Here’s Every Single 2017 Year-End List I Made

Top 10 Hip-Hop Albums of 2017 (Full Post Here)

10. The Autobiography – Vic Mensa

9. Pretty Girls Like Trap Music – 2 Chainz

8. Flower Boy – Tyler, The Creator

7. Captain California – Murs

6. 4Eva is a Mighty Long Time – Big K.R.I.T.

5. No Dope on Sundays – CyHi The Prynce

4. Last Call – Rittz

3. DAMN. – Kendrick Lamar

2. Trial by Fire – Yelawolf

1. All the Beauty in This Whole Life – Brother Ali

 

Top 10 Worst Albums of 2017 (In No Particular Order) [Full Video Here]

Suicide Silence – Suicide Silence

Memories…Do Not Open – The Chainsmokers

Madness – All That Remains

Kids in Love – Kygo

Kaskade Christmas – Kaskade

Judas – Fozzy

Double Duchess – Fergie

Issa Album – 21 Savage

Bloom – Machine Gun Kelly

17 – XXXTentacion

 

Top 20 Metal Albums of 2017 (Full Video Here)

20. The Sin and the Sentence – Trivium

19. The Forest Seasons – Wintersun

18. Clairvoyant – The Contortionist

17. Unparalleled Universe – Origin

16. Renaissance in Extremis – Akercocke

15. Godless Prophets & the Migrant Flora – Darkest Hour

14. Wrong One to Fuck With – Dying Fetus

13. Immortals – Firewind

12. Gods of Violence – Kreator

11. The Dusk in Us – Converge

10. Bloodlust – Body Count

9. Tremendum – Hate

8. Atonement – Immolation

7. E – Enslaved

6. Conformicide – Havok

5. Vengeful Ascension – Goatwhore

4. Nightbringers – The Black Dahlia Murder

3. Thrice Woven – Wolves in the Throne Room

2. Strength in Numbers – The Haunted

1. Obsidian Arc – Pillorian

 

Top 20 Non-Metal Albums of 2017 (Full Video Here)

20. Heartworms – The Shins

19. Captain California – Murs

18. Lust for Life – Lana Del Rey

17. Crack-Up – Fleet Foxes

16. Number 1 Angel – Charli XCX

15. 4Eva is a Mighty Long Time – Big K.R.I.T.

14. AFI (The Blood Album) – AFI

13. No Dope On Sundays – CyHi the Prynce

12. This Old Dog – Mac Demarco

11. Awake – Illenium

10. Funk Wav Bounces, Vol. 1 – Calvin Harris

9. Last Call – Rittz

8. Science Fiction – Brand New

7. Sleep Well Beast – The National

6. DAMN. – Kendrick Lamar

5. Melodrama – Lorde

4. Makes Me Sick – New Found Glory

3. After Laughter – Paramore

2. Trial By Fire – Yelawolf

1. All the Beauty in This Whole Life – Brother Ali

 

10 Songs That Defined 2017 For Me (In No Particular Order) [Full Video Here]

“She Wanna Party” – Young Thug

“26” – Paramore

“Fractures” – Illenium

“ELEMENT.” – Kendrick Lamar

“Starlight” – Starset

“Bigger Than Me” – Big Sean

“Blurred Vision” – New Found Glory

“Slide” – Calvin Harris

“For My People” – Joey Bada$$

“Ground Control” – All Time Low

 

 

 

December 2017 Album Round Up!

Happy New Year everyone! It’s 2018 and here I am a week and a half into the new year playing catch-up on everything that should’ve been finished before…well, whenever it was I blacked out on the night of the 31st.

The problem is, I was too busy pouring my heart and soul into year-end lists like this one and this one and this one, obsessing over every little detail and second-guessing every single candidate for hours and hours on end, to keep both eyes on the release calendar all December. So I definitely missed a few albums. But I do feel like I managed to hear all the important ones. For instance, it was absolutely CRUCIAL that I set aside enough time for both Eminem AND the Star Wars franchise to disappoint me on the same day (which happened to be my half-birthday, no less). Boy, that was fun.

But whether you’re a reader, a viewer, or just a serial angry commenter, thank you so much for your support in 2017! It means the world to me. I felt like the quality of my content grew exponentially this past year, and my goal for 2018 is to kick this shit up about ten notches! Which, that’ll mostly happen on my YouTube channel, so if you haven’t already, please subscribe and tune in every week!

But as long as I love to write, this blog lives on. And what the fuck is this blog without my monthly keyboard diarrhea about “disappointing new album” this and “corny overused descriptive adjective” that? Exactly. That’s what I thought.

So without further ado, the last Monthly Round Up of 2017!

Revival – Eminem

Annnnnnnd, after over a decade of remarkably inconsistent output, see-sawing constantly between unbearable nadirs and soaring highs, the day has finally arrived. The undeniable WORST release of Eminem’s legendary career. On the 44-year-old rapper’s eighth LP, everything falls apart. The production – whether it’s Rick Rubin’s appallingly lazy sampling of “I Love Rock ‘N Roll” on the song “Remind Me”, or it’s the syrupy Ed Sheeran collab “River” with its hideous Rock-ish bridge – shits the bed. And Eminem’s bars? They kind of shit the bed too, especially when he’s making horrible “shit” puns (“shit on my last chick/she has what my ex lacks”). On Revival, Eminem has so little sense about how to make his virtuosic rhymes sound musical. He’s like a malfunctioning “bar machine” that randomly generates intricate syllable combinations while ignoring the fact that there’s supposed to be “songs” going on here. Quite unfortunate to see one of my heroes take such a late-career nosedive. NOT RECOMMENDED

Kingdoms Disdained – Morbid Angel

 With the bar set impossibly low by the disastrous Industrial attempts on 2011’s Illud Divinum Insanus, these legendary Death Metallers could’ve put out pretty much anything and their fans would’ve gobbled it up, because hey, “at least it’s not that other one”. Enter Kingdoms Disdained, a suffocating, impenetrable, aggressively mediocre pummelfest that was welcomed with rave reviews. Well, from everyone expect me anyway. Even though I dug a couple tracks here and there, I found this LP to be swamped with filler and ultimately brought down by its completely one-dimensional brutality. Here is a full review. NOT RECOMMENDED

Pop 2 – Charli XCX

After my surprising love affair with her Number 1 Angel mixtape back in March, I was hoping for this feisty Brit to bring a second jolt of to the predictable Pop world before the year was up. But unfortunately, while Charli’s slightly brash approach to Pop music is still undeniably cutting edge, the punches didn’t land this time around for me. Whether it’s the flat hook on “Unlock It”, the mind-numbingly repetitive “I Got It”, or the underwhelming electro-tinged snoozefest that is the opener “Backseat” (yes, even with my girl Carly Rae on it!), I just couldn’t vibe with this project. Though I do enjoy the (cleverly titled) closing track “Track 10” and the EDM flair with which it crescendos toward the end, I’m gonna have to go against the overwhelmingly positive grain here and declare this one a no-go. Sawwy. NOT RECOMMENDED

From a Room: Volume 2 – Chris Stapleton

 In terms of raw singing talent, Chris Stapleton is, without any debate, one of the best in the Country business. But on From a Room: Volume 2 – Stapleton’s second release of 2017 – what makes him stand out even more is his range. From the folk-y minimalism of “Drunkard’s Prayer” to the loud Country Rock of “Hard Livin’” to the soulful balladry of “Nobody’s Lonely Tonight”, the man’s versatility makes this 32-minute record feel like 10 minutes that’s over all too soon (cue the easy jokes about my sex life). In a year where I put a ton of effort into acquiring a taste for Country music of all kinds, Chris Stapleton made the kind of songs that required no effort at all. HIGHLY RECOMMENDED

 Pressure – Jeezy

 If you had told me in 2006 that 12 years later, (then “Young”) Jeezy would still be relevant, I would’ve laughed in your face. But here we are, and though Jeezy hasn’t been terribly concerned with evolving his sound, he’s still pumping out the kind of bangers that make me wish I gave this thing a proper review. Exhibit A: the triumphant, bravado-laced “Spyder”, with D. Rich’s hard-hitting production giving the LP an immediate lift. And later on, of course, “American Dream” is a huge moment, given that it finds Kendrick Lamar and J. Cole joining forces on the same beat (Cole in particular kills it), adding even more intrigue to that rumored collaborative project between the two of them. Oh, and there’s also “In a Major Way” where guest Payroll Giovanni is an absolute monster. Sure, Pressure is far from perfect – you’ve got the generic “Floor Seats”, you’ve got straight unjustifiable duds like “This Is It”, and you’ve got bars like “two bitches, double date/diamonds floatin’, levitate” dragging the record down- but Jeezy continues to remind us why we still care about him after a decade and a half.

