Top 10 Hip-Hop Albums of 2017

Happy holidays everyone!

Oh wait, we’re like a year into the whole “Donald Trump is president” thing. My bad.

In one of the most hilariously ridiculous speeches of his presidency thus far – bold statement, I know – Donald Trump made a promise that as a nation, we’re all gonna go back to saying “Merry Christmas” like we did before things got all politically correct. “Times have changed, but we’re changing them back,” he insisted. It reminded me of that infamous Jason Kidd speech where he said “we’re gonna turn this team around 360 degrees”.

Not surprisingly, Donald Trump talking all bigly about his yuuuuge plans for this great nation didn’t at all sway my December rhetoric. I did what I do every year – I wished an awkward mix of “Merry Christmas” and “Happy Holidays”, depending on what kind of mood I was in, who was around, and how Christian-y the vibe was.

Joking aside, whatever Winter holiday you and your family celebrate – whether it’s Christmas, Hanukkah, Kwanzaa, or one of those Pagan things – I hope you find joy, laughter, relaxation, and, of course, good food in the company of your loved ones, and I hope you head into 2018 with the wide-eyed optimism of a six-year-old boy.

Anyway, for my first of FIVE 2017 year-end lists – you’re gonna head over to my YouTube channel to see the rest of them in the next week and a half – we’re gonna talk Hip-Hop. And boy is there a lot of ground to cover.

2017 was another banner year for Rap music, sure. Any monkey with a Twitter account and @ComplexMusic and @XXL in his feed could piece that one together. But even better, it was a year defined by the unexpected. Both positive AND negative, I may add. Here are some things that happened in Hip-Hop this year that I couldn’t have possibly foreseen:

  • The Migos made a Trap album that is literally listenable (and enjoyable) from beginning to end
  • Eminem dropped a turd that makes 2004’s Encore look like a masterpiece
  • CyHi the Prynce’s long-awaited debut somehow lived up to over seven years of album-less hype
  • Jay-Z snapped out of his whole “I only rap to sponsor my art collection” mindset and made his best music since 2003
  • EDM superstar Calvin Harris put Snoop Dogg, Travis Scott, Migos, ScHoolboy Q, Lil’ Yachty, Future, Big Sean, Nicki Minaj, and Frank Ocean on one project. And it worked.
  • Macklemore and a mumble rapper made a song together and it ended up being ten times worse than my limited imagination could’ve even conjured up

So as you can see, it’s been an exciting 12 months. And I’m glad to be done making this list, ‘cause I spent DAYS stressing out about it (especially those #5 – #7 slots!). I really hope my thoughts are informative or, at the very least, mildly entertaining. Honorable Mentions are at the bottom. See you all in 2018!

10. THE AUTOBIOGRAPHY – VIC MENSA

 On his debut album for Roc Nation, after a few years of increasing buzz and the immense pressure and anticipation that comes with being a Kanye West protégé, Vic Mensa leapfrogs over the already-lofty expectations set for him with, well, one of the best Hip-Hop albums of the entire year. The Autobiography proves beyond a shadow of a doubt that Mensa’s got all of the makings of a bonafide Rap superstar. He can make rousing bangers with the best of them, as shown on the Kid-Cudi-meets- Travis-Scott party tune “Rollin’ Like a Stoner” as well as the Chief Keef-assisted hood anthem “Down for Some Ignorance”; he can tell stories (“Homewrecker”), he can be deeply introspective (“Wings”), and he can even make the ladies swoon when he steps out from under his self-loathing (“Gorgeous”).

Not to mention, the guy can collaborate too – the aforementioned tracks round up the likes of Chief Keef, Syd, Pharrell Williams, and even Rivers Cuomo from Weezer, making for a colorful but cohesive tracklist. Mensa’s one of the most promising young Hip-Hop artists in the game right now.

 Top 3 Tracks: “Homewrecker”, “Gorgeous”, “Wings”

9. PRETTY GIRLS LIKE TRAP MUSIC – 2 CHAINZ

 Perhaps the most unexpected entry on this list, 2 Chainz flushed over a decade of ratchet mediocrity down the toilet and knocked the clumsily-titled Pretty Girls Like Trap Music into the stratosphere. As a rapper, beat-picker, hook-crafter, and overall larger-than-life personality, 2 Chainz has never sounded sharper. While the over-the-top ridiculousness of his bars remains a key part of his charm – in particular, the line “I got a bank account, got anotha bank account, got anotha bank account” is my single favorite line of 2017 (which, by the way, given that the FDIC only insurances up to $250,000 per account, this is probably a financially savvy move on his part) – this time around, he has the endless flow and compelling rhymes to back it up.

