What’s up guys! Another month, another Album Round Up. Below is a quick run-through of all the records I checked out this month:
Annihilator – Ballistic, Sadistic: An absolute delight for old school Thrash Metal fans! Jeff Waters and co. come through with a ferocious album that, while sucking you into the genre’s late ’80s heyday, still feels modern and exciting in terms of production and performances. Here is a full review. RECOMMENDED.
Bleed the Sky – This Way Lies Madness: The first album in nearly twelve years from this reformed Orange County Metal act is a (borderline embarrassing) high-speed collision between the Deathcore sounds of 2008 and the Metalcore sounds of 2004. And yes, it’s just as monotonous and redundant as you’re imagining in your head right now. Here is a full review. NOT RECOMMENDED.
Echosmith – Lonely Generation: My first new love of 2020! Echosmith are an indie act I was unfamiliar with prior to this album, but the opening one-two punch of the title cut and “Diamonds” immediately won me over. Frontwoman Sydney Sierota’s voice is irresistible, especially when placed against the dream-like backdrop of tracks like “Stuck” and “Scared to Be Alone” (the latter showcasing her impressive falsetto). I’ll forgive the mawkish ballad “Everyone Cries”, which is a minor speed bump halfway through an otherwise smooth ride. HIGHLY RECOMMENDED.
Eminem – Music To Be Murdered By: In 2020, hating on Eminem has become the path of least resistance amongst music critics. In fact, it’s become almost as trendy as it was to constantly fellate him as the “GOAT” in 2013. But the truth is, there are a lot of worthwhile tracks on here. Hearing Em spazz on the ferocious opener “Premonition”, hearing him weave together an impressively intricate double entendre in the song “Darkness”…these are direct answers to the (justified) criticism of his last half a decade of material. But here’s the best part about Music to Be Murdered By that no one is mentioning: THE FEATURES!! Eminem actually raps alongside a bunch of great MCs here. Think back to albums like Recovery, Relapse, MMLP2, etc – these are LPs with ONE significant rap feature apiece. Now contrast that with Music to Be Murdered By. Hearing a reunited Slaughterhouse, Young M.A., Q-Tip, Black Thought, and a whole host of others going toe-to-toe with Marshall was what truly differentiated this one. RECOMMENDED.
Ke$ha – High Road: Here’s an early contender for my “Worst Albums of 2020” list this December. It’s a truly disastrous combination of repellent immaturity, cheap hypersexuality, and genuinely poor songwriting. I’m glad I’m not a parent of middle-school aged children because if I were, I’d be seriously concerned about them being exposed to something like this, if not for the damage it might do to their ears than for its repulsive worldview. A shame because I (not so secretly) enjoyed some tracks on her last album. NOT RECOMMENDED.
Moneybagg Yo – Time Served: HERE’S a surprise! Who said I didn’t enjoy any newer Trap?? Though Future’s many babies often bore me to tears, Moneybagg’s flow is nimble, his bravado is magnetic, and his beat selection is excellent. Favorites on here include “Federal Fed” (with his musical daddy, Future), the lovestruck “Match My Fly”, the Jay-Z-esque “Thug Cry”, and opener “Speak 4 Em”. RECOMMENDED.
Pet Shop Boys – Hotspot: Do these synth-pop legends ever disappoint? I know it’s only January, but the radiant single “Happy People” will likely be one of my Songs That Defined 2020. I can’t get enough of it. And the Years & Years collaboration “Dreamland”, the acoustic tinged slow jam “Burning the Heather”, and the Eurythmics-esque “I Don’t Wanna” are all dangerously close behind. HIGHLY RECOMMENDED.
Selena Gomez – Rare: As I maybe should’ve expected, I was bored out of my mind with this one. Selena’s sound is so plain and interchangeable that any of these songs could’ve easily been recorded by Camila Cabello and I wouldn’t have known the difference. I partially blame songwriter Julia Michaels, who had a hand in some of the most forgettable moments on Rare (“Fun”, “Look at Her Now”), as well as Justin Tranter, who’s been responsible for plenty a torturous moment in the modern Pop landscape (Halsey’s “Bad at Love”, Maroon 5’s “Help Me Out”, and Imagine Dragons all come to mind). I admire Selena’s resilience in the face of her personal demons, but I wish she had surrounded herself with collaborators capable of helping her channel them into songs with more depth. NOT RECOMMENDED.
A FEW MORE:
Lorna Shore – Immortal (Metal)
Mac Miller – Circles (Hip-Hop)
Poppy – I Disagree (Pop/Metal)
Russ – Shake the Snow Globe (Hip-Hop)
Krewella – Zer0 (Dance)
Little Big Town – Nightfall (Country)
Theophilus London – Bebey (Alternative)