Dark Tranquillity’s “Atoma”: Three Singles Deep

DT season approaching!

Swedish Melodeath legends Dark Tranquillity are one of the most consistent bands in Metal history. Not only did they kick start their career by leading one of the genre’s most influential movements, but they’ve churned out album after fucking album of world-class Extreme Metal for over two decades without so much as a slight misstep. Their forthcoming LP Atoma (out November 4th on Century Media) will be their eleventh full length, and they’re going into it with a ten-album winning streak.

One of my personal Mount Rushmore bands, DT are completely singular in the world of Melodic Death Metal. Their unique take on the genre is to be more somber than seething, more unassuming than technical, to sprinkle in keyboards and clean vocals without ever veering in a commercial direction. Vocalist Mikael Stanne’s signature snarl is somehow inviting and menacing at the same time.

I can’t say enough about how much I love these guys. But on the flip side, their sound hasn’t fluctuated significantly, and there’s only so many ways you can describe how head over heels you are for Welch’s fruit snacks. After a while, all you know is that you’ve loved them since you could remember, that life is always better when they’re around, and that they’ve never let you down. But with Atoma ten days away (!), I wanted to check in and see how these three pre-release singles are stacking up.

“Atoma”

 The first single I heard, the title cut is far and away the best of the three. The keyboard-centric intro bears a slightly resemblance to “Endtime Hearts”, a career highlight off their last record Construct, so this track was immediately in my good graces. Mikael Stanne’s clean vocals – something bands like Killswitch Engage credit him for popularizing to this day – are some of the most powerful he has ever delivered. His deep baritone has a bit more force behind it, stripping back some of the croonage (definitely not a word) that he has dabbled in. Though the lyrical themes aren’t transparent here, the chorus has a certain triumphant and motivational feel to it as he growls , “hold your head up high”. I’d also like to point out that DT are a band that thrive on subtlety – notice those quietly-mixed harmonized guitars in the chorus that boost the keyboards and create an incredibly FULL sound.

“Forward Momentum”

 “Forward Momentum” trades off between bleakness and aggression. The gloomy keys in the chorus are desolate and We Are the Void -esque, but elsewhere the guitars roar with chugging riffs. For Melodeath fans, that combination of chords in the post-chorus should be quite familiar (see: every Trivium song ever), so this track offers up no surprises. It’s run-of-the-mill DT, although “run-of-the-mill” generally bears a positive connotation for these guys.

“The Pitiless”

 A big factor in Dark Tranquillity’s singularity is that Mikael Stanne’s vocals are so easily deciphered through his raspy screams. It makes DT a bit more lyrically centered than other bands of their ilk, and “The Pitiless” is a prime example. I’m definitely curious as to what Stanne is specifically referring to in the chorus when he delivers the lines: “Alone in silence/Yes I am frightened and so are you/against pitiless indifference/we stand alone”. But either way, the sentiment of taking action in the face of apathy is heard loud and clear.  This song is also the most aggressive of the three singles. Not necessarily known for their riffing, that harmonized hammer-on section at 0:37 is the catchiest guitar part these guys have played in some time.

Essentially, these three tracks sound like a fusion of the last two Dark Tranquillity albums (2013’s Construct and 2010’s We Are the Void). They find the gents going about business as usual, and indulging in absolutely zero experimentation. That’s totally fine for three tracks, but I’m hoping for a curveball or two come November 4th.

June 2016 Album Round Up!

What a month June was. The back end of the month saw me frantically putting together my Mid-Year Album Lists (check my YouTube channel for the video versions or check back with this blog in the next few days), and the month of June itself spawned five releases that ended up beating out albums I’ve been living with for months! Garbage, Gojira, Nails, Apathy, and Be’Lakor all wound up on my Mid-Year lists! June couldn’t have ever topped May, but it was an excellent month for new music! Here are my thoughts on ten albums that dropped:

