up being one of summer sixteen’s core club bangers, as I totally WENT OUT ON A LIMB to predict. What a courageous music writer I am.

And a year later here I am, still pumping out these monthly round ups for an audience that’s expanding at a not-so-exponential rate. But the rapid growth that IS surprising me is how much I love doing this. It’s amazing to me that I can spend so much time working on something that generates zero income and have more and more fun doing it as the months go by. I guess that’s why they call it a passion. And I guess that’s why my parents always told me to “get a real job”.

May was an interesting month. It was really light on the Metal, and a good chunk of this year’s worst music (see below) was released as well. But as always, I found a lot to latch onto, and I hope you’ll enjoy some of these albums as much as I did!

Ether – B.o.B.

Still standing by his early work, I’m always hoping that our favorite Pop-Rap Flat-Earther is going to deliver something great. He’s certainly got it in him, as showcased once again on standouts from this album like the drugged-out banger “Xantastic” or the politically-charged “Peace Piece”, the former a collaboration with Young Thug, and the latter with Big K.R.I.T. (did I mention B.o.B. was versatile as hell?). Unfortunately though, Ether falls apart in the second half with a series of bland tracks that range from half-assed club attempts (“4 Lit”, “Tweakin’”) to excessive melodrama (“Big Kids”). Here is a full review. NOT RECOMMENDED

After Laughter – Paramore

Wow! These rockers – led by the feisty Hayley Willliams – have given me, without a doubt, the most pleasant surprise of 2017! On After Laughter, the band completely abandon their Pop-Punk/Pop-Rock fusion for a throwback to ‘80s pop. Like, seriously, the beginning of “Rose-Colored Boy” sounds straight out of Beverly Hills Cop or something. The beautiful twist, though, is how the super pessimistic lyrics sit in stark contrast with these peppy instrumentals. There is so much pain and suffering behind this album…that’s what makes it so compelling. I love the message of a song like “Idle Worship”, where Hayley Williams shies away from being put up on a pedestal just because she’s a famous musician. And the stripped-down ballad “26”? That shit makes me cry. If there’s ONE ALBUM you check out from this month, it should be this one! HIGHLY RECOMMENDED

All the Beauty in This Whole Life – Brother Ali

This legendary indie rapper returned from five years of radio silence with what is easily one of the best Hip-Hop albums of the entire year. I can’t remember the last time a rapper made me feel such strong emotions. Lead single “Own Light (What Hearts Are For)” is the ultimate uplifting anthem, while autobiographical cuts like “Pray for Me” and “Out of Here” – the former dealing with Ali’s social struggles as a child born with albinism, the latter with the suicides of his father and grandfather – are heartbreaking. Meanwhile, racially-charged moments like “Dear Black Son” and “Before They Called You White” really make you think. He does it all while still delivering intricate rhymes, and doing so over a set of wonderful instrumentals courtesy of Ant from Atmosphere. Here is a full review. HIGHLY RECOMMENDED

Tremendum – Hate

Despite being dogged by comparisons to their Polish counterparts Behemoth for their entire career, this Blackened Death Metal outfit has always walked a delicate line between the two genres that make up their sound. That is, until they decided to throw us for a loop with THIS ALBUM and go completely Black Metal! I’m not sure what was more of a surprise to me…that they made this ballsy shift in their sound this late into their career, or that it went over so well! I love Hate as a (mostly) Black Metal band. There’s still the Death Metal production, there’s still the blast beats that have their origins in Florida instead of Norway or Scandinavia, but the music is a lot more atmospheric and a lot less riff-driven. Tunes like “Sea of Rubble” really have that Bathory MARCH to them! Here is a full review. HIGHLY RECOMMENDED

Everybody – Logic

Despite being a fan of this Maryland rapper’s debut album Under Pressure, I will continue to point out how overrated he is. Even though I love his positive energy, his zeal for the genre, and his dedication to his craft, people big him up WAY too much. When you listen closely, his rhymes are pretty basic – he just speeds them up to make them sound complex. The opening scheme of this album is religion/prison/cracker/blacker. I don’t know why people think this guy is so good. Not to mention, his flows are borrowed from all his contemporaries. And this LP specifically is by far Logic’s worst. It’s incredibly corny. Just listen to those ad-libs on the anti-suicide song “1-800-273-8255” (“WHO CAN RELATE?? WOO!”), or the hook on the title track. Which, let’s be clear, the title track is not about being “inclusive” as much as it’s just Logic whining about being biracial. Oh, and Logic can’t sing either. He shouldn’t do that. I like a lot of 6ix’s beats on here though! NOT RECOMMENDED

