June 2016 Album Round Up!

What a month June was. The back end of the month saw me frantically putting together my Mid-Year Album Lists (check my YouTube channel for the video versions or check back with this blog in the next few days), and the month of June itself spawned five releases that ended up beating out albums I’ve been living with for months! Garbage, Gojira, Nails, Apathy, and Be’Lakor all wound up on my Mid-Year lists! June couldn’t have ever topped May, but it was an excellent month for new music! Here are my thoughts on ten albums that dropped:

Seal the Deal & Let’s Boogie – Volbeat

Unfortunately, it is no easy feat to follow up a pair of excellent LPs (2010’s Beyond Hell/Above Heaven and 2013’s Outlaw Gentlemen & Shady Ladies) that blurred the lines between Rock and Metal and nudged both genres forward in the process. Alas, the Danes have returned from half a decade of triumphs with something less exciting and more repetitive. But Volbeat retracing their steps still entails a solid helping of fun, catchy, immediately satisfying Rock songs. I especially dug “The Bliss”, the title cut, and the closing duo of tracks, “You Will Know” and “The Loa’s Crossroad”. Here is a full review. RECOMMENDED

Why Are You OK – Band of Horses

When I sit and consider some of my favorite Alternative music that has ever been made, Band of Horses’ third LP Infinite Arms almost always springs to mind. It’s just a special record for me. Thus it’s a high water mark I can forgive them for failing to reach again on album number five, which otherwise performs as advertised.As Band of Horses continue to execute on their winning formula, much of these tracks wash over you with waves of mellow, calmly reassuring musical passages that occasionally pick up their pace and crunchiness, but still retain that same good-natured vibe. Standouts include beautiful ballads like “Hag”, “Lying Under Oak”, and lead single “Whatever, Wherever”, as well as the bouncy boardwalk soundtrack “Solemn Oath”. Overall, Why Are You OK is not necessarily the type of music that invokes an impassioned response in either direction . It’s pleasant, it’s unassuming, and if it were playing in my childhood home, my mom would walk by and go, “oh, that’s a nice song”. You can flip that evaluation to mean something positive or something negative. I definitely choose positive. RECOMMENDED

The Human Condition – Jon Bellion

Jon Bellion’s debut LP has got to be one of the highest anticipated releases of the summer. His mixtape buzz has been years in the making, and he’s already built quite a loyal fanbase for himself through both his Visionary Music Group affiliation and his ties to several gargantuan hits like Zedd’s “Beautiful Now” and Eminem’s “The Monster” (he co-wrote the latter). The Human Condition, the end result of all this hype, is enjoyable and well-thought out, but pretty spotty. It’s tough for me to sit through sappy, well-worn Pop terrain like “Fashion” or the One Republic knock-off “Maybe IDK” in order to get to tracks I dig like the rap-heavy “New York Soul, Pt. ii”. Nevertheless, these 14 songs have more successes than failures – not to mention these lyrical themes are so millennial-centric – so it gets overall approval from me. RECOMMENDED

Magma – Gojira

With Magma, these French extreme metal masters made the mainstream-ish gateway album that they only hinted at on 2012’s L’Enfant Sauvage. And guess what?? They’re just as convincing playing concise and simple music as they are being epic and long-winded. In fact, borderline Hard Rock track “Stranded” is potentially my favorite! Magma might be slightly flawed and not completely live up to the masterful trio of LPs that came before it, but that’s like saying Megadeth’s awesome Countdown to Extinction doesn’t live up to Peace Sells…But Who’s Buying? or Rust in Peace. One of the best Metal albums of the year thus far. Here is a full review. HIGHLY RECOMMENDED

Rude Awakening – Wiz Khalifa, Juicy J, & TM88

I should’ve learned from Collegrove (this past March’s collaborative mixtape between 2 Chainz and Lil’ Wayne). I suppose I didn’t. But at least Collegrove carried with it the possibility of hearing an occasional flash of brilliance from Wayne reminiscent of his mid-00s mixtape run. Rude Awakening, however, is a different story. I could almost feel the neural pathways in my brain writhing in agony as I got clobbered with one rudimentary turn-up rhyme after another. On the track “All Night”, Wiz Khalifa actually says “I got bars like a jail”, making other lines like “Don’t SnapChat me that pussy, I want it for real” sound like Langston Hughes. Avoid this thing at all costs. NOT RECOMMENDED