Seal the Deal & Let’s Boogie – Volbeat

Unfortunately, it is no easy feat to follow up a pair of excellent LPs (2010’s Beyond Hell/Above Heaven and 2013’s Outlaw Gentlemen & Shady Ladies) that blurred the lines between Rock and Metal and nudged both genres forward in the process. Alas, the Danes have returned from half a decade of triumphs with something less exciting and more repetitive. But Volbeat retracing their steps still entails a solid helping of fun, catchy, immediately satisfying Rock songs. I especially dug “The Bliss”, the title cut, and the closing duo of tracks, “You Will Know” and “The Loa’s Crossroad”. Here is a full review. RECOMMENDED

Why Are You OK – Band of Horses

When I sit and consider some of my favorite Alternative music that has ever been made, Band of Horses’ third LP Infinite Arms almost always springs to mind. It’s just a special record for me. Thus it’s a high water mark I can forgive them for failing to reach again on album number five, which otherwise performs as advertised.As Band of Horses continue to execute on their winning formula, much of these tracks wash over you with waves of mellow, calmly reassuring musical passages that occasionally pick up their pace and crunchiness, but still retain that same good-natured vibe. Standouts include beautiful ballads like “Hag”, “Lying Under Oak”, and lead single “Whatever, Wherever”, as well as the bouncy boardwalk soundtrack “Solemn Oath”. Overall, Why Are You OK is not necessarily the type of music that invokes an impassioned response in either direction . It’s pleasant, it’s unassuming, and if it were playing in my childhood home, my mom would walk by and go, “oh, that’s a nice song”. You can flip that evaluation to mean something positive or something negative. I definitely choose positive. RECOMMENDED

The Human Condition – Jon Bellion

Jon Bellion’s debut LP has got to be one of the highest anticipated releases of the summer. His mixtape buzz has been years in the making, and he’s already built quite a loyal fanbase for himself through both his Visionary Music Group affiliation and his ties to several gargantuan hits like Zedd’s “Beautiful Now” and Eminem’s “The Monster” (he co-wrote the latter). The Human Condition, the end result of all this hype, is enjoyable and well-thought out, but pretty spotty. It’s tough for me to sit through sappy, well-worn Pop terrain like “Fashion” or the One Republic knock-off “Maybe IDK” in order to get to tracks I dig like the rap-heavy “New York Soul, Pt. ii”. Nevertheless, these 14 songs have more successes than failures – not to mention these lyrical themes are so millennial-centric – so it gets overall approval from me. RECOMMENDED

Magma – Gojira

With Magma, these French extreme metal masters made the mainstream-ish gateway album that they only hinted at on 2012’s L’Enfant Sauvage. And guess what?? They’re just as convincing playing concise and simple music as they are being epic and long-winded. In fact, borderline Hard Rock track “Stranded” is potentially my favorite! Magma might be slightly flawed and not completely live up to the masterful trio of LPs that came before it, but that’s like saying Megadeth’s awesome Countdown to Extinction doesn’t live up to Peace Sells…But Who’s Buying? or Rust in Peace. One of the best Metal albums of the year thus far. Here is a full review. HIGHLY RECOMMENDED

Rude Awakening – Wiz Khalifa, Juicy J, & TM88

I should’ve learned from Collegrove (this past March’s collaborative mixtape between 2 Chainz and Lil’ Wayne). I suppose I didn’t. But at least Collegrove carried with it the possibility of hearing an occasional flash of brilliance from Wayne reminiscent of his mid-00s mixtape run. Rude Awakening, however, is a different story. I could almost feel the neural pathways in my brain writhing in agony as I got clobbered with one rudimentary turn-up rhyme after another. On the track “All Night”, Wiz Khalifa actually says “I got bars like a jail”, making other lines like “Don’t SnapChat me that pussy, I want it for real” sound like Langston Hughes. Avoid this thing at all costs. NOT RECOMMENDED

Strange Little Birds – Garbage

I got into these beloved ‘90s alt heroes (specifically their self-titled debut) JUST in time for Strange Little Birds, their sixth LP overall. Admittedly, I’m riding a bit of a “discovery high” so check back in with me in a few months, but Strange Little Birds is fucking awesome. It manages to fit in with its modern contemporaries and avoid sounding derivative, yet it successfully recalls greatness of two decades ago. “Blackout”, ripping lead single “Empty”, and “Teaching Little Fingers to Play” – the latter which gracefully addresses growing pains – are among my favorites, but all 11 tracks hit their mark. More thoughts in this video. HIGHLY RECOMMENDED