And his ability to use the occasional guest to light a fire under his ass – Travis Scott Nicki Minaj, Swae Lee, Migos, and Drake all ANNIHILATE the tracks they show up on – helps propel Pretty Girls Like Trap Music into every worthwhile “Best Hip-Hop of 2017” conversation.

Top 3 Tracks: “Blue Cheese”, “Realize”, “Good Drank”

8. FLOWER BOY – TYLER, THE CREATOR

What beautiful irony that an artist like Tyler, The Creator – who rose to prominence by being infinitely rebellious and anti-everything – made his best material to date by softening his edges and buddying up with an industry juggernaut (Columbia Records) for its release.

Production-wise, Flower Boy is perhaps my favorite on this list, bringing together sounds that range from cinematic to insular to manic to just plain weird. Yet the true excellence of the LP lies in Tyler’s undeniable maturation.

By getting unapologetically sappy (“See You Again”), wistfully nostalgic (“November”) and heartbreakingly vulnerable (“911/Mr. Lonely”) alongside his usual aggression and quirks (“Who Dat Boy”, “I Ain’t Got Time!”), Tyler has successfully transitioned from odd-but-compelling enigma to fully formed, three-dimensional artist.

Top 3 Tracks: “November”, “911/Mr. Lonely”, “See You Again”

7. CAPTAIN CALIFORNIA – MURS

That my list will likely be the ONLY year-end Hip-Hop List to give Murs his due is nothing short of a tragedy. On his sixth LP and second for Tech N9ne’s Strange Music label, the California MC shows an elastic emotional range that is extremely hard to come by in Hip-Hop. On the opening track “Lemon Juice”, he and guest Curtiss King will have you cackling uncontrollably as they try to compete for a girl’s attention. Cuts like “God Bless Kanye West” and “G is for Gentrify” will have you mulling over today’s socioeconomic climate. On touching love songs like “1000 Suns” and “Another Round”, Murs will have you reflecting on your best romantic relationships or dreaming of ones like his. On “One Uh Those Days”, he’ll have you carefully following along with his detailed storytelling right up until the hilarious twist ending. It’s time people get their shit together and start paying attention to this talented motherfucker.

Top 3 Tracks: “Lemon Juice”, “1000 Suns”, “Colossus”

6. 4EVA IS A MIGHTY LONG TIME – BIG K.R.I.T.

 While it would’ve been virtually impossible to top 2014’s Cadillactica – an adventurous space-themed concept album that remains one of the finest moments of the genre this decade – Justin Scott continues to build his case as one of the great Southern rappers, filling the shoes of giants like UGK, Outkast and T.I. with ease. This sprawling double-album is split into a more bravado-driven “Big K.R.I.T. half” and a more introspective “Justin Scott half”, with both discs pulling their weight equally, from the most trunk-knocking moments (“ Subenstein”, “Big Bank”) to the most naked and confessional (“Price of Fame”, Mixed Messages”). As I continue to preach the gospel of Big K.R.I.T., I have yet another holy text to read from to convert people to the cause. And thanks to people like ANTHONY FANTANO, they really are doing so.

Top 3 Tracks: “Get Away”, “Mixed Messages”, “Miss Georgia Fornia”

5. NO DOPE ON SUNDAYS – CYHI THE PRYNCE

 I can’t think of a single Hip-Hop album that has been delayed as long as this one and actually LIVED UP to the impossible hype. But that’s exactly what Kanye’s finest protégé managed to do. Besides creating the most lyrically monstrous album on this whole list, on No Dope on Sundays Cyhi the Prynce still manages to stay focused on well-crafted songs, thought-provoking content, and carefully-placed features (in particular, Travis Scott, BJ the Chicago Kid, and ScHoolboy Q kill it here). And to top it all off, CyHi ties everything together with a powerful theme that contrasts spirituality and street life.

