August 2018 Album Round Up!

Hey guys! Psyched to make my return to Monthly Round Ups during an action-packed month! Apologies for my little hiatus – work these past several months has been an absolute bitch and it’s been straight up unrealistic to try and squeeze in several listens to 20-25 albums every four or five weeks. It just wasn’t gonna happen. But I’m proud to say that I’m back and here to stay! Kinda like when Jay-Z came out of retirement after not even a year and released a shitty ass record that no one liked but eventually went on to do things like marry Beyonce and make an album with Kanye and start his own streaming service so it was all good. Ok, maybe not quite like that. But still. God, there’s so much to break down from August 2018! I hope you’ve been keeping up via my email list and YouTube channel while I’ve been away!

Mac Miller – Swimming

Five albums and at least twenty (!) projects into his career, one fact remains: Mac Miller is a hell of a beat picker. On Swimming, he lines up an endlessly listenable and surprisingly unique platter of instrumentals, from the funky “What’s the Use?” to the jazz-tinged “Jet Fuel” to one of the sexiest beat switches I’ve ever heard in the trap-laced “Self Care”. Everybody from J. Cole to Flying Lotus to Kanye collaborator Jon Brion to fellow Pittsburgh natives ID Labs to “God’s Plan” producer Cardo contribute to this album’s impressive sound. However, another fact remains: Mac Miller doesn’t really have a whole lot to say. Even after a public split with Ariana Grande earlier this year, Miller’s lyrics on Swimming – rather than directly addressing his feelings – often find him simply crawling between various esoteric trains of thought that leave the production to carry him. I find myself wincing in the first verse of “Wings” when he clumsily points out “that’s a motif!”, and I really struggle through the bleary-eyed pseudo-raps of “Dunno”, the meandering mopefest of “Small Worlds”, and several other underwhelming lyrical moments. So while I dig this album sonically, I don’t find myself connecting with Mac’s words like I did on the lovey dovey Divine Feminine or the triumphant “I’m off drugs!” comeback that was GO:OD AM. I salute Mac for continuing to be carve out his own sound within hip-hop, but I probably won’t be returning to this all that much. NOT RECOMMENDED

Sinsaenum – Repulsion for Humanity

Back in 2016, when ex-Slipknot skinsman Joey Jordison and Dragonforce bassist Frederic Leclercq teased their new supergroup Sinsaenum as an epic collision between Black Metal and Death Metal, I was ecstatic at the thought. At the time, Behemoth’s The Satanist was the last truly great Blackened Death Metal LP I had heard, and I was aching for something new. Well, you can imagine my disappointment when Sinsaenum’s debut Echoes of the Tortured was pretty much just Morbid Angel worship with creepy keyboard interludes. But then, last year’s Ashes EP renewed my hope with a short set of killer tracks that gave me exactly what I wanted – some eerie-yet-brutal, Black Metal-infused Death Metal! So, anticipation was high for Repulsion for Humanity, the band’s sophomore outing and follow-up to Ashes.

Well, they kinda let me down again. Don’t get me wrong, Repulsion for Humanity is very well-executed, but on this record Sinsaenum spend far too much time on compositional Death Metal clichés, aimless guitar solos, and tired lyrical subject matter, rather than turning their attention towards atmosphere and genre-fusing like they did on Ashes. At the end of the day, I found more positives than negatives, but given the raw talent that this band posses, I still wish Sinsaenum would have given us more than a slightly-above-average, dime-a-dozen Death Metal record. Here is a full review. RECOMMENDED

 Travis Scott – Astroworld

Trap powerhouse Travis Scott came in hot with album number three, armed with quite possibly the craziest guest list of any Hip-Hop release this year (Drake, Frank Ocean, James Blake, The Weeknd, Kid Cudi, Swae Lee, 21 Savage, Quavo, Juice Wrld, and Nav all appear). Not to mention, it’s a who’s who of Hip-Hop production as well, with people like Mike Dean, Hit-Boy, Cardo, Murda Beatz, Boi-1da, Thundercat, and even Tame Impala involved. If anybody has done a better job setting themselves up for an “instant classic”, I’d like to hear you argue against Travis Scott. And of course, many critics quickly obliged and gave it that label.