Handshakes with Snakes – Apathy

Words can’t express what this album means to an old-school Hip Hop head like myself. Handshakes with Snakes is Apathy’s 5th studio album, but the CT veteran’s copious releases are well into the double digits. What we get on this LP is knocking, boom-bap production and thoughtful, lyrically complex bars. A song like “Pay Your Dues”, with a sweet Phil Collins sample, finds Ap railing against entitled, unoriginal new rappers, telling them “you can’t win wars if you ain’t swung swords” and reaffirming his commitment to the craft: “what’s love? Studying Illmatic like the Bible.” “Rap Is Not Pop” is another killer cut, with the MC boldly claiming he’s “Too Kool G Rap for these new school cats.” I’d fucking agree. There’s even a reference to Big L’s “H-E-double hockey sticks line” on “Blow Ya Head Off”. You can’t miss if you’re a fan of gritty 90s Hip-Hop, and for me, this is a contender for indie Rap album of the year so far. HIGHLY RECOMMENDED

Unden!able – Hellyeah

This Metal supergroup began their career with three albums in a row full of cookie cutter, throwaway Groove Metal and lyrics that made Fred Durst and Five Finger Death Punch’s Ivan Moody seem tolerable. Occasionally a song would find its way onto my work out playlist, but I was not a fan. Their fourth LP, 2014’s Blood for Blood, was a noticeable uptick in production and songwriting, with a decent chunk of the corny cut out, but I still wasn’t convinced. Unden!able is an ever-so-slight improvement on Blood for Blood, weighed down by several cringeworthy moments but featuring Active Rock radio slam dunks “Human”, “Leap of Faith”, “X”, and the soaring ballad “Love Falls”, which are juuust enough to tip it over the edge for me. That being said, every now and then I give something the benefit of the doubt and regret it later, and it remains to be seen if Unden!able fits that narrative. Here is a full review. RECOMMENDED

You Will Never Be One of Us – Nails

 The third record from Nails is a fucking exhilarating listen. Before the sludgy eight-minute closer “They Come Crawling Back”, it’s 14 minutes of pummeling Powerviolence/Grindcore/Thrash Metal/Death Metal combos that leave the listener gasping for air. The guitar tone is absurdly heavy, yet the production doesn’t muddy up any riffs or grooves. If you like music that inspires you to grab the cutest baby and just start violently shaking it, this is for you. Personally, it made my Metal Mid-Year List. HIGHLY RECOMMENDED

Still Brazy – YG

I just don’t see it guys. The hype behind YG’s follow-up to his breakout My Krazy Life album isn’t warranted to me. It’s definitely an improvement on that LP, but it’s not the West Coast Hip-Hop landmark that people are making it out to be. Sure, there’s some menacing bravado on “Don’t Come to LA”, and “Gimmie Got Shot” is a satisfying conceptual listen about mooching, but there’s nothing spectacular. But a track like “Bool, Balm, and Bollective” has such an unimaginative hook, and “Why You Always Hatin’” finds YG getting bodied by a singin’ nigga (Drake shows up for a feature and up-stages him). The best thing about this record is the production – “I Got a Question”, for instance, has to be one of the more interesting combination of sounds I’ve heard this year. The 1500 or Nothin’ beat sounds like DJ Mustard meets “Nuthin’ but a G Thang” meets a laser gun from an arcade game. It’s definitely not a BAD album, but it’s pretty good at best, and to my ears, it’s fairly non-essential. NOT RECOMMENDED

March 2016 Album Round Up!

What did I think of what the music industry had to offer in March 2016? Meh. There was the excitement of some new Kendrick Lamar (which I didn’t include here since it wasn’t an official LP per se) in addition to a few other high profile Hip-Hop releases. There was a pair of excellent albums from Metal staples Killswitch Engage and Amon Amarth. There was The Knocks. And then there was a whole lot of uninteresting shit. Regardless, below is a recap of eight records I was checking out in the midst of obsessing over my college basketball bracket.