Virtual Self EP – Virtual Self

As I gushed on this very blog a few months back, our first taste of Porter Robinson’s Virtual Self side project (why he feels compelled to trade in his own MONEY-PRINTING household name for a generic pseudonym here, I have no idea) was nothing short of rapturous. The song in question, “Eon Break”, had everything; it had drops like fireworks, it had these rapturous major key synth melodies vaulting it into the stratosphere…not to mention its explosive climax at the end, featuring frenetic drum programming that felt like a distant cousin of Metal music. Well, I am happy to report that Porter’s debut EP as Virtual Self lives up to the hype generated by its first single. There’s the futuristic Trance adventures of “Ghost Voices”, there’s the twitching glitches of the most unique track on here, “a.i.ngel (Become God)”, and there’s perhaps my personal favorite, the so-sugary-and-blissful-it’s-almost-too-much-but-it’s-actually-beautiful “Key”, the latter of which most adheres to the “Eon Break” blueprint. All reasons to go check this EP out immediately. C’mon, it’s 20 minutes! HIGHLY RECOMMENDED

War & Leisure – Miguel

Another capital W for one of the de facto leaders of the R & B genre. While Miguel’s fourth album War & Leisure might’ve reeled me in with the Travis Scott-assisted lead single “Sky Walker” – I wrote about that HERE – it quickly proved to me that it had a lot more to offer. The blissful, tropical-tinged “Pineapple Skies”, the entrancing “Banana Clip”, the jazzy J. Cole collab “Come Through and Chill”…Miguel did it again. HIGHLY RECOMMENDED

In Becoming a Ghost – The Faceless

 Kudos to The Faceless for continuing to push the boundaries of what Technical Death Metal can be. After half a decade, they’ve come roaring back with a fourth LP that manages to be their most dynamic yet. I’m still hesitant to call it their “best” – that honor remains with 2008’s genre-defining Planetary Duality – but masterful Metal compositions like the delightfully dissonant “Digging the Grave”, or “Cup of Mephistopheles” with its snake-like riffing, or the head-spinning closer “The Terminal Breath” certainly qualify In Becoming a Ghost as a must-listen. And I should mention it’s all brought together by Ken Bergeron’s raspy vocal performance – he is far and away the best frontman that this band has ever had. HIGHLY RECOMMENDED

A FEW MORE:

LIKE:

Dedication – Chief Keef

Material Control – Glassjaw

Reflective Pt. 2 EP – Bassnectar

Songs of Experience – U2

Say Less – Roy Woods

DON’T LIKE:

Asking Alexandria – Asking Alexandria

The New Reality – Operation: Mindcrime

Double or Nothing – Big Sean & Metro Boomin’

Wednesday – Chris Webby

 

Top 10 Hip-Hop Albums of 2017

Happy holidays everyone!

Oh wait, we’re like a year into the whole “Donald Trump is president” thing. My bad.

In one of the most hilariously ridiculous speeches of his presidency thus far – bold statement, I know – Donald Trump made a promise that as a nation, we’re all gonna go back to saying “Merry Christmas” like we did before things got all politically correct. “Times have changed, but we’re changing them back,” he insisted. It reminded me of that infamous Jason Kidd speech where he said “we’re gonna turn this team around 360 degrees”.

Not surprisingly, Donald Trump talking all bigly about his yuuuuge plans for this great nation didn’t at all sway my December rhetoric. I did what I do every year – I wished an awkward mix of “Merry Christmas” and “Happy Holidays”, depending on what kind of mood I was in, who was around, and how Christian-y the vibe was.

Joking aside, whatever Winter holiday you and your family celebrate – whether it’s Christmas, Hanukkah, Kwanzaa, or one of those Pagan things – I hope you find joy, laughter, relaxation, and, of course, good food in the company of your loved ones, and I hope you head into 2018 with the wide-eyed optimism of a six-year-old boy.

Anyway, for my first of FIVE 2017 year-end lists – you’re gonna head over to my YouTube channel to see the rest of them in the next week and a half – we’re gonna talk Hip-Hop. And boy is there a lot of ground to cover.

2017 was another banner year for Rap music, sure. Any monkey with a Twitter account and @ComplexMusic and @XXL in his feed could piece that one together. But even better, it was a year defined by the unexpected. Both positive AND negative, I may add. Here are some things that happened in Hip-Hop this year that I couldn’t have possibly foreseen:

  • The Migos made a Trap album that is literally listenable (and enjoyable) from beginning to end
  • Eminem dropped a turd that makes 2004’s Encore look like a masterpiece
  • CyHi the Prynce’s long-awaited debut somehow lived up to over seven years of album-less hype
  • Jay-Z snapped out of his whole “I only rap to sponsor my art collection” mindset and made his best music since 2003
  • EDM superstar Calvin Harris put Snoop Dogg, Travis Scott, Migos, ScHoolboy Q, Lil’ Yachty, Future, Big Sean, Nicki Minaj, and Frank Ocean on one project. And it worked.
  • Macklemore and a mumble rapper made a song together and it ended up being ten times worse than my limited imagination could’ve even conjured up

So as you can see, it’s been an exciting 12 months. And I’m glad to be done making this list, ‘cause I spent DAYS stressing out about it (especially those #5 – #7 slots!). I really hope my thoughts are informative or, at the very least, mildly entertaining. Honorable Mentions are at the bottom. See you all in 2018!

10. THE AUTOBIOGRAPHY – VIC MENSA

 On his debut album for Roc Nation, after a few years of increasing buzz and the immense pressure and anticipation that comes with being a Kanye West protégé, Vic Mensa leapfrogs over the already-lofty expectations set for him with, well, one of the best Hip-Hop albums of the entire year. The Autobiography proves beyond a shadow of a doubt that Mensa’s got all of the makings of a bonafide Rap superstar. He can make rousing bangers with the best of them, as shown on the Kid-Cudi-meets- Travis-Scott party tune “Rollin’ Like a Stoner” as well as the Chief Keef-assisted hood anthem “Down for Some Ignorance”; he can tell stories (“Homewrecker”), he can be deeply introspective (“Wings”), and he can even make the ladies swoon when he steps out from under his self-loathing (“Gorgeous”).

Not to mention, the guy can collaborate too – the aforementioned tracks round up the likes of Chief Keef, Syd, Pharrell Williams, and even Rivers Cuomo from Weezer, making for a colorful but cohesive tracklist. Mensa’s one of the most promising young Hip-Hop artists in the game right now.

 Top 3 Tracks: “Homewrecker”, “Gorgeous”, “Wings”

9. PRETTY GIRLS LIKE TRAP MUSIC – 2 CHAINZ

 Perhaps the most unexpected entry on this list, 2 Chainz flushed over a decade of ratchet mediocrity down the toilet and knocked the clumsily-titled Pretty Girls Like Trap Music into the stratosphere. As a rapper, beat-picker, hook-crafter, and overall larger-than-life personality, 2 Chainz has never sounded sharper. While the over-the-top ridiculousness of his bars remains a key part of his charm – in particular, the line “I got a bank account, got anotha bank account, got anotha bank account” is my single favorite line of 2017 (which, by the way, given that the FDIC only insurances up to $250,000 per account, this is probably a financially savvy move on his part) – this time around, he has the endless flow and compelling rhymes to back it up.

And his ability to use the occasional guest to light a fire under his ass – Travis Scott Nicki Minaj, Swae Lee, Migos, and Drake all ANNIHILATE the tracks they show up on – helps propel Pretty Girls Like Trap Music into every worthwhile “Best Hip-Hop of 2017” conversation.

Top 3 Tracks: “Blue Cheese”, “Realize”, “Good Drank”

8. FLOWER BOY – TYLER, THE CREATOR

What beautiful irony that an artist like Tyler, The Creator – who rose to prominence by being infinitely rebellious and anti-everything – made his best material to date by softening his edges and buddying up with an industry juggernaut (Columbia Records) for its release.

Production-wise, Flower Boy is perhaps my favorite on this list, bringing together sounds that range from cinematic to insular to manic to just plain weird. Yet the true excellence of the LP lies in Tyler’s undeniable maturation.

By getting unapologetically sappy (“See You Again”), wistfully nostalgic (“November”) and heartbreakingly vulnerable (“911/Mr. Lonely”) alongside his usual aggression and quirks (“Who Dat Boy”, “I Ain’t Got Time!”), Tyler has successfully transitioned from odd-but-compelling enigma to fully formed, three-dimensional artist.

Top 3 Tracks: “November”, “911/Mr. Lonely”, “See You Again”

7. CAPTAIN CALIFORNIA – MURS

That my list will likely be the ONLY year-end Hip-Hop List to give Murs his due is nothing short of a tragedy. On his sixth LP and second for Tech N9ne’s Strange Music label, the California MC shows an elastic emotional range that is extremely hard to come by in Hip-Hop. On the opening track “Lemon Juice”, he and guest Curtiss King will have you cackling uncontrollably as they try to compete for a girl’s attention. Cuts like “God Bless Kanye West” and “G is for Gentrify” will have you mulling over today’s socioeconomic climate. On touching love songs like “1000 Suns” and “Another Round”, Murs will have you reflecting on your best romantic relationships or dreaming of ones like his. On “One Uh Those Days”, he’ll have you carefully following along with his detailed storytelling right up until the hilarious twist ending. It’s time people get their shit together and start paying attention to this talented motherfucker.