However, I find it surprising that any album containing a Drake verse about taking prescription drugs to fall asleep on a plane can be considered an “instant classic”. Not only do I find Drizzy’s aforementioned “Sicko Mode” verse boring, but a significant chunk of the LP as a whole, with mid-album cuts like “5% Tint”, “Astrothunder”, and “Can’t Say” lulling me to sleep. Surrounded by so many industry heavy-hitters, it’s strange but unsurprising that Scott and his familiar auto-tuned brags are the most non-essential part of this album. The beats are off the chain (see the tuneful Tame Impala and Weeknd collaboration “Skeletons” or the sensory overload of “Carousel”), and more than enough to keep me around most of the time, but Scott himself is just not that interesting to me. So, “instant classic”? Eh, don’t believe the hype. NOT RECOMMENDED

Snak the Ripper – Off the Rails

I got turned on to this amazing record by an Instagram post from Rittz (one of my favorite rappers for several years now), from whom Snak the Ripper had snagged a guest verse for the single “All Out”.

And yet again, Rittz has done great things for my life. I can’t believe how good this record is! Skill-wise, Snak is your archetypal rappity-rapper, packing dense rhyme patterns into complex, high-velocity flows, but his abundance of thoughtful content and his selection of low key, contemplative beats (see “I Ain’t Dead”, “I’m Good, or “Hourglass”) that give him room to let loose lyrically are what ultimately make him stand out. There’s not a single track I don’t like on here, but I’d especially recommend “Baby Boy”, where Snak has some touching words for his newborn son, “Driftin”, which has a super dope video with some tour footage mixed in, and “Knuckle Sandwich”, which brings on R.A. The Rugged Man for a murderous guest appearance.

Seriously, I can’t say ENOUGH good things about this LP! Should definitely end up in the year-end Hip-Hop conversation in a few months! HIGHLY RECOMMENDED

Jason Mraz – Know

Back in college, if you saw a corny dude wearing a fedora and strumming his Ukulele in the middle of campus, you’d make fun of him. The kid’s clearly just trying to get laid in the saddest, most transparent way possible.

Well, Jason Mraz’s albums are the sonic equivalent of that. I don’t know the guy personally, so if he really is this sunny and optimistic all the time, God bless him. Lord knows we have enough cynicism in the world at the moment. But this cutesy RomCom music is tough for me stomach. When I hear lines like “we could be bigger than cheese and macaroni” (on a song that is titled “UNLONELY”, mind you) I feel like punching him. A decade after Mraz’s most ubiquitous hits – “Lucky” and “I’m Yours” – he’s still using the same old chord progressions, the same child-like turns of phrases, and making the same manufactured Summer picnic music. NOT RECOMMENDED

 Death Cab for Cutie – Thank You For Today

I had no idea how much I missed Death Cab’s warm, comforting sound until I heard this LP. Regrettably, I skipped over 2015’s Kintsugi, so it had been around seven years. But I quickly got reacquainted thanks to misty-eyed highlights like “Autumn Love” and “Summer Years”, as well as the hooky “Northern Lights” and the contemplative intro track “I Dreamt We Spoke Again”, which almost felt Kid A-esque to me. While it fizzles out a tad with the last few tracks (I’m not crazy about the somber “You Moved Away” or the generic “Near/Far”), Thank You For Today is a wonderful way to send Summmer 2018 off, and it’s inspiring to dig back into the Death Cab catalogue a bit! RECOMMENDED

Ariana Grande – Sweetener

I realize that 2016’s Dangerous Woman might’ve been the most overplayed Pop album of that God forsaken year, but I still thought it was excellent. Even the deep cuts. I still jam it all the time. And it makes me sad that I couldn’t feel the same way about its follow-up, Sweetener. I’m very lukewarm on this one, mostly because of the beat selection. Personally, I would much rather hear Ariana’s gorgeous voice over stuff like the bluesy “Dangerous Woman” or the boy band nostalgia-invoking “Sometimes” from her last record than, say, the obnoxious Pharrell-ism “The Light is Coming” or the generic trap of “God is a Woman”. It just doesn’t excite me. Sweetener already feels a bit tired by the time the stand out single “No Tears Left to Cry” arrives ten tracks in. But I remain a fan and look forward to Ariana’s next project. NOT RECOMMENDED

Alice in Chains – Rainer Fog

Rainer Fog is now Alice in Chains’ third album during the William Duvall era of the band. It’s crazy to think about how a decade ago, replacing AIC’s late great frontman Layne Staley seemed preposterous, but this current incarnation really grew into it quickly. With Rainer Fog, the sixth LP overall from the Grunge legends, Alice continue to do justice to their legacy by making lively Hard Rock songs that feel modern and exciting – see the driving title cut or the dissonant stomp of opener “The One You Know” for further proof. It might not be a perfect record – I have trouble vibing with the bloated Sabbathian cut “Drone”, for instance – but neither was Facelift if we’re keeping it all the way real. Seriously, it wasn’t! So I don’t care how much you love their early ‘90s material – the point is, for Alice in Chains to continue to make quality music like this over thirty years into their career, it makes them….one of VERY few grunge bands to do so. RECOMMENDED

A FEW MORE:

LIKE:

Alkaline Trio – Is This Thing Cursed?