Incarnate – Killswitch Engage

The roaring return of original vocalist Jesse Leach for 2013’s Disarm the Descent set a new standard for Killswitch Engage. Incarnate, that LP’s follow-up, smacks its remarkably high expectations right on the nose. Tracks like “The Great Deceit”, “Hate By Design”, and “Alone I Stand” have the makings of future Killswitch classics. And while Howard Jones-era albums The End of Heartache and As Daylight Dies are excellent, the three Leach records (not including the original self-titled effort) have floated to the top of the KSE discography for me. Here is a full review (I also did a print one here). HIGHLY RECOMMENDED.

This Is What the Truth Feels Like – Gwen Stefani

Between “Naughty” and “Red Flag”, Gwen Stefani has two of 2016’s worst pop songs, and we’re only three months in. The latter is an especially horrifying Iggy Azalea-meets-Fergie attempt sure to leave helpless ears in varying states of deformity. It’s a shame, because “Make Me Like You”, “Used to Love You”, and “Truth” are all highly listenable, radio-ready pop tunes. But then the 46-year-old Stefani makes a cringe worthy song like “Send Me a Picture”, and any album highlights are immediately drowned out. Here is a full review. NOT RECOMMENDED.

3001: A Laced Odyssey – Flatbush Zombies

Full disclosure here. I am brand new to Flatbush Zombies and have yet to hear their highly regarded BetterOffDead mixtape. But an act’s full-length debut is as good a place to start, isn’t it? Well, maybe not in Hip-Hop, but you get my point. Anyway, it didn’t take long for Flatbush Zombies to win me over, as Zombie Juice attacks the album’s first verse with a frantic inflection and a Grandmaster Flash shout out. Erick the Architect and Meechy Darko immediately follow with nimble flows and I was swoon. I have no context surrounding this LP aside from the group’s association with high profile collaborators like Joey Bada$$ and Action Bronson (appearances they shy away from on here). What I can say, however, is 3001 is chalk full of charisma, grade-A lyricism, and unique production. If this is the future of Hip-Hop, the genre is in quite capable hands. HIGHLY RECOMMENDED

55 – The Knocks

It’s hard to believe we’re a year and a half removed from when “Classic” dropped, isn’t it? Either way, a fuck ton of A-listers grace this duo’s highly anticipated debut. While there’s certainly tracks like “Tied to You” and the X Ambassadors collaboration “Comfortable” that I don’t care for, 55 has a remarkably high batting average. The track list comes out of the gate 5 for 5 and doesn’t really slow up. And most importantly, the guest appearances actually do the LP a service rather than simply get in its way. Cam’ron kills it. Wyclef kills it. Later on, Carly Rae kills it. 55 is diverse yet focused. It’s instantly likeable. It’s truly how EDM and Pop SHOULD merge (I’m looking directly at you, Avicii!). HIGHLY RECOMMENDED

Jomsviking – Amon Amarth

Amon Amarth’s tenth studio album and first full-blown concept record just might be their best in a decade. The Viking Metallers’ tried-and-true formula is accompanied by a trio of stylistic risks – the singalong chorus in “Raise Your Horns”, the blatant Maiden worship of “At Dawn’s First Light”, and a vocal duet with Doro Pesch in “A Dream that Cannot Be” – that ultimately pay off and help diversify the band’s sound. The cohesive storyline enriches the listening experience, recalling Amon Amarth’s best story-based moments (“Prediction of Warfare”, anyone?). Doro’s guest vocal appearance at the narrative’s climax (the aforementioned “A Dream That Cannot Be”) generated perhaps the most unique moment in Amon Amarth’s discography to date. Here is a full review. HIGHLY RECOMMENDED

The Black – Asking Alexandria

Sometimes a simple lineup change is enough to shove a new record into my ears from a band I have loathed from the beginning. And many a time I regret this morbid curiosity getting the best of me. Such is the case with Asking Alexandria’s fourth album The Black, their first with new vocalist Denis Stoff. Despite all the hype about stylistic departures and whatnot, it’s still more or less the faceless Metalcore of their first two LPs, albeit with a bit of traditional Hard Rock and Heavy Metal hastily thrown in. For instance, those chunky verse riffs in “Just a Slave to Rock ‘n Roll” have no business alongside the overly sappy melodic chorus – the track is completely Frankenstein’d together. In general, The Black offers a lot in the way of melodrama, but little in the way of thoughtful song construction or compelling musicianship. Hey, I did give this one a fair shot though. NOT RECOMMENDED