Top 3 Tracks: “Lemon Juice”, “1000 Suns”, “Colossus”

6. 4EVA IS A MIGHTY LONG TIME – BIG K.R.I.T.

 While it would’ve been virtually impossible to top 2014’s Cadillactica – an adventurous space-themed concept album that remains one of the finest moments of the genre this decade – Justin Scott continues to build his case as one of the great Southern rappers, filling the shoes of giants like UGK, Outkast and T.I. with ease. This sprawling double-album is split into a more bravado-driven “Big K.R.I.T. half” and a more introspective “Justin Scott half”, with both discs pulling their weight equally, from the most trunk-knocking moments (“ Subenstein”, “Big Bank”) to the most naked and confessional (“Price of Fame”, Mixed Messages”). As I continue to preach the gospel of Big K.R.I.T., I have yet another holy text to read from to convert people to the cause. And thanks to people like ANTHONY FANTANO, they really are doing so.

Top 3 Tracks: “Get Away”, “Mixed Messages”, “Miss Georgia Fornia”

5. NO DOPE ON SUNDAYS – CYHI THE PRYNCE

 I can’t think of a single Hip-Hop album that has been delayed as long as this one and actually LIVED UP to the impossible hype. But that’s exactly what Kanye’s finest protégé managed to do. Besides creating the most lyrically monstrous album on this whole list, on No Dope on Sundays Cyhi the Prynce still manages to stay focused on well-crafted songs, thought-provoking content, and carefully-placed features (in particular, Travis Scott, BJ the Chicago Kid, and ScHoolboy Q kill it here). And to top it all off, CyHi ties everything together with a powerful theme that contrasts spirituality and street life.

Plus, the amount of times I’ve used the expression “get your money and get out the game” in REAL LIFE since hearing this album….that alone earns it a spot in the Top five.

Top 3 Tracks: “I’m Fine”, “No Dope on Sundays”, “Movin’ Around”

4. LAST CALL – RITTZ

 On his final album for Strange Music, this double time-spittin’ white boy once again comes through with a body of work that feels like it’s been made specifically for me. Seriously, this motherfucker checks every box.

  • Emotionally, it covers the entire spectrum, from the tear-jerking “Fuck Cancer” to the ferocious “Into the Sky” (which, by the way, are back-to-back in the tracklist).
  • When appropriate, it’s as introspective as Hip-Hop can get, as showcased on the childhood woes of “Press Rewind” and the modern-day neuroses of “I’m Only Human”
  • From a technical rapping standpoint, Rittz once again has few equals – just check the standout single “Down for Mine” or the stirring opener “Middle of Nowhere” for proof
  • And yet again, Rittz’s ability to sing his own hooks makes him a complete, self-sufficient artist. No big features or name-dropping needed here; this one guy can keep you engaged for over an hour.

Top 3 Tracks: “Crash and Burn”, “Into the Sky”, Down for Mine”

3. DAMN. – KENDRICK LAMAR

 While 2015’s expansive, ambitious To Pimp a Butterfly endeared him to critics and solidified his place in Hip-Hop history, this time around it’s Kendrick Lamar’s fundamentals that make him stand out. At the end of the day, Kung Fu Kenny is just a dope fucking rapper. I never get tired of hearing him rap – his unending supply of creative flows, intricate rhyme structures, and nuanced perspectives ensure that Lamar can sound good on any beat.

But beyond Kendrick’s ability as an MC, my favorite thing about DAMN. is how emotionally raw it is. K-Dot’s music has always carried with it an underlying depression, anxiety and vicious inner conflict– which has been occasionally brought to the forefront on tracks like TPAB’s “u” – but DAMN. takes this to a whole new level. This is a 14-track therapy session, with intense feelings flying every which way like bullets during D-Day. And as a listener who prefers this type of psychological mayhem, I find it to be some of the most gripping work of Kendrick Lamar’s already-historic career.

Top 3 Tracks: “ELEMENT.”, “FEAR.”, “PRIDE.”

2. TRIAL BY FIRE – YELAWOLF

 Against all odds – and when I say ALL ODDS, I mean over seven years of artistic decline since his initial burst of hype and at least one race-related controversy – Rap’s most divisive white trash Hick-Hopper pulled through with, simply put, one of the most unique “Hip-Hop” records I’ve ever heard.

On Trial By Fire, the Alabama native weaves together various shades of Country, Folk, Rock, Blues – and yes, in the midst of all that, a guest appearance from Juicy motherfuckin’ J – into his well-studied rhyming abilities to make the kind of album that no one else could make. Sure, COUNTRY AND RAP MUSIC have had their history together (LINK), but not in a way that hasn’t compromised or caricaturized either side of the spectrum. That is, until exhilarating mish-mashes on this LP like “Punk”, which contains the aforementioned Juicy J feature.

Yelawolf also bares his soul on these 14 tracks, and has a novelists’ eye for storytelling (seriously, check the haunting “Sabrina” or the sentimentally autobiographical “Keeps Me Alive” for some hardcore evidence), bringing these Southern soundscapes to life with each and every verse. On “Ride or Die”, a heartfelt tribute to a day one friend, I can actually picture Yela sitting on a front porch somewhere in Alabama strumming his guitar and staring out into miles of farmland.

 And for me, there’s a personal angle to this as well. Trial by Fire represents the ultimate escapism. It’s an album that whisks me away from my Yuppie tri-state surroundings to long, winding dirt roads, musky dive bars with Harleys parked out front, and remote stretches of land with nothing but grass and the gentle breeze that nudges it from side to side. So I suppose my increasing infatuation with the rural South has fed my love of Trial by Fire. But still, whether you end up smitten like I am or deeply unimpressed, this is music you need to hear.

Top 3 Tracks: “Ride or Die”, “Punk”, “Son of a Gun”

 1. ALL THE BEAUTY IN THIS WHOLE LIFE – BROTHER ALI

As I gushed at the middle of the year, Brother Ali made the kind of special album that makes me happy to be alive. With top-notch production from Ant of Atmosphere ensuring that it’s sonically rapturous, Ali is free to tackle weighty subject matter; sensitive topics that he handles gracefully, I might add. Beauty covers everything from race (“Dear Black Son”, “Before They Called You White”) to pornography (“The Bitten Apple”) to suicide (“Out of Here”) to Ali’s own childhood struggles (“Pray For Me”) sending your emotions every which way in the process. When you combine Ali’s raw talent on the mic with food-for-thought content, gorgeous instrumentals, and hooks like the infectious single “Own Light”, it’s impossible to lose.

Top 3 Tracks: “Own Light (What Hearts Are For)”, “Out of Here”, “All the Beauty in This Whole Life”

Some Honorable Mentions:

Laila’s Wisdom – Rapsody

Big Fish Theory – Vince Staples

Culture – Migos

Radio Silence – Talib Kweli

All-Amerikkkan Bada$$ – Joey Bada$$

At What Cost – Goldlink

4:44 – Jay-Z

Brick Body Kids Still Daydream – Open Mike Eagle

Rather You Than Me – Rick Ross

November 2017 Album Round Up!

Greetings, fellow music fans of the (still “neutral” for now) Internet! Welcome to my second-to-last Album Round Up of 2017! As I type this, I’m already deep into the hours and hours of fierce internal debate that I pour into List…..ok, look. My first instinct was to write something about “List Season”, because naturally, I’ve been gleefully combing through 2017’s release calendar compiling those “best of” lists that consume all of my Decembers. But knowing myself as well as I do, I had this funny feeling that I had made some equally dumb comment about “List Season” at this time last year, and sure enough, I was right. And since I’m not a member of AC/DC, I don’t get some sort of pathological satisfaction out of constantly repeating myself. So maybe I just won’t acknowledge “List Season” this time around. Although….since I’ve now used the term “List Season” four times in this very paragraph, I guess I’m kinda committed.

In all seriousness, there’s a reason List Season is my favorite time of year. With the exception of my “Worst of” list, I literally have an excuse to just sit on my ass and listen to every single piece of auditory greatness that 2017 gave us for hours and hours on end! More over, I get to really dig into any records that got swept under the rug while I was busy drinking, procrastinating, or random bullshit like arguing with Geico about my premiums or shopping for a new massage chair.

As it turns out, November gave me a ton of material for this Round Up– at 23 albums, I think this might be the most different releases I’ve covered in one of these things – so I really hope you get something out of this! Even if there’s just ONE album that I turn you on to/steer you away from, then it’s all worth it to me.