 Bloom – Machine Gun Kelly

This is the worst piece of shit I have heard all year. “Heard” as in taken semi-seriously – I’m sure there are worse albums out there that I wouldn’t ever bother with. Here were my thoughts on the singles….and it got even worse from there. Listening to this white-washed Pop-Rap garbage is something I will regret until my dying day. I couldn’t even muster up the energy to give it a full review on YouTube. I just wanted it out of my life. I guess I’ll leave you with one somewhat constructive criticism: if there’s one hole that REALLY sinks this ship, it’s MGK’s unnecessary forays into singing on tracks like “Go For Broke”, “At My Best”, “Let You Go”, and the horrific country attempt “Rehab”. NOT RECOMMENDED

Poison the Parish – Seether

Believe it or not, this album actually has some pretty cool moments! The mopey Butt Rock thing doesn’t always sit well with me – the beginning of “Against the Wall”, for example makes me cringe…”I WAS BOOORNNN TO FLLLYYY AWAYYY” – but I think Seether nails down their demographic exceptionally well on here. Tracks like “Betray and Degrade” and “Saviours” have a razor sharp hooks, and are great for a semi-mindless listen while you’re driving. Even though I’m not a “fan” per se, having seen this band and gone through their discography, I’d like to say this is a crowning achievement for them. So maybe give it a listen out of curiosity! RECOMMENDED

 From a Room: Volume 1 – Chris Stapleton

In addition to the new offering from the Zac Brown Band, this was another Country album that I dug this month! This is Stapleton’s follow-up to his hugely acclaimed 2015 solo debut Traveller, and I’ve found his music really easy to get into as, well, not exactly a Country aficionado. Highlights include the bluesy “Them Stems”, the outlaw-tinged “Up to No Good Livin’” (LOVE the slide guitar in that one!), and the spare, intimate ballad “Either Way”. RECOMMENDED

One More Light – Linkin Park

God help us. I tried to be open-minded, I swear. Since I’m not a Linkin Park fan at ALL anymore – even their old stuff hasn’t aged well for me – I actually found it quite easy to go into this Pop crossover attempt with an open mind. But as I explain here (to the tune of over 600 views right now, which is a lot for me!), I found most of this material to be incredibly lightweight, surface level, and trend-hopping all over the place. LP took an L with this one. NOT RECOMMENDED

In a World of Fear – Scale the Summit

One of the most popular instrumental Prog Metal acts on the planet, Scale the Summit have continued to flourish since I saw them open up for Between the Buried and Me back in 2010. I’m so pleasantly surprised that things are working out for them, ‘cause I really wasn’t sure if there was a viable market for what they do. But guitar geeks are a passionate bunch, and they’ll likely eat this album up with all of its stop-start, odd-time rhythms, and impossibly intricate interplay. Unfortunately though, I’m not the right audience for it. A song like “Astral Kids”, despite having so much inventive, virtuosic guitar playing, just sounds like a Berklee School of Music jam room to me. Which isn’t inherently a bad thing! It’s just not what I personally gravitate towards (even as a guitar nerd myself). I still need “hooks” of some kind – and Scale the Summit DID have hooks on early favorites like “The Great Plains” – but there’s just not enough memorable parts on this album to keep me coming back to it for more than the “wow, they can play their asses off!” factor. NOT RECOMMENDED

The World Ablaze – God Dethroned

In a month where Metal felt as scarce as STD-free pussy in a whorehouse, these Dutch veterans delivered a solid slab of no-frills Extreme Metal. This records boasts some pretty memorable riffs (exhibit A: the demonic intro to Thrash/Death Metal hybrid “Annihilation Crusade”), it doesn’t try to be too fancy or experimental, and best of all, its production retains a slightly raw but powerful sound. Modern Death Metal has gotten so fucking pristine and robotic sounding that it drives me nuts , so it was refreshing to hear an LP that was still beautifully mixed but had a little humanness, a little UMPH behind it. RECOMMENDED