Collegrove – 2 Chainz & Lil’ Wayne

2 Chainz and Lil’ Wayne’s collaborative album (on 8 of the 13 tracks, at least) feels more like a mixtape most of the time, but in 2016 what the fuck is the difference anymore? Whatever label you feel is appropriate, this project is jam packed with lazy fucking hooks that tested my attention span and my nerves (see “Blue C-Note”, “Bentley Truck”, or “Not Invited”). It’s especially disappointing since the effective lead single “Gotta Lotta” surpasses any post-Carter IV music Wayne has dropped. And I did enjoy the cinematic trap beat and clever Weezy verse on “Smell Like Money”, as well as the production on “Dedication”, which sounded like something Wiz Khalifa would’ve spit over five years ago. But beyond that, Collegrove didn’t hold my interest. But I did learn the magnificently pretentious word “portmanteau” from its title. NOT RECOMMENDED.

That’s Hip Hop – Joell Ortiz

The four members of Slaughterhouse have been dropping projects as if they’re actively trying to outpace each other. Joell Ortiz did the !llmind collaboration Human last summer, Joe Budden dropped All Love Lost, Crooked I (aka Kxng Crooked) put out Statik Kxng with Statik Selektah, and now Royce da 5’9 has a new mixtape Trust the Shooter out that directly precedes Layers (out April 15th), and supposedly has ANOTHER full-length album on the way. Whew. I’ve never had to take a deep breath after typing something before. What caught my eye about Joell Ortiz’s new record That’s Hip Hop– aside from my Slaughterhouse fandom – is that he coaxed one of my favorites, the legendary Kool G Rap, onto a song with him! So I had to listen to the album. At 30 minutes and nine real songs, it’s got the feel of either Illmatic or a brief mixtape – whichever comparison you goons prefer. It’s also exponentially more aggressive than 2014’s House Slippers ,the last Ortiz project I gave thorough, repeated listens. While I did enjoy House Slippers, the Puerto Rican is rapping like he has something to prove again. That’s Hip Hop lives up to its name and then some! RECOMMENDED.

 

 

 

February 2016 Album Round Up!

We’re just over two months into 2016, and we’ve already – somewhat surprisingly – been blessed with a ton of exciting releases in the midst of typically low-key winter months. When this calendar year is in the books, will we be looking back at January and February as the peak of 2016? Pretty unlikely. But I still feel like I’ve had a fairly reliable, steady stream of high-profile albums to look forward to (some delivered, some did not). And yes, Kanye dropped. But I’m fucking determined to go as long as I possibly can without hearing it. Not for lack of interest either. Just ‘cause. Anyway, here’s a quick recap of nine albums NOT named The Life of Pablo that I spent some time with this past month. Looking forward to what March has in store!

Khalifa – Wiz Khalifa

In the first project of his I’ve enjoyed since 2011’s smash hit Rolling Papers, Wiz dropped some…well, smoking and drinking music. The production and hooks are significantly more effective – to my ears, at least – than O.N.I.F.C. and Blacc Hollywood (save those two albums’ singles). If you’re looking for great lyricism, steer clear, but I definitely found myself coming back to this record quite a bit for some day drinking and pregaming, especially two exceptional, Kush & OJ-style tracks, “Zoney” and “Elevated”. RECOMMENDED

For All Kings – Anthrax

Welcome back Anthrax! About ten listens in, I’ve evaluated For All Kings as “dangerously close” to the Thrash mastery of 2011’s Worship Music. The difference is really just a filler track or two. But the middle chunk of this record is some of the best Anthrax music I’ve ever laid ears on. Joey Belladonna gets the MVP. My full review is available here. YouTube review here. HIGHLY RECOMMENDED