Reputation – Taylor Swift

You know, I gave this a genuine chance. I was even willing to forego that gimmicky “leave it off streaming platforms for three weeks” marketing plan that Swift and the Suits dreamed up. But Reputation is a big step back from 2014’s Pop juggernaut 1989. Swift’s sixth album features ill-advised experiments with dance music (“I Did Something Bad”, “Look What You Made Me Do”), a really awkward Ed Sheeran collaboration (“End Game”), enough vocal manipulations to make T-Pain gawk, and cheaply invokes sexuality at nearly every turn (“…Ready for It?”, “Delicate”, “Dress”).   All that being said, Reputation has already passed 2 million sales worldwide and is currently occupying the top slot on the Billboard charts for the third week in a row, so as always, the joke’s on me. NOT RECOMMENDED

Radio Silence – Talib Kweli

 For his eighth solo release, the veteran Brooklyn MC and social activist – not to mention, one of Twitter’s most incessant self-righteousness finger-pointers – added another solid installment to his prolific catalogue. While a few late-album cuts like the title track and “Let It Roll” are underwhelming momentum-retardants, there are three songs in particular – “All of Us”, “She’s My Hero”, and “Chips” – that make everything worthwhile. “All of Us” is a soulful collaboration with singer Yummy Bingham that boasts I think, like, the SECOND Jay Electronica verse of all of 2017. “She’s My Hero” is a tear-jerking ode to abuse victim Bresha Meadows. And “Chips” is a rousing collab with none other than Waka Flocka Flame, who sets it on fire with one of the most surprisingly dope guest verses I’ve heard all year. Here is a full review. RECOMMENDED

Ashes EP – Sinsaenum

 This Extreme Metal “supergroup” – featuring Joey Jordison of Slipknot, Frederic Leclercq from Dragonforce, Attila Csihar from Mayhem, and others – came roaring back on the heels of their 2016 debut Echoes of the Tortured with a five-track EP that impressively upped the ante . Whereas their debut was more of a vintage Death Metal record with elements of Black Metal theatrics sprinkled in, Ashes finds the best of Black Metal and Death Metal in a furious seesaw that keeps getting more and more exciting as the tracks unravel. In particular, the opening trio of “Ashes”, “Monarch of Death”, and “2099 (Heretics)” are all absolutely essential listens. While I’ve been rooting for this band since day one, they are now top priority for me when it comes to their next release. Here is a full review. HIGHLY RECOMMENDED.

 Red Pill Blues – Maroon 5

For their third album as Adam Levine Plus Hip-Hop and Dance Beats, Maroon 5’s painful transition into by-the-numbers Z100 wallpaper fully crystallizes. Featuring production and songwriting contributions from every “hit-maker” imaginable – Diplo, Ben Billions, Charlie Puth, Teddy Geiger, Julia Michaels, Jason Evigan, etc. – Adam Levine and his buddies deliver a platter of instantly forgettable songs that are unlikely to have the same chart mojo that the pre-albums singles (“Don’t Wanna Know”, “Cold”, “What Lovers Do”) were able to maintain. Here is a full review. NOT RECOMMENDED

Laugh Now, Fly Later – Wiz Khalifa

 Instead of just letting fans wait a little longer for his hugely anticipated Rolling Papers 2 album, the Khalifa Kush CEO succumbed to the pressure and decided to squeeze out this little turd for anybody still lurking at the bottom of the toilet bowl praying he’ll redeem the last six-and-half years of mediocrity. This 39-minute mixtape consists of about 19 minutes of ad-libs and 20 minutes of bars about smoking weed. Even if you blaze religiously, there’s still no way that sounds appealing. And aside from a couple of decent moments – the “Weed Farm” beat goes hard, and Casey Veggies steals the show on the opener “Royal Highness” – it isn’t. it’s torturously boring. But all of my vitriol, I’m still holding out hope for Rolling Papers 2. Until then, no more “hold-over” projects Wiz, please and thank you. Here is a full review. NOT RECOMMENDED

Kids in Love – Kygo

For his second studio album and follow-up to last year’s overly commercial, monumentally disappointing Cloud Nine, the one-time prince of Tropical House doubles down and gives us 29 minutes of Kidz Bop EDM with the same quality and sophistication of The Chainsmokers. I find it strange that, seeing as Kygo has enjoyed international hits like “Firestone” and “Stole the Show”, he feels the need to make such desperate radio grabs. To be fair, he now has the Sony Music engine behind him, which may or may not have something to do with the bullshit on Kids in Love. Either way, this whole constant-vocals-with-one-small-drop format effectively qualifies this as Pop music – the fact that there’s a OneRepublic feature on a song titled after one of 2017’s biggest television phenomenons (“Stranger Things”) and a True-era Avicci knockoff (“Never Let You Go”) should say it all. Kygo doesn’t seem to have any interest in standing out in any way. He’s just falling in line. It’s a real shame to see it happen to yet another talented EDM artist. NOT RECOMMENDED

The Dusk in Us – Converge

In just a couple years, Converge will hit their thirtieth year as a band. That these New England Metalcore legends are still churning out material that sounds as fresh, fluid, and completely singular as The Dusk In Us is beyond my capacity of understanding. They always deliver. Every. Single. Time. The phenomenal “A Single Tear” single and music – released days before the album – was what initially stoked my excitement for this LP, but the chaotic riff fests that are “Under Duress” and “Broken by Light”, as well as the record’s more delicate moments like “Thousands of Miles Between Us” and the title, all further reinforce my belief that Converge are one of the preeminent Metal bands of the last two decades. HIGHLY RECOMMENDED

 Red Before Black – Cannibal Corpse

Just when I think these Death Metal legends are finally running their formula dry, they deliver more genuinely satisfying assault and battery on Red Before Black, their fourteenth studio album in nearly thirty years as a band. While a track like “Destroyed Without a Trace” is so dime-a-dozen in CC’s catalogue – seriously, it could’ve been on Evisceration Plague, OR Torture, OR A Skeletal Domain OR, well you get the point – this LP does have a few subtle differences. For one, the Tech Metal element that has crept into recent Cannibal releases has been noticeably dialed back – tracks like “Firestorm Vengeance” and “Code of the Slashers” are basically Thrash tunes with Death Metal growls on top. Second….well there is no second. And that’s why this band’s status quo approach never excites me. There’s very little on Red Before Black that I can’t get from the last TWENTY YEARS of Corpsegrinder-era material (which, by the way, I enjoy the hell out of his performance here!). So look, if you’re into this shit, you know the deal. And if you’re not, either go listen to Kill or, like, go do anything else with your time. The same thing the fourteenth time over isn’t gonna sway you. RECOMMENDED

No Dope On Sundays – CyHi the Prynce

 Kanye’s most promising – and yet, perpetually shelved – protégé has been waiting in the wings since impressing Hip-Hop heads across the board with his guest spot on My Beautiful Dark Twisted Fantasy. And as one of those people eagerly awaiting his turn in the limelight, I’ve been frustrated right alongside him. Seven years later, his debut album has finally seen the light of day, and I’m thrilled to say that it’s one of the few super-delayed Hip-Hop debuts that’s actually worth the wait. With an insightful running theme that contrasts spirituality with street activity, CyHi rips through track after track of eloquent lyricism, thoughtful song structure, and invigorating collaboration, which include the likes of Pusha T, ScHoolboy Q, 2 Chainz, Travis Scott and Mr. West himself. All in all, No Dope on Sundays is a strong candidate for my Top 10 Hip-Hop Albums of 2017, which will be posted on this blog in the coming weeks. HIGHLY RECOMMENDED

 Post Self – Godflesh

 Despite having an overwhelming fondness for Godflesh’s game-changing industrial classics like Streetcleaner and Songs of Love and Hate, as well as an appreciation for the venerable comeback record that was 2014’s A World Lit Only By Fire, this new one is just too damn esoteric for me. I can’t get into it. For my taste, there’s too much emphasis on ambience and exhaustive repetition and not enough in the way of riffs, which Godflesh have always managed to weave into their sound, regardless of the experimental terrain it has traversed over the years. While the rhythms of tracks like “Parasite” may hit you like an 18-wheeler, there’s almost no semblance of “notes” or musicality, just raw rhythmic noise. And I’m sure, given Godflesh’s stature as the critical darlings of this corner of Metal, they’re being lauded for it by some bloggers. But if I’m being completely honest, Post Self was so over my head that I even scrapped my planned review of it. NOT RECOMMENDED

A FEW MORE:

LIKE:

The Thrill of It All – Sam Smith

BB – Mod Sun

I Am Legion – Witchery

Dark Flag – Phinehas

DON’T LIKE:

Psychosis – Cavalera Conspiracy

Reputation – Taylor Swift

No Shame – Hopsin

What If Nothing – Walk the Moon

Kaskade Christmas – Kaskade

Oblivion – T-Pain

SYRE – Jaden Smith

Stranger – Yung Lean

Friday On Elm Street – Fabolous & Jadakiss

 

October 2017 Album Round Up!

Why is it that every single year, the last week of October is always the greatest (and, well, busiest) week of the year for music listeners? As much as I know it isn’t, it feels so random to me. If I were a musician, I’d honestly feel comfortable with any release date between the months of April and June, or September to November. But there must be something about this particular week that only the accountants at Atlantic, Columbia and Warner Bros. can explain.

On October 28th of last year, I remember walking out of F.Y.E. with the biggest shit-eating grin on my face, now in possession of brand new records from Avenged Sevenfold, Testament, Serpentine Dominion, and Empire of the Sun. And I’d still barely scratched the surface. 2017 was no different. On October 27th, an overwhelming influx of new music saw the light of day, including but not limited to: Blut Aus Nord, Yelawolf, The Used, Yo Gotti, Weezer, Ty Dolla $ign, Hollywood Undead, Theory of a Deadman, and Winds of Plague. Whew. I’m still catching up. Which might explain why this fucking Round Up is getting posted two days before Thanksgiving.