T-Wayne – T-Pain & Lil’ Wayne

When T-Pain tweeted – completely out of the blue – that he was releasing a bunch of shelved T-Pain/Lil’ Wayne collabos from 2009, the Internet rightfully lost their shit. “These are lost gems from when the two of them were in their prime!” we all said to ourselves. And whether these eight songs would’ve been ill in 2009, we’ll never know, but in 2017, I’m not into it at all. The first unpleasant surprise is that T-Pain raps a bunch on here – his flow on the Willy Wonka-sampling “Listen to Me” is clunky as hell. The second unpleasant surprise is that the wackest bar of Lil’ Wayne’s career was actually recorded in 2009, during his supposed prime. Who knew? But the line “She was like Damn Damn Damn ‘cause I hit her with the wham wham wham” is certainly something special. NOT RECOMMENDED

A FEW MORE:

LIKE:

You’re Welcome – Wavves

Neva Left – Snoop Dogg

This Old Dog – Mac DeMarco

Welcome Home – Zac Brown Band

DON’T LIKE:

Crooked Teeth – Papa Roach

Louder Harder Faster – Warrant

Revelation – Oceano

 

 

Crown of Despair Band Launch!

Hey everybody! I’m beyond stoked to announce that my band Crown of Despair has released our debut single, “Terror Firma”!

As many of you may or may not know, in addition to shitting on other people’s music, I also make music of my own for other douchebag bloggers to shit on. Joking aside, I’ve been a musician much longer than I’ve been a blogger, spending most of my teenage years holed up in my bedroom practicing the same five shred licks for hours on end while everyone else had, like, friends and shit. This whole “listening to music more than playing it” thing has only happened to me in the past two years as a result of this blog and its accompanying YouTube channel – and believe me, I couldn’t be more grateful that I’ve discovered this obsessive passion of mine – but it’s been really exciting to get back to playing again.

Crown of Despair’s music is probably best described as “Blackened Death Metal” – the many unreleased songs in our vault always come down to a perpetual tug-of-war between old school Black Metal depravity and the riffs and melodies found in Melodic Death Metal.

“Terror Firma” – one of two tracks we recorded in April with Joe Cocchi from Within the Ruins – is like Black Metal-meets-Death Metal-meets-Lamb-of-God…it was the kind of song where you head into the studio with one vision and start cracking up at the unexpected direction that it heads as you track it. We thought this one was gonna be a full on Black Metal rager, but a bunch of the riffs took some New Wave of American Heavy Metal-type turns, and our singer Marc came in with some bellowing lows that brought in a Death Metal feel.

In case you’re curious about my specific contribution to this song: that abrupt transition into the reverb’d-out piano part? That’s me. That goofy Tom-Morello-turned-shred guitar solo? That’s also me. And the outro riff actually came out of some improvising I did in the studio. But it was one of those perfect recording sessions where everybody pulled their equal weight, and we just had a fucking blast hanging in the studio all week with Joe (and we can’t wait to go back this summer!)

If you’re a Metalhead, it would mean the world to me if you gave this track a listen, and threw our band Facebook page a like. If you like what you hear, you can hit up our BandCamp to download it! Believe me, there’s more where this came from! I couldn’t be more excited to embark on this journey with my bandmates. Stay tuned!

Published on Metal Insider!

Hey everyone! Hope your lives are at least – at a bare minimum – trotting along in a relatively uneventful fashion like the stock market has been for the last week (any other investors wondering when something exciting’s gonna happen?). Anyway, I’ve got an announcement– I’ve been brought on by another Metal site as a contributor! Last week, my inaugural article for Metal Insider was published! I reviewed the brand new self-titled record from Obituary, which dropped on St. Patty’s Day.

Metal Insider has had a shortage of reviews lately, so I was thrilled to take a step in helping re-establish that aspect of the site. And I mean c’mon, who doesn’t want to hear a brand new Obituary record a week before everyone else?? It’s like that fucking kid in Elementary School who was the first to get a Gamecube. Well not exactly, but you get my point.