Plus, the amount of times I’ve used the expression “get your money and get out the game” in REAL LIFE since hearing this album….that alone earns it a spot in the Top five.

Top 3 Tracks: “I’m Fine”, “No Dope on Sundays”, “Movin’ Around”

4. LAST CALL – RITTZ

 On his final album for Strange Music, this double time-spittin’ white boy once again comes through with a body of work that feels like it’s been made specifically for me. Seriously, this motherfucker checks every box.

  • Emotionally, it covers the entire spectrum, from the tear-jerking “Fuck Cancer” to the ferocious “Into the Sky” (which, by the way, are back-to-back in the tracklist).
  • When appropriate, it’s as introspective as Hip-Hop can get, as showcased on the childhood woes of “Press Rewind” and the modern-day neuroses of “I’m Only Human”
  • From a technical rapping standpoint, Rittz once again has few equals – just check the standout single “Down for Mine” or the stirring opener “Middle of Nowhere” for proof
  • And yet again, Rittz’s ability to sing his own hooks makes him a complete, self-sufficient artist. No big features or name-dropping needed here; this one guy can keep you engaged for over an hour.

Top 3 Tracks: “Crash and Burn”, “Into the Sky”, Down for Mine”

3. DAMN. – KENDRICK LAMAR

 While 2015’s expansive, ambitious To Pimp a Butterfly endeared him to critics and solidified his place in Hip-Hop history, this time around it’s Kendrick Lamar’s fundamentals that make him stand out. At the end of the day, Kung Fu Kenny is just a dope fucking rapper. I never get tired of hearing him rap – his unending supply of creative flows, intricate rhyme structures, and nuanced perspectives ensure that Lamar can sound good on any beat.

But beyond Kendrick’s ability as an MC, my favorite thing about DAMN. is how emotionally raw it is. K-Dot’s music has always carried with it an underlying depression, anxiety and vicious inner conflict– which has been occasionally brought to the forefront on tracks like TPAB’s “u” – but DAMN. takes this to a whole new level. This is a 14-track therapy session, with intense feelings flying every which way like bullets during D-Day. And as a listener who prefers this type of psychological mayhem, I find it to be some of the most gripping work of Kendrick Lamar’s already-historic career.

Top 3 Tracks: “ELEMENT.”, “FEAR.”, “PRIDE.”

2. TRIAL BY FIRE – YELAWOLF

 Against all odds – and when I say ALL ODDS, I mean over seven years of artistic decline since his initial burst of hype and at least one race-related controversy – Rap’s most divisive white trash Hick-Hopper pulled through with, simply put, one of the most unique “Hip-Hop” records I’ve ever heard.

On Trial By Fire, the Alabama native weaves together various shades of Country, Folk, Rock, Blues – and yes, in the midst of all that, a guest appearance from Juicy motherfuckin’ J – into his well-studied rhyming abilities to make the kind of album that no one else could make. Sure, COUNTRY AND RAP MUSIC have had their history together (LINK), but not in a way that hasn’t compromised or caricaturized either side of the spectrum. That is, until exhilarating mish-mashes on this LP like “Punk”, which contains the aforementioned Juicy J feature.

Yelawolf also bares his soul on these 14 tracks, and has a novelists’ eye for storytelling (seriously, check the haunting “Sabrina” or the sentimentally autobiographical “Keeps Me Alive” for some hardcore evidence), bringing these Southern soundscapes to life with each and every verse. On “Ride or Die”, a heartfelt tribute to a day one friend, I can actually picture Yela sitting on a front porch somewhere in Alabama strumming his guitar and staring out into miles of farmland.

 And for me, there’s a personal angle to this as well. Trial by Fire represents the ultimate escapism. It’s an album that whisks me away from my Yuppie tri-state surroundings to long, winding dirt roads, musky dive bars with Harleys parked out front, and remote stretches of land with nothing but grass and the gentle breeze that nudges it from side to side. So I suppose my increasing infatuation with the rural South has fed my love of Trial by Fire. But still, whether you end up smitten like I am or deeply unimpressed, this is music you need to hear.