Blue October – I Hope You’re Happy

Bun B – Return of the Trill

Eminem – Kamikaze

Nothing – Dance on the Blacktop

Trippie Redd – Life’s a Trip

DON’T LIKE:

The Amity Affliction – Misery

Black Tusk – T.C.B.T.

Excision – Apex

Matoma – One in a Million

Plain White T’s – Parallel Universe

YG – Stay Dangerous

 

 

 

 

 

September 2016 Album Round Up!

Since I was three years old – to put that in context, since BEFORE the world witnessed Kate Winslet and Leo DiCaprio bang on the Titanic and her subsequent refusal to share a rather spacious floating door, choosing instead to let him die – this was the first non-Summer month that I have not spent in a classroom. That’s almost 20 years of steady structure tossed out the fucking window. It’s almost surreal, but in the immortal words of Blink-182, “I guess this is growing up.” And growing up meant that in September 2016 I was busier than I have ever been, working and interning for absurd hours, scrambling to find time for quality, in-depth listens of all of these new records, and trying to somehow squeeze out a social life and some gym hours. The whole listening-to-new-music thing worked out reasonably well, although the true release mayhem came RIGHT on September 30th, so I’m still catching my breath. But I’ve got a bunch of great stuff to recommend! Enjoy my ramblings, and hope you’re all looking forward to October as much as I am – it’s gonna be fucking STACKED!

Bad Vibrations – A Day To Remember

This Metalcore/Pop-Punk band’s last effort – 2013’s Common Courtesy – is one of my favorite albums ever. So I didn’t expect Bad Vibrations to meet that high water mark. In the end, I’m walking away feeling positive yet slightly underwhelmed. The first half of this LP is packed with some of ADTR’s best material to date, like “Bullfight”, “Naviety” (showcasing their poppier side), and the title track (showcasing their more aggressive side), but there are a few duds and filler tracks in the latter half (“Turn Off the Radio”, “Forgive and Forget”, “We Got This”) weighing it down. Here is a full review. RECOMMENDED

Birds in the Trap Sing McKnight – Travis Scott

I was a bit late to the Travis Scott party, so the peculiarly titled Birds in the Trap Sing McKnight is the first time I’m experiencing his new music alongside the rest of the world. Scott’s hugely hyped sophomore full-length is not perfect, but it’s PACKED with bangers, and it’s been my go-to party album for the entire month. Particular highlights include “Coordinate”, “Goosebumps”, “Pick Up the Phone”, and “Through the Late Night”, the latter of which is the best thing Kid Cudi has been involved with in over half a decade. Between Birds and Young Thug’s Jeffery project last month, Hip-Hop is incredibly turnt right now. RECOMMENDED

Winter’s Gate – Insomnium 

I haven’t disliked a single album from these Finnish Melodeath masters, but “Winter’s Gate” is special. It’s a conceptual behemoth that meets the highest of Melodic Death Metal standards without ever getting ahead of itself. Along with Be’Lakor’s excellent Vessels LP this past June, Winter’s Gate proves that this style of Metal is as vital as it ever has been. You might see this one again when the time comes for “Best Albums of 2016” discussions. HIGHLY RECOMMENDED

Natural Causes – Skylar Grey

For her second album as Skylar Grey, the “Love the Way You Lie” songstress took a bold leap from the cookie cutter Pop of 2013’s Don’t Look Down into something much more spacey and ethereal. I was psyched about the transition and wanted more than anything to be blown away by the whole record, but in reality, I fell in love with a handful of tracks and could take or leave the rest. Here is a full review. RECOMMENDED

