Sum 41 – 13 Voices Album Review

For the first time in over half a decade, the music industry’s increasingly cluttered calendar of every possible thing imaginable includes brand new music from Sum 41, the Canadian five-piece responsible for ubiquitous punk-y radio smashes like “Fat Lip” and “In Too Deep” in the early 2000s. However, the tunes responsible for this band’s rise to fame – as massive as they may have been and continue to be – feel obsolete and nearly irrelevant here; not only is planet Earth a different place in 2016 than it was back then, but the band are too. Now entering their late 30s, maturation and growth are only natural, and 13 Voices, their sixth full length, is a far cry from the snot-nosed Pop-Punk Sum 41 shelled out a decade and a half ago.

It won’t necessarily be a surprise to anyone has heard their last LP – 2011’s Screaming Bloody Murder, which found the band harnessing a roaring metallic edge – but casual listeners may find themselves a bit shell-shocked. 13 Voices often embraces influences that drift away from Pop Punk and towards the Hard Rock and Metal end of the spectrum. Take “Breaking the Chain” for instance, which features a blistering bridge section with chunky, chugging guitars that break into sugary harmonies – it’s straight out of the Bullet for My Valentine playbook. Or there’s the snarling riffage in the “God Save Us All” bridge – something that could’ve easily been plucked from Zakk Wylde’s unreleased Black Label Society recordings. These short dips into more aggressive territory add a sober earnestness to these otherwise hooky tracks.

Another commendable feature of 13 Voices is the band’s meticulous layering and experimentation with different instruments. The exceptional title track, for instance, finds clean and distorted guitars working side-by-side during the second verse, and later adds a taste of acoustic guitars to the mix. In the aforementioned “Breaking the Chain”, a string section is cleverly used as the main counterpart to frontman Deryck Whibley’s vocals. On the anthemic “There Will Be Blood”, a few subtle piano notes pop into….

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