DT season approaching!
Swedish Melodeath legends Dark Tranquillity are one of the most consistent bands in Metal history. Not only did they kick start their career by leading one of the genre’s most influential movements, but they’ve churned out album after fucking album of world-class Extreme Metal for over two decades without so much as a slight misstep. Their forthcoming LP Atoma (out November 4th on Century Media) will be their eleventh full length, and they’re going into it with a ten-album winning streak.
One of my personal Mount Rushmore bands, DT are completely singular in the world of Melodic Death Metal. Their unique take on the genre is to be more somber than seething, more unassuming than technical, to sprinkle in keyboards and clean vocals without ever veering in a commercial direction. Vocalist Mikael Stanne’s signature snarl is somehow inviting and menacing at the same time.
I can’t say enough about how much I love these guys. But on the flip side, their sound hasn’t fluctuated significantly, and there’s only so many ways you can describe how head over heels you are for Welch’s fruit snacks. After a while, all you know is that you’ve loved them since you could remember, that life is always better when they’re around, and that they’ve never let you down. But with Atoma ten days away (!), I wanted to check in and see how these three pre-release singles are stacking up.
The first single I heard, the title cut is far and away the best of the three. The keyboard-centric intro bears a slightly resemblance to “Endtime Hearts”, a career highlight off their last record Construct, so this track was immediately in my good graces. Mikael Stanne’s clean vocals – something bands like Killswitch Engage credit him for popularizing to this day – are some of the most powerful he has ever delivered. His deep baritone has a bit more force behind it, stripping back some of the croonage (definitely not a word) that he has dabbled in. Though the lyrical themes aren’t transparent here, the chorus has a certain triumphant and motivational feel to it as he growls , “hold your head up high”. I’d also like to point out that DT are a band that thrive on subtlety – notice those quietly-mixed harmonized guitars in the chorus that boost the keyboards and create an incredibly FULL sound.
“Forward Momentum” trades off between bleakness and aggression. The gloomy keys in the chorus are desolate and We Are the Void -esque, but elsewhere the guitars roar with chugging riffs. For Melodeath fans, that combination of chords in the post-chorus should be quite familiar (see: every Trivium song ever), so this track offers up no surprises. It’s run-of-the-mill DT, although “run-of-the-mill” generally bears a positive connotation for these guys.
A big factor in Dark Tranquillity’s singularity is that Mikael Stanne’s vocals are so easily deciphered through his raspy screams. It makes DT a bit more lyrically centered than other bands of their ilk, and “The Pitiless” is a prime example. I’m definitely curious as to what Stanne is specifically referring to in the chorus when he delivers the lines: “Alone in silence/Yes I am frightened and so are you/against pitiless indifference/we stand alone”. But either way, the sentiment of taking action in the face of apathy is heard loud and clear. This song is also the most aggressive of the three singles. Not necessarily known for their riffing, that harmonized hammer-on section at 0:37 is the catchiest guitar part these guys have played in some time.
Essentially, these three tracks sound like a fusion of the last two Dark Tranquillity albums (2013’s Construct and 2010’s We Are the Void). They find the gents going about business as usual, and indulging in absolutely zero experimentation. That’s totally fine for three tracks, but I’m hoping for a curveball or two come November 4th.