Yellowcard – Yellowcard

Even though they’re one of my all-time favorites, Yellowcard’s swansong left me indifferent. There are some flashes of the Yellowcard that I grew up loving, but the track list suffers from what I call “ballad syndrome” – of 11 songs, 5 or 6 of them venture into ballad territory. That’s not ok for a Pop-Punk album, or any album for that matter. These slow cuts aren’t terrible, but it makes for a strange and uneven listen. Rather than going out with a bang or a whimper, Yellowcard went out with a polite wave goodbye. Here is a full review. NOT RECOMMENDED

The Atrocity Exhibition – Danny Brown

On his fourth project, Danny Brown is once again an utterly singular Hip-Hop artist, from his unmistakable delivery, to his slightly avant-garde production, to his eccentric, drug-riddled storytelling. Don’t be fooled by his abrasive persona though; the guy can rap his ass off. Just check the gritty “Lost” or the star-studded “Really Doe”, the latter of which finds Brown holding his own with heavyweights like Kendrick Lamar, Ab-Soul, and Earl Sweatshirt. On second thought, scratch that “Really Doe” analysis, ‘cause “heavyweight” now describes Danny Brown too – he’s not only at the top of HIS game, he’s one of the most compelling rappers on the planet right now.

Creatures Watching Over the Dead – Charred Walls of the Damned

 Richard Christy, Steve DiGiorgio, Jason Suecof, and Tim “Ripper” Owens fire up their Metal supergroup again for album number three. This is BY FAR my favorite record of theirs. Hearing Ripper’s soaring, melodic vocals over some legitimately heavy riffs is particularly refreshing – I don’t know about you, but I get tired of the same throat-gurgling screams over everything. I love to hear a singer with old school PIPES, and the ex-Judas Priest frontman really brings it here. The melodies don’t stop at Ripper either – the track “Lies” is sent off with an ultra poppy riff and a sugary guitar solo that sounds like a Pop-Punk band got parachuted into a Metal anthem. Elsewhere, shit can get crushingly heavy (“The Soulless”), technically dazzling (Jason Suecof’s harmonized lead in “Tear Me Down”), and even thoughtful (“My Eyes”).The songs aren’t ALWAYS there, but the mastery these veterans exhibit over the genre is a true joy to listen to. RECOMMENDED

The Altar – Banks

Banks sophomore LP is a noticeable improvement over Goddess, her super hyped but slightly underwhelming debut. Plodding moments like “To the Hilt” and “Poltergeist” hurt the track list in its latter stages, but I’ll be damned if there’s aren’t some bonafide Alt-Pop smashes on here. “Gemini Feed” has proven to be a wise choice for a single, and “Trainwreck” continues in a similar vein. “This Is Not About Us” veers more toward the Electro-Pop route, while “Fuck With Myself” contains explicit Hip-Hop nods – the latter a display of swaggering attitude previously absent in Banks’ music. She’s definitely headed in the right direction; in the future, I’d love to see her further explore the edgier side that she began to tap into with The Altar. RECOMMENDED

The Divine Feminine – Mac Miller

Mac Miller’s best album to date is vulnerable, sensual, and loosely conceptual, dealing almost exclusively with love, sex, relationships, and women. Never an MC who could quite carry a full-length on his own, Mac leans on his talented guests with the perfect amount of weight, whether it’s Anderson .Paak on the fun and upbeat “Dang!”, Ty Dolla $ign on the DJ Dahi-produced “Cinderella” (the LP’s best song by far), Kendrick Lamar on the closer “God Is Fair Sexy Nasty”, or his boo thang Ariana Grande on “My Favorite Part”. I am beyond impressed with Mac’s wholehearted commitment to exploring, developing and delivering something totally different from the rest of his catalogue. Love it or hate it, you’re unlikely to hear another Hip-Hop record quite like this one in 2016. RECOMMENDED

Sorceress – Opeth

It’s a crying shame that I haven’t had the time to give this album the full review treatment, but October’s going to be the busiest fucking month of the year and I don’t want to fall behind. It’s only been out for a week, but here are my two cents: if I want Still Life or Blackwater Park Opeth, I can continue to wear out those fucking records to death. I ENCOURAGE stylistic change, as long as the music is up to par. And Sorceress is easily the best of Opeth’s 2010s output – that dramatic, fan-dividing shift in Mikael’s vocal delivery finally feels at home amongst these proggy yet catchy tunes. At the time of the initial transition on 2011’s Heritage, it felt like career suicide, but Sorceress justifies the creative decisions Opeth have made these past few years. HIGHLY RECOMMENDED