I hope you enjoy my thoughts on this month’s albums, and believe me – there is a LOT to look forward to by the end of the year! I’ve already giddily begun prepping my numerous Year-End lists, so definitely stay tuned! And for God’s sake, please watch that credit limit this Friday. We wouldn’t want to buy a fucking boat for some middle manager at Visa.

The Sin and the Sentence – Trivium

 The eighth record from these mainstream Metal mainstays (and my personal favorite band from ages 13 – 15) is nothing short of a return to form. The band’s creative decline that plagued their last six years of music – beginning with 2013’s stale Vengeance Falls and continuing with the divisive, radio-friendly Silence in the Snow in 2015 – abruptly ends here with a set of tracks that up the ante considerably on aggression and on musicianship, the latter in part due to the addition of virtuoso drummer Alex Bent. Aside from a few missteps in the track list (e.g. the whiny throwaway ballad “Endless Night”), The Sin and the Sentence should electrify diehard supports and galvanize old fans whose support has waned in recent years.In particular, “Thrown Into the Fire” and “The Revanchist” are two of the best songs of Trivium’s entire career. Here is a full review. RECOMMENDED

Pacific Daydream – Weezer

 Frankly, I’m still enjoying the hell out of The White Album – Weezer’s 2016 effort that found its way onto my Top 10 Albums of the Year last December – so it wasn’t gonna be the end of the world for me if the band’s surprisingly quick follow-up was a slight disappointment. And I’m glad the stakes were low, because as it just so happens, Pacific Daydream was exactly that. Forgettable, cookie cutter material like “Mexican Fender” and “Get Right” are severe momentum killers on both the front and back end of this 34-minute LP. All was not lost, however – mid-album highlights like the wistful “Happy Hour” and the knockout hook on “Weekend Woman” kept it from being a total letdown. We’ll just have to wait and see if the band’s forthcoming Black Album finds them back on track. Here is a full review. NOT RECOMMENDED

Trial By Fire – Yelawolf

One of 2017’s brightest gems that I never saw coming, Yelawolf’s barely-promoted third studio album finds the ambitious but wildly inconsistent Alabama MC finally putting all the pieces together on Trial By Fire, his exceptional third LP for Eminem’s Shady Records. All of my favorite music has one thing in common: it takes you out of your surroundings and transports you to another world, and Yelawolf does exactly that on here. Soundtracked with an imaginative fusion of Country, Blues, Folk, Rock, and Hip-Hop, Yelawolf brings you straight down to his native Alabama with intensely autiobiographical dirt road rhymes and his singular, snarling Southern drawl. We’ll surely be chatting about Trial By Fire next month when I recap my favorite Hip-Hop albums of 2017, but for now, at least check out essential tracks like “Ride or Die”, the Juicy J-assisted “Punk”, and the haunting “Sabrina”. Here is a full review. HIGHLY RECOMMENDED

 Lil’ Pump – Lil’ Pump

 I cannot believe this nonsense hit number 3 on the Billboard Charts. I could make this whole mixtape in five minutes. Lil’ Pump’s brand of “Soundcloud” rap is as obnoxious as it is repetitive – there’s absolutely nothing redeeming about the headache-inducing flows on songs like “Gucci Gang”, “Crazy”, and the opener “What U Sayin’”. And even the star power of Rick Ross on “Pinky Ring” doesn’t help, because that discordant fire alarm-mimicking instrumental makes me genuinely angry for the duration of the song, regardless of who’s rhyming. Maybe I’m out of touch, but I really don’t understand what any of these hipster critics see in this shit. NOT RECOMMENDED

Judas – Fozzy

 One of my least favorite Rock releases of the entire year, the seventh LP from Fozzy – the band fronted by WWE Superstar Chris Jericho – is overproduced, formulaic Radio-Rock trash. “Three Days in Jail” is a particularly embarrassing moment as the band briefly attempt to resurrect Nu Metal (yes, rapping and all!) before returning to their cookie cutter Butt Rock. It’s a shame, because I’ve considered myself a fan since I was a teeanger (Chasing the Grail and Sin and Bones still get regular rotation in my car), but Judas better not indicate the direction the band is headed, or they’ve lost me. Here is a full review. NOT RECOMMENDED

Super Slimey – Future & Young Thug

 If people’s would’ve just fucking RELAXED with their unreasonable expectations for this high-profile Watch the Throne-type collab between two of Hip-Hop’s hottest acts, I guarantee they would’ve all enjoyed Super Slimey a hell of a lot more. I sure did. It’s noticeably unrefined and it’s far from perfect, but bangers like “Three” and the Offset-featuring “Patek Water”, as well as the hazy “All Da Smoke” made this auto-tuned meeting of the minds more than worth it. Especially when compared with Future and Drake’s lackluster collaborative What a Time To Be Alive tape from two years ago. RECOMMENDED

Nightbringers – Black Dahlia Murder

 Chalk up another “W” for Black Dahlia Murder. Their first LP to feature lead guitarist Brandon Ellis finds the Michigan metallers right back in tip-top form – in particular, the tracks “As Good As Dead” and the title cut now rank in my top 10 songs of the band’s entire sixteen year career. Here is a full review. HIGHLY RECOMMENDED

 Beautiful Trauma – P!nk

 A true dud from the Pop world this past month, the rest of P!nk’s seventh album proves to be even sappier and more vanilla than its sappy and vanilla lead single, “What About Us”. Despite a decent chorus or two (e.g. “Better Life”) or the catchy dance pulse of “Secrets”, there’s just too much major label money riding on this record for it to be interesting. Not even Eminem’s guest appearance on “Revenge” is interesting, and significantly less interesting is P!nk’s pseudo-rapping attempts on that same track. Yikes. NOT RECOMMENDED

 E – Enslaved

 One of the Black Metal’s most important and adventurous trailblazers, Enslaved have been pushing the genre’s envelope for over a quarter century now, constantly searching for more clever ways to fuse the style’s more traditional sounds with the likes of Prog Metal and even various types of Rock music. On E, the band take another step forward, crafting masterful Blackened Prog Metal epics (if that’s, I guess, a genre now?) like “Hiindsiight” and “Sacred Horse”, which co-exist harmoniously alongside more direct cuts like “The River’s Mouth” and “What Else Is There”. An absolutely essential Metal listen, and an outstanding achievement even by Enslaved’s lofty standards. HIGHLY RECOMMENDED

 Losing Sleep – Chris Young

Given that his new LP consists of only ten tracks and a runtime of exactly a half hour, I figured it wasn’t a huge investment to give Country superstar Chris Young a shot. This year I’ve finally started to acquire a taste for one of music’s most critically dismissed genres – good ol’ Country – and Young is one of dozens of beloved mainstream artists that I’ve yet to try on for size. Well, you can imagine my disdain when I was greeted with the exact type of Pop Country genericism that makes people discriminate against this style of music. More often than not, the central lyrical topic of this album is just fucking DRINKING, and nothing else. And the closer “Blacked Out” is supposed to be this tear-stained, heartbroken ballad, but it comes across so shallow with its references to Ray Bans and Mustangs and ten thousand more allusions to – you guessed it – drinking. For Country music in October 2017, the real winner was Darius Rucker with his new LP When Was the Last Time – you’re better off checking out that one and giving Losing Sleep a hard pass. NOT RECOMMENDED

A FEW MORE:

LIKE:

Thinking Out Loud – Young Dolph

When Was the Last Time – Darius Rucker

Blood of My Enemy – Winds of Plague

4Eva Is a Mighty Long Time – Big K.R.I.T.

Heaven Upside Down – Marilyn Manson

Reaper – Nothing.Nowhere.

DON’T LIKE:

True View – Stick to Your Guns

Cold Like War – We Came As Romans

False Idol – Veil of Maya

I Still Am – Yo Gotti

Beach House 3 – Ty Dolla $ign

Deus Salutius Meae – Blut Aus Nord

 

Porter Robinson’s “Eon Break” Single (As Virtual Self)

Time to talk some EDM.

Last Wednesday, one of my favorite Dance songs of the year dropped out of nowhere and it was from some douchebag I had never heard of. His chosen moniker was Virtual Self, and I could only assume he was another anonymous Swedish teenager about to take the music world by storm.

Just kidding. Virtual Self is Porter Robinson. And I knew that going in. Why else do you think I would’ve immediately stumbled upon such a thing?

My first question: why does Porter Robinson need an alter ego? While I really don’t understand, the answer may lie in the drastic stylistic transformation that he undergoes in “Eon Break”. This track embraces a subgenre known as Happy Hardcore, a jubilant, Major-key spin on Hard Techno and Gabber. If you need a quick introduction, this is a great place to start. Or, as it has been explained to me by my friends who really know EDM: “when you think Happy Hardcore, think Dance Dance Revolution”.

While I don’t know jack shit about this style of music, I DO know that I love this fucking song. Its minute-long build is effortless in execution, and the drop is absolutely rapturous. The towering synth melody is accompanied by a background of fluttering cymbals and propelled by a simple quarter-note kick-snare combo that gives it more of a stomp than a pulse.