Top 3 Tracks: “Ride or Die”, “Punk”, “Son of a Gun”

 1. ALL THE BEAUTY IN THIS WHOLE LIFE – BROTHER ALI

As I gushed at the middle of the year, Brother Ali made the kind of special album that makes me happy to be alive. With top-notch production from Ant of Atmosphere ensuring that it’s sonically rapturous, Ali is free to tackle weighty subject matter; sensitive topics that he handles gracefully, I might add. Beauty covers everything from race (“Dear Black Son”, “Before They Called You White”) to pornography (“The Bitten Apple”) to suicide (“Out of Here”) to Ali’s own childhood struggles (“Pray For Me”) sending your emotions every which way in the process. When you combine Ali’s raw talent on the mic with food-for-thought content, gorgeous instrumentals, and hooks like the infectious single “Own Light”, it’s impossible to lose.

Top 3 Tracks: “Own Light (What Hearts Are For)”, “Out of Here”, “All the Beauty in This Whole Life”

Some Honorable Mentions:

Laila’s Wisdom – Rapsody

Big Fish Theory – Vince Staples

Culture – Migos

Radio Silence – Talib Kweli

All-Amerikkkan Bada$$ – Joey Bada$$

At What Cost – Goldlink

4:44 – Jay-Z

Brick Body Kids Still Daydream – Open Mike Eagle

Rather You Than Me – Rick Ross

Top 5 Mid-Year Hip-Hop Albums of 2017

Hip-Hop is in a weird place in 2017.

Remember that “new generation” of great MCs that’s been endlessly debated about – you know, all those people Kendrick named in his “Control” verse four years ago? Well, they’re not so new anymore. They’re nearly a decade into their careers now. Meanwhile, the genre’s “new faces” could not be a less cohesive bunch; people seem to like Lil’ Yachty ‘cause he’s weird, 21 Savage ‘cause he’s scary, and XXXTenacion ‘cause, well, he’s a SoundCloud rapper that dissed Drake.

What is the SOUND of Hip-Hop in 2017? I have no earthly idea how to answer that question. It’s everything and it’s nothing. “Mumble rap” may be a common contemporary term that’s thrown around, but there’s too much negative connotation associated with it for the style to have much longevity (see also: “ringtone rap”, circa 2007). And “Trap” may loosely describe the sonic backdrop of much of the genre’s mainstream output, but then how would we explain the popularity of industry darlings like Chance the Rapper, Danny Brown, and Joey Bada$$> Adding more confusion to the situation, we can’t forget that Hip-Hop’s elder statesmen – the Jay-Zs, the Eminems, and Nases of the world – are STILL relevant and still breaking the Internet with new music, much of which eschews the sounds of the young guns.

But Hip-Hop is also in a good place in 2017.

It continues to broaden and expand and reinvent itself and if you ask me, it’s as diverse as it has ever been in its near-forty year history. And in 2017 thus far, as it does every year, the genre has done what it does best; it’s offered us some jaw-dropping greatness, and it’s served up some real shit sandwiches (I’m looking at YOU, Machine Gun Kelly). But in this article, we’re gonna stay positive – we’re taking a look at five Hip-Hop albums from the first half of 2017 that I have loved the shit out of.

As always, keep in mind that all of my music commentary is based solely on personal taste; I’m not trying to tell you that these albums are better than other albums, I’m just trying to tell you that you’re stupid if you don’t like them. Just kidding.

It’s all just one dude listening to music and talking about why he likes it. Simple as that.

And with a list such as this one, also keep in mind that I’ve spent very different amounts of time with each of these albums – some of them I’ve lived with for months, and some of them are still relatively new to my life – so this list (and by proxy, the omissions from it) is subject to change as the year progresses. Hope you enjoy these picks and here’s to another five months of great Hip-Hop!

5. Pretty Girls Like Trap Music – 2 Chainz

I have never been a 2 Chainz fan. I have never even made it through an entire 2 Chainz project. His over-the-top, in-your-face braggadocio and all-too-familiar song topics have never appealed to me. But, holy shit. I took a chance with this LP, and “pleasantly surprised” is an understatement. This thing is phenomenal. It’s excessive in all the right places (e.g. the completely unnecessary bass boosts on “Riverdale Road”, which make my car feel like a 747), but manages to have a degree of subtlety as well. 2 Chainz is wildly creative with his flows throughout, and manages to make the tracks with the most predictable guest appearances into the album’s shining moments (the contemplative “Realize” with Nicki Minaj, the euphoric “Blue Cheese”, with the Migos). Not to mention, this album contains the most absurd, hilarious line of 2 Chainz’s career thus far; on “Sleep When U Die”, he spits the following gem: “I got a bank account, got anotha bank account, got anotha bank account.” ‘Nuff said.

