February 2017 Album Round Up!

Wow, we’ve arrived at the First Anniversary of this segment! When I decided to write a post last March recapping all the records I was bumping in February 2016, I had no idea this was going to be a thing. But a year later, it’s become something I look forward to every month. It forces me to point my ears in all directions, and really think CRITICALLY about what I’m hearing, even if I’m not in “full review” mode.

I can only imagine that in another year, when we have our two-year anniversary (whooaaa things are getting serious. I hope all the sex hasn’t dried up by then), I’ll still be cranking these out the same way I am today.

And given that we’ve hit this big milestone, it’s only fitting that I add something new! As you might’ve guessed, I listen to a lot more than 8 – 12 albums every month. But just because I’m too lazy to write about all of them in descriptive detail doesn’t mean I shouldn’t let my feelings be known! So I’ve added a section to these Round Ups where I give a basic “like” or “don’t like” verdict on another batch of the month’s releases….with zero explanation. I guess it’ll be up to you to listen to ‘em and figure out my reasons for your own damn self!

But if you’ve checked out any of these Round Ups so far, thank you so much for your support! Hopefully I’ve turned you on to (or helped you avoid) at least one new album you otherwise might’ve missed. That’s all I’m trying to do here. It’s not rocket science. So if that happened for any of my readers, I couldn’t be happier; this thing is a success.

DROGAS Light – Lupe Fiasco

After 2015’s stunning conceptual project Tetsuo & Youth, Chi town’s most pretentious wordsmith takes an infuriating nosedive into half-witted commercial Hip-Hop. This album was a colossal disappointment for me. I don’t understand why Lupe still feels the need to make Pop-Rap ditties like “Pick Up the Phone” after he was trashed for making an album full of them (2011’s Lasers). In all fairness, DROGAS Light isn’t Lasers Part 2 – tracks like “NGL” and “Made in the USA” have more of a Trap vibe than anything else – but whatever it is, it’s equally uninteresting. In fact, it’s my least favorite Lupe project to date. Here is a full review. NOT RECOMMENDED

Suicide Silence – Suicide Silence

Modern Deathcore frontrunners Suicide Silence decided to shake things up for album number five, bringing in famed Nu Metal producer Ross Robinson and drastically altering their sound. Hey, I’m all for adventurousness – in fact, that’s the only reason I checked this album out. The only problem? It’s one of the worst pieces of shit I have ever heard. Eddie Hermida’s clean “singing” is about as easy to listen to as a Sandy Hook conspiracy theory. What makes things worse is Hermida’s patronizing, dismissive responses to any criticism of this album, claiming that anyone who doesn’t like it “just doesn’t get it” or is “full of hatred” or whatever. He’s like the fucking Donald Trump of shitty Nu Metal. Here is a full review. NOT RECOMMENDED

Flying Micronatal Banana – King Gizzard & the Lizard Wizard

These guys are quickly becoming favorites of mine! This record in particular is an inventive blend of Psychedelic Rock, and Alternative with free-flowing, exploratory musicianship that keeps things interesting all the way through the track list. The eerie hookiness of a cuts like “Sleep Drifter” and “Melting” has made this the most addicting listen of any LP this month. HIGHLY RECOMMENDED

Prisoner – Ryan Adams

One of the most prolific songwriters in all of music came through with a set of painfully relatable tunes that center primarily on heartbreak and loss. Whether or not he intended it to be, it’s the ultimate breakup album. On the musical side of things, the balance between crunchy Heartland Rock, Folk-Rock balladry, and dashes of country is gracefully executed . And I have to particularly praise the impossibly gorgeous clean guitar tones that Ryan achieves throughout this entire thing – they make it worth the listen all on their own. Here is a full review. RECOMMENDED

I Decided. – Big Sean

Upside: with I Decided, Big Sean gave us his strongest project to date, featuring well-thought out concepts, an uncharacteristic amount of introspection, and some familiar clever word-play. Downside: the guy is still churning out horribly generic, Drake-biting songs like “Bounce Back” and “Moves”. Upside: with the sweet chick-swooping ballad “Jump Out the Window” and the stunning “Bigger Than Me”, Sean gave us not only HIS best two songs to date, but two of the best songs of the year. Downside: at one point, he rhymes “Channing Tatum” with “J. J. Abrams” and “Jason Statham”. Ugh. Very frustrating. But like I said, this is his best work to date, and I look forward to what the Detroit spitter does next. Here is a full review. NOT RECOMMENDED

