Happy April 8th, 2016 everyone! Time to grab your copies of Deftones’ Gore and Zakk Wylde’s Book of Shadows II to celebrate! In addition, I’ve written up a pair of new singles from Hatebreed and Volbeat below:
A.D. – Hatebreed
Connecticut’s own Hatebreed will unleash their seventh album The Concrete Confessional on May 13th – a Friday the 13th already jam-packed with high-profile releases (Devildriver, Gorguts, Pierce the Veil, and the very brutal Meaghan Trainor, just to name a few). The LP’s opening track “A.D.” is our first complete taste of what’s to come, and it finds the veterans placing their Hardcore influences on the backburner for a majority of the song in favor of mid-80s Thrash, even tossing in a shred-laced guitar solo for good measure.
Even vocalist/motivational coach Jamey Jasta knows that not every Hatebreed song needs to be uplifting, positive, or hopeful – if the state of the union (or the world) is chewing at him for whatever reason, there’s no better platform. And Jasta takes advantage – A.D. is jam-packed with venomous quotables that address the crumbling of the American dream.
The latter portion of the track deals with the inaction and subsequent profiting of media and government outfits from violent shootings, acts of terrorism, and the like. Here’s a choice quote that prompted a tweet of mine (and a subsequent retweet from Hatebreed themselves): “thoughts and prayers again, is that what it’ll take? Which industries profit while lives are at stake?” HARD.
The Devil’s Bleeding Crown – Volbeat
Seal the Deal & Let’s Boogie….that’s what Volbeat chose to title their new album? Hey, no complaints here – it made me chuckle, and quite frankly, anything that’s not a fucking self-titled record is fine in my book. Seal the Deal & Let’s Boogie will follow two Metal-tinged Rock LPs that are absurdly well-constructed – 2010’s Beyond Hell/Above Heaven and 2013’s Outlaw Gentlemen & Shady Ladies. A band still very much in the midst of their ascent – let’s be honest, we have virtually no idea how big this could get – they could put out a by-the-book replication of their last two efforts and still receive resounding acclaim. They have become one of Rock’s most beloved and likable acts.
“The Devil’s Bleeding Crown” retains Volbeat’s familiar mammoth sound. As expected it’s completely old school, the main riff calling to mind a chunkier Wolfmother. And I suppose the ghost of Black Sabbath’s “Children of the Grave” will continue to hover over the genre for all of eternity, so no need for any painfully obvious insights in that regard.
The bottom line: fans of Volbeat anthems like “A Warrior’s Call” will be fully satiated by this single. But here’s to hoping there are a few twists and turns on the full record, out June 3rd.