4. Rather You Than Me – Rick Ross

Right up there with 2 Chainz in the “Jesus Christ, I never expected THIS!” department, Ricky Rozay came through with a surprisingly dope project this time around. Who would’ve thought that it’d be this motherfucker’s NINTH album that finally won me over? But on Rather You Than Me, Ross balances his usual bravado-filled tall tales with some genuine vulnerability and emotional depth. To be clear, this is far from 808s and Heartbreak, but when Ross – who, by the way, has quietly developed into an impressive MC over the years– dips into his psyche from time to time, it makes for a much more well-rounded listen. Plus, from a production standpoint, he assembles a murderer’s row of some of the best instrumentals 2017 has to offer; luxurious cuts like “Santorini Greece” and the jazzy “Game Ain’t Based on Sympathy” are sprinkled alongside traditional trap bangers like “Dead Presidents” and “Summer Seventeen”, as well as more minimalistic moments like the Nas-assisted “Powers That B”. It all makes for a fluid, easily enjoyable, and consistently engaging 62 minutes. Don’t worry, I’m as surprised as you are. Here is a full review.

3. Captain California – Murs

Every year, Tech N9ne’s powerhouse indie label Strange Music comes through with at least one absolute gem (and by the way, it’s never from Tech N9ne himself– the guy is superbly talented but his projects are bloated as fuck. But I digress.) Last year, it was Rittz’s third record Top of the Line, which placed high on my year end list and I couldn’t shut the fuck up about. This year, it’s veteran LA spitter Murs, whose sixth studio album Captain California delivers everything I look for in Hip-Hop on a silver platter. Aside from checking all the boxes from a technical rapping standpoint, what impresses me most about Murs is his range. This album will be downright goofy one minute – as with the laugh-out-loud opening cut “Lemon Juice”, a little ditty centered on Murs and his guest Curtiss King competing for one female’s attention – and it’ll be heartfelt the next, as with the aptly titled “God Bless Kanye West”, or the touching love song “1,000 Suns”. This LP is likely to end up in the “fuck all of you, this is so underrated!” column for me, so don’t be one of the idiots who sleeps on it!

2. DAMN. – Kendrick Lamar

 You can go here for some extended thoughts on this album, but I’ll sum it up this way: we are witnessing Hip-Hop history with this guy. How many Hip-Hop artists can you think of that came right out of the gate with FOUR EXCELLENT RECORDS?? Please, enlighten me. Outkast? Sure. DMX? Perhaps. Eric B. and Rakim? I guess, but it’s debatable. Point made: it’s a short fucking list. While DAMN. might not be as intricate or conceptual as Lamar’s universally-acclaimed previous LP, To Pimp a Butterfly, what I love about this one is how emotionally raw it is. This is as depressed, anxious, and conflicted as Kendrick has ever sounded, and that’s saying a lot since he’s never exactly branded himself as Mr. Happy-Go-Lucky. But this record is so raw and so real, and I relate to Kendrick on a more visceral level this time around. That, and he has continued to push himself as a wholistic MC, upping the ante with his flows, his versatile vocal inflections, and his increasingly complex rhyme structures.

  1. All the Beauty in This Whole Life – Brother Ali

 Aptly titled, this album makes me happy to be alive. Not that it’s a shining beacon of optimism or anything – these songs tackle suicide, pornography addiction, racial inequality, and some of Alis darkest personal struggles – but hearing this man put a Hip-Hop song together is truly remarkable. Brother Ali oozes passion, sincerity and raw emotion out of every last breath of these 61 minutes, and as a listener it’s contagious. You can’t help but be inspired by the uplifting single “Own Light (What Hearts Are For)”, or be moved to tears by the emotional weight of “Dear Black Son” or “Pray For Me”, or be challenged by food-for-thought tracks like “Before They Called you White”. Not to mention, Ant from Atmosphere provides a gorgeous sonic backdrop, and Ali, being simply one of the most gifted rhymers on the planet, knocks all fifteen tracks out of the park. If you haven’t yet, please get the hell off this blog and go listen to this album. Or watch my review. Thank you and have a nice day.