Schmilco – Wilco

Wilco’s tenth album is delivered with the same modest indie spirit that I’ve associated with them since I first heard AM as a 14-year-old. Schmilco is laid back, chill as fuck, and most importantly, it’s folky without those big cheesy pop hooks vacuuming the life out of it (looking at you, Mumford & Sons, how’s it going?). It didn’t knock my world off its axis or anything, but it’s exactly what I anticipated. Can’t be mad at that. RECOMMENDED

 

My Summer ’16 Soundtrack: The Top 20 Songs

Well guys, the first day of Fall – or the “autumnal equinox” if you’re pretentious – is upon us, as is our official goodbye to Summer Sixteen. What we’re left with, aside from a month-long hangover and a couple genital warts, is a bunch of memories. More specifically, we’re left with the memories and the songs that accompany them. Seriously, the sheer power of the music-memory connection is mindblowing. (Example: two years ago, I had a severe panic attack in the middle of the Taconic Parkway in upstate New York while Wiz Khalifa’s “Bout Y’all” was playing, and to this day, I still can’t hear that track without losing my shit. It’s a shame, ‘cause it’s a banger.) This potent connection is bested only by the smell-memory link (Olfaction to Hippocampus), which any Neuroscientist will get a sizable boner explaining to you.

So whenever a meaningful chapter in my life closes, it always gets me thinking: what was my soundtrack? What are the songs that, until my liver finally calls it quits or an ex-girlfriend stabs me in my sleep, are gonna be intertwined with the good, the bad, and the ugly of this time period in my life? With Summer Sixteen coming to an end, I reached into the depths of my neurotic mind and these are the songs I yanked out. Below are brief thoughts on each one, and I’ve even compiled a Spotify playlist at the bottom for your listening pleasure.

This is what my Summer sounded like, and consequently, it’s what soul crushing nostalgia is gonna sound like for me in 2040. What did yours sound like? Let me know in the comments. I hope you’ve already given day one of Autumn a swift kick in the ass! Peace out Summer Sixteen!

(Girl We Got A) Good Thing – Weezer

If you ever wondered what summer “sounds like”, here’s your answer.

Sometimes – Ariana Grande

My favorite Pop song of the entire year. Max Martin’s impossibly smooth production reminds me of his work on Backstreet Boys’ Millenium.

KISA – Rittz

On Rittz’s brilliant, hard-hitting Top of the Line, the sappy love song also happens to be my favorite. Bite me.

Roses – Carly Rae Jepsen

Every single track on last month’s Emotion: Side B EP is a contender, but “Roses” takes the cake for me. It’s moody by Carly Rae standards, and perhaps that’s why I have a slightly deeper connection with it than peppy songs like “First Time”.

Everything– Atmosphere

Slug’s hyper self-aware rhymes and Ant’s knocking production make this a quintessential Atmosphere track.

Do You Mind – DJ Khaled

I love this sensual banger from DJ Khaled’s absurdly hyped Major Key LP. The production is a bit of a call back to Rich Gang’s “Lifestyle”, and Future’s guest verse is low key one of the best moments of his career.

Collapse – Vektor

Vektor’s Progressive Thrash opus Terminal Redux is still my number one Metal album of 2016 thus far. And yes, it’s fucking blistering, but it’s actually the LP’s pseudo-ballad that I’ve found myself coming back to the most.

Shelter –Porter Robinson & Madeon

 My two favorite EDM artists broke the Internet with this collaborative single, and it sounds exactly how I had hoped – like Madeon’s Adventure and Porter’s Worlds enjoyed some good ol’ passionate shtupping.

John Muir – ScHoolboy Q

Q’s menacing delivery and Sounwave’s throbbing boom bap – complemented by a touch of Jazz in the hook – are a lethal combination.

Whatever, Wherever – Band of Horses

Another stare-up-at-the-stars-and-think-about-life song from Band of Horses. Gorgeous, calming…everything I’ve come to adore about “Factory”, “Infinite Arms”, “The Funeral”, and the softer moments in the band’s catalogue. I often wonder if other listeners extract the same mood from these songs that I do – if not, chalk another thing up to my weirdness.

Hologram – Crown the Empire

 Histrionic metalcore angst at its most shameless. Normally it doesn’t fly with me, but “Hologram” is so fucking catchy.

Night Drive Loneliness – Garbage

Over two decades after their self-titled masterpiece, Garbage are still killing it. This standout from their new record Strange Little Birds – which came out in June – is the perfect sonic execution of its titular concept.