You can read my review here. Every time I rack up a minor “W” like this, it only further motivates me to keep following my passion and cranking out (hopefully somewhat) insightful, entertaining, and unique music writing. Thank you so much for your continued support!

Slayer, Lamb of God, and Behemoth: The Metal Tour of the Summer?

As Metalheads stare down our first summer with President Code Orange in office, our second straight summer without a Mayhem Festival, and our third straight summer without an Uproar Festival (the latter of which…good riddance), we got a big piece of news this past weekend. A piece of news that gives Summer ’17 a bit more meaning than just another three warm months where it’s easier to get laid. This past weekend, a must-see tour was announced: Lamb of God, Behemoth, and Slayer will be hitting the road together.

I can hardly contain my fucking excitement. Somewhere in America there’s a concert promoter who deserves a serious promotion (see what I did there?). This is the kind of lineup where the powers at be could get away with Ticket Price Rape. Not only does this lineup consist of three of Metal’s indisputable giants, but it’s also a) three of Metal’s indisputable giants of the LIVE arena, and b) it brings together three distinct fanbases that strike the perfect balance in terms of overlapping enough as to avoid polarizing the audience, but being different enough to draw headbangers from all walks of life.

I suppose in terms of pure album sales, Behemoth’s going to have to perform first, which is a bit depressing in the way that watching Megadeth go second on the Big Four was. Behemoth – whose last album The Satanist has already worked its way up into my favorite Extreme Metal albums of ALL TIME – are the one band I’ve yet to see live, so catching their set will be priority numero uno. As for Slayer, I haven’t caught a show since the 2010 American Carnage tour, where they played Seasons in the Abyss in its entirety, so I’m due for some thrashin’ about in the pit to a more well-rounded set. And Lamb of God….I saw them last spring and they fucking destroyed – provided they’ve tweaked their setlist a bit, I’ll be just as stoked to see them this time around.

Start saving your money NOW. Spend a sober weekend away from the bar, break up with your girlfriend right before her birthday….do whatever it takes to set aside the cash, ‘cause this is NOT a show you will want to miss. And if you’re somehow inexcusably behind the eightball on any these three bands, familiarize yourself with their catalogues – not only will your concert experience be greatly enhanced, but so will your overall quality of life.

Supposedly, the tour dates will be announced later this week. SEE YOU IN THE PIT!

February 2016 Album Round Up!

We’re just over two months into 2016, and we’ve already – somewhat surprisingly – been blessed with a ton of exciting releases in the midst of typically low-key winter months. When this calendar year is in the books, will we be looking back at January and February as the peak of 2016? Pretty unlikely. But I still feel like I’ve had a fairly reliable, steady stream of high-profile albums to look forward to (some delivered, some did not). And yes, Kanye dropped. But I’m fucking determined to go as long as I possibly can without hearing it. Not for lack of interest either. Just ‘cause. Anyway, here’s a quick recap of nine albums NOT named The Life of Pablo that I spent some time with this past month. Looking forward to what March has in store!

Khalifa – Wiz Khalifa

In the first project of his I’ve enjoyed since 2011’s smash hit Rolling Papers, Wiz dropped some…well, smoking and drinking music. The production and hooks are significantly more effective – to my ears, at least – than O.N.I.F.C. and Blacc Hollywood (save those two albums’ singles). If you’re looking for great lyricism, steer clear, but I definitely found myself coming back to this record quite a bit for some day drinking and pregaming, especially two exceptional, Kush & OJ-style tracks, “Zoney” and “Elevated”. RECOMMENDED

For All Kings – Anthrax

Welcome back Anthrax! About ten listens in, I’ve evaluated For All Kings as “dangerously close” to the Thrash mastery of 2011’s Worship Music. The difference is really just a filler track or two. But the middle chunk of this record is some of the best Anthrax music I’ve ever laid ears on. Joey Belladonna gets the MVP. My full review is available here. YouTube review here. HIGHLY RECOMMENDED