Day One – From Ashes to New

This studio debut from Lancaster, PA outfit From Ashes to New made me want to vomit. They’re like an even more cheesed-up version of Twenty One Pilots meets Crown the Empire. I appreciate what they’re trying to do, but it just made me cringe. This guy Matt Brandyberry sounds like an even more melodramatic Mike Shinoda when he utters (well, raps) the words: “I lay awake and look at the ceiling and wonder why/I’m so afraid to face all these feelings and want to die”. And that dubstep-y breakdown? Fuck outta here wit dat. Not to mention the clean vocalist sounds fucking IDENTICAL to the guy on Escape the Fate’s self-titled album. I mean, is Day One heavy and appropriately angsty? Passionate even? Sure. And it’ll dominate with the Hot Topic crowd. But holy fuck is it not for me. NOT RECOMMENDED

Sittin’ Heavy – Monster Truck

Simply put, this band’s sophomore effort is the best fucking throwback hard rock record I’ve heard since perhaps Kyng’s Burn the Serum. It’s all there: it’s energetic, passionate, and wholeheartedly convincing. Fans of ‘70s and early ‘80s Rock should check it out immediately! HIGHLY RECOMMENDED

This Unruly Mess I’ve Made – Macklemore & Ryan Lewis

This one certainly hurt. Macklemore is someone I really root for, if not always for his talent but for his passion, honesty, humility, and sometimes ruthless self-awareness. The Language of My World is phenomenal, The Heist is a near-classic, but Mess, his second with Ryan Lewis, is a huge disappointment. Save a few shining moments (“Light Tunnels”, “Kevin”, and the must-listen “Need of Know”) this thing is all over the place in a BAD way this time. My full review is available here. NOT RECOMMENDED

I Like it When You Sleep – The 1975

Ok, LP number two for these guys, who seem utterly ubiquitous at the moment. I am absolutely in love with the tracks “This Must Be My Dream” and “Somebody Else”. On the latter, those snare drums with the 80s-style reverb are borderline euphoric. While we’re on the topic of the 80s, the standout “She’s American” could’ve squeezed right into an early Huey Lewis and the News disc. But we didn’t need 17 frickin’ songs here. “UGH!” kind of drags in the wake of hit single “Love Me”, and are BOTH “If I Believe You” and “Please Be Naked” necessary when the title track brings all the dynamics this album needs? Still, at a bare minimum this is a wonderful soundtrack to a night drive in the city. Though I tend to think it offers a whole lot more. And yes, I do think Matt Healy eerily resembles Patrick Stump at times. But we’ll agree to disagree. RECOMMENDED

Victorious – Wolfmother

Ugh. This record has one of the strangest dichotomies in any track listing I’ve ever encountered. The first 5 songs are excellent and on par with some of the best moments on Wolfmother’s debut, and the second 5 songs are pure throwaway filler garbage. “Uneven” is an understatement. My full review is available here. NOT RECOMMENDED

X (No Absolutes) – Prong

Album number 11 for Prong – but their 10th of original material – wastes no time with opener “Ultimate Authority”, some excellent Crossover Thrash which would be right at home on a classic like Cleansing (although I know mentioning that record is understandably played out). I love the dissonant yet super-catchy riff in “Without Words” (and, for that matter, “Soul Sickness”) X (No Absolutes) has an impeccable combination of melody and heaviness that all these scream/sing Metalcore bands can only dream about. It stays completely true to the Prong aesthetic, and it’s a set that is sure to devastate in the live environment. I have yet to catch these legends live, so I’m hoping to get the chance on the cycle for X. RECOMMENDED

Dead Dawn – Entombed A.D.

Dead Dawn (Deicide anybody?) is the second album from Entombed 2.0 since the legendary band’s legal battles and break up. One of Entombed’s distinct qualities is how much more groove-oriented they are than the majority of Death Metal, showcased in the title track, and they’re not afraid to get downright melodic, like in that song’s bridge, which sounds like something Arch Enemy would do.There’s nothing in these ten tracks that’ll blow your mind, but there’s some certainly some heavy-ass (surprisingly fun) metal! I’m especially a fan of “Down to Mars to Ride” and the dynamic “Hubris Fall” And it’s still really not THAT far off from Left Hand Path, so there’s that. RECOMMENDED

 

 

Recap of September 18th Releases

This past Friday, September 18th, was like Christmas. Dozens of the most heavily anticipated early-fall releases were unleashed onto the world. Having a set of working ears on this day was like having a fucking golden ticket. So many exciting releases from so many different corners of the industry. While I am most certainly still sorting through the ashes and gathering my senses, I would like to share the seven releases that I’ve given the most attention these past four days.

