March 2016 Album Round Up!

What did I think of what the music industry had to offer in March 2016? Meh. There was the excitement of some new Kendrick Lamar (which I didn’t include here since it wasn’t an official LP per se) in addition to a few other high profile Hip-Hop releases. There was a pair of excellent albums from Metal staples Killswitch Engage and Amon Amarth. There was The Knocks. And then there was a whole lot of uninteresting shit. Regardless, below is a recap of eight records I was checking out in the midst of obsessing over my college basketball bracket.

Incarnate – Killswitch Engage

The roaring return of original vocalist Jesse Leach for 2013’s Disarm the Descent set a new standard for Killswitch Engage. Incarnate, that LP’s follow-up, smacks its remarkably high expectations right on the nose. Tracks like “The Great Deceit”, “Hate By Design”, and “Alone I Stand” have the makings of future Killswitch classics. And while Howard Jones-era albums The End of Heartache and As Daylight Dies are excellent, the three Leach records (not including the original self-titled effort) have floated to the top of the KSE discography for me. Here is a full review (I also did a print one here). HIGHLY RECOMMENDED.

This Is What the Truth Feels Like – Gwen Stefani

Between “Naughty” and “Red Flag”, Gwen Stefani has two of 2016’s worst pop songs, and we’re only three months in. The latter is an especially horrifying Iggy Azalea-meets-Fergie attempt sure to leave helpless ears in varying states of deformity. It’s a shame, because “Make Me Like You”, “Used to Love You”, and “Truth” are all highly listenable, radio-ready pop tunes. But then the 46-year-old Stefani makes a cringe worthy song like “Send Me a Picture”, and any album highlights are immediately drowned out. Here is a full review. NOT RECOMMENDED.

3001: A Laced Odyssey – Flatbush Zombies

Full disclosure here. I am brand new to Flatbush Zombies and have yet to hear their highly regarded BetterOffDead mixtape. But an act’s full-length debut is as good a place to start, isn’t it? Well, maybe not in Hip-Hop, but you get my point. Anyway, it didn’t take long for Flatbush Zombies to win me over, as Zombie Juice attacks the album’s first verse with a frantic inflection and a Grandmaster Flash shout out. Erick the Architect and Meechy Darko immediately follow with nimble flows and I was swoon. I have no context surrounding this LP aside from the group’s association with high profile collaborators like Joey Bada$$ and Action Bronson (appearances they shy away from on here). What I can say, however, is 3001 is chalk full of charisma, grade-A lyricism, and unique production. If this is the future of Hip-Hop, the genre is in quite capable hands. HIGHLY RECOMMENDED

55 – The Knocks

It’s hard to believe we’re a year and a half removed from when “Classic” dropped, isn’t it? Either way, a fuck ton of A-listers grace this duo’s highly anticipated debut. While there’s certainly tracks like “Tied to You” and the X Ambassadors collaboration “Comfortable” that I don’t care for, 55 has a remarkably high batting average. The track list comes out of the gate 5 for 5 and doesn’t really slow up. And most importantly, the guest appearances actually do the LP a service rather than simply get in its way. Cam’ron kills it. Wyclef kills it. Later on, Carly Rae kills it. 55 is diverse yet focused. It’s instantly likeable. It’s truly how EDM and Pop SHOULD merge (I’m looking directly at you, Avicii!). HIGHLY RECOMMENDED

Jomsviking – Amon Amarth

Amon Amarth’s tenth studio album and first full-blown concept record just might be their best in a decade. The Viking Metallers’ tried-and-true formula is accompanied by a trio of stylistic risks – the singalong chorus in “Raise Your Horns”, the blatant Maiden worship of “At Dawn’s First Light”, and a vocal duet with Doro Pesch in “A Dream that Cannot Be” – that ultimately pay off and help diversify the band’s sound. The cohesive storyline enriches the listening experience, recalling Amon Amarth’s best story-based moments (“Prediction of Warfare”, anyone?). Doro’s guest vocal appearance at the narrative’s climax (the aforementioned “A Dream That Cannot Be”) generated perhaps the most unique moment in Amon Amarth’s discography to date. Here is a full review. HIGHLY RECOMMENDED

The Black – Asking Alexandria

Sometimes a simple lineup change is enough to shove a new record into my ears from a band I have loathed from the beginning. And many a time I regret this morbid curiosity getting the best of me. Such is the case with Asking Alexandria’s fourth album The Black, their first with new vocalist Denis Stoff. Despite all the hype about stylistic departures and whatnot, it’s still more or less the faceless Metalcore of their first two LPs, albeit with a bit of traditional Hard Rock and Heavy Metal hastily thrown in. For instance, those chunky verse riffs in “Just a Slave to Rock ‘n Roll” have no business alongside the overly sappy melodic chorus – the track is completely Frankenstein’d together. In general, The Black offers a lot in the way of melodrama, but little in the way of thoughtful song construction or compelling musicianship. Hey, I did give this one a fair shot though. NOT RECOMMENDED

