The first Friday of June bombarded us with a dizzying amount of new music, particularly singles! Below I’ve written up five of them:
For Free (feat. Drake) – DJ Khaled
“Another one” indeed, Mr. Khaled. DJ Khaled and Drizzy’s ode to bedroom prowess caught me – and, well, the rest of the world – completely by surprise. Drake is a little over a month past his enormous Views campaign, yet he drops a one-off single that’s better than his entire album! While I do miss the Toronto MC putting effort into the technical side of his rhymes, I love the Kendrick reference in the opening verse, and just the overall snarling cockiness of the whole track. It’s rightfully simplistic and fun – you can practically feel the summer breeze oozing out of the speakers. That being said, among others questionable lyrics, one line I particularly can’t let slide is “you’re the only one who can fit it all in her mouth”. To me this nonsense yanks away the playful aspect of the theme and turns it into run-of-the-mill graphic Hip-Hop. Not that there’s anything wrong with that, it’s just really unnecessary. It’s been a long time since the chauvinist, controlling messages of Drake’s music resonated with me, but at least “For Free” is a genuine banger.
Bad Vibrations – A Day To Remember
So here we stand with the second leak from A Day To Remember’s sixth album Bad Vibrations, due out August 19th. This new single – the title cut and album opener – will be directly preceding first single “Paranoia” in the track list, which I discussed here. “Bad Vibrations”, however, leans way further toward Metal than “Paranoia – it’s less urgent and more forceful. Oddly enough, the pre-chorus of this track – with its hammering double bass and harsh vocal – jumped out at me as catchier than the angsty chorus (which I did warm up to after a few listens). Clearly tailored toward the live environment, the breakdown here (“toxic!”) is extreme predictable, with dissonant chords and stabbing syncopated rhythms, but stylistically, ADTR are in a “damned if you do, damned if you don’t” scenario, so it’s difficult to fault them for it. When the breakdowns go away, the kids start whining. When the breakdowns show up, they’re “played out”. But I digress. “Bad Vibrations” is nothing special or extraordinary, but ADTR are 2 for 2 with me! August 19th needs to hurry up!
Whatever, Wherever – Band of Horses
I’m so psyched to have Band of Horses back! Tomorrow the indie rockers will release their fifth album, “Why Are You Ok?”, and this single “Whatever, Wherever” indicates we might be in for more in the vein of Infinite Arms, in the best way possible. The clean guitar tone is gorgeous, the falsetto backing vocals in the chorus are addictive, and the drums add a gentle backbone. It’s another Band of Horses song tailor made for night drives full of those larger-than-life moments – the ones where you gaze up at the sky and come to terms with your insignificance.
Maybe IDK – Jon Bellion
Jon Bellion has built quite a buzz in both Hip-Hop and Pop through several mixtapes, his association with Logic and Visionary Music Group, and yes, that Zedd song “Beautiful Now”. Hip-Hop really is a twisted system when you need to put out years of free music just to earn the right to release your debut album. Which is a right Bellion has apparently earned, as his debut The Human Condition is set to drop tomorrow. Unfortunately “Maybe IDK”, the LP’s fourth single, is generic as hell. It could be One Republic. It could be Phillip Phillips. Who really knows, because it’s that hard to tell. And FOH with that clapping nonsense! Clapping sections RARELY come off as anything but impossibly corny. When are people going to get that through their heads?? Anyway, despite my distaste for this track, I’ll hold out for the album.
Is Anybody Out There? – Machine Head
From out in left field we have the first music from Bay Area titans Machine Head in over a year and a half. Making headlines for the lyrical references to Phil Anselmo’s “white power” incident, “Is Anybody Out There?” is a decent single from a band capable of more. The dramatic intro, featuring piano and a lead guitar lick in the vein of “Judas Rising”, is a check in the “positive” column. As is frontman Robb Flynn’s impassioned vocal delivery, which compensates enormously for the somewhat bland chorus lyrics. He’s remarkably convincing, and feels like he’s pouring his heart into every syllable. But my major gripe is the cringeworthy pseudo-rapping in the verses, calling to mind the nightmare that was Machine Head’s Nu Metal ventures on The Burning Red. When Flynn utters “Let me tell you something” like a Hip-Hop ad lib before the first verse, I cringe every time. But otherwise, the thrashing riffs, assaulting drums, and gruff vocals are all there.