April 2017 Album Round Up!

So, another month came and went. The first week of April (right around the time the Chainsmokers released once of the worst albums of the year) kicked off the month in exciting fashion for me – my band hit the studio with Joe Cocchi from Within the Ruins and cranked out a couple killer tunes that I can’t wait to unleash on the world. After that? Well, I worked 50-hour weeks, squeezed out some YouTube videos, and socialized approximately zero times. I’ve currently been sober for 31 days, which is the longest I’ve gone without booze since I first started drinking when I was 15. It’s not an AA type thing – lately I’ve just found myself growing out of that lifestyle.

I’d like to report that laying off the sauce has drastically improved my day-to-day existence and forever altered the course of my life, but I’m pretty sure it’s just made me marginally less cranky and a lot more boring. But I still by no means endorse drinking – after all, have you seen the absolute rape of a markup that bars get away with on Jack and Cokes and other well drinks? Sheesh. Save your money, kids.

There was also the Kendrick Lamar album, which, now that I think of it, formed the nucleus of April 2017 in many ways. My GOD are we witnessing history with that guy. He fucking delivered again.

Anyway, here are my monthly biased-as-all-hell musings on some new music. I gotta say, 2017’s got some serious momentum now –  I couldn’t be more excited heading into May’s stacked release schedule!

Memories…Do Not Open – The Chainsmokers

This is…just, lowest common denominator everything. Lyrically, it has the depth of a sixth grader’s diary – “opener “The One” is SERIOUSLY about not being able to go to a friend’s party, and “Bloodstream” begins with the declaration, “I’ve been drunk three times this week” (not to mention this gem on “Last Day Alive”: “the night is young and we are young”) – and musically, it has the depth of, well, a sixth grader’s diary. The beat to “Break Up Every Night” sounds like a commercial for a Chuck E Cheese, while the drop in “Wake Up Alone” is mind-bogglingly juvenile. In all honesty, I feel like the frat party music/EDM crossover is a wonderful niche (one The Chainsmokers have successfully exploited with songs like “Roses”) but this is, like, teeny bop shit! It’s horribly dumbed down even by Pop standards! NOT RECOMMENDED

All Amerikkkan Bada$$ – Joey Bada$$

While some people may point to the likes of Kendrick Lamar and J. Cole as “ old school Hip-Hop revivalists”, I couldn’t disagree more. When I think of that term in its purest sense, I think of Joey Bada$$ the Brooklyn MC who may have born in 1995, but spits like that’s the current calendar year. Given my affinity for ‘90s Hip-Hop, his debut B4.Da.$$ was one of my favorite Hip-Hop albums of 2015, and its follow-up is even better (and way hookier). Gritty standout “Rockabye Baby” is the epitome of the aforementioned revivalism; anybody from The Lox to Mobb Deep to Nas to Big Pun would sound great on that instrumental (ScHoolboy Q ultimately steals the show with its guest spot). The melodic, almost serene ”For My People”, meanwhile, might be my favorite Hip-Hop track of 2017 thus far. My only gripe with this album is that Joey tackles familiar race issues without having any sort of unique perspective – it’s all the same “cops are out to kill me”, “racism is bad” “government is evil” kind of shit. It’s important shit to talk about, but it needs a new spin. Other than that, the dude is proving to be the real deal. RECOMMENDED

The Search for Everything – John Mayer

After forays into Country and Folk music with his last two LPs, John Mayer’s glorious return to the Pop world is an enjoyable but somewhat fluffy affair. While I dug the hell out of the mushy, relatable romance of “Love on the Weekend”, the wonderful break-up fodder of tracks like “Never on the Day You Leave” and “Moving on and Getting Over”, as well as the crunchy rocker “Helpless”, there were also a few empty, excessively dumbed down cuts like “In the Blood” and “Changing” that made this album underwhelming for me. Knowing Mayer’s talent, I’d prefer to be challenged as a listener. But he still hits his mark more often than not. Here is a full review. RECOMMENDED