Day One – From Ashes to New

This studio debut from Lancaster, PA outfit From Ashes to New made me want to vomit. They’re like an even more cheesed-up version of Twenty One Pilots meets Crown the Empire. I appreciate what they’re trying to do, but it just made me cringe. This guy Matt Brandyberry sounds like an even more melodramatic Mike Shinoda when he utters (well, raps) the words: “I lay awake and look at the ceiling and wonder why/I’m so afraid to face all these feelings and want to die”. And that dubstep-y breakdown? Fuck outta here wit dat. Not to mention the clean vocalist sounds fucking IDENTICAL to the guy on Escape the Fate’s self-titled album. I mean, is Day One heavy and appropriately angsty? Passionate even? Sure. And it’ll dominate with the Hot Topic crowd. But holy fuck is it not for me. NOT RECOMMENDED

Sittin’ Heavy – Monster Truck

Simply put, this band’s sophomore effort is the best fucking throwback hard rock record I’ve heard since perhaps Kyng’s Burn the Serum. It’s all there: it’s energetic, passionate, and wholeheartedly convincing. Fans of ‘70s and early ‘80s Rock should check it out immediately! HIGHLY RECOMMENDED

This Unruly Mess I’ve Made – Macklemore & Ryan Lewis

This one certainly hurt. Macklemore is someone I really root for, if not always for his talent but for his passion, honesty, humility, and sometimes ruthless self-awareness. The Language of My World is phenomenal, The Heist is a near-classic, but Mess, his second with Ryan Lewis, is a huge disappointment. Save a few shining moments (“Light Tunnels”, “Kevin”, and the must-listen “Need of Know”) this thing is all over the place in a BAD way this time. My full review is available here. NOT RECOMMENDED

I Like it When You Sleep – The 1975

Ok, LP number two for these guys, who seem utterly ubiquitous at the moment. I am absolutely in love with the tracks “This Must Be My Dream” and “Somebody Else”. On the latter, those snare drums with the 80s-style reverb are borderline euphoric. While we’re on the topic of the 80s, the standout “She’s American” could’ve squeezed right into an early Huey Lewis and the News disc. But we didn’t need 17 frickin’ songs here. “UGH!” kind of drags in the wake of hit single “Love Me”, and are BOTH “If I Believe You” and “Please Be Naked” necessary when the title track brings all the dynamics this album needs? Still, at a bare minimum this is a wonderful soundtrack to a night drive in the city. Though I tend to think it offers a whole lot more. And yes, I do think Matt Healy eerily resembles Patrick Stump at times. But we’ll agree to disagree. RECOMMENDED

Victorious – Wolfmother

Ugh. This record has one of the strangest dichotomies in any track listing I’ve ever encountered. The first 5 songs are excellent and on par with some of the best moments on Wolfmother’s debut, and the second 5 songs are pure throwaway filler garbage. “Uneven” is an understatement. My full review is available here. NOT RECOMMENDED

X (No Absolutes) – Prong

Album number 11 for Prong – but their 10th of original material – wastes no time with opener “Ultimate Authority”, some excellent Crossover Thrash which would be right at home on a classic like Cleansing (although I know mentioning that record is understandably played out). I love the dissonant yet super-catchy riff in “Without Words” (and, for that matter, “Soul Sickness”) X (No Absolutes) has an impeccable combination of melody and heaviness that all these scream/sing Metalcore bands can only dream about. It stays completely true to the Prong aesthetic, and it’s a set that is sure to devastate in the live environment. I have yet to catch these legends live, so I’m hoping to get the chance on the cycle for X. RECOMMENDED

Dead Dawn – Entombed A.D.

Dead Dawn (Deicide anybody?) is the second album from Entombed 2.0 since the legendary band’s legal battles and break up. One of Entombed’s distinct qualities is how much more groove-oriented they are than the majority of Death Metal, showcased in the title track, and they’re not afraid to get downright melodic, like in that song’s bridge, which sounds like something Arch Enemy would do.There’s nothing in these ten tracks that’ll blow your mind, but there’s some certainly some heavy-ass (surprisingly fun) metal! I’m especially a fan of “Down to Mars to Ride” and the dynamic “Hubris Fall” And it’s still really not THAT far off from Left Hand Path, so there’s that. RECOMMENDED

 

 

Recap of September 18th Releases

This past Friday, September 18th, was like Christmas. Dozens of the most heavily anticipated early-fall releases were unleashed onto the world. Having a set of working ears on this day was like having a fucking golden ticket. So many exciting releases from so many different corners of the industry. While I am most certainly still sorting through the ashes and gathering my senses, I would like to share the seven releases that I’ve given the most attention these past four days.