Strange Little Birds – Garbage

I got into these beloved ‘90s alt heroes (specifically their self-titled debut) JUST in time for Strange Little Birds, their sixth LP overall. Admittedly, I’m riding a bit of a “discovery high” so check back in with me in a few months, but Strange Little Birds is fucking awesome. It manages to fit in with its modern contemporaries and avoid sounding derivative, yet it successfully recalls greatness of two decades ago. “Blackout”, ripping lead single “Empty”, and “Teaching Little Fingers to Play” – the latter which gracefully addresses growing pains – are among my favorites, but all 11 tracks hit their mark. More thoughts in this video. HIGHLY RECOMMENDED

Handshakes with Snakes – Apathy

Words can’t express what this album means to an old-school Hip Hop head like myself. Handshakes with Snakes is Apathy’s 5th studio album, but the CT veteran’s copious releases are well into the double digits. What we get on this LP is knocking, boom-bap production and thoughtful, lyrically complex bars. A song like “Pay Your Dues”, with a sweet Phil Collins sample, finds Ap railing against entitled, unoriginal new rappers, telling them “you can’t win wars if you ain’t swung swords” and reaffirming his commitment to the craft: “what’s love? Studying Illmatic like the Bible.” “Rap Is Not Pop” is another killer cut, with the MC boldly claiming he’s “Too Kool G Rap for these new school cats.” I’d fucking agree. There’s even a reference to Big L’s “H-E-double hockey sticks line” on “Blow Ya Head Off”. You can’t miss if you’re a fan of gritty 90s Hip-Hop, and for me, this is a contender for indie Rap album of the year so far. HIGHLY RECOMMENDED

Unden!able – Hellyeah

This Metal supergroup began their career with three albums in a row full of cookie cutter, throwaway Groove Metal and lyrics that made Fred Durst and Five Finger Death Punch’s Ivan Moody seem tolerable. Occasionally a song would find its way onto my work out playlist, but I was not a fan. Their fourth LP, 2014’s Blood for Blood, was a noticeable uptick in production and songwriting, with a decent chunk of the corny cut out, but I still wasn’t convinced. Unden!able is an ever-so-slight improvement on Blood for Blood, weighed down by several cringeworthy moments but featuring Active Rock radio slam dunks “Human”, “Leap of Faith”, “X”, and the soaring ballad “Love Falls”, which are juuust enough to tip it over the edge for me. That being said, every now and then I give something the benefit of the doubt and regret it later, and it remains to be seen if Unden!able fits that narrative. Here is a full review. RECOMMENDED

You Will Never Be One of Us – Nails

 The third record from Nails is a fucking exhilarating listen. Before the sludgy eight-minute closer “They Come Crawling Back”, it’s 14 minutes of pummeling Powerviolence/Grindcore/Thrash Metal/Death Metal combos that leave the listener gasping for air. The guitar tone is absurdly heavy, yet the production doesn’t muddy up any riffs or grooves. If you like music that inspires you to grab the cutest baby and just start violently shaking it, this is for you. Personally, it made my Metal Mid-Year List. HIGHLY RECOMMENDED

Still Brazy – YG

I just don’t see it guys. The hype behind YG’s follow-up to his breakout My Krazy Life album isn’t warranted to me. It’s definitely an improvement on that LP, but it’s not the West Coast Hip-Hop landmark that people are making it out to be. Sure, there’s some menacing bravado on “Don’t Come to LA”, and “Gimmie Got Shot” is a satisfying conceptual listen about mooching, but there’s nothing spectacular. But a track like “Bool, Balm, and Bollective” has such an unimaginative hook, and “Why You Always Hatin’” finds YG getting bodied by a singin’ nigga (Drake shows up for a feature and up-stages him). The best thing about this record is the production – “I Got a Question”, for instance, has to be one of the more interesting combination of sounds I’ve heard this year. The 1500 or Nothin’ beat sounds like DJ Mustard meets “Nuthin’ but a G Thang” meets a laser gun from an arcade game. It’s definitely not a BAD album, but it’s pretty good at best, and to my ears, it’s fairly non-essential. NOT RECOMMENDED

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