I’m also fascinated by the final 30 seconds of this song, because those drum rhythms are – no joke – exactly like the drums you’d hear in a Thrash Metal song. It almost made me chuckle at first. First there are those grinding triplets, and then at around 3:14 they erupt into machine gun-like bursts to close out the song. But you know what? I’ll save the EDM-Metal parallels conversation for another time. ‘Cause it’s a big thing I’ve been working on.

Oh, and what a stunning visual that accompanies this single! When you watch the video, be sure to pause the video at around 13 seconds and read all the sentences (questions on the left, statements on the right) that quickly wiz by on both sides of the screen.

In short, this song is absolutely magnificent. And I can’t wait to hear what this Carolina wunderkind has in store next, Virtual Self, Real Self, Porter Robinson, or otherwise.

 

September 2017 Album Round Up!

It’s a good thing that so few people read this blog, or right now I’d be wading through an endless barrage of angry tweets, emails, texts, Snapchats, and God knows what else asking me why the fuck I’m posting a Monthly Round Up on the 17th of the next month.

The truth is, my priorities have shifted towards my YouTube channel a bit lately. Rather than finish up this post in a timely manner, I opted to use my precious windows of free time to react to Eminem’s anti-Trump BET Awards freestyle and make sure my Black Dahlia Murder review kicked as much ass as possible. Oh, and I’ve got another review dropping today. And another one by the end of the week.

Since I love to write – it’s a visceral form of self-expression that will never cease to fulfill me – I’ll always have content for this blog, but as you may have noticed this past month, things might start to get a little more sparse. I’ve just come to the conclusion that it’s better not to spread yourself too thin and really PUSH for one thing at a time. And with a nice bump in subscribers this past month, YouTube is the way to go at the moment.

But, other than a week here and there without a post, nothing else is gonna change. You’ll still get the kind of direct, filter-less, off-color music commentary that you’ve come to (begrudgingly) expect. And as you’ll see, I haven’t DARED tamper with the Monthly Round Up format that has now been the centerpiece of this blog for a year and a half. So, as per usual, let’s take a look at what this month (September 2017) had to offer:

Concrete and Gold – Foo Fighters

 Dave Grohl and the boys have once again reaffirmed their commitment to genuine, organic Rock ‘N Roll with a set of tunes that far outdoes their 2014 outing Sonic Highways. An irresistble single like “The Line” reminds us why The Foos have achieved the commercial success they have, and more ambitious moments like the Pink Floyd-esque title track and my personal favorite, “Dirty Water” give the LP more depth. Oh, and that Clavinet that appears on “La Dee Da”? AWESOME. Here is a full review. RECOMMENDED

Gemini – Macklemore

 Despite being a one-time defender of Hip-Hop’s most hateable white rapper, Gemini is a Macklemore project I can’t stand behind. His first solo outing since 2005’s The Language of My World, this scattered, inconsistent tracklist never really finds its pace. It’s too busy borrowing from other artists (see the Chance the Rapper-biting “Corner Store” or the forced Lil’ Yachty-collab “Marmalade”) or wasting time with Soccer Mom Pop-Rap (see the Ke$ha-assisted “Good Old Days” or a piano-driven ballad like “Excavate”) to ever find a cohesive sound. Here is a full review. NOT RECOMMENDED

Tell Me You Love Me – Demi Lovato

 Though it gets bogged down by bland moments like “Only Forever”, a bit of over-singing on “You Don’t Do it For Me Anymore”, and one God awful Lil’ Wayne verse, Tell Me You Love Me is still a Pop force to be reckoned with. Between the dance floor-ready “Sexy Dirty Love”, the triumphant title track, and “Cry Baby”, a soulfully sung tale of relationship woe, I walked away from this one-time Camp Rock star’s latest LP with considerably more praise than criticism. Here is a full review. RECOMMENDED

Will to Power – Arch Enemy

 Disappointingly, one of my favorite Melodic Death Metal bands dropped the worst record of their career this time around. It’s not that it’s outright bad – most of the time the ideas on this album sound recycled, and when they don’t sound recycled, they sound plain uninspired. And the one time the band DO step outside their comfort zone – the ballad “Reason to Believe”, featuring the first appearance of clean vocals on an Arch Enemy song courtesy frontwoman Alissa White-Gluz – they ruin it with a surrounding blandness. Here is a full review. NOT RECOMMENDED

 The Aviary – Galantis

 Still riding the enormous success of the single “No Money”, Galantis have presented us with another set of simplistic EDM songs that get the job done and not a whole lot else. “Tell Me You Love Me”, with its almost childlike exuberance, along with the fraternity tailgate vibes of “Hey Alligator”, represent some higher points on the LP, whereas tracks like “Written in the Stars” and the “Hunter” suffer from a looming, unwelcome Top 40 influence that acts as a diluent and relegates The Aviary to “pick your favorite cuts and skip the rest” status. RECOMMENDED

Cryptoriana: The Seductiveness of Decay – Cradle of Filth

 This is another solid helping of theatrical, unapologetically histrionic Extreme Metal from Dani Filth and co. Since it doesn’t do much more than maintain the rock solid status quo set by its predecessors (2014’s Hammer of the Witches and 2012’s The Manticore and Other Horrors), Cryptoriana isn’t gonna leave you in shock and awe, but it’s not an LP you should skip over if you’re a Cradle fan. Whether it’s the catchy, Maiden-esque gallop in “The Seductiveness of Decay”, the haunting choir melodies in “Wester Vespertine”, or the morbidly poetic lyrics of “Achingly Beautiful”, these Brits have come through with another commendable crowd-pleaser. RECOMMENDED

Cold Dark Place EP – Mastodon

 As I explained in a Mastodon discography ranking that I recently filmed for my YouTube buddy Christian McGuire (video out soon!), Mastodon’s brand new EP is the most interesting music the band have made since 2009’s Prog opus Crack the Skye. The fucking steel guitar on “North Side Star” and the title track especially? OH MY GOD! This post-Metal-y little adventure is radically different from anything the band has done and I am so fucking down for a full album in this style! HIGHLY RECOMMENDED

Wonderful Wonderful – The Killers

 This fifth record from the Killers (has it really only been five??? They’ve been around forever!) with its New Wave-inspired synths and ‘80s Pop rhythms, could’ve been a fitting Fast Times at Ridgemont High soundtrack if it came out in 1982 – at least a good portion of it. The driving “Run for Cover” feels like a mix of Huey Lewis and Bryan Adams, while the bouncy dance vibes of “The Man”.That’s not to say that Wonderful Wonderful is entirely retro – Psych-Pop contemporaries like Tame Impala shine through on the title cut, while “Out of My Mind” is certainly in line with the recent out put of The 1975. Definitely worth checking out, Killers enthusiast or not. RECOMMENDED

 The Stories We Tell Ourselves – Nothing More

While I had initially written this band off as “Butt Rock” (and therefore unwelcome in my listening rotation), this fifth record of theirs got enough ridiculous Twitter hype that I decided to check it out. And you know what? I’m glad I did. As I discussed HERE, the track “The Great Divorce”, with its irresistible guitar line in the chorus and anthemic vocals from frontman Jonny Hawkins, is one of my favorite Rock songs of the year. And I dug some of the slightly industrial moments too, like “Ripping Me Apart”, which has little pieces of Godflesh lurking inside its shiny mainstream packaging. RECOMMENDED

 Prophets of Rage – Prophets of Rage

 So here’s what an undercooked Rage Against the Machine album would sound like with two aging rappers (in this case, Public Enemy’s Chuck D and Cypress Hill’s B-Real) ranting about justice over it. My biggest beef with Prophets of Rage’s music is that there’s no discussion of concrete issues – aside from one weed legalization song (“Legalize Me”, what a shocker) it’s all these vague allusions to poverty and the 1 percent and homelessness but no constructive dissection of how the current political climate affects these problems or how we can work to enact change. Politicians are liars? No shit, Sherlock. I get it. But if you’re gonna make a politically-charged album, why is it that I learned nothing and there was no compelling call to action anywhere to be found? NOT RECOMMENDED

A FEW MORE:

LIKE:

Thrice Woven – Wolves in the Throne Room

Sleep Well Beast – The National

All the Light Above It Too – Jack Johnson

Awake – Illenium

Clairvoyant – The Contortionist

Laila’s Wisdom – Rapsody

DON’T LIKE:

Life Changes – Thomas Rhett

Deep Calleth Upon Deep – Satyricon

Double Duchess – Fergie

Younger Now – Miley Cyrus

Ludacris’ “Vices” Single

He may have been the shiznit back in Elementary School when the clean version of Word of Mouf was permanently nested in my Walkman, but Ludacris and I have not had a relationship for many years now. The last Ludacris album I enjoyed was in 2008. The last Ludacris movie I enjoyed – besides none of them – was in 2011 (he had a minor role in No Strings Attached, a movie I sort of half-liked, mostly because it centered on Natalie Portman having sex).