Long Live – Atreyu

Returning from a four-year hiatus, metalcore veterans Atreyu exceed any and all expectations on this superb return-to-form, effortlessly revisiting some of the best moments from their catalogue, adding quite a bit of muscle to their sound in the process. Read my initial review of the title track here, and watch my full review of the album below:

GO:OD AM – Mac Miller

Already universally hailed as his best work to date, Mac Miller comes back from a messy battle with substances with more confidence and self-assurance than ever. GO:OD AM is fun and ambitious, yet never overindulgent. With minimal contributions from guests, the spotlight never leaves Miller, and he doesn’t waste a second. Tracks like “ROS” and “Jump” are some of the best hip hop songs of 2015. Read my full review of the album here.

Pagans in Vegans – Metric

More stadium-ready, energetic, absurdly catchy electro-pop from Metric, who – along with 2009’s Fantasies and 2012’s Synthetica – have now made a trio of top-notch albums. Though my ears may be clamoring for more of the guitar-driven sounds of the band’s earlier work, it is impossible to be mad at tracks like “Cascades”, “Fortunes” and “The Shade”. Slower moments like “The Governess” add a nice contrast.

Metal Allegiance – Metal Allegiance

Along with a murderer’s row of guest appearances, “Metal Allegiance” features the core lineup of Megadeth’s David Ellefson, Testament’s Alex Skolnick, and ex-Dream Theater/current Winery Dogs drummer Mike Portnoy. Given the involvement of thrash legends like Skolnick and Ellefson, it comes as no surprise that tracks like the crushing opener “Gift of Pain” – which features Lamb of God’s Randy Blythe – pay homage to the Bay Area. The unlikely duet of Dug Pinnick of King’s X and Hatebreed’s Jamey Jasta works tremendously on “Wait Until Tomorrow”. “Let Darkness Fall”, featuring Troy Sanders of Mastodon, is another highlight. The album also closes with a ripping cover of the classic Dio track “We Rock”. An incredibly fun, larger-than-life project that is loaded with first ballot heavy metal hall-of-famers. Let’s pray we get to see this live.

Abysmal – The Black Dahlia Murder

If there’s one feeling Black Dahlia fans aren’t quite familiar with, it’s disappointment. Seven albums in, and we’re still getting top shelf death metal. The dizzying technicality and manic riffage of “Re-Faced” are like an old friend stopping by and checking up on you, just making sure you’re still cool. “The Fog” contains the albums thrashiest moments, while the doomy “Stygiophobic” gives the album a welcome dose of breathing room. Ranking Abysmal in the band’s discography will take more than a few listens, but Black Dahlia continue to uphold the high death metal standards they’ve set for themselves.

Threat to Survival – Shinedown

Threat to Survival is certainly a good batch of catchy, radio-friendly rock songs, with soaring, defiant choruses and stomping grooves. What it is not, however, is the edgier, borderline-metal riff-fest that was 2012’s Amaryllis. Despite occasional misses like the sappy album closer “Misfits”, and the dull “It All Adds Up”, frontman Brent Smith’s ear for choruses remains undeniable, and Threat to Survival is highly recommended for fans of Papa Roach, Buckcherry, and Saving Abel.

I Hurt (single) – Children of Bodom

“I Hurt” is the opening track and now third single from Children of Bodom’s forthcoming I Worship Chaos album, due out October 2nd. I was not a fan of first single “Morrigan” initially (though I was probably just cranky), but the pummeling title track pulled the band back into my good graces. New single “I Hurt” features a heavy Pantera-style groove that is unorthodox for the band, yet adds a whole new layer of aggression. Elsewhere, the tune is classic Bodom, and my ears are definitely tingling in anticipation for the release of I Worship Chaos.