Collegrove – 2 Chainz & Lil’ Wayne

2 Chainz and Lil’ Wayne’s collaborative album (on 8 of the 13 tracks, at least) feels more like a mixtape most of the time, but in 2016 what the fuck is the difference anymore? Whatever label you feel is appropriate, this project is jam packed with lazy fucking hooks that tested my attention span and my nerves (see “Blue C-Note”, “Bentley Truck”, or “Not Invited”). It’s especially disappointing since the effective lead single “Gotta Lotta” surpasses any post-Carter IV music Wayne has dropped. And I did enjoy the cinematic trap beat and clever Weezy verse on “Smell Like Money”, as well as the production on “Dedication”, which sounded like something Wiz Khalifa would’ve spit over five years ago. But beyond that, Collegrove didn’t hold my interest. But I did learn the magnificently pretentious word “portmanteau” from its title. NOT RECOMMENDED.

That’s Hip Hop – Joell Ortiz

The four members of Slaughterhouse have been dropping projects as if they’re actively trying to outpace each other. Joell Ortiz did the !llmind collaboration Human last summer, Joe Budden dropped All Love Lost, Crooked I (aka Kxng Crooked) put out Statik Kxng with Statik Selektah, and now Royce da 5’9 has a new mixtape Trust the Shooter out that directly precedes Layers (out April 15th), and supposedly has ANOTHER full-length album on the way. Whew. I’ve never had to take a deep breath after typing something before. What caught my eye about Joell Ortiz’s new record That’s Hip Hop– aside from my Slaughterhouse fandom – is that he coaxed one of my favorites, the legendary Kool G Rap, onto a song with him! So I had to listen to the album. At 30 minutes and nine real songs, it’s got the feel of either Illmatic or a brief mixtape – whichever comparison you goons prefer. It’s also exponentially more aggressive than 2014’s House Slippers ,the last Ortiz project I gave thorough, repeated listens. While I did enjoy House Slippers, the Puerto Rican is rapping like he has something to prove again. That’s Hip Hop lives up to its name and then some! RECOMMENDED.

 

 

 

Kaskade’s “Disarm You” Single

Yes, Electronic Dance Music is a complex, multi-faceted entity, an ever-expanding entanglement of musical experiment, exploration, and fusion But…it’s also kind of about bangers, and Kaskade makes bangers, in abundance. It’s nearly August 2015, and Kaskade’s 2011 Fire & Ice release is still in heavy rotation for me whenever alcohol is in close proximity. Not to mention the dreamy, subdued vibes of 2013’s Atmosphere, which contained essentials like “Feeling the Night”, “Last Chance”, and the title track.

As July 2015 comes to a close, the weather is warm, the clothes are less, and the carefree living is contagious. It’s time for Kaskade to make a welcome contribution to the soundtrack.

For the follow-up to last summer’s I Remember compilation, Kaskade is partnering with Warner Brothers Records, setting this project up to be a huge mainstream moment for EDM.

As of last Thursday, Kaskade has dropped “Disarm You”, a new single from the forthcoming release. The track features female vocalist Ilsey, who guested on the track Headlights by German DJ Robin Schultz – an extremely catchy if not run-of-the-mill house joint released earlier this year. Very familiar with Kaskade’s reliable pop-hook-sung-by-a-female-vocalist-followed-by-a-big-drop formula, I was ready for more of the (pleasantly generic) same. And “Disarm You” delivers.

As expected, the calm, airy verses simply function as a backdrop for an explosive chorus. Backed by subtle yet cinematic keyboard arrangements and Isley’s angelic voice, a militant, reverb-heavy snare pattern quickly builds into a signature, radio-ready Kaskade drop. And one of his best in recent years at that.

I even have forgiveness in my heart for the played-out “woah-oh-oh’s” in this track that were already beat to death when Avicii released “Fade Into Darkness” four years ago. EDM purists, on the other hand, might be slightly less tolerant – the mere mention of Tiesto’s poppy little ditty “Red Lights”, for instance, sends a good buddy of mine into a beautiful mixture of rage, disillusion, and bewilderment.

Is “Disarm You” cut from that same sell-out cloth? I am not the right person to ask. What do I know as a casual EDM consumer, however, is that this track is going to thrive. It’s going to thrive in nightclubs, at house parties, and anywhere where BAC levels sit somewhere in the vicinity of a major league pitcher’s batting average. With five weeks left of summer, I’m psyched to send a few alcoholic beverages down the hatch while “Disarm You” blares through my low-quality speakers, and I’m even more psyched to check out Kaskade’s next album, due out later this year.