 DAMN. – Kendrick Lamar

If you want some extended thoughts on this album, it’s best to go here, but I gotta say this: we are witnessing Hip-Hop history here. What many other artist in the history of the genre has come right out of the gate with FOUR INCREDIBLE RECORDS?? Outkast? Maybe. Eric B. and Rakim? Perhaps. But it’s a fucking select few. So when this dropped, I just soaked up the moment. This guy will go down as one of the greats. HIGHLY RECOMMENDED

Season High – Little Dragon

This Swedish Electronic group’s 5th studio album was my first outing with them. And to be blunt, I didn’t care for the slow-moving, campy, anti-climatic music that I came across. Maybe I just lack the necessary nuance in my taste for dance music, but these songs didn’t have the rousing energy that I look for in the genre. It was more like a goofy video game soundtrack with grating vocals. NOT RECOMMENDED

The Assassination of Julius Caesar – Ulver

Listening back to their classic debut album Bergtatt, I can’t think of a Metal band that has undergone as dramatic a transformation as Ulver over the years. In 2017, over 23 years after that seminal Black Metal release, they’re not even classifiably “Metal” anymore. The Assassination of Julius Caesar dips its toes into dance, a bit of new wave, and a whole lot of moody, nocturnal soundscapes. The spacey, mesmerizing “Southern Gothic” is a favorite of mine, as is the opening track “Nemoralia”, with its smooth electro strut and gorgeous vocals from Kristoffer Rygg. Whatever the fuck the genre is, these guys continue to wow me. HIGHLY RECOMMENDED

The Seven – Talib Kweli & Styles P

These two Hip-Hop veterans came together for seven fun yet thought-provoking tracks that delicately balance a carefree cypher spirit with uncompromising sociopolitical commentary, particularly as it retains to race issues. Here is a full review. You should watch it, given that Talib himself loved it. HIGHLY RECOMMENDED

Coming Home – Falling in Reverse

It makes me chuckle that I spent way more time unpacking this record than I thought I would. ‘Cause to be honest, I went into it with a sorta snobby, scornful dismissiveness, but when early cuts like “I Hate Everyone” and the title track were genuinely catchy, I was shocked. Was this album going to be the ultimate sleeper?? I started to get excited. The answer, though, was a resounding NO as I was introduced to songs like “Superhero” and “Hanging On”, and simultaneously realized that all of these childish lyrics were being sung by a 33-year-old man (in case you didn’t know, Falling in Reverse is fronted by ex-Escape the Fate frontman Ronnie Radke). Plus, I don’t see how the supposed “space theme” ties in except for a few corny Starset-lite studio effects. NOT RECOMMENDED

Madness – All That Remains

In what could be the final nail in the coffin for many of their older fans, All That Remains completed their descent into radio rock mediocrity with this LP. Featuring three of the sappiest, shittiest ballads I have ever heard (“If I’m Honest”, “Far From Home”, and “Back To You”) as well as neutered, passionless production from Howard Benson (who likewise ruined In Flames’ last record), Madness is everything fans have been afraid of as the band has teetered on the edge of Pop-Metal. Personally, since All That Remains has never been a “brutal” band anyway, I’d encourage them to keep going in this direction. If they just drop the ballads and write some better songs next time, maybe this could work out. Here is a full review. NOT RECOMMENDED

 Makes Me Sick – New Found Glory

These pop-punk pioneers came roaring back with an album that reaffirms their position as one of the very best at the genre they helped usher in. These tunes are just brimming with sugar sweet hooks and carefree, spunky energy. Listening to the sheepish innocence on display during “Short and Sweet” – where frontman Jordan Pundik gushes to his crush, “I don’t deserve someone as beautiful as you” – these guys haven’t aged a bit. The youthful spirit of this record is not forced at all. Special shout out to standout cut “Sound of Two Voices”, which is like….I don’t even know….Tropical-Pop-Dance-Punk? I love it! HIGHLY RECOMMENDED

A FEW MORE:

LIKE:

Back to the Basics – Rich Homie Quan

Lovely Little Lonely – The Maine

Long Live Nut – YFN Lucci

How Will You Know If You Never Try – COIN

Pure Comedy – Father John Misty

DON’T LIKE:

Extinction – Harlott

Humanz – Gorillaz

Youth – Tinie Tempah

Embodiment – Enterprise Earth

SHINE – Wale