Stranded – Gojira

In stripping down their pulverizing sound for something a bit hookier, Gojira took a huge risk with Magma, the band’s sixth album. But it’s the most commercial song on it that ended up being my favorite!

 Cleaving Giants of Ice – Revocation

The mammoth closing track from Great Is Our Sin proves that Death Metal and clean vocals DO mix when done right! Prominent Enslaved influence here.

Stole the Show – Kygo

Overall, I was pretty turned off by the excessively commercial sound of Kygo’s debut, but “Stole the Show” was, ironically, my most beat-to-death party song of the summer ‘16.

Dive In – Pierce the Veil

I’ll give Pierce the Veil the gold medal for biggest surprise of 2016 thus far. I usually avoid verb-the-noun bands like the plague, but their new record Misadventures and its explosive opening track are undeniable.

The Fighter – Keith Urban

As with Kygo, I hated the album, but fell in love with a select track. “The Fighter” is a powerful duet with Carrie Underwood.

Something’s Off – Hatebreed

One of the very best songs of Hatebreed’s two-decade career. What a monstrous main groove! And in the bridge section, Jamey Jasta’s foray into clean singing is an absolute triumph.

Ideology is Theft – Saosin

For some reason, the bridge in this song yanks a tremendous amount of emotion out of me every single time I hear it. That addicting lead guitar riff in the chorus doesn’t hurt either.

Love Drought – Beyonce

 This is the song Drizzy Drake wishes he could pull off

 

May 2016 Album Round Up!

Here it is everybody! Below is a recap of ten releases from this past month that I was checking out. I fucking finished college while these albums were dropping…so I’m finally free to allocate more precious brainpower for passions like this! Looking ahead, I’m incredibly psyched for the avalanche of big records dropping this coming month. Stay tuned for reviews, rants, and one of my personal favorite endeavors, mid-year lists!

(PS: I did not include Radiohead’s A Moon Shaped Pool here because I STILL haven’t wrapped my head around it. I’m not going to disingenuously hurry my thoughts in the absence of a firm verdict.)

The Concrete Confessional – Hatebreed

Hatebreed’s seventh album is a solid offering, with crushing modern classics like “A.D.”, “Remember When”, “Seven Enemies”, “Serve Your Masters” and the near-perfect “Something’s Off”. For much of the LP, Jamey Jasta veers away from the typical Hatebreed optimism and dives into some dark and confrontational subject matter, which adds substantial muscle and does wonders for the album’s vicious aesthetic. Unfortunately, there are three or four fillers weighing the track list down. But overall, diehards will be stoked. Here is a full review. RECOMMENDED

Misadventures – Pierce the Veil

I went into this one completely cold. Sure, Pierce the Veil is a name I’ve heard tossed around a fair amount. But I’ve never heard a note of their music. Given that I haven’t loved a post-hardcore record in quite a while, it was time to take a crack at something like Misadventures. And my God am I glad I did. These 11 tracks feature fantastically written hooks and tight, reasonably heterogeneous compositions. It’s an efficient 44 minutes, whether it’s the explosive pop-punk of “Circles”, the thumping midtempo of “Bedless”, or doses of Metal on “Dive In”. A worthy successor to genre benchmarks like AFI’s Sing the Sorrow, yet revitalized for 2016. RECOMMENDED

At Night, Alone. – Mike Posner

This was so fucking frustrating. Not only did Posner have a stellar pop smash on his hands with Seeb’s remix of “I Took a Pill in Ibiza”, but I was 100 percent on board with the concept of At Night, Alone. “Maybe this’ll be another Man on the Moon type album,” I thought to myself gleefully. And the first four tracks suggest that – the subdued version of “Ibiza” is great, with an additional third verse that rounds the song out, and “Be as You Are” is some sweet mother-son bonding. But all that is quickly ruined by the stomping “Silence”, the acapella “Only God Knows”, and the bouncy “Jade”, all of which completely disrupt the mood of the LP. I can barely listen to these songs at all, much less at night alone. Posner is talented, and I still believe in him, but At Night, Alone failed to commit to and execute its theme. NOT RECOMMENDED