And wackest of all was his selfish, hypocritical reaction to the Paul Walker jokes that were made at the Roast of Justin Bieber, especially considering there were several jokes made about 9/11 which, unlike one person driving too fast one time, was a national tragedy in which we lost nearly 3,000 of our citizens in the worst domestic attack the nation has ever seen. So we can joke about that but not Paul Walker. Sure. But, I digress.

This doesn’t mean I don’t still give the guy a chance. Underrated not only for his lyricism but also his unparalleled ability to jump on a Pop song and actually ADD to it (see: “Glamorous”, “Yeah!”, “Baby”, etc.), I’m always rooting for Luda. I thought he KILLED his verse on Future’s “Same Damn Time” remix, which might’ve been over five years ago now, but that’s the best reference I’ve got at the moment.

I was as surprised as I was intrigued when, pretty much out of the blue, Luda dropped his new single “Vices” last Wednesday. Its title gave it the initial appearance of a party track. I had to see if Christopher Bridges has any more gas left in the tank.

Right off the bat, I wasn’t too impressed with Luda’s opening rhyme scheme – that whole “bottles/shots/models/thots” thing? Yeah, that didn’t do it for me. Nor did the rest of his bars, where he talks about “skanks” and “dank” and dressing in expensive clothes. Super exciting.

I still think he has one of the illest flows, though. Whenever I hear Ludacris spitting, it always sounds like he is in complete control of the beat, almost as if he’s hovering above it, pulling the strings and dictating its pace. At any moment he could let out a flurry of double time rhymes. On “Vices” his quick tongue is notably restrained, but an air of anticipation still lurks around the corner of every bar, as if the dude could go off at any time. Even with the vapid subject matter at hand here, Luda still out-raps a large majority of Hip-Hop’s current generation, by a pretty wide margin.

The instrumental here is a solid, appropriately minimalistic choice – a steady stream of hazy eighth notes from a synth sit atop a laid back drum groove, with only an extra six-note keyboard loop to signal the song’s chorus. Luda’s message here, ultimately, is that we all have our indulgences, and not only is it perfectly ok to partake in them if we so choose, but it’s nobody’s place to pass judgment. At the end of the song, he urges listeners to “worry ‘bout your own fuckin’ life” and “stay the fuck up outta mine”. And you know what? Since drinking, smoking weed, and fucking girls isn’t all that interesting (especially when you’re forty years old), I have no issue complying.

August 2017 Album Round Up!

Welcome to the Monthly Album Round Up: Back to School Special! (Unfortunately, as much as I regret to inform you, this one doesn’t come with a Tax Holiday!) If you’re a bright, diligent, hard-working young student (wow, listen to how full of shit I sound), I hope your new school year is off to a great start; if you’re a parent that’s finally gotten rid of your toddler/teenager/college-aged manchild, I hope your newfound freedom has been soothing and has lessened the chances that you’ll kill yourself in the near future.

One look at a release calendar like this one should tell you all you need to know – Fall Release Mania is right around the corner!

I couldn’t be more excited to for this onslaught of new music from all corners of the industry. As always, I’ll be reviewing at least one or two albums every week on my YouTube channel, so be sure to head over there and subscribe to stay up-to-date!

As for August 2017, several artists really came through in the clutch for me! Hip-Hop wise, I was constantly bumping A$AP Ferg’s new project. In the Pop world, I found myself unexpectedly digging the first post-Camila Cabello Fifth Harmony album. And Melodic Death Metal legends The Haunted gave us undoubtedly one of the Metal albums of the year with their ninth LP Strength in Numbers. So there was a lot to be stoked on this month, and I’d say we’ve got plenty of momentum as we drift away from Summer and into the clutches of Autumn.

Here’s to Fall 2017! Don’t let me down….that terrible Chainsmokers song compels you.

Rainbow – Kesha

Though it’s miles more sophisticated than the days when she was brushing her teeth with a bottle of Jack, Ke$ha’s (or, sorry, “Kesha’s”) highly acclaimed new record is still way overhyped. Her third overall and first since her widely publicized sexual assault case against her producer Dr. Luke, Rainbow is, by all accounts, an adventurous and deeply vulnerable album – it’s just inconsistent. While I really enjoy the spunky punk-infused “Let ‘Em Talk”, the brazen feminist anthem “Woman”, and the Country detour “Hunt You Down”, the rest of the LP is full of bland, by-the-numbers “I’ve been through soooo much” Pop songs (e.g. “Learn to Let Go”, “Finding You”, and the title track). And I’m already beyond sick of the Ryan Lewis-produced ballad “Praying”, which is getting some significant airtime and is setting itself up to be the next “Hello” (sorry Adele fans, hated that one too). So while Rainbow is without a doubt her best album yet, and I admire Ke$ha greatly for laying bare the very real heartbreak she’s experienced in the past few years, but I’m not as into the music as a majority of Pop fans seem to be. NOT RECOMMENDED

Paranoia: A True Story EP – Dave East

The debut Def Jam release from Harlem’s own Dave East – one of last year’s XXL Freshmen and a noted Nas protégé – is an abbreviated and uneven but overall satisfying EP to hold fans over until his proper debut full-length. Despite some underwhelming cuts like “Phone Jumpin’” and “My Dirty Little Secret” that lack in the hook department, East definitely impressed me on “The Hated”, which finds him flexing his storytelling prowess, “Perfect” in which he teams up with Chris Brown for a well-executed strip-club song, and “Maneuever”, which is brought to life by palpable chemistry with fellow NY rapper French Montana. While this wasn’t the knockout project I hoped for from Dave East, he has given me every reason to believe that he has one in him. Here is a full review. RECOMMENDED

Strength in Numbers – The Haunted

 With their ninth record, The Haunted delivered modern Thrash Metal at a level that Metallica, Slayer, Overkill, Testament, Exodus, and Megadeth have ALL failed to reach this side of 2010. And while The Haunted will always be classified as a Melodic Death Metal band, this is a Thrash record. I don’t care what you think. It’s like listening to Testament’s The Gathering if Chuck Billy was even meaner and the riffs were twice as pummeling. And this album’s laser focus on great choruses may be its greatest asset– tracks like “Spark” and “Preachers of Death” hone in on gritty but memorable hooks in a way that The Haunted’s contemporaries simply do not. Here is a full review. HIGHLY RECOMMENDED

Fifth Harmony – Fifth Harmony

This superstar girl group’s first album post-Camila Cabello is a surprisingly tight, well-rounded, sharply written, and charismatically performed ten tracks. In particular, the irresistible “Deliver” is one of my favorite songs of the summer. And ballads like the dancehall-influenced “Don’t Say You Love Me” and Shaggy-interpolating “Messy” provide a nice balance for party songs like “Sauced Up” and the smash single “Down”. While some of the lyrics may be as irritatingly unimaginative as expected, and a few moments fall flat (“Make You Mad”, “Angel”) this LP was a nice surprise for me. Here is a full review. RECOMMENDED

Still Striving – A$AP Ferg

 Truth be told – I had precisely ZERO intentions of writing about this mixtape (or even listening to it more than once, for that matter). Ferg’s 2016 LP Always Strive and Prosper was one of the worst Hip-Hop releases I heard all year, and the last thing I wanted to do was waste more of my precious time on messy, store brand Trap/EDM mash-ups. But thank GOD I kept an open mind, ‘cause I could not have been more wrong this time around! Still Striving is a thrilling collection of slappers, whether it’s the Migos collab “Nasty (Who Dat)”, which begs to be cranked to 11, or perhaps the catchiest cut of the bunch, “Aww Yeah” with Lil’ Yachty. There’s also the spitterific “East Coast Remix”, with everyone from Busta Rhymes to Dave East to French Montana to frickin’ Snoop Dogg going at it in high-caliber fashion. Still Striving is the Hip-Hop release that I’ve been shamelessly plugging to everyone I know that’s remotely into the genre. Do NOT sleep on this! HIGHLY RECOMMENDED

Dead Cross – Dead Cross

Noisy, chaotic, and eccentric (I mean this is MIKE PATTON on vocals, after all!), this supergroup’s self-titled debut met all of my weirdness expectations and many of my musical ones too. Dead Cross is an eclectic mix of Hardcore Punk, a bit of Thrash Metal, some noisy, avant-garde Rock, and lord knows what else. One listen to a remarkably strange ball of energy like “Obedience School” will likely turn many listeners off, but close examination of an explosive cut like “Gag Reflex” is rewarded by some seriously awesome riffing from guitarist Mike Crain. Not to mention, “The Future Has Been Cancelled” takes home the gold in the Song Title Olympics. This record is a must-listen for Mike Patton fans, and a “you probably SHOULD listen” to any Hardcore or Thrash fanatics looking for a radical departure from their typical day-to-day mosh-fare. RECOMMENDED