Torment – Six Feet Under

 While there’s nothing outwardly WRONG with the 12th outing from these Death Metal veterans, it’s so painfully meat-and-potatoes that I’m gonna have to pass over it. Which, that more has to do with MY tastes than anything else – it’s more a “me” thing than a “them” thing. But the dumbed-down riffs on a song like “Knife Through the Skull” are mind-numbing for me (who knew ex-Cannibal Corpse frontman Chris Barnes would sing a song called “Knife Through the Skull”? What a plot twist!). I do really enjoy the track “Bloody Underwear” – it brings a bit of a Hardcore mosh sensibility, and it’s a lot of fun! (though the supposedly violent title could just be referring to his special lady’s time of the month…..just saying). Bottom line: if you like your Death Metal stripped to the bone and ultra groovy, you might dig this, but – with as little pretentiousness as possible – it’s just a bit simple for me. NOT RECOMMENDED

Chief – Jidenna

The man behind “Classic Man” proves that he’s anything but a one-hit wonder. On Chief, he’s versatile as hell, one minute pulling together a song like “Trampoline” – the ultimate soundtrack for a private dance at a strip club – and the next minute, commanding your attention with clever, posturing bars on “Long Live the Chief”. And smooth melodies abound, whether it’s the aforementioned “Trampoline”, or it’s the slick balladry of “Bambi”, or the exotic “Adaora”. The melting pot production is worthy of mention too – The Let Out” is like a DS2 Future/DJ Mustard mash-up, “Safari is a R&B/Hip-Hop mixture that The Weeknd would crush, “2 Points” features some punchy horns, “Long Live the Chief” is electro minimalism that oddly works. If only he had left the obligatory post-“One Dance” dancehall song off (“Little Bit More”). But I’ll forgive it, ‘cause this is one promising debut. HIGHLY RECOMMENDED

The Grinding Wheel – Overkill

 The legendary East Coast thrashers followed up 2014’s exceptional White Devil Armory with a record that’s significantly less exceptional, but still passable. This time around, the riffs just felt a bit less punchy and exciting, and the tracks dragged on and on for unnecessary lengths (similar to my gripes with the new Metallica album), which left me feeling underwhelmed. There’s still some bonafide rippers though, like the opener “Mean, Green, Killing Machine”, or “Our Finest Hour”, which has a couple devastating riffs and some shrieking vocals from frontman Bobby “Blitz” Ellsworth. Here is a full review. RECOMMENDED

Gelato – Young Dolph

The only noteworthy moment on this project is the Yo Gotti diss track (“Play Wit Yo Bitch”), which I have to at least commend for the DIRECT, very UN-subliminal nature of the insults, as basic and schoolyard as they are. And one more track I might come back to is “On the River”, because A) “fucked her on the river” is such a hilarious refrain, and B) the beat is HARD. Other than that, Gelato is one of my least favorite Hip-Hop projects I’ve heard this year. It’s got every stereotype that non-Rap fans gleefully shit on – posturing, smoking weed, banging bitches, and of course posturing about smoking weed and banging bitches. Wasn’t anything for me here, especially when Dolph’s rival Yo Gotti brought such FIRE with CM9 recently. NOT RECOMMENDED

Origins – Mutiny Within

The Little Metal Band That Could is still chugging along six years since being dropped from Roadrunner Records due to the disappointing commercial performance of their self-titled debut. I have loved this band since day one – their blend of melodic, keyboard-driven European Metal with the riff-tastic Metalcore of their American counterparts made them the band I wanted to be IN growing up. And Origins, their third LP, turned out to be their best yet! The album effortlessly sways between noodling technicality and accessible – dare I say, slightly Poppy – hooks. It’s probably not for everyone, but it feels tailored EXACTLY to my tastes. HIGHLY RECOMMENDED

 Plato O Plomo – Fat Joe & Remy Ma

So Joey Crack and Remy Ma decided to follow up their vernacular-defining mega-hit “All the Way Up” with a full album,. On Power 105.1’s The Breakfast Club, the two emcees deemed the project a “complete masterpiece” and I strongly disagree. It’s full of a lot of empty boasts, standard gangsta rap bars, and the occasional hilariously clumsy sexism (like the beginning of “Go Crazy”), or lyrically challenged rhyme scheme (Fat Joe rhymes “Narcos” with “Pablo” on “Spaghetti”). There are a couple beats go hard, like the menacing “Swear to God”, or the riled up “Cookin”, but nothing to see here, really. NOT RECOMMENDED

A Few More

Like:

Atonement – Immolation (Death Metal)

The Breaker – Little Big Town (Country)

The Feminine: Act II – Anna Wise

Fin – Syd (R & B)

Drunk – Thundercat (Jazz Fusion)

Dislike:

NAV – NAV (Hip-Hop)

HNDRXX – Future (Hip-Hop, R & B)

 

 

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s