Top of the Line – Rittz

“Third time’s the charm,” says Georgia double-time spitter Rittz on the opener to album number three. The standard edition of Top of the Line clocks in at just under 75 minutes, but it’s remarkably consistent despite its lengthy run time. A workhorse, the Strange Music signee and Yelawolf protégé is incredibly meticulous with his bars, making for a rewarding listen for lyricism purists. The LP is often deeply and heartbreakingly personal, addressing fun and bubbly topics like infidelity, drug addiction, and suicide. Rittz isn’t afraid to give the white rapper perspective on racial tension on “Until We Meet Again”, and delivers plenty of jaded rhymes against an industry full of “a bunch of wanna-be Futures”. His execution of his own melodic hooks is also as sharp as ever. People need to wake the fuck up and support awesome Hip-Hop like this. Seriously, shame on Complex for not even reviewing this. HIGHLY RECOMMENDED

Dangerous Woman – Ariana Grande

In the months since Carly Rae Jepsen released the unexpectedly phenomenal Emotion last August, I’ve been on the hunt for another bubbly Pop album to shamelessly enjoy. I never thought it would come from the somewhat vanilla Ariana Grande, but I’ll take it! Her third LP is full of slick smashes that show just enough teeth. Particularly recommended are the roaring title track, the smooth “Sometimes”, and sensual numbers like “Into You” and “Let Me Love You”. Even Nicki Minaj, who I am not a fan of, delivers an attention-grabbing verse on “Side to Side”. The second half of the LP does peter out slightly, but Dangerous Woman is one of the best Pop releases of 2016 thus far. RECOMMENDED

Terminal Redux – Vektor

If you’re a Thrash guy but you need a little less ‘80s rehashing and a little more forward thinking to keep you interested, this band’s first two records should’ve caught your ears. But Terminal Redux, their third, should fucking floor you. It’s a concept record that’s as intricate and crushing as any Metal release in 2016. I’ve got a feeling this one’s gonna mosey its way into the “album of the year” conversation. HIGHLY RECOMMENDED

Ripcord – Keith Urban

Bleghhh. First, I’ll give serious kudos to the track “The Fighter”, an awesome duet with Carrie Underwood, and “Wasted Time”, a decent nostalgia trip. And I enjoyed other moments on here. But this watered-down Pop Country stuff takes years off of my life. And even though Ripcord is definitely listenable compared to its contemporaries, Country music needs more Sturgill Simpsons and less Luke Bryans. NOT RECOMMENDED

Trust No One – Devildriver

Let me begin on a positive note. “Daybreak”, “Testimony of Truth”, and “My Night Sky” are kick ass Metal songs. And if I heard this in 2009 (a.k.a. Pray for Villains, a record I dug the shit out of), I might feel differently. But there’s nothing on here that hasn’t already been done by now-defunct bands like As I Lay Dying and Chimaira, and this redundancy leaves me indifferent to Trust No One. Dez Fafara’s lack of range as a vocalist also grows monotonous as the album drones along, and his occasional Nu-Metalish lyricism on songs like the title track and “Above It All” is a turn off as well. Look, don’t get me wrong, Devildriver are a ripping band. And if you’re looking for another balls-out 21st Century American Metal record, give Trust No One a spin. But personally, I feel I have elsewhere to turn. NOT RECOMMENDED

Coloring Book – Chance the Rapper

Man, I was taken aback watching the hype for Chance’s third project reach the level of insanity it did. At this point when he drops music, the Chi-town indie sensation gets the same frenzied response that Drake, Kendrick Lamar, and Beyonce get. And only off of two – now three – mixtapes. It’s remarkable. Chance has enjoyed universal acclaim for Coloring Book so I’m not gonna be another blogger shoving it down your throat. Give it a listen and enjoy it at whatever level it speaks to you. Oh, and check out my throwback review of his debut. HIGHLY RECOMMENDED

Cloud Nine – Kygo

Frequent readers may be aware that I don’t know shit about EDM. But if an album crosses my path, I’ll give it a casual chance. Numerous times I’ve been enamored by what I’ve heard, as with Madeon’s Adventure and Porter Robinson’s Worlds (and stuff like Tiesto’s Elements of Life if we’re reaching back a ways). This Kygo album is NOT one of those times. It might have several decent bangers like “Stole the Show”, “Raging”, and the over-a-year-old “Firestone”, but that’s where its merits abruptly end. Just listen to the giant, cheeseball hook on “Raging”. Or that piece of shit “Happy Birthday”. Borderline offensive. This is by-the-numbers nonsense that makes me wanna head straight for the zoo and leap into the gorilla cage like that dumb little kid did. NOT RECOMMENDED