Luv is Rage 2 – Lil’ Uzi Vert

Coming off his guest appearance on the Migos’ smash single “Bad and Boujee”, 2016 XXL Freshman Lil’ Uzi Vert’s buzz couldn’t be bigger right now. So it wasn’t a shock to see this – his debut studio album – hit number one on the Billboard charts. Production is handled by the likes of Pharrell, Metro Boomin, TM88, Don Cannon, Illmind, and more heavy hitters, so the beats are top shelf, to say the least. And while Uzi’s approach as an MC is clearly in line with the Hip-Hop zeitgeist, featuring heavily auto-tuned, sometimes half-sung bars in various trendy flows (hence, his popularity), he can’t hold me attention for this whole project. A song like “For Real” is as repetitive as it is vapid. But feel free to try out a couple fun tracks, like the turn-up cut “Sauce It Up”, or the Pharrell-assisted “Neon”. NOT RECOMMENDED

 Dear Desolation – Thy Art is Murder

So….I’m not typically a Deathcore fan. New releases from this corner of the Metal world consistently rank as the biggest time-wasters in my listening calendar, and that’s putting it nicely. All that being said, I’m so glad that I gave this album (and this band) a shot, because Dear Desolation is the exception to the rule. The first half of this LP in particular is full of pummeling, crisply produced Extreme Metal. The constant stream of breakdowns – which is something that usually bores me to tears with other albums in this style -are able to remain effective because band keeps the riffs exciting and the tempos dynamic throughout these 38 minutes. Thy Art is Murder certainly aren’t reinventing the wheel, but I commend them for making a listenable album within a (mostly) unlistenable style of music. RECOMMENDED

 

Painted Ruins – Grizzly Bear

For the most part a pretty chill, spaced-out, and zen eleven tracks, Grizzly Bear’s fifth LP was my ultimate soundtrack to quiet, contemplative Tuesday evenings on my porch this month (due to my work schedule, Tuesday night is my version of “Sunday night”, if that helps paint the picture). Though I’m not too knowledgeable about the band’s catalogue, I’ve enjoyed vibing out to relaxing songs like “Glass Hillside”, “Three Rings”, “Systole” (featuring incredibly dreamy vocal harmonies!), and “Neighbors” (which has a slight psychedelic touch). The band’s musical ability is evident in their thoughtful, occasionally unorthodox chord choices (there’s a conspicuous jazz influence embedded in many of these tracks), and I’m impressed to the point that I feel compelled to dig through their first four records and familiarize myself. ‘Cause next album cycle, I’ve gotta be ready! RECOMMENDED

A FEW MORE:

LIKE:

The Rise of Chaos – Accept

Science Fiction – Brand New

The Golden Age 2 – Dizzy Wright

Galaktikon II: Become the Storm – Brendon Small

Renaissance in Extremis – Akercocke

Villains – Queens of the Stone Age

DON’T LIKE:

Deadweight – Wage War

Hell Yeah – KMFDM

The Reign – Hinder

17 – XXXTENTACION

 

August 25th Singles: Taylor Swift, Miguel, Demi Lovato & more!

So, Summer ‘17 is essentially over. Whether you spent it at camp, or down in Argentina building houses or some type of “do-gooder” shit, or you just continued to slave away at your 9-5 with one less layer of clothing on like I did, I hope these last few months advanced your life forward in some type of positive way. But most importantly, of course, let’s hope Rick Ross’s entire posse got rich like he firmly suggested would be the case. ‘Cause ultimately, that’s what matters in life. Rick Ross’s posse.

Anyway, the end of summer means that the back-to-school music rush is upon us! These next couple months are gonna be as wonderful a time as ever to be a fan of stuff that involves notes, rhythms, melodies, singing, yelling, or anything that remotely resembles music.

With countless release dates stacking up, we began to see a lot of high-profile singles popping up this past week. So many, in fact, that I felt compelled to write about what I heard. For this article, I specifically went after all the A-list stuff. Sure, I could’ve talked about the new Arch Enemy song or whatever, but isn’t it more fun to talk about things that make people gobs of money? Like a Taylor Swift album cycle launch? No? Well, too bad.

Here’s a quick synopsis of a bunch of big-time singles that came out on or around this past Friday:

Sky Walker (feat. Travis Scott) – Miguel

BANGER ALERT! Wow. I’m not sure what floors me the most, how flawlessly Miguel crafted this more Hip-Hop influenced, Weeknd-ish ode to self-indulgence and bravado, or how well Travis Scott’s voice gels with his. Scott is like Miguel’s drug-soaked, auto-tuned sidekick – the two have so much chemistry, you’d think they’ve already done a whole album together (and hey, after hearing this, I’d probably want that to happen!) And this track, while smooth and swaggering as all hell, also has a bit of a goofy, tongue-in-cheek, wink-wink-nudge-nudge kind of thing going on, ‘cause after all, the ridiculous line “Luke Skywalkin’ on these haters!” is part of the refrain.

I don’t know when the next Miguel album is dropping, but whenever that is, I want an album full of THIS!

You Can’t Control It – Jack Johnson

 Listening to this infinitely soothing new single from Jack Johnson – a master of folky singer-songwriter pleasantries – I can practically feel my inner tension loosening. It’s almost like a massage (well, minus the part where you roll over and offer 60 bucks for a happy ending).

The third single from his forthcoming seventh album All the Light Above It Too, “You Can’t Control It” is not only pure calming pleasure sonically – featuring sweet, gentle guitar melodies married with Johnson’s reverb-drenched croon – but there’s something so freeing about hearing that phrase, “You Can’t Control It”. ‘Cause when you walk around feeling like everything is up to you, and everything is your responsibility, you apply this immense pressure to yourself that can be suffocating at times (for instance, I didn’t sleep a wink a couple nights ago because, well, I did just that). Perhaps this song is Johnson’s best cure for what he refers to here as “the war within your head; one that you could never win.”

Look What You Made Me Do – Taylor Swift

As the Internet has already redundantly established, T. Swift’s first solo track in nearly three years is fucking terrible. Why have I – and thousands, if not millions of other irritated eardrums – come to this conclusion? Well, there’s a lot of reasons. I will outline three of them:

Reason 1: the unbearable corniness of the “Kanye West diss” that’s at the heart of it. “I’ve got a list of names and yours is in red, underlined”……oooo, no you didn’t Taylor! Or how about my personal favorite line, when Taylor defiantly chirps: “I got harder in the nick of time”? Hey, it’s always good to know that T. Swift can come through with some clutch erections down the stretch.

Reason 2: the obnoxious hook. Which, by the way, I was so busy being angry at it that I didn’t even pick up on the fact that it was an interpolation of Right Said Fred’s “I’m Too Sexy”. Shame on me. But it still sucks. And it’s about as likeable as Meaghan Trainor’s “Me Too”. Yeah, I went there.

Reason 3: worst of all, this song is attempting to be some sort of Dance-Pop. Meaning it might start getting played in bars….meaning after paying some bullshit cover charge, I might have to turn around and walk out on all of my friends if it comes on. Either that, or I’ll have to stay home for the next 15 months until the coast is clear.

But who knows, maybe the album will be decent. It’s still early.

You Already Know (feat. Nicki Minaj) – Fergie

After over four years of rumors and eleven total years of elapsed time since her solo debut, Fergie Ferg is finally dropping her sophomore LP Double Dutchess on September 22nd. One of its singles (“L.A. Love”) is three years old. Two more of them we already heard a while ago too. Can’t say I’ve got much going on in the anticipation department when it comes to this record.

Stylistically, Fergie’s been trying a lot of shit. I already gave my mixed two cents on her tropical house adventures on “Life Goes On”, and I think we can all agree that “M.I.L.F. $” (which will also appear on Double Dutchess) is a tasteless Hip-Pop attempt. As for “You Already Know”? It’s a little better, but not by much. It’s obviously crafted for high-energy dancefloor type situations, but Fergie’s obnoxious and completely overcooked rapping steps all over the beat. Nicki Minaj brings a bit of genuine lyrical finesse to offset it, but ever since the record-shattering horror that was Fergie’s “All of the Lights” appearance, I just can’t take her seriously when she tries to rap.

 Tell Me You Love Me – Demi Lovato

Demi Lovato is yet another A-lister ramping up for a late-September album release. “Tell Me You Love Me” is our second taste of her forthcoming sixth record of the same name, and I gotta say, this is one of my favorite Pop songs of the Summer.

I hate using the term “empowering” – in my mind, it often equates to corny Liberalspeak – but this track does have such an uplifting sound that it’s tough to squeeze in any other adjective. The instrumental during the chorus absolutely KNOCKS – those triumphant horns and the booming snare and bass are a hell of a combo. And lyrically, if you ask me, there’s something so sweet and so romantic about admitting to a (SMALL) degree of co-dependence – strong relationships are, after all, partially built on a mutual feeling of importance in each other’s lives, and that’s something Lovato captures beautifully here. Hopefully this one doesn’t get beaten to death by radio.

Pizza – Martin Garrix

Bookended by a sweeping cinematic build-up and comedown, the latest single from this Dutch EDM Wunderkind is a sunny, rapturous burst of energy. What I first saw as cheesy and cookie-cutter has evolved into a fun, simplistic escape and a slight guilty pleasure for me. Truth be told, this song breaks exactly ZERO ground as a stereotypical House track (don’t let the intro and outro distract you into thinking otherwise), but it continues to grow on me with repeated listens. Gonna be a great tune to soundtrack some end-of-summer hangouts.