Long Live – Atreyu

Returning from a four-year hiatus, metalcore veterans Atreyu exceed any and all expectations on this superb return-to-form, effortlessly revisiting some of the best moments from their catalogue, adding quite a bit of muscle to their sound in the process. Read my initial review of the title track here, and watch my full review of the album below:

GO:OD AM – Mac Miller

Already universally hailed as his best work to date, Mac Miller comes back from a messy battle with substances with more confidence and self-assurance than ever. GO:OD AM is fun and ambitious, yet never overindulgent. With minimal contributions from guests, the spotlight never leaves Miller, and he doesn’t waste a second. Tracks like “ROS” and “Jump” are some of the best hip hop songs of 2015. Read my full review of the album here.

Pagans in Vegans – Metric

More stadium-ready, energetic, absurdly catchy electro-pop from Metric, who – along with 2009’s Fantasies and 2012’s Synthetica – have now made a trio of top-notch albums. Though my ears may be clamoring for more of the guitar-driven sounds of the band’s earlier work, it is impossible to be mad at tracks like “Cascades”, “Fortunes” and “The Shade”. Slower moments like “The Governess” add a nice contrast.

Metal Allegiance – Metal Allegiance

Along with a murderer’s row of guest appearances, “Metal Allegiance” features the core lineup of Megadeth’s David Ellefson, Testament’s Alex Skolnick, and ex-Dream Theater/current Winery Dogs drummer Mike Portnoy. Given the involvement of thrash legends like Skolnick and Ellefson, it comes as no surprise that tracks like the crushing opener “Gift of Pain” – which features Lamb of God’s Randy Blythe – pay homage to the Bay Area. The unlikely duet of Dug Pinnick of King’s X and Hatebreed’s Jamey Jasta works tremendously on “Wait Until Tomorrow”. “Let Darkness Fall”, featuring Troy Sanders of Mastodon, is another highlight. The album also closes with a ripping cover of the classic Dio track “We Rock”. An incredibly fun, larger-than-life project that is loaded with first ballot heavy metal hall-of-famers. Let’s pray we get to see this live.

Abysmal – The Black Dahlia Murder

If there’s one feeling Black Dahlia fans aren’t quite familiar with, it’s disappointment. Seven albums in, and we’re still getting top shelf death metal. The dizzying technicality and manic riffage of “Re-Faced” are like an old friend stopping by and checking up on you, just making sure you’re still cool. “The Fog” contains the albums thrashiest moments, while the doomy “Stygiophobic” gives the album a welcome dose of breathing room. Ranking Abysmal in the band’s discography will take more than a few listens, but Black Dahlia continue to uphold the high death metal standards they’ve set for themselves.

Threat to Survival – Shinedown

Threat to Survival is certainly a good batch of catchy, radio-friendly rock songs, with soaring, defiant choruses and stomping grooves. What it is not, however, is the edgier, borderline-metal riff-fest that was 2012’s Amaryllis. Despite occasional misses like the sappy album closer “Misfits”, and the dull “It All Adds Up”, frontman Brent Smith’s ear for choruses remains undeniable, and Threat to Survival is highly recommended for fans of Papa Roach, Buckcherry, and Saving Abel.

I Hurt (single) – Children of Bodom

“I Hurt” is the opening track and now third single from Children of Bodom’s forthcoming I Worship Chaos album, due out October 2nd. I was not a fan of first single “Morrigan” initially (though I was probably just cranky), but the pummeling title track pulled the band back into my good graces. New single “I Hurt” features a heavy Pantera-style groove that is unorthodox for the band, yet adds a whole new layer of aggression. Elsewhere, the tune is classic Bodom, and my ears are definitely tingling in anticipation for the release of I Worship Chaos.